The flyer has the play Ricordi printed on one side and an advertisement for My Army on the other. It was also performed as part of the Melbourne Fringe arts festival.1 small posterricordi, athenaeum theatre, program, melbourne fringe arts festival, doppio teatro company, teresa crea

this performance was part of the Melbourne international Festival of the arts 1995.This show and festival was sponsoured by Mobiler phone by Eriscon ,Mobilenet Digital and Tenth Melbourne Festival blue and white A4 flyerthis performance was in association with David Roth as Cheif assistant and Matt Silver Production stage manger melbourne international festival of the arts, an evening with ricky jay, ricky jay, athenauem 2

The Slovenians enjoyed participation at the Royal Melbourne Show 1959 where they could showcase the Slovenian traditions, arts and crafts, and at times,culinary goodies as well.Traditional Slovenian crafts, national costume and the tourism jewel Lake BledSlovenian couple dressed in Slovenian national costume of Gorenjska region at the Royal Melbourne Show in 1959. The painting shows the tourist attraction Lake Bled and many traditional items of craft were placed in the exhibition as well. The man in the photo is Leopold Jalk.Couple dressed in Slovenian national costume, painting of Lake Bled and Slovenian traditional craftsslovenian national costume, slovenian crafts, lake bled, royal melbourne show

Collected by Adele Grey and owned by Jenny Lang who was a member of the Embroiderers Guild of Victoria and held exhibitions of her work at the Arts & Crafts SocietyTwo White pillow shams (3861.1 and 3861.2) with white embroidery flower design and eyelet work in each corner and oval design in centre. 7cm crochet lace around edge. Make Reg No NA3861.1-2manchester, bedding

Note on back - 'Ros Kelly Federal Minister for the Arts, Sport, the Environment, Tourism and Territories standing with some of Australia's army of aluminium can Recyclers'.Black and white photograph group of primary school with Ros Kelly, Federal Minister, standing outside Parliament House in Canberra, with the Cash for Cans trailer. Lakes Entrance Victoriaschools

Showcasing the diversity of creative talent inspired by the visual arts and community art networking programmes offered at the studio of Northern Support Services for people with disabilities.

CEMA Art Collection Winner of 1962 Portland Artists' Society Prize for the category Painting. Included in the 1999 "Salvage" Exhibition at CEMA Arts Centre.The painting depicts several trees on a multi-coloured ground with mountains in the background. The trees in the foreground are linear and completed in shades of browns and pinks. The work has a white, gold and blue hand-painted frame with exposed canvas.Front: Werther '62 (bottom right, brown paint) Back: PORTLAND "DEAD WATTLES" 40 GNS FRANK WERTHER COTTLES BRIDGE VIC per MAYNE NICKLESS (white chalk) Red sticker: 32 Yellow sticker: 1962cema, portland artists society

Forme-cut folder, containing nine A0 sized posters, one per graduate. Introduction by Paul Mah, Co-ordinator/Teacher. Staff listed as James Baker, Roberta Crisci-Richardson, Jason Grace, Peter Grziwotz, Sam Harmer, Alister Heighway, Dr Jennifer Jones-ONeill, Paul Mah, Kate Neal, Ewen Ross. Course fell under the University of Ballarat, School of Education and Arts, Arts Academy, at this time.Promotional catalogue for graduating students of the University of Ballarat (TAFE), Advanced Diploma of Graphic Design, 2013. Forme-cut package containing suite of nine, A2 posters, folded to A5 size. university of ballarat, federation university, graphic design, tafe, advanced diploma, arts academy, camp street campus

Maggie BARNES -OAKE (1942 - ) Born Essex England Arrived Australia 1981 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Maggie Barnes-Oake is a past student of the University of Ballarat, Arts Academy, who studied under Neville French and Mary Rasmussen. Maggie won the University Acquisitions Prize in 2002 and completed or Diploma of Arts in 2003.'Ishna' fantasy sculpture. Made from Raku slab with oxides and Raku fired. Artist is Maggie Barnes-Oakeart, artwork, barnes-oake, ceramics, maggie barnes-oake, art acquisition award, available, alumni, dvc art acquisition award, raku

Deborah WILLIAMS (1967 - ) Printmaker Deborah Williams completed a Masters by Research at the National Art School, Sydney in 2011. She later worked at RMIT in the Visual Arts TAFE program teaching Printmaking and is the Advanced Diploma Coordinator, and sessional lecturer in the Drawing and Printmedia department at the Victorian College of the Arts, School of Art. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection.Edition 2/36deborah williams, parallel prints, artist, artwork, printmaking etching, dog, animal, shadow

CEMA Art Collection Winner of 1963 Portland Art Society Art Prize for category Watercolour. Included in the 1999 "Salvage" exhibition at CEMA Arts Centre.The painting depicts mountain ranges from an elevated position looking down across the mountains. The mountains in the foreground are predominantly shades of green, yellow and brown. The mountains in the background are various shades of blue and extend into a pale blue sky. The work has a grey painted frame with a white cardboard mount and glass.Front: E Denton (lower right, black paint) Back: ENID DENTON "FLINDERS RANGES" (1963) Watercolour (typed label) 1963 (yellow sticker)

Mary Fogarty was a former student of the Ballarat School of Mines. She joined the staff as a teacher of Arts and Crafts at the Ballarat School of Mines Technical Art School. Black and white photographs of the head and shoulders of a woman. She is Mary Fogarty.ballarat school of mines, fogarty, art, women, mary a. fogarty, mary fogarty, university women

School year book detailing achievements of the school community, including sporting, academic, social and the arts. Scholarship recipients details are included and examples of student work.Printed booklet of olive coloured card cover and glossy white paper pages.Cover printed in dark olive. Pages printed in black. Some black and white photographs.Written on front cover: Leslie Hill 391 1858 Les Hill 46 Elphin St Newportwilliamstown high school, yearbooks, high tide

Belonged to Elsa Ardern, mother of donor, well known potter who stared the Potter's Cottage Warrandyte. Elsa also taught pottery at the Arts Association.A metal (silver coloured) coffee percolator with glass removable dome in hinged lid. Black plastic handle. Metal plunger and 'beans' colander inside. BIRKO signature on black plastic base and a metal tag:|VOLTS/BIRKO/WATTS|240//400|CAT NO X5/|MADE BY BIRKO ELECTRIC PTY LTD|Submitted to electrical approvals board|Reference No. VC\0\X5See above descriptiondomestic items, cooking, food & drink consumption

2 pages, A4, photocopied documentnon-fictionA discussion of the Elmore Houses in Blackburn between 1912-1932.elmore houses, elmore algeron, green ken, heidelberg school, morton thomas, open air school, clonmore, freehold investments and banking company of australia ltd, arts and crafts bungalows

Acquired by Portland Council for the Encouragement of Music and the Arts (CEMA) as a winner of its annual Art Price in 1964; later presented by CEMA to Portland Town Council.View of the interior of a cave. In foreground is a triangular pool of dark blue water with lighter highlights. The walls of the cave curve up both sides of the water, meeting at the back of the cave. At back of cave is a ledge with 7 seals on it. One seal is diving into the water. The walls are painted in brown and dark blue, the seals in pale blue with highlights in white.Front: Malseed (lower right, red paint) Back: Nancy Malseed "Seal Cave" Portland Art Gallery Trust, c/c C. Woolcock (upper and mid left, black felt tip pen).sea, seals, coastal, seascape

CEMA Art collection. Winner of 1966 Portland art Society Art Prize for category oil. Included in the 1999 "Salvage" exhibition at CEMA Arts Centre.AbstractAbstract depiction of a person with a bunch of bananas completed in shades of red, brown and black. The focus of the work is the standing human figure with brown clothing and red skin tones. The person is looking to their right at the bunch of bananas they are holding. The work has a two tiered wooden frame and exposed canvas.Front: Von(lower left, etched into black paint) Back: Taped label:"Banana Grower" Yvonne Cohen Porter St Templestow $ 90.00 Glued label: Yvonne Cohen :Banana Grower"(1966) Yellow sticker: 1966cema, portland artists society, female artists, female, women, bannana, agriculture

The 1888 Centennial International Exhibition, celebrating a century of Australian settlement, surpassed even the grand scale of the1880 Melbourne International Exhibition. It attracted over two million people, but the Victorian government had to spend £250 000 on it, ten times the amount estimated. The exhibition had a distinctively imperial focus, and a greater emphasis on culture than in 1880, particularly on music and painting (1). (1. https://collections.museumsvictoria.com.au/items/273830) S.D. Gadd was appointed Curator of Parks and Gardens in 1874 an lived in residence in Rosalind Park. He resigned in 1905 and moved to Melbourne where he died in 1917. Mr Gadd was a prominent member of the Masonic Lodge. It is not clear why he was awarded this medal.The bronze medal of the Centennial International Exhibition awarded to S.G. Gadd. Obverse - Portrait: bust of Queen Victoria in left profile wearing a crown, veil and 3 medals. Reverse - Field: Victor's wreath consisting of leaves and acorns of British oak and the leaves and acorns of the wattle. The oak and wattle were tied together 'by a true-lover's knot, 'symbolizing the unity and affection between the mother country and the colony'. Southern Cross inside surrounded by a legend. (https://collections.museumsvictoria.com.au/items/273822) Obverse - Motto: Centennial International Exhibition Melbourne Reverse - Legend: (Latin) Artibus Dignis Honor Insignis (To the deserving arts, distinguished honor) (Mint) left: Melbourne Mint. (Date) Lower Centre: MDCCCLXXXVIII. (Engraver) Right: Stokes & Martin S.C. Edge - Plain, impressed with S.G. Gadd ESQ.centennial international exhibition melbourne 1888, s.g. gadd, rosalind park, city of greater bendigo medals

Tony HANNING (1950- ) Dr Tony Hanning is an internationally recognised glass artist whose work is represented in all major collections in Australia and many overseas collections including the V&A Museum in London and the Tacoma Art Museum in the USA. He pioneered the ‘cased’ glass technique that involves two layers of different coloured glass carved in a cameo-like fashion. The imagery in Tony Hanning's work often is representitive of the Gippsland landscape. He has a PhD from Monash Univversity (2008); Master of Arts from Monash University (1998); and a Diploma, Visual Arts, Gippsland Institute of Advanced Education, Monash University, Melbourne (1971). From 1971-1980 Tony Hanning was the Director of Latrobe Valley Arts centre (later Latrobe Regional Gallery, Morwell) Glass platetony hanning, glass, artwork, gippsland campus, churchill, alumni, staffmember

A5 landscape booklet to accompany an exhibition of ceramics by "current students, recent graduates and staff of the School of Arts - University of Ballarat". Ceramics Studio Coordinator, Peter Pilven. Head, School of Arts, Robert Allan. Ms Sandy Caldow, Lecturer. Mr Barry Wemmys [sic] Technician. Professor David James, Vice Chancellor. Thanks to Nat Karacsay. Design, Ben Tiley. Sponsored by Walkers Ceramics; Delclay Pty Ltd Ballarat; and Northcote Pottery.Booklet promoting Ceramics at the University of Ballarat. A5 landscape, 8pp saddle-stitched booklet, printed single colour blue throughout.university of ballarat, federation university, ceramics, pottery, mt helen campus, school of arts, peter pilven, robert allan, barry wemyss, sandy caldow, david james, nat karacsay, ben tiley, walkers ceramics, delclay pty ltd ballarat, northcote pottery

Taken by an unknown photographer. This early photograph of Slawa Horowitz-Duldig was probably taken while she was still a student at the Kunstschule für Frauen und Mädchen (Art School for Women and Girls) in Vienna. In this ‘staged’ image Slawa presents herself as a painter, equipment at hand. Slawa had intended to continue her painting studies at the Academy of Arts but became a private sculpture student of Secessionist sculptor Anton Hanak at the Kunstgewerbeschule (School of Applied Arts) the following year. This early photograph is part of a collection of photos, drawings, sculptures and paintings which document the art training system for women in Vienna between the wars. art school for women and girls, anton hanak

Reports of three awards - one to Arthur Boyd (arts), Prof D H Pike (humanities) and Prof R Hanbury-Brown (sciences) made by Britannica Australia.S and date handwrittenwalsh st library

Plaque was presented by the Australian Children's Choir, New Zealand Tour April 2001 to the Nunawading Arts Council and Mr Hodges, president per invitation to a return concertGold metal square set on solid wood frame. Black writing. Invitation to presentation concert to Mr and Mrs Hodges.Plaque of Appreciation presented by The Australian Children's Choircivic mementoes, plaques

Made in Ballarat The latest in a series of events including recitals and masterclasses. Patron David Hobson, this program was devised by Graeme Vendy. President of the Arts Foundation Val Sarah.3 pages cover with image of hands playing violin, the program, and insert on blue paper with programme of musical items.Orchestral MASTERCLASS 21st June 2008 ... etc MADE IN BALLARAT Concert 2.30pm 22nd June 2008 The Ballarat Symphony Orchestra - Conductor Benjamin Northey With - David Hobson, Roger Lemke, Jacqueline Dark Accompanist - Wendy Rechenberg ... etc.orchestral, made in ballarat, 2008, the ballarat symphony orchestra, benjamin northey, david hobson, roger lemke, jacqueline dark, wendy rechenberg, opera, singing, singer, orchestra, ballarat

Variety of miscellaneous Anglican Church publictions: Bush Church Aid Society of Australia - March 1991, Anglican Homes Diocese of Melbourne Annual Report - 1988, Creator's Creation Creating, Christian Arts Group folder - Spring 1978, The Melbourne Anglican newspaper - May 1996, Look, The Church of England Parish Paper for Holy Trinity Doncaster and St. Philip's Deep Creek Souvenir Issue - Centenary Year June 1969.

This is a book given to Margaret Davidson in 1875 by her aunt, Mrs J. Davidson. Margaret Milne Davidson (1839-1928) was the eldest child of James and Isabella Davidson and she was born in Kirriemuir, Scotland. She came to the Warrnambool area in 1850. The property, ‘Woodend’, was near Cassadys Bridge (Caramut Road today). The aunt, Mrs J. Davidson would be the wife of John Davidson, the brother of James and a farmer at ‘Rosebank’, Woodford. The portraits of John and James Davidson are on the Warrnambool Pioneer Honour Board. This book is of interest because of its inscription. The book is connected to the Davidson families, prominent in Warrnambool’s pioneer history.This is a hard cover book of 832 pages. The book has a dark green cover with dark green and gold lettering with ornamental gold surrounds. The book has an index, short stories, poems, essays and articles on science and the arts. The book contains monthly journals for 1874 combined in one volume. The cover is stained and blotched. There are several stamps of the Warrnambool & District Historical Society. The inscription on the first page is handwritten in black ink. ‘Margaret M. Davidson, Woodend, from her aunt, Mrs J. Davidson, 30/9/75’.margaret davidson, james and john davidson, history of warrnambool

The following is an extract from Warrnambool and District Historical Society Website which explains briefly the Great Exhibition of 1896-97 The Great Industrial and Art Exhibition in Warrnambool in 1896-97 was an exciting affair for the town and the surrounding area. People came from far and wide to be enlightened, educated and entertained, with 70,000 visitors passing through the doors during the three months of the exhibition. Not bad for a town with a population of only 6,500 and a further 9,200 living in the surrounding shire! Planning began at a public meeting attended by 60 people in May 1896 and the exhibition opened in December the same year on the site of the current Light House Theatre. The architects submitted plans for four annexes, complete with turrets, a fernery and a giant flagpole. The site covered 1 acre and included a Marine court, industrial exhibits, an education court, defense and agriculture court, stalls, coach builders, dairy show, an art court and provision for a smorgasbord of various entertainment. (The Story of the Warrnambool Industrial & Art Exhibition 1896-97- E O’Callaghan) This certificate was one of many awards for competency and /or excellence in a wide range of activities and skills. Warrnambool Industrial & Art Exhibition 1896-1897 Competitions-Piano forte solo Gertrude Lewin- prizewinner W J Hickford- Mayor E Lyle Rossiter As a link to one of the biggest events ever held in Warrnambool this item has significant value to the history of Warrnambool. It has social significance also linking a number of names related to the event. Rectangular cardboard. pale cream and aqua background, multi linear gold and deeper aqua border with rounded and right angled corners. An interior border has a swag, linear vertical ribbons with four emblems related to science, labour, arts and industry. Four local black and white photographs, the town council crest and town officials, patron and councillors. An inscription of the prizewinner, event and signatures is written in a cream square in the middle of the certificate.Warrnambool/Industrial & Art Exhibition Opened Dec 21st 1896/ By the Chief Justice of Victoria/ Sir John Madden, K.C.M.G. upper L corner. Closed March 19th 1897/ By the Mayoress of Warrnambool/ Mrs WJ Hickford 'First Order of Merit/ Awarded to Gertrude Lewin/ of Parkville/ for Piano forte Solo (under 15) Signatures of WJ Hickford, President and E Lyle Rossiter, Secretary gertrude lewin, wj hickford, e lyle rossiter, the great warrnambool exhibitiion, warrnambool, pianoforte

The Eaglehawk community enjoys a successful annual festival comprising of numerous separate activities to enjoy over a 5 day period. These include: Street Procession, Gala Fair, Art Exhibition, Flower Show, Folk Art, Literary Competition, Heritage displays, Sunday family Day to name a few.Eaglehawk Dahlia and Arts Festival Procession - Bendigo Historical Society boarding their tram Tram and assistant getting ready Eaglehawk Traders' tram Tram on the way Tram crossing Victoria Street Steam Engine Mens Highland Band Ladies Highland Band Old Cars Wedderburn Eucalyptus Float Horse and Donkey Drawn Vehicles Float Brass Band VIP's Highland Band Walkers and Tram Public Gardens and flowershistory, bendigo, eaglehawk dahlia and arts festival, processions, parades, highland bands, bendigo historical society, eaglehawk gardens, eaglehawk