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Glenelg Shire Council Cultural Collection
Book, Steevens, With Kitchener to Khartum, 1898
Blue cloth binding over carboard covers, with title in gold on spine. Title in white outlined with black on front cover, with picture of two men in pith helmets seated before tents and camels. Detailed in white. 360 pp.history, war -
Glenelg Shire Council Cultural Collection
Book, My daily meditation for the circling year, 1914
My Daily Meditation for the Circling Year by John Henry Jowett is about Jowett's daily meditations on the Word of God. Excerpt: "BRAM began his journey without any knowledge of his ultimate destination. He obeyed a noble impulse without any discernment of its consequences. He took "one step," and he did not "ask to see the distant scene." And that is faith, to do God's will here and now, quietly leaving the results to Him."Maroon cloth binding over carboard covers, with title and author in gold on spine and cover, within framing design. Gold edged pages. 366 pp.My Daily Meditation for the Circling Year by John Henry Jowett is about Jowett's daily meditations on the Word of God. Excerpt: "BRAM began his journey without any knowledge of his ultimate destination. He obeyed a noble impulse without any discernment of its consequences. He took "one step," and he did not "ask to see the distant scene." And that is faith, to do God's will here and now, quietly leaving the results to Him."meditation, religion, christianity -
Glenelg Shire Council Cultural Collection
Book, WARD LOCK AND CO LIMITED LONDON, The Holy bible, 1905
The Canterbury Emerald Teacher's Bible. Bound in black leather. Contains a section of black and white and coloured photos and maps of Biblical sites. 'Holy Bible ' in gold print on spinereligious text, religion, bible, teacher -
Glenelg Shire Council Cultural Collection
Magazine, The Youth's Magazine, 1834, n.d
Book ' The Youth's Magazine or evangelical Miscellany for the year 1834, Vol VII, third series'. Hard cover, brown, brown leather spine, gold print, contains black and white imagesmagazine, 1834, 1800s -
Glenelg Shire Council Cultural Collection
Book - One of the series of 'Dear Friends', Vanda Savill, Portland Harbour 'In his own Words', 1978-1979
One of the series of 'Dear Friends' books by Vanda Savill. "In his own Words" is a tribute to K.S. Anderson and his colleagues. Black and white photo of Port of Portland, with inset photo fo K.S. Anderson, on front cover. List of Portland Harbour Trust Commissioners 1950-1978, on back cover.port of portland -
Glenelg Shire Council Cultural Collection
Negative - Ambrotype, Captain Cairncross, c. 1890
On display in History House.Portrait of a man seated next to a table with a tablecloth on it. He is wearing a three-piece suit of a pale shade, and has his left hand at rest on his left thigh, and his right hand on the table. A white hat with a dark band lies on the table. Image has been tinted.Front: (no inscriptions) Back: Captain Cairncorss. This photo came from Windson Cottage. Captain Fawthrop and Captain Cairncross were close friends over many years.(fountain pen, centre). Harry Ward Goldsmith, Late of Portland (green pen, lower centre). -
Glenelg Shire Council Cultural Collection
Painting - Watercolour, Gerhard Inkamala, Untitled (Landscape), n.d
Western Aranda artist, Gerhard Inkamala. Born in 1917, Gerhard was the nephew of Albert Namatjira and grew up being inspired by his artwork and the surrounding landscapes. He became a skilled artist and during the 1940s was one of the founders of the famous Hermannsburg School of Art. In the 1950s Gerhard and his brother Adolf were included in a group exhibition in Alice Springs at the home of Rex Battarbee who was the Warrnambool-born art teacher of Albert Namatjira. He died in 1977.A landscape scene showing the Australian outback. Trees and shrubs in the foreground with rocky hills in the background. The foreground is an ochre/orange colour and the hills and rocks in the background are a blue/grey colour. The sky is clear and blue. Signed bottom right. The work is mounted on cream mountboard and framed in a white timber frame under glass.'Gerhard Inkamala' signed bottom right hand side of the painting. -
Glenelg Shire Council Cultural Collection
Painting, Robert Ulmann, Goat, c. 1974
Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Drawing, Edward Henty, n.d
Ink drawing of Edward Henty. Text describing brief history of Edward Henty and his achievements. Framed drawing on paper under glass. Plain stained timber frame.Front: Label attached to glass 'L.L.H. HISTORY HOUSE, DONATED BY MRS DOROTHY WOOLCOCK 36 TOWNSEND ST PORTLAND January 1991. Back: Yellow sticky label numbered H/H26edward henty, henty, portrait, drawing -
Glenelg Shire Council Cultural Collection
Photograph - Daguerreotype, Captain James Fawthrop, c. 1967
UnknownColour photograph on glass. Oval mount in rectangular frame, gold paint under glass. Four seals in each corner of the mount. Photograph of Captain James Fawthrop in Harbour Master's uniform wearing the gold medal awarded for his role in the rescue of surviviors from the Admella wreck.Front: (no inscriptions) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Sculpture - Bas-relief, Untitled (Early Forestry Industries), n.d
Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper relief work. View of a man from behind sawing a tree. He is flanked by two tree trunks, and is leaning to his right while pulling a band saw through the tree on the left. Leaning against tree on right is a large axe. Houses are rudimentarily designated by lines in the background visible between the trees.sculpture, bas-relief, copper, industry, forestry, forest -
Glenelg Shire Council Cultural Collection
Sculpture - Bas-relief, Untitled (Early Pastoral Industries), n.d
Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief depicting a man bent over to shear a sheep. His shirt sleeves are rolled up and he is bent toward the viewer.sculpture, industry, rural, copper, bas-relief, shearing, sheep, shearer -
Glenelg Shire Council Cultural Collection
Administrative record - Programme, n.d
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Glenelg Shire Council Cultural Collection
Painting, Captain James Fawthrop, n.d
Small oil on paper painting of Captain James Fawthrop, wearing his gold Admella medal. He is wearing a dark-coloured uniform jacket & cap with letters "HD" in gold. Blue sky & clouds in background. The painting is covered with glass and is set in an oval, dark wooden frame, that has a gold inner line. The painting is bordered by three mat boards, dark grey, light grey and gold. The back is covered in brown paper, with cord between the two metal 'eyes' for hanging. -
Greensborough Historical Society
Photograph - Digital image, Mary Poulter, 1888c
Mary Poulter and sons in Greensborough. The boys could be William (b1865) and Arthur (b1867). Mary appears to be in mourning, her husband William died in 1888. William Poulter and his wife Mary arrived in Victoria in 1849 and settled in Greensborough in 1853. Descendants of the family still live in the area. The house was known as Bonnie Vale and located roughly in the middle of what is now Poulter Reserve.Greensborough pioneer family Digital copy of black and white photograph.mary poulter, poulter family, bonnie vale, poulter reserve -
Greensborough Historical Society
Sketch - Digital image, William Poulter's Bonnie Vale [sketch], 1925c
Copy of sketch of William Poulter's property "Bonnie Vale". William Poulter and his wife Mary arrived in Victoria in 1849 and settled in Greensborough in 1853, constructing "Bonnie Vale" soon after their arrival. The old house was completely destroyed by fire circa 1960. Bonnie Vale, if existent in modern times would have been found in south eastern centre of Poulter Reserve, over the Plenty River is the house property known as 'Blackjack' on 59 Hume Street.Greensborough pioneer family Digital copy of black and white sketch. -
Greensborough Historical Society
Photograph - Digital image, Iredale 1 [man and house], 1930c
Part of a collection of photographs of the Iredale family, descendants of James Iredale (arrived Greensborough c1858) and his son George (arrived 1873). The man in this photograph has not been identified.Digital copy of black and white photograph.iredale family -
Greensborough Historical Society
Memoir, Waites Family by Jack Waites, 2011
Jack Waites tells the story of his family's move to the 'safety' of the family's Briar Hill holiday house in 1940, the family home in Hailes Street and his marital home in William Street Greensborough. Jack remembers many locals from his time in Greensborough. As told to June Hall 2011.A primary source recollection of Greensborough in the mid to late 20th century.3 typed pages.waites family, jack waites, briar hill, greensborough -
Greensborough Historical Society
Book, Ark House et al, The Silver Poplar /by Edmond Smith, 2009_
Edmond Smith's personal story of his time at the 'country' place of Sutherland Homes in Greensborough. Edmond arrived at the Home in 1948, aged 6.272p., illus. 2 copiesedmond smith, sutherland homes -
Greensborough Historical Society
Photograph - Digital Image, Blackjack: five boys in the garden, wattle flowering, 1953_
Five boys in the garden at Blackjack, the home of the Robinson family to late 1956. The Blackjack property, house and acres of fruit orchards ran down to the Plenty River off Hume Street Greensborough. The photographs were taken as slides by Frank Robinson and digitised by his son James in 2015.Digital copy of colour photograph.blackjack, hume street greensborough, robinson family, frank robinson -
Greensborough Historical Society
Photograph - Digital Image, Blackjack: Beb standing in the garden, 1953_
Beb standing in the garden at Blackjack, the home of the Robinson family to late 1956. The Blackjack property, house and acres of fruit orchards ran down to the Plenty River off Hume Street Greensborough. The photographs were taken as slides by Frank Robinson and digitised by his son James in 2015.Digital copy of colour photograph.robinson family, blackjack, hume street greensborough -
Greensborough Historical Society
Photograph - Digital Image, Blackjack: Greensborough flats and house on the Plenty River, 1953_
Greensborough flats and house on the Plenty River at Blackjack, the home of the Robinson family to late 1956. The Blackjack property, house and acres of fruit orchards ran down to the Plenty River off Hume Street Greensborough. The photographs were taken as slides by Frank Robinson and digitised by his son James in 2015.Digital copy of colour photograph.blackjack, robinson family, plenty river -
Greensborough Historical Society
Photograph - Digital Image, Blackjack: Peter and Paul, Greensborough 1956, 1956_
Peter and Paul Robinson, 1956, at Blackjack, the home of the Robinson family to late 1956. The Blackjack property, house and acres of fruit orchards ran down to the Plenty River off Hume Street Greensborough. The photographs were taken as slides by Frank Robinson and digitised by his son James in 2015.Digital copy of colour photograph.robinson family, blackjack -
Greensborough Historical Society
Photograph - Digital Image, Blackjack: Dressed to see the Queen 1956, 1956_
The Robinson children Peter, James, Paul and Andrew, dressed to see the Queen 1956. Blackjack was the home of the Robinson family to late 1956. The Blackjack property, house and acres of fruit orchards ran down to the Plenty River off Hume Street Greensborough. The photographs were taken as slides by Frank Robinson and digitised by his son James in 2015.Digital copy of colour photograph.blackjack, robinson family -
Greensborough Historical Society
Photograph - Digital Image, The grounds at Blackjack, 1956_
The grounds at Blackjack, the home of the Robinson family to late 1956. The Blackjack property, house and acres of fruit orchards ran down to the Plenty River off Hume Street Greensborough. The photographs were taken as slides by Frank Robinson and digitised by his son James in 2015.Digital copy of colour photograph.blackjack, robinson family -
Greensborough Historical Society
Photograph - Digital image, Frank Robinson, Greensborough Football Ground, 1956_
The Greensborough football ground 1956. The Blackjack property, house and acres of fruit orchards ran down to the Plenty River off Hume Street Greensborough and was the home of the Robinson family to late 1956. The photographs were taken as slides by Frank Robinson and digitised by his son James in 2015.Digital copy of colour photograph.frank robinson, greensborough football club -
Greensborough Historical Society
Photograph - Digital Image, Blackjack: Frank Robinson hoeing, 1953_
Frank Robinson hoeing the apricot orchard at Blackjack with son Andrew in rear. The Blackjack property, house and acres of fruit orchards ran down to the Plenty River off Hume Street Greensborough and was the home of the Robinson family to late 1956. The photographs were taken as slides by Frank Robinson and digitised by his son James in 2015.Digital copy of colour photograph.frank robinson, blackjack -
Greensborough Historical Society
Photograph - Digital image, Frank Robinson, Greensborough from Pope's paddock, 1956_
Greensborough from Pope's paddock. Pope's paddock was across the Plenty River from Blackjack. The Blackjack property, house and acres of fruit orchards ran down to the Plenty River off Hume Street Greensborough and was the home of the Robinson family to late 1956. The photographs were taken as slides by Frank Robinson and digitised by his son James in 2015.Digital copy of colour photograph.blackjack, robinson family, popes paddock -
Greensborough Historical Society
Photograph - Digital Image, Blackjack from the river flats below, 1954_
Blackjack from the river flats below. The Blackjack property, house and acres of fruit orchards ran down to the Plenty River off Hume Street Greensborough and was the home of the Robinson family to late 1956. The photographs were taken as slides by Frank Robinson and digitised by his son James in 2015.Digital copy of colour photograph.blackjack, robinson family -
Greensborough Historical Society
Photograph - Digital Image, Blackjack from the north west, 1954_
Blackjack from the north west. The Blackjack property, house and acres of fruit orchards ran down to the Plenty River off Hume Street Greensborough and was the home of the Robinson family to late 1956. The photographs were taken as slides by Frank Robinson and digitised by his son James in 2015.Digital copy of colour photograph.blackjack, robinson family