Hard cover book with illustration of Punch and Judy|Book had conservation work in March 2011 by Valerie Marshallbooks, children's

Cream cotton large size cut work embroidery scalloped neckline three-quarter sleeves of same pattern.'Marjory dewhurst'costume, female nightwear

Black and white photo of Edwin Schwab, Boot Maker, with many years service in Blackburn, at work in his shop.schwab, edwin

White supper cloth with draw thread work at each corner. Drawn thread inner border in a different pattern.handcrafts, needlework, manchester, table linen

Sepia photograph, mounted on cardboard, of corrugated Iron building with work gang beside a large pile of bricks and ovensbricks, brickworks

Painted by Bianca Biesuz in 1983 The art work features cattle and trees in the foreground and Wilson's Promotory in the distance. Brown wood frame with gold edging.

The second of a series of photographs taken in July/August 2018 recording work on the old and new Chandler Highway Bridges.chandler highway bridge

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton machine made net bolero with tambour work and a chemical lace medallion inserted centre backfashion and textiles collection - kew historical society, lace, women's clothing

Earliest research samples from David Orme Masson's work at Edinburgh. Trimethyl sulphine iodide J.A.Blackie 1878

Paul LAMBETH (15 September 1957- ) Born Melbourne, Victoria This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Followed the Burke and Wills trail while undertaking a Masters of Arts Research, and returning to Ballarat with the beginnings of a body of work. art, artwork, paul lambeth, staffmember, available

Colour photograph of Trish Allen, hotglass artist at Woodsedge Gallery with samples of her work Lakes Entrance Victoriagenealogy

also three other colour photographs similar views of new building and cafe, prior to official opening, donated by Tidy Towns CommitteeColour photograph showing work in progress on new Surf Life Saving Club building. Lakes Entrance Victoriavolunteering, surf lifesaving, buildings

On June 26th an army of workmen gave their services for free, built the Methodist Church in Sherwood Avenue, Chelsea. A weatherboard building, 35 x 20 feet, with Gothic style amber white glass windows. The first service was held in the Church at 6:00pm the same day.Black and white photo of men taking a break from their work, building the Methodist Church in Sherwood Ave, Chelseareligion, methodist, building, chelsea, community

Very old vice. The clamp is 50 to 60 years old when they were made by Technical School students in metal work class.Used by carpenters, woodworkers, furniture makers, welders, construction and metal workers in the Kiewa ValleyMathieson's Hand Vice, the smallest at 3 inches. Ref. Page 74 Tools for all Trades Catalogue. Small steel vice consisting of two parallel jaws for holding a workpiece. One jaw is fixed and the other movable by a screw. The clamp is used for holding a workpiece during hand operations eg. filing, hammering or sawing. Small steel clamp is a versatile tool that serves to temporarily hold work securely in place by screwing each jaw together.vice/vise tool, clamp tool, hand tools

"The breeze going through the eel trap gives a feeling of water flowing through the vessel with the feathers softly waiving as the water flows. My grandfather Nicholas Couzens and my uncles made eel traps to fish the Hopkins River - this is how my mother learnt the techniques which she passed on to me."Bronwyn RAZEM Gunditjmara/Kirrae Whurrong Bronwyn Razem is an Indigenous Australian basket weaver and painter. She is a Gunditjmara woman of the Kirrae Whurrong clan of western Warrnambool on the Victorian coastline. Bronwyn’s practice involves an exploration of her Indigenous heritage and identity, and she creates symbolic representations of places and events that are meaningful to her family. She integrates ochres, sand and other materials into her paintings, and her works also draw on the possum skin cloak traditions of her ancestors. In 2008, Bronwyn was chosen by the Australia Council for the Arts to be part of a delegation of Indigenous artists to attend the 10th Pacific Arts Festival in Western Samoa. Bronwyn’s mother, Aunty Zelda Couzens, was a well-respected basket weaver and elder who taught Bronwyn basket-making techniques. Bronwyn now regularly conducts basket weaving workshops with Victorian Indigenous communities in order to facilitate the revival of cultural traditions. She has a Bachelor of Arts with Honours at Deakin University, and in 2008 she was enrolled in a Master by Research degree at Deakin Institute of Koorie Education, Geelong, and was living in Ballarat. (https://www.daao.org.au/bio/bronwyn-razem/biography/, accessed 18 April 2016) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Bronwyn RAZEM (1953- ) Gunditjmara/Kirraw Wurrong A woven New Zealand flax eel trap with emu feathers. This work won the University of Ballarat Acquisitive Award for work reflecting Victoria's Western District. The judges were impressed by Bronwyn Razem's translation of the traditional eel trap into a sculptural form evocative of the flow of water and possible the passage of time. The design and technical knowhow which Razem inherited from her mother, uncles, and grandfather connects this work to the family;s life and traditions. She then enhances the simplicity of this very functional object by the addition of delicate emu feathers, creating a work that creatively and symbolically transcends its original form. art, artwork, bronwyn razem, razem, eel trap, aboriginal, indigenous, available

View of exterior of low single storey hotel with people standing on the verandah, including possibly 3 maids wearing aprons and man in leather work apron. Man on horse to right and troughs to right. Parks Hotel painted on the building side. Sign on front Sportsmans Arms Hotel W Park. Hotel was built around 1900. View of exterior of low single storey hotel with people standing on the verandah, including possibly 3 maids wearing aprons and man in leather work apron. Man on horse to right and troughs to right. Parks Hotel painted on the building side. Sign on front Sportsmans Arms Hotel W Park. Hotel was built around 1900. On white edge " The Lodge Hotel (Coldstream) about 1900coldstream, sportsman's arms hotel

In 1887 Melbourne was a little more that 50 years old and the game of cricket barely established in the colony. The Canterbury Cricket Club has survived world wars, the great depression, uncertain world politics and major social changes to the way we work and to our leisure time options. This is the story of 125 years of Canterbury Cricket Club.In 1887 Melbourne was a little more that 50 years old and the game of cricket barely established in the colony. The Canterbury Cricket Club has survived world wars, the great depression, uncertain world politics and major social changes to the way we work and to our leisure time options. This is the story of 125 years of Canterbury Cricket Club.Front page : signed by the author : Sam Gardinercanterbury cricket club, cricket, (mr) simon gardiner

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency, 1983 and 1984.A laminated screenprint of a portrait montage in black on coloured background. The foreground consists of over one hundred small portraits which cover the majority of the work. On the left and top right sides are black outlines of various flora. At the top of the work is black text which reads "1834 Portland 1984".Front: Angela Gee '83 (lower right) (pencil) Back: 20portland, angela gee residency

Book - perfect bound - card covers - 186 pages printed on off white paper + 32 pages gloss paper printed with a mixture of black and white and colour photographs. An autobiography of a Rail Worker (Preston Workshops) and Enthusiast Norman (Norm) Cross. Tells the story of Norm, his work at Preston Workshops, characters, work mates, his travels within Australia and overseas and family. Has photographs of his work, travels and family. Published by Norm Cross 2004.trams, tramways, preston workshops, mmtb, mta, railways, tramways, heritage

Series of 3 black and white photographs of:- .1 - construction of the trackwork for the new Maribyrnong River Bridge, has the temporary track on the left hand side of the photograph. Has the Express Freight Transport building in the background. .2 - as above, appears that the track on the northern side is almost completed. An Inspector is standing watching the work. This work was completed mid 1967. .3 - construction of trackwork possibly the curve from Gordon St to run alongside now River St. This work was undertaken during 1954.Some photos have pencil marks on rear.trams, tramways, trackwork, rails, track materials, track repairs, sleepers, equipment, maribyrnong river bridge, bridges, gordon st, river st, footscray

CEMA Art Collection Previously located in History HouseThe painting depicts four buildings within a bush setting. Within the foreground is a body of water with various plants lining it's banks. The midsection of the painting is defined by a wooden fence which extends across the centre of the work. In the background are two sets of two houses. The houses are surrounded by various trees and both sets of houses have roads which extend down to the fenceline. The top half of the work is a yellow and blue sky. The work has a black and gold frame and exposed canvas.Front: DEB Back: (No inscriptions)

These three photographs were taken during the 100th Anniversary of the Royal Australian Survey Corps Celebrations held in BENDIGO from the 3rd of July to the 5th of July 2015. The following events were held during the weekend of celebrations: Friday 3 July 2015 – Informal Meet and Greet at the Bendigo RSL. Saturday 4 July 2015 – 1030hrs Civic Reception Bendigo Town Hall. Saturday 4 July 2015 – 1400 -1600hrs Open House at Turriff (The WRAAC Barracks). Saturday 4 July 2015 – 1900 for 1930hrs Main Dinner Function at the All-Seasons Function Centre. Sunday 5 July 2015 - Catholic & Anglican Church Services. Sunday 5 July 2015 – 1200hrs BBQ Lunch Goldmines Hotel. Sunday 5 July 2015 – 1500hrs short Commemorative Service, unveiling of Survey Corps story board at Fortuna Villa. This is a set of three photographs taken during the 100th Anniversary of the Royal Australian Survey Corps Celebrations held in Bendigo in July 2015. The colour photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour, 2015. Group photo of Ex-Survey personnel from the Brisbane Association at the Bendigo Town Hall. .2) - Photo, colour, 2015. Group photo of Ex-Survey personnel taken at the All-Seasons Hotel. This group left the Corps in the late 1980s to work in Saudi Arabia. L to R: Wally Chilcott, Brett Treneman, Dave Murphy, Steve Throssel, unidentified, Jim Cook, Dave Wright, Peter Lefel. .3) - Photo, colour, 2015. Group photo of Ex-Survey personnel at the Commemorative Service to unveil the Survey Corps plaque and story board at Fortuna Villa, Bendigo.The following annotations are written on the back of each photo: .1P - ‘EX-SURVEY PERSONNEL (BRISBANE ASSOCIATION)’. .2P - ‘THE BAD BOYS 04 JUL 15 (LEFT THE CORPS TO WORK IN SAUDI ARABIA) .3P – ‘DEDICATION OF PLAQUE& STORY BOARD AT FORTUNA BENDIGO ON O5 JUL 15’.royal australian survey corps, rasvy, fortuna, army survey regiment