Book, Ships that Pass in the Night, Les Gillies collection, by Beatrice Harraden. A Gray hard covered book, with a scene on the front. William Blackwood and Sons, Edinburgh and London. MCMV111, 220 pages. Giadys Christie, August 1923. ''Like driftwood spars meet and pass Upon the boundless ocean main, So on the sea of life alas, Man meets man, hears, and leaves again. Matthew Arnold.Beatrice Harradenbook

Greeting Card: Rectangle in shaped with a mauve velvet border. In the centre on a cream silk background is an ornate design with Scotch thistle and clasped male and female hands in a plastic like material. A heart painted in blue of Forget Me Not flowers and green leaves with 'DINNA FORGET' in silver. Has gold metal ribbon on the front. A ribbon is attached at the top for hanging. The back is made of card with slits for support. Box 625ephemera, mementoes, cards, greeting card, forget me not.

Sepia photograph mounted on board. Image shows large group of people standing on side of lake watching young men paddling in tub like boats. Man in foreground in boat has white skin down to sleeve mark, very tanned arms. Large willow tree in middle, slab fence behind onlookers. Uncertain of location, could be large dam, no buildings evident in background of image.event, recreation, bendigo, recreation, lake, dam.

Letter to Denis Kelly from his brother, Michael, dated 30 June, 1907. He had been sent some money for his brother, and before sending it on, he would like word when he could make the draft payable as he knew that away out back it was not easy to cash a draft. Family is also mentioned. Written on paper with Michael Kelly, Stock & Sharebroker, letterhead.business, stockbroker, kelly & allsop, kelly and allsop collection - letter to denis kelly, michael kelly, bendigo stock exchange

A small black and white photograph of "Harriet", there is no surname, Balmoral Hill Blackheath. A relative of Elma Winslade wells. Harriet is show standing with her arms resting on a cushion on top of the back of what looks like a leather chair, she is wearing a black long dress. At the bottom T. Wright, Poplar. On the back the logo of T. Wright, photographer, 199 East India Road, opposite Poplar church, London.person, individual, female portrait

Long raglan sleeves, round neck with a scalloped edge at the neckline and cuffs. A 1 cm wide nylon ribbon passes through eyelets at the underarm, and ties with a bow at the front opening. Above this, the yoke has three plastic pearl buttons to fasten. The treble pattern of the crochet gives a shell-like effect, to the sleeves, and lower section of the garment, while the yoke, and cuffs have a treble filet pattern.costume, children's, white crochet baby's jacket

In the early 1970s, Arthur Boyd bought and restored a large, two-storey traditional farmhouse called Il Paretaio. Situated on the crest of a hill and surrounded by fields and olive groves, it is five kilometres from the village of Palaia in the province of Pisa, Tuscany. Boyd established this farmhouse as a residency programme, (which was later managed by the Australia Council). The residency program ended in 1990. Anthony Pryor undertook an Australia Council residency at Paretaio in 1984. This work is one in a series made during his time there. This work was entered into the Shire of Eltham Art Award in 1985.Pryor is an artist of national significance. This work is an example of his series of 'boxes' made principally for his own pleasure and often swapped with artists and other friends as soon as they were finished. The 'box' series was part inspired by Japanese techniques of wooden construction. Pryor first visited Japan in 1975 and was immediately drawn to Japanese methods of working with stone and wood. Many of these boxes are based upon the principles of the Japanese Zen Buddhist monk Sengai Gibon (1750-1838). This work relates to Sengai's famous hanging scroll Circle, Triangle and Square in which the circle can be read to stand for the cosmos, the square for the individual, and the triangle for aspiration. A heavy, box-like (cube) structure created from huon pine, with bronze, brass and stone elements. Within the cube is an eastern inspired, rear lattice wall in combination with bronze domestic fittings, and symbols (cube, pyramid and circle). Metal lightning, clouds and wooden rainbow hover over an asymmetrical bronze bed floating within the cube. A chair leans and a tilting ladder reaches towards the sky. Stamped into wood: lower right 'ANTHONY PRYOR PARETAIO'huon pine, pryor, brass, bronze, stone, cube, paretaio, italy, eastern, japan, sengai gibon, symbols, zen buddhism, sculpture, personal

Item acquired from Lakes Entrance boat builder/owner who sold it to the PFHLS in 2008. Oil bags were part of the lifeboat equipment. Only one other example known is at the Port Albert Maritime Museum The oil bag was used to put oil on the sea's surface, to inhibit spray, wave burst and fear for survivors transferring from the shipwreck to the lifeboat. This was essential, as the lifeboat would never come close to the wreck, to avoid the risk of being damaged itself. The item is rare, and a vital part of the lifeboat's rescue equipment. The technique probably generated the phrase "pour oil on troubled waters" textile (flax) bag, shaped like a tennis racquet cover, with a brass tube attached to bag. The tube has a series of very small circular holes (in lines) arranged along the length of the tube. These were to allow the light oil contained within the bag to be sucked from the bag by a venturi action. The bag has a light line attached to it to secure to the lifeboat when in use (by casting the bag into the sea).. no markingsno markingsoil bag

Newspaper Clipping from a Melbourne newspaper, 24/3/1973 about the construction of a new trams for Melbourne. Has a photo of the Minister for Transport, Mr. Wilcox and Mr. S. Bramich, an electrical engineer at Preston with a model of the prototype and 1041 under construction in the background. Quotes Mr. Kirby that the Board would like to recruit women drivers, the recent approval to call tenders for the construction of 100 new trams."24/3/73" in red ink in top right hand corner.trams, tramways, mmtb, women drivers, new trams, preston workshops

Abstract depiction of a bird in trees. Trees are picked out in strong vertical strokes of white, grey, black and russet. Background and foliage is depicted in swirling blues and greens; the sky is grey at top of image. At top centre is a bird in blue and white. The paper is very think - almost like tissue paper and there are parts of the image that have cutouts (tearouts) as part of the depiction. Mounted in a cream matt in aluminium frame.Front: Monoprint and montage (lower left) (pencil). Back: Nancy Malseed (top centre) (pencil). 1990 (top right) (pencil) 1996 (top left) (pencil).abstract, female artist, female artists, women, malseed

These hair tongs were used to curl or wave hair. They have the name’ Marcel’ on them. In 1872 Francois Marcel Grateau invented a hairstyle called the ‘Marcel Wave’ where women’s hair styles had mostly deep waves rather than curls. The tongs that were held manually and heated and used at home to produce deep waves or curls become a commonplace item in a woman’s home in the late 19th and early 20th centuries. By the 1930s electric hair tongs were introduced but the non-electric ones continued to be used until the 1950s. These hair tongs belonged to a woman from England and would have been used in the 1930s or 40s. They are a good example of the type of household article used by women 70 or 80 years ago and will be useful for display.This is a scissors-like article with wooden handles and metal blades for waving or curling hair. One blade is heavily curved and the other is a solid round shape. The ends of the blades are tapered. The blades were heated over a stove and used manually to enclose part of a woman’s hair to produce waves or curls. The handles were originally polished black and are somewhat rubbed and the blades and other metal parts are a little rusty. ‘Marcel’ ‘12’ hair curling tongs, warrnambool

Letters - carbon copy on quarto paper between the RACV (16/11/1921) and response from the MMTB (23/11/1921), regarding shunting of cars at the Richmond car house or depot. The RACV requested flag men like that at the Toorak corner and Lonsdale St. The MMTB said No, flag men and provided at the two locations to regulate cars. Letter from the Chas J H Hodges, Secretary of the RACV.trams, tramways, racv, cable trams, lonsdale st, toorak, richmond, depots

The Commonwealth Ericsson Wall Telephone was adopted in 1901 by the Post Master General as the standard magneto telephone throughout Australia. It was designated by the Australian Post Office as: "Telephone No.1 - Magneto Wall, Commonwealth Type" The No1 was widely used in country areas and new installations of this type continued throughout the 1920s. Although classified as obsolete in 1951, several were still in service in country areas into the mid-1960s before the phone systems were fully automated. The phone was originally connected to a 'party' line (several connections to a common wire), and the winder was turned in various combinations of long and short turns (being the codes unique to each individual connection) to alert the other party of an incoming call. Anyone could listen in on a party line, although courtesy prevented it occurring most of the time. Central telephone exchanges rendered the party line obsolete. Vintage wall telephone The case originally housed two No6 dry-cell batteries to power the speaker (early models used a pair of Leclanche-like wet-cell batteries - the drawing from 1911 indicates that wet-cell batteries were still in use at that time). Batteries became obsolete when the phone was connected to a central exchange. A plastic speaker horn was fitted in 2025 - the original was missing on front - L M ERICSSON & Co STOCKHOLM inside - serial number: 496018 H 5 (this serial number identifies the phone as being manufactured in 1904) inside - slip of paper identifies date of manufacture as 1904 inside aftermarket writing - F.W.31forests commission victoria (fcv), communications

Thank you card, from the Lady Mayoress and Mayor. Unaddressed and undated. Card is cream with a gold crest embossed at the top. The words 'The Lady Mayoress (Mrs. John T Inkster) and I would like to thank you for your kind words and good wishes, which are very much appreciated' have been printed in black script. The signature of the Mayor O J Nilsen is handwritten at the bottom.document, thank you card, john inkster

Vol. 6, No. 3, Jul-Aug 2001 CONTENTS Vale Robert Klippel 1920 – 2001 2 John Young Making sense of the spirit of our times 3 Bud Tingwell's magnificent obsession 18 Winter Dreaming A concert for reconciliation 6 Short Story A mop of gardens by Gillion Mears 8 The Celts invade Brunswick Folk music at the East 12 Book Review John Jenkins on Les Murray 14 Abdullah Ibrahim and the Dollar Brand Trio 21 Heidelberg to Heide Streeton and Nolan: the common ground 22 Australian classical music Elizabeth Scarlet 23 Art Therapy Possibilities for change 24 Artin' about 26 Wining & Dining 30 Artists' Services and Teaching 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, winter in banyule, john young, aboriginal reconciliation, the great darebin music feast, gilian mears, montsalvat, st andrews hotel, kinglake hotel, folk song & dance society of victoria, bulleen art & garden centre, plenty views golf park, dynamic vegies, bud tingwell, eltham wiregrass gallery, abdullah ibrahim, willy wonka's ice cream gourmet food, heide museum of modern art, heidelberg artists' trail, heidelberg school artists' trail, heidelberg school, art therapy, jody kernutt, thompson's pharmacy

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.Small b & w photograph of baptismal font at St Peter the Mariner chapel. On the wall to the left hangs the illumination: Believe in God The Father Almighty (see item 1537). handwritten number poss. 3, stamp: 8940, photographic paper markings ILFORDbaptismal, font, st peter chapel, illumination, charles edward murray puckle (1887-1915)

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.Small b & w photograph of baptismal font of St Peter the Mariner chapel. On the wall to the right hangs the illumination: Believe in God The Father Almighty (see item 1537).stamp: 8940, photographic paper markings ILFORDbaptismal font, illumination, baptistry, st peter chapel, charles edward murray puckle (1887-1915)

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.small b & w photograph of couples dancing in Flying Angel Club at the Mission to Seafarers.couple, dancing, hlg, flying angel club, flinders street, seamen, seafarers

2 Cotton doilies, possibly hand made in the 1950s for domestic use. Doilies like this were used to protect furniture from scratches and for ornamental use. These doilies are crocheted using fine cotton thread in a circular design.2 cotton doilies (small ornamental mat), cream crochet cotton. doilies, crochet

The sounding of the Last Post makes Charles Harris 'cry like a baby' every Anzac Day - but the World War II veteran from Greensborough said he would go into battle again to protect his country.News article 1 page, black text, colour image.charles harris, anzac day, world war 2

An early advertising brochure for prospective homeowners to choose the style of home they would like built. House and land packages were available in the areas of Bundoora surrounding the Loyola and Parade College sites, which were monasteries in the 1960s. The aerial photographs show the open nature of the landscape from Bundoora across to Greensborough and Watsonia in the 1960s. Book of black and white photographs bound in brown card cover. Contains 14 photos of houses and shops and 14 aerial photos of Bundoora including the Loyola and Parade College areas. Includes notes from Gary Partington.In pencil inside front cover: 29/1/1960.houses, bundoora, greensborough, watsonia, loyola college, parade college, mitchell trading, aerial photography

A poultice is a soft moist mass, often heated and medicated, that is spread on cloth over the skin to treat an aching, inflamed, or painful part of the body. It can be used on wounds such as cuts, inflammations like boils and to draw out splinters.A clear glass jar with a metal screw top containing 'Thar's' antiseptic poultice ointment.Front THAR'S / ANTISEPTIC / POULTICE / OINTMENT / Thar Chemical Co. / Pty. Ltd. / 74-76 Victoria Street / North Richmond / Left Side WAR-TIME PACK / FOR ......... Right Side DIRECTIONS ....... / Vertically sides Purifying, Soothing / Antiseptic, Healing pharmacy, medicines, thars ointment, thar chemical company, hospitals, nursing, containers, moorabbin, richmond, bentleigh, cheltenham, melbourne, poultices, medical poultices

Puts it as same date as B91.265 but note by T.H. Kneen 8 April 1992, "Mower operator looks like Philip Oppenheim (1967)." (?) Very similar photo appears in article by T H Kneen (1964) B93.655.2 copies black and white photograph. 2 students working in the Ornamental Gardens. one is using a mower and the other is sweeping the path. Wide view taken from the roof of the Administration Building looking over the lawns, Luffmann/Lily Ponds and Emily Gibson beds. Principal's Residence seen in the background.On reverse, "Photograph by Publicity Branch Department Of Agriculture Ref. No. D572.C.philip oppenheim, students working outside, emily gibson beds, principal's residence, mowing, principal's house, sweeping, luffmann ponds, lily ponds, publicity

Legacy raised funds from the sale of Christmas puddings for a few years. Cost of the puddings were $3.50. Large corporations like banks agreed to sell the puddings on Legacy's behalf. The photo was featured in a the President's highlights report.A record that corporations helped sell puddings for Legacy as part of their fundraising.Black and white photo x 2 of a bank teller selling Legacy puddings and associated order forms and promotional brochure.christmas, fundraising

This canvas golf bag dates from the early part of the 20th century; it has no manufacturer's marks. In the days before motorised buggies and matched sets of clubs, a few clubs would be carried over the shoulder in a bag like this.Canvas golf bag with leather straps and 2 zippered pockets.golf bags, golfing equipment, bags

Swish rules as authorised by the Victorian Swish Council on July 9, 1983. This book was part of the Braille & Talking Library collection in Commercial Road. Swish is a game played with a bat, ball and barriers on a tennis-table like court.1 spiral bound book of thermoform pagesrecreation, swish

Short history of Church of England's Christ Church, Canterbury Road, Heathmont - 25th Anniversary 1954-1979, by Verna M. AdamsVerna M. Adams: "I would like to acknowledge the help I have received from many quarters, and to express my appreciation of their unstinting labours on behalf of this volume. Photography: Kendrick Pereira Typing: Gladys Perkins, Betty Growse and all who lent photographic material and records."