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Bayside Gallery - Bayside City Council Art & Heritage Collection
Monument - Memorial, Irwin and Stevenson, Brighton War Memorial, 1927
On 23 July 1922, Brighton City Council adopted the recommendation from a sub-committee that the site for a war memorial be at Green Point, Brighton Beach. Brighton Council invited designs, limited to returned soldier architects and 18 designs were received. The first prize of £30 was awarded to the architecture firm Irwin and Stevenson and the designs were exhibited at the Brighton Town Hall in 1925. The bronze casting, using lost wax technique, was executed by sculptor Mr. Paul Montford, to the design of the architect and the central assemblage was believed to be the largest bronze casting in relief carried out in Australia at the time. The Brighton War Memorial was unveiled by His Excellency the Governor, the Right Honourable Arthur Herbert Tennyson Baron Somers, K.C.M.G., D.S.O., M.C., on Sunday 24th April 1927 in the presence of 4,000 people. The memorial was originally constructed to commemorate those from the City of Brighton who served in World War One but has since been augmented to commemorate those from the municipality of Bayside who have made the ultimate sacrifice during official periods of hostility.War memorial consisting of a sandstone cenotaph, granite base and sandstone terrace situated at Green Point, Brighton. The cenotaph is a truncated obelisk with classical decoration in stone and bronze. The cenotaph bears the Rising Sun badge in bronze relief near its top with bronze lettering running down the cenotaph reading "ERECTED IN HONOUR OF THOSE WHO FOUGHT IN THE GREAT WAR 1914 – 1919". A bronze relief assemblage of crossed weapons, a wreath, the lamp of valour and the Latin phrase "DUCIT AMOR PATRIA" (love of country leads me) sit above the base which is carved with the word "SERVICE". The terrace walls have bronze relief medallions with images of the head of an airman on the left and an infantryman on the right. The back of the cenotaph bears a torch in bronze relief near its top. On the sandstone wall behind the cenotaph are three large bronze plaques that lists the names of those from the City of Bayside who have served in the various conflicts in which Australia has been involved. At the back of the sandstone wall is carved lettering reading "HISTORY GAVE THEM A COMMON FAME. POSTERITY A COMMON MONUMENT" with 1914 carved on the left and 1919 on the right.brighton war memorial, memorial, cenotaph, green point, war memorial, brighton, service, paul montford, irwin and stevenson, rising sun, wreath, weapons, lamp of valour, great war, world war one, honour roll, honour board, roll of honour, ducit amor patriae, brighton beach, city of brighton, leighton major francis irwin, roy kenneth stevenson -
Ballarat Heritage Services
Photograph, L.J. Gervasoni, Australian Ex-Prisoner of War Memorial, Ballarat, 2014, 04/11/2014
The Trustees of the Australian Ex-Prisoners of War Memorial have defined a Prisoner of War to be a person who was captured by a common enemy and/or interned in a neutral or non-combatant country. To be defined an Australian Prisoner of War, the person needs to be either an Australian Born person serving in the Uniform of an Australian Service; or in the Uniform of a friendly country, or Born Elsewhere and serving in the Uniform of an Australian Service. A Prisoner is a person who has lost personal privileges, suffers deprivation of liberty or is unable to return home or dies in captivity.Colour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial." ballarat, ballarat botanical gardens, peter blizzard, ballarat north gardens, war memorial, prisoner of war, prisoners of war -
Ballarat Heritage Services
Photograph, Australian Ex-Prisoner of War Memorial, Ballarat, 04/11/2014
DESCRIPTIONColour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial."australian ex-prisoner of war memorial, peter blizzard, prisoner of war, ballarat north gardens -
Ballarat Heritage Services
Photograph, Australian Ex-Prisoner of War Memorial, Ballarat, 2014, 04/11/2014
DESCRIPTIONColour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial."australian ex-prisoner of war memorial, prisoner of war, ballarat north gardens, peter blizzard -
Eltham District Historical Society Inc
Negative - Photograph, Harry Gilham, Grave of Richard George, Emily Ann (nee Davis) and Edith Jane Kaylock, Eltham Cemetery, Victoria, Sep 2009
In his early adult life, Richard Kaylock worked as a whaler (visiting California and New Zealand) and later as a drover on a large cattle station in New South Wales. In 1848 he came to Melbourne, working as a slaughterman, then settled in Eltham in 1854, his occupation thereafter being variously recorded as butcher or orchardist. He also had some experiences at Ballarat during the Eureka Rebellion. He died in 1910 at the age of 84. His obituary described him as a "striking personality" who was "brusque to a fault" and "strictly upright, expecting others to be the same". It seems from his will that he was illiterate. He is buried in Eltham Cemetery with his wife Emily. His property was in Wellington Street (now Brougham Street) and apparently extended across the Diamond Creek. The land on the western side of the creek was farmed, the house being on the eastern side. For many years the Brougham Street bridge was generally known as "Kaylock's Bridge". It formed part of the original coach road to Eltham and in 1922 was described as an "old rustic bridge". Its low level and insubstantial construction made it susceptible to flood damage, necessitating frequent closures until repairs could be carried out. The original bridge was demolished in 1923 and replaced by a "new up-to-date" one. When a lack of finances delayed repairs to the Bridge Street bridge in 1931, traffic had to detour via Brougham Street for some time. Local residents feared that the Bridge Street bridge might never reopen. In Loving Memory Of Our Dear Father & Mother R.G. and E.A. Kaylock Also E.J. Kaylock Died 21st Jan. 1927 The Eternal God Is My PledgeRoll of 35mm colour negative film, 6 stripsKodak GC 400-9eltham cemetery, gravestones, edith jane kaylock, emily ann kaylock (nee davis), richard george kaylock, brougham street bridge, kaylocks bridge -
Eltham District Historical Society Inc
Photograph, Peter Pidgeon, Grave of Richard George, Emily Ann (nee Davis) and Edith Jane Kaylock, Eltham Cemetery, Victoria, 5 April 2021
In his early adult life, Richard Kaylock worked as a whaler (visiting California and New Zealand) and later as a drover on a large cattle station in New South Wales. In 1848 he came to Melbourne, working as a slaughterman, then settled in Eltham in 1854, his occupation thereafter being variously recorded as butcher or orchardist. He also had some experiences at Ballarat during the Eureka Rebellion. He died in 1910 at the age of 84. His obituary described him as a "striking personality" who was "brusque to a fault" and "strictly upright, expecting others to be the same". It seems from his will that he was illiterate. He is buried in Eltham Cemetery with his wife Emily. His property was in Wellington Street (now Brougham Street) and apparently extended across the Diamond Creek. The land on the western side of the creek was farmed, the house being on the eastern side. For many years the Brougham Street bridge was generally known as "Kaylock's Bridge". It formed part of the original coach road to Eltham and in 1922 was described as an "old rustic bridge". Its low level and insubstantial construction made it susceptible to flood damage, necessitating frequent closures until repairs could be carried out. The original bridge was demolished in 1923 and replaced by a "new up-to-date" one. When a lack of finances delayed repairs to the Bridge Street bridge in 1931, traffic had to detour via Brougham Street for some time. Local residents feared that the Bridge Street bridge might never reopen. In Loving Memory Of Our Dear Father & Mother R.G. and E.A. Kaylock Also E.J. Kaylock Died 21st Jan. 1927 The Eternal God Is My PledgeBorn Digitaleltham cemetery, gravestones, brougham street bridge, edith jane kaylock, emily ann kaylock (nee davis), kaylocks bridge, richard george kaylock -
Federation University Historical Collection
Photograph - Black and White, The University of Ballarat Mace, 1996
The University's mace was carried in procession for the first time during the Graduation ceremonies in May 1996. The mace was presented to the University by former Chief Commissioner of the Ballarat City Council, Vern Robson, at a ceremony on 02 February, following a national competition for its design, sponsored by the Council. (The Flag, Issue 2, July 1996) Nineteen artists responded to the competition which called for a design that would embody a distinctive Australian image reflecting the heritage of the city and in relationship with gold, an Aboriginal element and the history of the University. The winning entry, dominated by a poppet head, was submitted by Central Victorian artist/sculptor Trefor Prest, a sessional lecturer in sculpture at the University.(The Flag, Issue 2, July 1996) The Herald Sun of 03 February 1996 reported 'the new mace shows importance elements of Ballarat's heritage as well as the university's focus on the future. The artist emphasises the egalitarian nature of Australia as embodied in Ballarat's famous slice of history - the Eureka uprising. ... The mace has a poppet head at the top of the shaft - an unusual element for a mace - but it represents Ballarat's mining history and the University's evolution from the Ballarat School of Mines. An opening egg at the top stands for the nurturing of development and learning. The mace's straight shaft is depicted as the tree of knowledge and, incorporating a bark canoe scar, Ballarat's Aboriginal heritage. At the end of the shaft is a surveying device, which represents precision and accuracy ads embodied in the university's academic pursuits.' Bob Morrell of the University organised the national competition to design the mace and said 'It is in keeping with the university's logo, 'proudly flying the flag', which incorporates the Southern Cross.' Trefor Prest lectured in Sculpture at the University of Ballarat from 1995-1996.Black and white photograph showing three men holding the new University of Ballarat (now Federation University) mace. From left to right they are Vern Robson (Chief Executive Officer City of Ballarat), Trefor Prest (Sculptor) and Professor David James (Vice Chancellor).university of ballarat, mace, trefor prest, vern robson -
Federation University Art Collection
Painting - Artwork - Painting, 'Professor David Battersby' by Ron Penrose, 26/07/2016
Professor David Battersby, AM, PHD (Waikato), MHED (UNSW), Vice-Chancellor of University of Ballarat, now Federation University Australia, from July 2006 to 2016. Professor Battersby is a graduate with first class honours from the University of New South Wales and recipient of a Commonwealth Fellowship. He was awarded his PHD in the field of Sociology from the University of Waikato, New Zealand. Professor Battersby has been the recipient of numerous academic awards, including Commonwealth Relations Trust, and the Australian-Japan Foundation. He has been a Visiting Professor at universities in a number of countries and undertaken consultancies for UNESCO, OECD and a number of government agencies. Professor David Battersby was the Head of the Albury Wodonga Campus from 2000 to December 2003 and was also the Deputy Vice-Chancellor of Charles Sturt University until 2006, when he took up his appointment at the University of Ballarat. Charles Sturt University has named its annual prize for leadership and good citizenship within the student body, in honour of Professor Battersby. For services to Tertiary Education as a Senior Academic and Administrator, Professor Battersby received the Order of Australia Medal in July 2015. Professor Battersby has served as a member of the Board of IDP Education Ltd, he recently stepped down as the Chair of Education Australia Limited. He is a Founding Chair of Regional Universities Network and Founding Chair of the Museum of Australian Democracy at Eureka. (Education Australia Limited, http://www.educationaustralia.com/education_australia/board_of_directors/david-battersby.aspx). This item is part of the Federation University of Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Seated portrait of male dressed in blue / gold academic gown. It is Federation University Australia Vice-Chancellor David Battersby. Framers' stamp middle bottom back Marking reads: Conserve Framing Anna East Picture Framer 6 Darlot St Horsham 3400 Phone (03) 5382 5147 ABN 33 324 854 836portrait, vice chancellor, academic, seated, academic portrait, university of ballarat, federation university australia, david battersby, academic regalia -
Ballarat Tramway Museum
Postcard - Folder set, Murray Views, "Pictorial Souvenir of Ballarat - Views in Colour", 1940's
Demonstrates pictorial souvenir strips of photographs of Ballarat, both colour and black and white and yields information about Ballarat c 1940.Set of 10 small colour and 5 large black and white views of Ballarat printed on a folded strip, glued within a light brown colour light weight cardboard folder, titled "Pictorial Souvenir of Ballarat - Views in Colour". Booklet printed with an address area with title in red and kookaburras. Produced by Murray View, Gympie Queensland. The rear has a slit surrounded by red dashes on the rear cover that allowed the folder to be secured. Pictures are: Colour: 1. Statutory Pavilion 2. Sturt St looking west - with a tram in the bottom of the photograph 3. Victory Arch 4. Queen Elizabeth Benevolent home 5. Queen Victoria Memorial Gardens 6. Swans on Lake Wendouree 7. The Conservatory 8. Avenue of Fame (Prime Ministers) 9. Eureka Stockade 10. Cnr Sturt and Lydiard St, with a bus in the view Black and White 1. The State Building 2. Panorama from Black Hill 3. Old Curiosity Shop 4. Reflections - Botanical Gardens 5. Sturt St looking east - has a tram in the view, with 1930's SEC colour scheme. trams, tramways, sturt st, town hall, lake wendouree, memorial arch avenue of honour, memorial, gardens, lydiard st, eureka, tram 19 -
Eltham District Historical Society Inc
Photograph, Fay Bridge, Eastern boundary of former Warrandyte Aboriginal Reserve, North Warrandyte, 7 November 2016
Two bronze commemorative plaques on rocks, unveiled by Wurundjeri Tribe Council Elders, mark two eastern boundaries of the former Warrandyte Aboriginal Reserve on the north and south sides of the Yarra. This project was initiated by Nillumbik Reconciliation Group in close association with Reconciliation Manningham and the Wurundjeri Tribe Council, as a means of commemorating the last great corroboree of the Kulin Nation which was held at Pound Bend in March 1852. This plaque is on the Nillumbuk side of the Yarra, accessed via The Boulevard, North Warrandyte. The plaque is set on a rock approximately 50 metres before the turning circle at the end of The Boulevard. Plaque : Warrandyte Aboriginal Reserve This commemorative rock marks an eastern boundary of the former Warrandyte Aboriginal Reserve established in 1852. Centred on Pound Bend, it covered 1,908 acres on both sides of the Yarra River (Birrarung). That same year saw the last great gathering of the Kulin nation here in Wurundjeri country which was celebrated over two weeks with traditional performance and games. For a few years longer the reserve intermittently served as a ration station.With gold having been discovered at Warrandyte, the Wurundjeri were moved on again but ultimately secured a permanent home at Coranderrk, Healesville. A second commemorative plaque and rock is located on the opposite bank of the Yarra and its confluence with Stony Creek. Melway ref : 23 C 9 Unveiled by Wurundjeri Elder, Uncle Bill Nicholson on 23rd March 2013 Funded by the Robert Bridgford Indigenous Trust (Nillumbik Community Fund) with assistance from Manningham City Council Small Grants Program Ref: Monument Autralia https://monumentaustralia.org.au/themes/culture/indigenous/display/99680-warrandyte-aboriginal-reserve-fay bridge collection, 2016-11-07, aboriginal reserve, north warrandyte, plaques, warrandyte aboriginal reserve -
Melbourne Legacy
Audio - Recording, tape, Legacy House, by Legatee Grat Grattan
The tape has not been played from the label it is Legatee Grat Grattan talking about Legacy House. Legatee Grattan was very important member of Legacy for many years. He was well placed to tell the story of the donation towards Dureau House as L/ Grattan was pivotal in it's story. BG Corporation of New York used 'Brown and Dureau' as agents in Melbourne for their spark plug manufacturing (for the American aircraft based in Australia during the war). A royalty of two shillings and sixpence was agreed. The entrepreneur President of BG Corporation was Richard Goldsmith. L/ Grat Grattan had a friend Mr Edwards who was managing director at Brown and Dureau and heard of the desire by Goldsmith to leave a permanent memorial to ex-servicemen in Australia (Children's Hospital was considered). Grat took Edwards to Market St and showed him the inadequacy of the building. It was agreed if Melbourne Legacy could come up with a purchased building in 10 days they would get the money needed. The property purchased was 'Storey Hall' in Swanston St (also called Hibernian Hall in other documents). After the war it turned out not to be suitable and a new building was required. Contents TBC 'Perhaps his most lasting monument is Melbourne Legacy House. Through his friendship with one of the principals of the firm, Brown and Dureau, Legacy was given a donation of 30,000 pounds in 1944. A condition of the donation was that Legacy had only eight days in which to buy a building. A building across the road from the Royal Melbourne Institute of Technology was bought for 18,000 pounds and the balance invested. The building was sold in the early '50s and the proceeds plus the invested money enabled Legacy to buy its headquarters, Dureau House, in Swanston Street in 1955."It may be confirmed when played but it is likely a significant recording of the history of the acquisition of Dureau House.Clear plastic cassette tape in a cardboard box.Cardboard box, rainbow, C20, Tape a letter. Cassette, side 1 - Legacy Week by Legatee Grat Grattan, 1, Rainbow, Tape a Letter. 10 minutes per side. side 2 - as above.legatee, grat grattan, dureau house -
Parks Victoria - Gabo Island Lightstation
Nails
The five types of nails include a stamped steel nail made for wooden flooring; four copper nails used for boat building found at various locations on the island; two steel nails removed from the lantern room door during restoration in 2002 which possibly came with the Chance Bros. lantern room kit delivered in 1862; three galvanised steel nails used to pin the railway track to sleepers and decking on the jetty (the rail track carried a small trolley for unloading stores from supply ships); and a square copper nail found on the rocky shore on Tullaberga Island close to the location of the Monumental City wreck of 1853. The huge American steamer, Monumental City, was wrecked on 15 May 1853. Built in 1850, the ship was the first screw-propulsion steamer to cross the Pacific and was heading back to Sydney after dropping off Californians heading for the Victorian goldfields. Thirty-seven lives were lost, including the owner of the ship, Peter Strobel. A medal was awarded by Sydney residents to Charles Plummer who swam ashore with a line from the wreck. The tragedy renewed the urgency for a lighthouse on Gabo Island, and in 1862 when this was achieved an obelisk was erected as a memorial to those who perished. That year, Victorian PWD architect and designer of the lightstation buildings, Charles Maplestone, gave the following instructions: ‘You may remove the remains of the poor unfortunate shipwrecked of the Monumental City to the site on Gabo you propose but take scrupulous care to collect all the remains and inter them decently under the monument. Pray save any relics’.246 Heritage Victoria has 39 artefacts listed under the Historic Shipwrecks Act (S473) with a clear provenance to the Monumental City. While the copper nail has no documented provenance, it still has contributory significance as part of a diverse assemblage of relics that help to interpret the history of the Gabo Island Lightstation and the numerous shipwrecks that have occurred in its vicinity since the mid nineteenth century..1 Steel nail - flat. Stamped. This type of nail was used for secret nailing of flooring. Source of this nail is unknown. .2 Copper nails. This type of nail was used for boat building. Found at various locations around island. .3 Steel nails. Extracted from lantern room door during restoration 2002. .4 Galvanised steel nails. Used to pin railway track to timber sleepers and decking on jetty. Rail track carried a small trolley used during the unloading of stores from supply ships. .5. Copper nail square. This nail was found on the rocky shore line on Tullaberga Island close to the location of the wreck of the "Monumental City" wrecked May 1853. Nail found in June 2000. -
Melbourne Legacy
Document - Document, diary
A diary written by Legatee Frank Doolan as he sailed to Perth and then visited Legatee Ivan Davies and his wife Mercy. He mentions docking at King George Sound which was the harbour from which transport assembled to convoy to the Middle East for the first World War. He was greeted by a member of Perth Legacy, Keith Manwell. He mentions visiting Mt Clarence and The Anzac Desert Mounted Monument "which was destroyed by Nasser's Gyppos at Port Said, and of which the pieces were transported back to Australia, stone base and all complete. Where a new model was made by Ray Ewen at Frankston and was sent back to Italy to be melted down and recast. It is double life size and very striking, depicting an Anzac charging from a horse which has been shot down under shellfire, to a new charger - rearing to go." He leaves the SS Kangaroo for a few days to visit a "Legacy pal", Ivan Davies. They toured his farm 'Carngham'. His observation at the end shows the comradeship of Legatees. "time to depart after several glorious days of perfect hospitality. To be accepted spontaneously as one of the family is the test of true friendship, and we received the full treatment from Mercy and Ivan at 'Carngham'". The year is unknown but the trip was in March. It could have been before a Legacy Conference in Perth. Was with other memorabilia that has come from Frank Doolan from both his war service and his time with Legacy. Frank Doolan posted this copy of his diary to Ivan Davies in 1978. Not sure how it and the cover letter (01131) were returned to Legacy's collection. The diary shows that Legatees from different regions of Australia visited each other and had strong friendships over the years. A carbon copy of a diary x 11 pages, written by L/- Frank Doolan on a trip on the SS Kangaroo and a visit to L/- Ivan Davies.Dairy is handwritten. Pages are numbered 67 to 78 in printed numerals in top right of each page.comradeship, frank doolan -
Ballarat Tramway Museum
Slide - 35mm slide/s - set of 10, Eldon Hogan, mid 1960's to early 1970's
Set of 10 Agfa Plastic mounted slides - from the Eldon Hogan collection - possibly on an ARE Bendigo tours - mid 1960's (black destination rolls) and late 1960's or early 1970's. Scanned on the Canon scanner at the depot 15/12/1971 at the time of the installation of the scanner. .1 - No. 24 in bound along High St Bendigo with the discovery of gold monument in the foreground, Golden Sq route. .2 - ditto .3 - No. 26 outbound at the above location. .4 - No. 24 at the corner of Short St and High St, with the Technical college building? in the background. .5 - No. 26 at ditto, outbound for Golden Square. .6 - No. 24, High St Bendigo, with the Cathedral in the background. Tram has two Johnnie Walker Whiskey roof advertisements. .7 - Three trams, Pall Mall, Charing Cross, with the Beehive building in the background. Trams have SEC roof advertisement. .8 - ditto with Coca Cola ad on the Beehive building, turning around. .9 - No. 29 and a bogie tram at the Golden Square terminus with Billy Rodda's Golden Square Hotel in the background. Just past the tram is a large truck carrying boxes. .10 - Nos, 18, a bogie tram, 21 and 29 at the Quarry Hill terminus. tramways, trams, bendigo, tram 18, tram 24, tram 26, tram 21, tram 29 -
Bendigo Historical Society Inc.
Letter - MCCOLL, RANKIN AND STANISTREET COLLECTION: QUOTE FROM MILLER AND CO. MACHINERY, 25th May 1931
Five page letter and quote, 25th May 1931, from Miller & Co Machinery, 27 Queen Street, South Melbourne. Bendigo office phone 50. Quote for Central Nell Gwynne shaft: steam winch, straight line steam drive air compressor, air receiver, Cornish flue boiler, Worthington duplex steam pump. Price for foregoing 740 pounds. Delivery of boiler at Redan shaft, poppet legs standing at Buttrey's Reward Mine and the whole of the balance of the plant F.O.R. Melbourne Monument Hill Shaft: steam winch double cylinder, straight line single stage steam driven air compressor, air receiver crown flanged ends, Cornish flue boiler, steam pipes, air pipes, iron chimney stack 26'0' x 3'.6' diameter, black steel wire ropes 1000' length Price for foregoing 610 pounds. If preferred, self contained boiler in lieu of Cornish type offered, the following is offered: return tube boiler, by Roberts and Sons Bendigo. This boiler is self contained Deborah shaft: straight line steam driven air compressor, air receiver. Price 200 pounds.bendigo, gold mining, mccoll rankin and stanistreet, miller and co., machinery., central nell gwynne gold mine, monument hill gold mine -
Bendigo Historical Society Inc.
Document - AUCTION SALES - MINING CATALOGUE AUCTION SALES
Yellow and white patterned, spring back Spirax Students No. 594 Note Book containing extracts from mining Catalogues loaned by Mr. Dyett (J. H. Curnow's). Mines mentioned include Ramrod Gold Mine, Hercules No. 1, Central Blue, South Virginia Extended, Alfords Battery, South New Moon,The Gold Mine Clunes, Guildford Plateau, Big Blue, Spring Gully Mine at Chewton, Eureka Central at Chewton, Bdgo Amalg. Goldfields Limited, Koch's Air Station, Cornish Mine, Carlisle Battery, Victory & Pandora Mine, Garden Gully, Londonderry Mine, Princess Dagmar, Golden Age, Suffolk United, Virginia South Extended, South Red White & Blue, Pitfield Plains Glenfine South Shaft, Adelong Dredge & Leases, Bright Valley Dredge, North Chewton (Chewton), Talbot Alluvials Norbury's No. 2 Shaft, Gordon Gold Mine Inglewood, Post Office Hill Mine Chewton, Carlisle & Whittaker Plant Maldon, Bunninyong, Yandoit Mine, North Chewton, Golden Transverse Bdgo, Yandoit Co., Chapman's Gold Mine Chewton, Ross Creek Extended G. M. Coy (Ballarat).book, bendigo, mining auction sales, auction sales mining catalogue auction sales, j h curnow, mr dyett, a richardson, ramrod gold mine, hercules no. 1, central blue, south virginia extended, alfords battery, south new moon, the gold mine clunes, guildford plateau, big blue, spring gully mine at chewton, eureka central at chewton, bdgo amalg. goldfields limited, koch's air station, cornish mine, carlisle battery, victory & pandora mine, garden gully, londonderry mine, princess dagmar, golden age, suffolk united, virginia south extended, south red white & blue, pitfield plains glenfine south shaft, adelong dredge & leases, bright valley dredge, north chewton (chewton), talbot alluvials norbury's no. 2 shaft, gordon gold mine inglewood, post office hill mine chewton, carlisle & whittaker plant maldon, bunninyong, yandoit mine, north chewton, golden transverse bdgo, yandoit co., chapman's gold mine chewton, ross creek extended g. m. coy (ballarat). -
Ballarat Tramway Museum
Photograph - Digital image Set of 8, George Coop, 1968 - 1970
Yields information about the City Loop area and its operation. Eight (8) Digital images taken by George Coop during the period 1968 - 1970, of trams at the City Loop. .1 - 33, 17 and two other single truckers parked in the loop with motor vehicles and parking meters. No. 33 has an Eureka Roofing Tile Advert. .2 - 28? passing two track workers cleaning the west end points with a bogie car and three single truckers in the loop. In the background are Patersons and Dickins Food Store. .3 - No. 12 parked at the east end of the loop, hard up against the tram in front. Shows the Section Insulator. .4 - As for .1, front on photo with the destination of City and a "Pay as You Enter". The Dickins sign can be seen. .5 - as for .2, No. 35 leads the queue. Has the Woolworths Big W store in the background. .6 - view from the rear (12, 30, 17) with No. 33 being driven out of the loop. .7 - View from the rear, 33 has moved out of view. Has the T&G (Temperance and General) building in the view. .8 - No. 31 moves over the points at the west end of the loop. The tram has the Destination of Gardens via Drummond North, a Twin Lakes advert and a SEC Electric Cooking Advert.trams, tramways, city loop, sturt st, trackwork, overhead, tram 33, tram 17, tram 26, tram 12, tram 35, tram 31 -
Australian Queer Archives
Book, Don't leave me this way : art in the age of AIDS (Canberra : National Gallery of Australia, 1994), 1994
246 p. : ill. (some col.)Agony down under: Australian artists addressing AIDS / Ted Gott Allan from Sadness: a monologue with slides / William Yang Art from the Pit: some reflections on monuments, memory and AIDS / Simon Watney America: where angels don't fear to tread / Thomas Sokolowski The war on culture / Carole S. Vance Read my lips / Jimmy Somerville For a friend / Jimmy Somerville, Richard Coles Self-documentation, self-imaging,: Australian people living with HIV/AIDS / Kathy Triffitt, co-ordinator Aesthetics and loss / Edmund White Psycho-cultural responses to AIDS / Dennis Altman Faces of AIDS / Lynn Sloan Lovers and friends / Richard Coles Where the streets have new aims: the poster in the age of AIDS / Ted Gott OI: opportunistic identification, open identification in PWA portraiture / Jan Zita Grover Don't leave me this way: art in the age of AIDS : catalogue of works. -
Kew Historical Society Inc
Album, Eva Grant, Historic Buildings in Victoria & New South Wales, 1919-c.1962
One of three scrapbooks created by Eva Grant, a past member of the Kew Historical Society which were donated by her niece, Julie Thomson, in 2013. The scrapbook includes photographs and descriptions of the following sites. (Many of these are now demolished and so the photographs and descriptions may be rare records of a site.) Sites include: Abbotsford (Vic) - Abbotsford Convent, Mayfield (c.1962), prefabricated house - Church street Armadale (Vic) - church (c.1959) - Thomson & Wattletree Roads Arthur’s Seat (Vic) - McCrae homestead Ballarat (Vic) - Memorial plaque on site of Bentley’s Hotel, Memorial on site of Eureka Stockade, Early municipal buildings - East Ballarat, Adam Lindsay Gordon’s cottage - Botanical Gardens, View from Sovereign Hill, Shell house Broken Hill (NSW) - panorama (1963), Flying Doctor’s base (?1963) Eltham (Vic) - Hassell’s outdoor art gallery Essendon (Vic) - Niddrie Homestead and stables (1963) Geelong (Vic) - first Bishopscourt Hawthorn (Vic) - Convent (1930), The Hawthorns, Keilor plains (Vic) - pioneer homes, pioneer cemetery Kew (Vic) - Roseneath (1951), Tarring - Ruyton, Turinville, house - Foley street (c.1960). Malvern (Vic) - church Mount Ridley (Vic) - Summerhill Melbourne (Vic) - Old Brewery - Custom’s House Lane (1960), Customs House, Scott’s Hotel (1962), Western market (c.1960) Phillip Island (Vic) - Grave Toorak (Vic) - Mandeville Hall, Merna (sic) - Arthur Streeton’s house, Toorak House Wentworth (NSW) - Harvey’s Hotel, Sturt Memorial, Sturt’s Tree, Wentworth Gaol Williamstown (Vic) - Williamstown Dairy Yan Yean (Vic) - Bear’s Castle (c.1947) Beveridge/Big Hill (Vic) - Kelly’s cottageImportant photograph record (and notes) about historic buildings in Victoria.38-page scrapbook with additional text created by Eva Grant, a past member of the Kew Historical Society. In addition to the 68 photographs, there are two postcards and a number of publications/handouts.collected by Eva on her trips to heritage sites in Victoria and New South Wales. The pages of the album can be viewed in the image carousel above. Most of the photographs of heritage buildings were taken in the early 1960s.See imagesheritage sites - victoria - australia, eva grant, scrapbooks - 20th century -
Bendigo Historical Society Inc.
Photograph - Rocky Vale Villa, April 2016
The Beebe name was well-known in Bendigo in the last quarter of the 19th and the early part of the 20th centuries. From 1875, William Beebe senior, monumental mason, occupied a site in the centre on the city, in Mitchell Street opposite King Street. Death was more part of life in those days, and the Beebes were there to provide the burial monuments. Later, he took his sons into the business, which grew as Beebe and Son. Many examples of their work can be found in the local cemeteries. William Beebe senior (1830-1891) was born in Rutland, the smallest English county in 1830, to stonemason Chamberlain Beebe and Susannah Clements. William emigrated to Victoria in 1854 and after engaging on unknown works in Port Fairy, Dunkeld, and Melbourne arrived in Bendigo. His obituary records that he commenced work here on the site of the Bank of Australasia (opposite the Shamrock Hotel), which would have been no later than 1856. He took up a 13 acre selection on the site of Rocky Vale Villa in 1864 and continued to select or purchase further parcels of adjoining land until he owned some 150 acres, much of it unfit for cultivation. He was a keen gardener and had a garden and orchard around the house. William took over 20 years to build the two-story sandstone and granite house "Rocky Vale Villa". The house was constructed from sandstone sourced "from an adjacent ridge of rocks" (Bendigo Advertiser 28/9/1891). Granite from Harcourt was used for lintels and quoins. Not long before he died, William was still adding to the house. In the Codicil to his will, he states that "I have just built and completed two additional rooms to my Dwelling house situe at Inglewood Road aforesaid" (dated 19/9/1891). William died one week later on the 26th September 1891.Photographs of a field trip to Rocky Vale Villa, 7 Wicks Road, Maiden Gully, Bendigo by the Bendigo Historical Society.history, bendigo, rocky vale villa maiden gully, william beebe stonemason bendigo -
Bendigo Historical Society Inc.
Document - Rocky Vale Beebe House, 2010 to 2015
The Beebe name was well-known in Bendigo in the last quarter of the 19th and the early part of the 20th centuries. From 1875, William Beebe senior, monumental mason, occupied a site in the centre on the city, in Mitchell Street opposite King Street. Death was more part of life in those days, and the Beebes were there to provide the burial monuments. Later, he took his sons into the business, which grew as Beebe and Son. Many examples of their work can be found in the local cemeteries. William Beebe senior (1830-1891) was born in Rutland, the smallest English county in 1830, to stonemason Chamberlain Beebe and Susannah Clements. William emigrated to Victoria in 1854 and after engaging on unknown works in Port Fairy, Dunkeld, and Melbourne arrived in Bendigo. His obituary records that he commenced work here on the site of the Bank of Australasia (opposite the Shamrock Hotel), which would have been no later than 1856. He took up a 13 acre selection on the site of Rocky Vale Villa in 1864 and continued to select or purchase further parcels of adjoining land until he owned some 150 acres, much of it unfit for cultivation. He was a keen gardener and had a garden and orchard around the house. William took over 20 years to build the two-story sandstone and granite house "Rocky Vale Villa". The house was constructed from sandstone sourced "from an adjacent ridge of rocks" (Bendigo Advertiser 28/9/1891). Granite from Harcourt was used for lintels and quoins. Not long before he died, William was still adding to the house. In the Codicil to his will, he states that "I have just built and completed two additional rooms to my Dwelling house situe at Inglewood Road aforesaid" (dated 19/9/1891). William died one week later on the 26th September 1891.Photographs and Historical Documents relating to Rocky Vale Villa, 7 Wicks Road, Maiden Gully, Bendigo by the Bendigo Historical Society.history, bendigo, rocky vale villa maiden gully, william beebe stonemason bendigo -
Melbourne Legacy
Document - Speech, In Proud Remembrance - from a speech by Colonel A. N. Kemsley, E.D. at a weekly luncheon of Melbourne Legacy, pre 1953
A document containing a speech by Colonel A. N. Kemsley, E.D. at a weekly luncheon at Legacy sometime in the early 1950s. He presented details of the initial building of the Shrine and the changes being made to commemorate the second world war, such as the forecourt and new cenotaph and flagpoles. He mentions the upcoming Anzac Day in 1953. After the first world war there was a decision made to create a memorial. Legatees were involved in the process at various times and capacities. In particular Legatee Kemsley was vocal in idea of a structure over a utilitarian memorial (such as a hospital or a park) - see letter at 01182. These notes include the resolution that passed at the Melbourne Town Hall at a public meeting: "That this meeting of citizens confirm the launching of an appeal by the Lord Mayor to establish a National War Memorial by means of a monument and that an executive committee with the Lord Mayor as Chairman with power to add and point sub-committees be formed to carry out the project." Also that 20 sites were selected for consideration in 1921. Although the St Kilda Road site was favoured early on, by 1926 there was pressure to change to a "provision of square" and Cenotaph at the intersection of Spring and Bourke Streets. Legacy Clubs voiced their opposition to this proposal by passing a resolution "That the Melbourne Legacy Club, representative of the returned soldiers in business in this city, whilst welcoming the Anzac Square Scheme as a city improvement, cannot support it as a War Memorial scheme and affirms its support for the Shrine of Remembrance in the Domain as the only War Memorial worthy of Victoria's unparalleled efforts in the Great War." The document was in an envelope with a letter dated 30 April 1971 (01182) that also outlines the efforts Legacy (especially L/- Kemsley) went through to promote the construction of the Shrine of Remembrance over a proposed square. The envelope says 'The Origin of the Shrine of Remembrance p/p Legatees Kemsley and Joynt'. And the initial 'JMBA'?. It was in a file with other documents concerning the Shrine and it's history.A record of the events that led to the construction of the Shrine of Remembrance as noted by a Legatee at the time. There was an effort to record historical events for the "Archive Committee" which collected this an other documents relating to the Shrine together in a file (see items 01181 - 01190, 01206 - 01212)White quarto paper x 8 pages of black type of a speech given by Legatee Kemsley.S6 in red penmemorial, speech, shrine of remembrance, kemsley -
Bendigo Historical Society Inc.
Document - DRAINAGE PROBLEMS - DRAINAGE 1905 - 1908
Handwritten notes from the Bendigo Advertiser 22/6/1910, listing the mine, Gallons baled, Deepest depth baled from, Total amount Rec'd, ? ? Coy for Financial Year ended 30/6/1908. Mines mentioned are: New Chum Railway, Eureka Ext'd, New Chum Con'd, Lazarus, Garibaldi, Lansells 180, Victoria Quartz, Lansell's 222, New Chum & Vic., Shamrock and New Shenandoah. Note along the side: re - Vict Quartz Inrush Water. Adv. Wed. 22/6/1910. (b) Handwritten notes on the New Chum Drainage Ass'n 1905 - 1908 from the Bendigo Advertiser 22/6/1910. Listed is the Year, Water Raised (Gallons), Total Amount Re?ed and Amount Re? Coys. The New Chum Drainage Ass'n was formed in 1901 and practically ceased to exist in 1908. Victoria Quartz at time of inrush of water on Tuesday night, the shaft had reached a depth of 4,614 feet. Water has since risen in the shaft to above 4,154 ft plat & the large workings at 4,254 feet, and 4,154 feet have also been t filled. As there are no reef workings from 4,154 to 3,424 feet the water will no doubt rise rapidly until that level is reached.document, gold, drainage problems, new chum drainage association, drainage 1905 - 1908, bendigo advertiser 22/6/1910, victoria quartz, new chum railway, eureka ext'd, new chum con'd, lazarus, garibaldi, lansell's 180, lansell's 222. mew chum & vic, shamrock, new shenandoah -
Federation University Historical Collection
Pamphlet, Jeff Zilles, Old Curiosity Shop, c1980s
The Old Curiosity Shop was q house was built by bricklayer James Warwick, and his wife Caroline, with construction beginning around 1863. It was opened to the public in 1895. What is significant? Construction of the house later known as the Old Curiosity Shop commenced about 1863, the year bricklayer, James Warwick obtained a miner's right for a residential block on the edge of the exhausted Eureka diggings in the newly proclaimed municipality of Ballarat East. James built a modest 4-roomed timber and brick house for his expanding family and continued in the bricklaying trade until retiring around the early 1880s. By then he was pursuing his gardening interests in the local Horticultural Society and was supervising the gardens of many East Ballarat residents. It was during these years that his gardening and building interests converged to find expression in the marvellous permutations of decoration that extend over the house and garden. Using cast-off crockery, glass, ceramic figurine and mirror shards, shells, wallpaper samples, architectural ornament and slag, a place was found for all manner of things, large and small. Children would bring broken china dolls and bits of crockery, and the patient mosaic work preoccupied James and his wife Caroline for the rest of their lives. The work has its origins in the grottoes and shellhouses that ornamented the gardens of large English estates from the 1730s. In the few years before James' death in 1898, the house had become known as the 'Old Curiosity Shop', inspiring associations with the Charles Dickens novel of the same name. By then professional photographs had also been taken and thousands of tourists were visiting it yearly. Caroline obtained copyright for 2 of the photos and began issuing her own postcards before she died in 1903. The Shop passed to their son Charles and then to a succession of owners who added their own mythology to the story of the Warwicks and their work. After attracting tourists for more than 100 years, the Shop closed to the public in 1999. (Vitorian Heritage Database)Brochures on the Old Curiosity Shopold curiosity shop, warwick, ballarat east, james warwick, caroline warwick -
Federation University Historical Collection
Booklet - Booklet - Media Clippings, University of Ballarat: Community Service Activities, 1994
Booklet of article that appeared in the newspaper outlining events, programmes, etc. that are of community involvement. Computer and IT programmes; Uni helps kids learn about safe, active, healthy life; Uni eager to foster partnership with local community; Professor David James (Vice Chancellor) to be chair of regional consultation group reforming State's planning system; Ballarat's Martin Hughes of BU Geology Department and Queensland's Neil Phillips to present paper at Geological Society of America in Seattle; Uni to build aquatic centre to attract top swimmers; Open Days planned by Ballarat Universities; Sue Hadden, Ballarat Uni, received $75,000 grant to carry out research on Victoria's disappearing native grasses; Ballarat Uni to host major student sculpture show; Moves to develop high-tech park plan; New Research Plans assisted by Professor Tom O'Donnell; Indian experts look for answers to get more from their depleted desert forests; Uni conducts nursing survey re courses to be offered; Rabbit numbers rise - survey from farmers; Ted Lovett, VFL footballer (Fitzroy) talk on racism in sport at Ballarat Uni.; Australian beer awards at Ballarat Uni.; Study on Unhealthy Fitness - Heart Foundation suggests regular exercise at level suited to individual needs; Survey tracks path of yellow spotting; Tertiary push for hospital - Ararat; University considered for athletics facility; Top-level study on fitness for the elderly to be monitored by Human Movement and Sports Science students, University of Ballarat; Institute of Chartered Accountants will hold its annual accounting information day at the University of Ballarat's Foundation Hall. Students from other universities to attend; Prince Edward's visit - challenge of "Great Rubber Tube Raft Regatta" at Lake Wendouree; Uni, company in joint training initiative - installation on Novell's networking software in the degree course; Uni begins study into tree threat; Eureka leadership conference in Ballarat; Leadership conference an outstanding success.Buff coloured cover, black print. Pages glued and bound - black tape. Newspaper articles - photographs and print - on separate sheets in reverse order of appearance in paper; December to February.Symbol of University of Ballarat - cover.computer and it, newspaper items, health, local community involvement, david james, vice chancellor, state's planning system, martin hughes, geology department, neil phillips, queensland university, geological society of america, seattle, aquatic centre, sue hadden, research grant, $75000, native grasses, sculpture exhibitiontom o'donnell, indian experts, nursing survey, rabbit survey, ted lovett, footballer, racism in sport, australian beer awards, unhealthy fitness, heart foundation, athletics facility, fitness for the elderly, human movement and sports science, intitute of chartered accountants, networking system in degree course, eureka leadership conference -
Bendigo Historical Society Inc.
Newspaper - LONG GULLY HISTORY GROUP COLLECTION: BENDIGO'S CENTURY VOLUME FOUR: 1930 - 1939
Newspaper supplement titled Bendigo's Century Volume Four: 1930 - 1939. Front page is titled Bendigo's Century and has a photo of some women at the Bendigo Jockey Club, 1930s. Each year has heading of Who's Who, Weather, Sport and Business. First years are 1930 - 1939 titled A look back when. The page has photos of the Eaglehawk Cricket Club's first A Grade cricket premier ship team (1932 - 1933)., The monument to the late Bendigo mining magnate Ernst Mueller in Rosalind Park, The Bendigo Stock Exchange in the early 1930's - pictured are L L Dungey, T Williams, M P Kelly, C Mueller, E Hommoloff, R Kelly, T H Busst, T Hall, R Trembath, E A Woolcock, and C Burridge, the Carshalton mine in 1936 and The Edith and G V Lansell Laboratory at the Bendigo Hospital. 1930 - a photo of St Andrew's Church, the sundial outside the RSL Memorial Hall, The late Monsignor Rooney and The late John Douse Langley. The Ironbark Mine was the top gold producer. 1931 - Radio station goes on air, 1932 - Sir John dies, 1933 Bodyline men come to town, 1934 - Heroic rescues, 1935 - Hospital's new wing opened, 1936 - King mourned, 1937 - Beehive store towers above, 1938 - Mining shows mixed results and 1939 - Outbreak of war sobering.bendigo, history, long gully history group, the long gully history group - bendigo's century - volume four: 1930 - 1939, eaglehawk cricket club, ernst mueller, the bendigo stock exchangel l dungey, t williams, m p kelly, c mueller e hommoloff, r kelly, t h busst, t hall, r tremabath, e a woodcock, c burridge, charshalton mine, edith and g v lansell laboratory, st andrew's church, rsl memorial hall, mr gordon carter, sir john monash, state electricity commission, cr r watson, colonel gt v lansell, empire press congress, bendigo advertiser, mr e j hogan, eppalock weir, lyric theatre, bendigo red cross, mrs george mackay, st andrew's presbyterian church, mrs william hunter, right rev john douse langley, monsignor rooney, bendigo art gallery, the ironbark mine, coliban water, mr w wright, station 3bo, amalgamated wireless of australia ltd, advance bendigo group, the north league, st aidan's orphanage, bendigo freezing works, mr w wright, bendigo advertiser, mr w j stephens, advance bendigo group, north league, garden gully united gold mining company, bendigo football league, sir john quick, john quick snr, ironbark foundry, bendigo evening news, bendigo independent, bendigo advertiser, deakin governmnet, sir charles kingsford smith, southern cross, eppalock weir, bendigo art gallery, the hercules mine, gillies, aids & appliance shop, anne caudle centre, bill woodfull, harold larwood, dr john mccarthy, the hercules, douglas jardine, don bradman, sacred heart cathedral, joseph stapleton, john lynch, bert mcconchie, new red white and blue mine, royal humane society, william james, vernon shaw, south new moon mine, bendigo hospital, bendigo base hospital, duke of gloucester, rsl memorial hall, electricity commission, eaglehawk borough council, the plaza, backhaus estate, amalgamated freezing company, fortuna villa, mrs edith lansell, colonel lansell, the hercules mine, toni riley pharmacy, boardwalk, barkly hyett, the big blue consolidated company, the bendigo hospital, eaglehawk football team, kurmala wing of the bendigo base hospital, sir isaac isaacs, lyric theatre, sir john quick, hanro knitting mills, st luke's toddlers home, st aidan's orphanage, rsl memorial hall, lord and lady huntingfield, cr michelsen, bendigo art gallery, bendigo agricultural show, new blue mine, joseph stapleton, bendigo law association, bendigo hospital committee of management, bendigo rotary club, mr j mcrae, education department, andrew sunstan, sir stanley argyle, bendigo football league, north blue mining company, cr staples, king george v, king edward viii, cr j a michelsen, andrew mclay, bendigo advertiser, cohn bros, mrs wallis simpson, king george vi, capping mine shafts 1936, bendigo art gallery, madge freemen, william john leslie cross, judge wasley, the myer emporium, the baptist church, salvation army, ron masters, the central nell gwyn, sir john quick, leanne mcdonnell, windermere hotel, rev donald baker, john rumbold, central nell gwynne, the beehive building, the beehive store, james buick and co, thomas hope henderson, buick henderson & co, mr goodison, mr r o henderson, lt-col henderson, angus mackay, bendigo sewerage authority, mr s gordon moore, commercial bank of sydney, bendigo advertiser, edward alan morcom, polio, dr gardner kerr, the right rev conald baker, ridley theological college -
Melton City Libraries
Newspaper, Lack of support may close hall, 1977
"The Mechanics Institute movement flourished in Victoria from 1839 to 1950. It was based on the development of Mechanics’ Institutes in Scotland and England from the 1820s, which were intended to educate and enlighten the working classes. The term ‘mechanic’ in those days meant an artisan, craftsman or working man, especially those who had moved from rural areas to work in new city factories during the Industrial Revolution. The early Institutes were usually equipped with a reading room, a library and a lecture room. Although enjoying mixed success in Britain, they contributed to the development of public education and library services. The movement was adopted more enthusiastically in the colonies. It began slowly in Victoria but its expansion after the gold rushes population influx was rapid, especially in rural areas. Every suburb and town wanted to have a Mechanics’ Institute. During the 1850s approximately forty Institutes were established, with even greater growth in the period 1860 to 1900. By 1900 there were 400 Institutes in Victoria. The establishment of a Mechanics’ Institute was often a great achievement for a local community, requiring organising committees to raise substantial funds for a building site (where this had not been granted by the Government), and the building. Once built, the committee then had to purchase books, provide a caretaker or librarian, and finance the ongoing use of and improvements to the building. ‘The history of many Institutes is a story of tremendous community effort, and often, financial difficulties’. In addition to being monuments to local enterprise and community life, the Mechanics’ Institutes played a vital role as an intellectual forum, and in contributing to an informed and participatory democracy in the late nineteenth and early twentieth centuries. They provided journals and other reading matter on local, state, national and international issues, and hosted of lectures and held debates about wider issues such as Federation, colonial nationalism, defence, female suffrage, the price of land and labour. With the development of the school and technical education in the latter part of the nineteenth century, the need for community technical and adult education declined. As a result of the introduction of government library grants in 1867, many Mechanics’ Institutes incorporated a free library in their buildings to finance collection of their books. By 1884-85, there were 257 free libraries in Victoria. However, government support and library grants dropped off in the 1890s depression. Entertainment took on a greater role in the 1890s, with the introduction of moving pictures, billiards rooms, games rooms (chess), concerts and dances. The First World War had a devastating impact on many rural communities, and some Mechanics’ Institutes were no longer viable. On the other hand the early twentieth century was also a time of agricultural development, and many country towns were growing in this period. The 1930s depression further limited growth of many libraries and reduced grants substantially. In response many Mechanics’ Institutes were renamed, for example as memorial halls, in order to retain and attract more patrons (eg at nearby Sunbury). The diminishing role for Mechanics’ Institutes and the preference for larger and better appointed halls (with supper rooms, cloak rooms etc) resulted in demolition of some small Institutes. The advent of cars, radios, and television also provided other opportunities for recreation, learning and entertainment. The greater role of municipalities in providing library services also eroded the need for free libraries. While over 500 Mechanics’ Institutes or halls are extant, very few of these retain their original role as ‘diffusers of useful knowledge’. Most are still available for community purposes, as venues for meetings, socials, civic occasions etc, while others are employed as museums, shops and theatres. Most buildings are on Crown land, and managed by a delegated committee of management, who are responsible for raising revenue to maintain aging buildings. Many of those which were originally established on private land, such as Melton, have since reverted back to the Crown, and municipal Councils. The most common Mechanics Institute building form is the simple weatherboard gable building with iron roofs, notable for their ‘honest simplicity’ rather than as ‘monuments of the ancients’. At the other extreme there are some magnificent two storeyed brick and stucco structures with elaborate ornamentation (as was apparently envisaged by some in Melton in 1905-10)". The future of Melton Mechanic Institute Gazette articlelocal architecture -
Bendigo Historical Society Inc.
Document - DRAINAGE PROBLEMS - WATER IN NEW CHUM MINES
Handwritten copy of Bendigo Advertiser reports of water in New Chum Mines. (1) 'The water rose yesterday, 9 feet in the Victoria Quartz mine and now at 3215 ft. Bgo. Adv 6/7/1910 page 7. (2) 'New Chum Mines. Futile attempts to cope with water. Despite the fact that bailing is being carried on steadily, the water has risen 55 feet in the last 24 hours, and is now up to 3160 feet. New Chum Consolidated has since last week raised 327,000 galls, but the bailing has made no perceptible difference. The Lazarus to start on Monday.' Bgo Adv 9/7/1910 Page 9. (3) Letter to Adv by A. L.N. Excerpts. 'Bailing should have commenced at New Chum Railway.' 'The bulk of water is at South end. 3.5 million galls per month, divided between South Belle Vue, Eureka Extended and New Chum Railway.' 'In black and white, the Railway in the wet season, July last year with the aid of the Cornish Lift, raised 2.25 million galls, besides attending to those employed below.' 'Safe to say that 3.5 million galls per month could be raised from the present water level.' 'The plant is strong with abundance of steam space which would allow the firewood to be used economically under the barborous Cornish Boiler or wood-eaters'. Bgo Adv 14/7/1910.document, gold, drainage problems, new chum drainage association, water in new chum mines, victoria quartz, new chum consolidated, lazarus, new chum railway, south belle vue, eureka extended, cornish lift, bendigo advertiser 6/7/1910 page 7, bendigo advertiser 9/7/1910 page 9, bendigo advertiser 14/7/1910 -
Ballarat Tramway Museum
Postcard - Folder set, Viewpoint Scenic Production, "In Scenic Colour Ballarat, Vic", early 1950's
Set of 12 views of Ballarat printed with six colour photos on one side and six black and white photos on the other side, printed onto a folded strip of paper glued within an embossed paper folder. On rear cover has publisher details "A Viewpoint Scenic Production"., titled "In Scenic Colour Ballarat, Vic". Front cover has title and small sketch showing a fountain, trees and church in the background. Would appear to be a generic cover for other cities as well. The rear cover has two sets of cut slits with black lines around the cuts to enable the folder to be closed. Pictures are: Black and White 1. Sturt St Ballarat. (Well known photo taken from Grenville St. - see btm675i - 1940's) 2. General View of Ballarat, Victoria 3. Bridge Street Ballarat 4. Mt Warrenheip from Buninyong (note wrong spelling of Warrenheip) 5. View from Mt. Buninyong 6. Ballarat Gardens showing Wallace Memorial Colour photos - generally out of register. 7. The Town Hall, Ballarat Victoria - with tram in foreground (see image i8 for a hi res version) 8. Sturt and Bridge Streets, Ballarat - with tram in view 9. The Gardens, Ballarat Victoria 10. The Eureka Stockade Memorial, Ballarat 11. Lake Wendouree, Ballarat Victoria 12. The of Victory, Ballarat Vic. trams, tramways, ballarat, postcards, sturt st, bridge st, gardens -
Ballarat Tramway Museum
Photograph - Digital image Set of 11, Stuart Loddington, 10 images of Ballarat trams prior to closure, 1971
Yields information about Ballarat Tramways and trams prior to the closure of the tramway system.Set of 11 digital images, comprising 1 donation text image and 10 images of Ballarat trams prior to closure, scanned from original slides by Stuart Lodington, 1971 prior to closure of the system. .1 - Donation text slide. .2 - No. 26 southbound in Lydiard St North, with the Ballarat Railway Station level crossing gates in the background. .3 - No. 27 and 30 crossing at Bell St Loop, Skipton St. (see also btm4976i4) .4 - No. 17 Wendouree Parade, near Gardens Loop .5 - Single truck tram at Victoria St terminus, taken from the west side of the Buninyong Rail line bridge, with CRB Roadwork sign, Eureka Caravan Park and Meagher Hotel in the background, possibly No. 11, see entry for .10 .6 - No. 12 and 30 crossing at the Urquhart St Loop, Drummond St South. .7 - No. 12 westbound in Sturt St, with Grenville St in the background. .8 - No. 17 at Gardens Loop with the Trolley pole being reversed. .9 - No. 30, Lydiard St North with Reid's Palace building in the background. .10 - No. 11 passing over the Buninyong rail line bridge, with Gardens via Sturt St West and a Twin Lakes sign. Has a number of children alongside the driver. .11 - No. 21 heading northbound in Wendouree Parade, Gardens, just to the north of the now BTM depot junction.trams, tramways, ballarat, level crossings, buninyong railway, lydiard st north, bell st, victoria st, wendouree parade, gardens, drummond st, sturt st, tram 26, tram 27, tram 30, tram 17, tram 12, tram 21, tram 11