Index, maps, p.312.non-fictionBased on the research of modern historians as well as a wealth of primary source material, Churchill's popular and readable A History of the English-Speaking Peoples was respected by scholars as well as the public in its day - a testament both to its integrity as a work of historical scholarship and its accessibility to laypeople. Churchill used primary sources to masterful effect, quoting directly from a range of documents, from Caesar's invasions of Britain to the beginning of the First World War, to provide valuable insights into those figures who played a leading role in British history. In the last of his epic four-volume account, Churchill begins at the end of the Napoleonic Wars and ends with the Boer War of 1902.great britain - history, winston churchill 1884-1965

Index, maps, p.304.non-fictionBased on the research of modern historians as well as a wealth of primary source material, Churchill's popular and readable A History of the English-Speaking Peoples was respected by scholars as well as the public in its day - a testament both to its integrity as a work of historical scholarship and its accessibility to laypeople. Churchill used primary sources to masterful effect, quoting directly from a range of documents, from Caesar's invasions of Britain to the beginning of the First World War, to provide valuable insights into those figures who played a leading role in British history. In the last of his epic four-volume account, Churchill begins at the end of the Napoleonic Wars and ends with the Boer War of 1902.great britain - history, winston churchill 1884-1965

The name of Phan-Boi-Chau may not be readily recognized by many people ouside Vietnan, but within his own country he is one of the most widely known and respected figures in recent history.revolutionaries - vietnam - biography, phan-boi-chau, autobiography

A fascinating historical commentary on the Viet Nam war from 162 through 1975 as seen through the eys of one of the key figures in the development and implementation of Viet Nam's pacification program.vietnam war, 1961-1975 - personal narratives, american, counterinsurgency - vietnam

The inside pages of this pamphlet list the many donors and subscribers who initially supported the Victorian Mission to Seamen whose first chapel was based on a floating Hulk named the Emily. The most generous 1857 donors at 20 guineas Dove and Oswald, ship owners, (also the name of the Heritage floating dock at Williamstown). The point of this pamphlet published in 1957 appears to be a reminder of longstanding support and as part of an appeal to new donors to assist with increased costs. It also compairs the donations betwwen 1857, 50 years later in 1907, and in 1957 the year of Centenary. It may well have been designed to hand out at screening of the short documentary produced by Cinesound circa 1956/57 and 'starring' Padre Oliver visiting ships and footage of the Mission interiors at both 717 Flinders st and the Deco 1936 building at Port Melbourne.The listing of donors is of some historical significance showing the range and names and is a useful reference for further research re significant figures of Melbourne and Victoria in the original establishment of the Mission by the Bethel Union.single fold paper pamphlet with blue printed text with flag of the Missions to Seamen at top of page.List of Donations / made in 1857 to the / Victoria Missions / to Seamen / Today - According to the bank of New South Wales / the price paid today for gold is nearly four times as much as in 1857. / and- / In 1907 the basic wage was 2 pounds 2/- ( 2 Guineas) / In 1957, 12 - 15 pounds/ Over six times as much. Inside the pamphlet alphabetical list of donorsdonor names, 1857, centenary, fundraising, mission to seafarers, seamen's mission, donations, 1957, 1907, currency conversion

non-fictionA typescript with some pages handwritten of the life of Nathan Spielvogel founder of the Ballarat Historical Society, teacher and community leader. Tied at top corner with ribbon.memoir, spielvogel, ballarat, dimboola, jewish

These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists

In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex.