This is a special issue of the annual Orbost High School magazine. It revisits the decade 1960-1970. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". 2218.1 belonged to Mary Gilbert, a former teacher at the school.This magazine is a useful reference tool.Two copies of a magazine with a dark blue cover. It is titled Croajingolong Document of a Decade. On the front cover the print 1960-1970 Vol.2 No. 3 is in yellow/gold and the Orbost High School crest is on the left hand side in yellow. 2218.2 has autographs inside the covers. 2218.1 has the Orbost Historical Society stamp on the inside back cover.croajingolong orbost-high-school

A draft report on the pre-European Aboriginal achaeological sites in the city of Banyule, including results of previous field surveys; Banyule covers a small part of the former lands of the Woi Wurrung. The report discusses heritage overlay, planning issues and the proposed Victorian planning provisions.100p, 30 cm.Marked "Draft"aboriginal heritage banyule, woi wurrung

Historical Details: . Description: The CAC Winjeel was designed as a post-war replacement for the Tiger Moth and the Wirraway training aircraft then in use with the RAAF. Winjeel is an aboriginal word meaning ‘young eagle’. First flown in 1951, the aircraft suffered a prolonged developm. Level of Importance: Statewinjeel ca25

Built by Captain Newman after retiring as Superintendent of Lake Tyers Aboriginal Station. The building was a shelter built beside the Toorloo road with a bell over the door and s sign 'Devonshire Teas served. For service ring the bell.' Operated by Mrs. Newman for a short timeA colour photograph of the site of the Toorloo Arm Tea Room, built about 1937. Shows a small clearing in a bushland setting. Toorloo Arm Victoriavegetation, local history, historic site

A carefully documented essay on the history of Antonio Park and Yarran Dheran as examples of changes in public attitude to conservation. References are made to the Aboriginal uses of the land, the roles of the Schwerkolt and Antonio families, the Nunawading City Council and the establishment of Antonio Park Primary School. The importance of appropriate botanic species is stressed. 14 pages. Includes bibliography.A carefully documented essay on the history of Antonio Park and Yarran Dheran as examples of changes in public attitude to conservation. antonio park, mitcham, yarran dheran, antonio family, mullum mullum creek, environment

A recording of 'Messiah', an English language oratorio by George Frederic Handel, composed in 1741. The text was compiled from the King James Bible; it contains 3 parts and part 2 ends with the 'Hallelujah' chorus. This performance by the Diamond Valley Choral Society was recorded at St John's Church of England, Heidelberg and St Paul's East Kew, June 1985.1 audio cassette in clear plastic caseHandwritten on case: "DVCS - St Johns (Handel), St Paul's East Kew, 15.6.85"diamond valley choral society, messiah (oratorio), st john's church of england heidelberg, st paul's east kew

Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation

Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation

Tony Albert’s 2022 solo exhibition at Sullivan+Strumpf, Remark, continues the artist’s investigation into the imagery and identification of appropriated Indigenous Australian iconography in domestic decoration and design. Incorporating fabric from his extensive collection of ‘Aboriginalia’, Remark sees Albert expand on his acclaimed Conversations with Margaret Preston series dimensionality, critically engaging with the fabric in his own right. Like the fabric of Australian society, the appropriated Indigenous imagery printed on souvenir tea towels intertwines in a complicated web of national identity. These are not images by Aboriginal people and our voices and autonomy continued to be silenced through the object’s inauthenticity. As a country we must reconcile with these objects’ very existence. They are painful reiterations of a violent and oppressive history, but we also cannot hide or destroy them because they are an important societal record that should not be forgotten. As an artist this juxtaposition and tension fascinates me. Tony Albert’s multidisciplinary practice investigates contemporary legacies of colonialism, prompting audiences to contemplate the human condition. Drawing on both personal and collective histories, Albert explores the ways in which optimism can be utilised to overcome adversity. His work poses important questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Albert’s technique and imagery are distinctly contemporary, displacing traditional Australian Aboriginal aesthetics with an urban conceptuality. Appropriating textual references from sources as diverse as popular music, film, fiction, and art history, Albert plays with the tension arising from the visibility, and in-turn, the invisibility of Aboriginal People across the news media, literature, and the visual world. australian first nations art, colonialisation

Postcard with a photograph of a group of unidentified Australian soldiers. There are 38 soldiers, including two officers, in the uniform typical of the World War 1 era. The soldiers are standing in front of a building draped with the Australian flag. The soldiers are in rows with each row elevated sufficiently to raise the row above that in front. It is possible that this photograph was taken somewhere in France during World War 1. The normal postcard format is printed on the rear of the photograph and is in the French language."CARTE POSTALE" and the headings "Correspondance" and "Adresse"

Diggers & Mining. Gold. The Chinese soon became very unpopular with the white diggers on the goldfields. (1) Much of the hostility to them was the result of sheer prejudice directed against people who were alien in race, religion, and language; whose standard of living, by European criteria, was low; and who did not mix with other diggers, but lived - preforce - in separate camps in the diggings. Markings: 22 994.GOL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Map was used by Alan Mitchell-Lapin during patrols with Commando Regiment. Alan Mitchell-Lapin is a resident of Woodend.Alan Mitchell-Lappin is a member of the Woodend RSL who served with the Commandos in Afghanistan. Alan was awarded a Commendation for Gallantry for his service in Afghanistan. The map was utilised by Alan during his patrols.Patrol map for South Western Orguzgan Helmand and Kandahar Province’s. Scale 1:200,000. Produced by Australian Government Department of Defence Intelligence and Security. Table top right -Military Legend. Tables middle right - Language distribution, and translation glossary. Table bottom right hand corner - Topograhic Legend. Table centre bottom - Grid magnetic Diagrams. Table top left corner - Tarwin Kowt weather infromation.Produced by the Defence Imagery and Geospatial Organisation, Geospatial Analysis Centre, September 2009. Restricted at time of issue.afghanistan, map, orguzgan, helmand, kandahar, operation slipper, mitchell-lapin, 2009, digo 0098-0910, commando, special forces

Guide booklet - pocket size, with rounded corners on right hand side, 24 pages, centre stapled printed on white paper, titled "Myki Operator Pocket Information Guide", giving details of the Myki ticket system. Has a table of contents. Covers the Myki system, how to use it, various products, types or kinds, purchase and topping up, equipment, language, questions and general information. Though not dated, c2011trams, tramways, myki, tickets, public transport

Pamphlet - printed A4 sheet - advertising a protest March for Saturday 23 (dated on rear as 23-1-1993) to protest about the possible closure of the Upfield line. Has details of the march time from the Brunswick Tram Depot to Coburg Station, basis of the protest, gives Alan Brown's (The Transport Minister's phone number), and contact names. On the rear are the details in five different languages. See also Reg Item 5428.trams, tramways, upfield light rail, upfield, closure, protest, brunswick depot

This is the twenty-fourth issue of the annual magazine of Orbost High School. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". 2219.1 belonged to Mary Gilbert, a former teacher at the school. 2219.2 belonged to Peter Traill.This magazine is a useful reference tool.Three copies of Croajingolong 1971. The magazine is in landscape format and has a white cover with a free form shape filled with mosaic type patterns in black and white. 2219.2 has Peter Trailll written in blue pen on the front cover.croajingolong orbost-high-school

This is the twenty-fifth issue of the annual magazine of Orbost High School. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east. 2220.1 belonged to Mary Gilbert, a former teacher at the school. 2220.2 belonged to Andrew Murray.This magazine is a useful reference tool.Two copies of Croajingolong 1972. It has an orange cover with dark brown print.2220.2 has Andrew Murray written in blue pen on the front cover.croajingolong orbost-high-school

This volume lists the nominees for the 2018 Banyule Volunteer Awards. Includes information on the volunteers' work in the community. Other award nominees covered include Young Volunteer, Aboriginal and Torres Strait Islander Volunteer, Multicultural Community Volunteer, Community Volunteer, Good Neighbour and Citizen of the Year.40 pages, colour illus.banyule volunteer awards 2018

This volume lists the nominees for the 2016 Banyule Volunteer Awards. Includes information on the volunteers' work in the community. Other award nominees covered include Young Volunteer, Aboriginal and Torres Strait Islander Volunteer, Multicultural Community Volunteer, Community Volunteer, Good Neighbour and Citizen of the Year.40 pages, colour illus.banyule volunteer awards 2016

This volume lists the nominees for the 2015 Banyule Volunteer Awards. Includes information on the volunteers' work in the community. Other award nominees covered include Young Volunteer, Aboriginal and Torres Strait Islander Volunteer, Multicultural Community Volunteer, Community Volunteer, Good Neighbour and Citizen of the Year.40 pages, colour illus.banyule volunteer awards 2015

This volume lists the nominees for the 2014 Banyule Volunteer Awards. Includes information on the volunteers' work in the community. Other award nominees covered include Young Volunteer, Aboriginal and Torres Strait Islander Volunteer, Multicultural Community Volunteer, Community Volunteer, Good Neighbour and Citizen of the Year.40 pages, colour illus.banyule volunteer awards 2014

This volume lists the nominees for the 2013 Banyule Volunteer Awards. Includes information on the volunteers' work in the community. Other award nominees covered include Young Volunteer, Aboriginal and Torres Strait Islander Volunteer, Multicultural Community Volunteer, Community Volunteer, Good Neighbour and Citizen of the Year.40 pages, colour illus.banyule volunteer awards 2013

This volume lists the nominees for the 2012 Banyule Volunteer Awards. Includes information on the volunteers' work in the community. Other award nominees covered include Young Volunteer, Aboriginal and Torres Strait Islander Volunteer, Multicultural Community Volunteer, Community Volunteer, Good Neighbour and Citizen of the Year.40 pages, colour illus.banyule volunteer awards 2012

This volume lists the nominees for the 2011 Banyule Volunteer Awards. Includes information on the volunteers' work in the community. Other award nominees covered include Young Volunteer, Aboriginal and Torres Strait Islander Volunteer, Multicultural Community Volunteer, Community Volunteer, Good Neighbour and Citizen of the Year.40 pages, colour illus.banyule volunteer awards 2011

This volume lists the nominees for the 2010 Banyule Volunteer Awards. Includes information on the volunteers' work in the community. Other award nominees covered include Young Volunteer, Aboriginal and Torres Strait Islander Volunteer, Multicultural Community Volunteer, Community Volunteer, Good Neighbour and Citizen of the Year.40 pages, colour illus.banyule volunteer awards 2010

This volume lists the nominees for the 2009 Banyule Volunteer Awards. Includes information on the volunteers' work in the community. Other award nominees covered include Young Volunteer, Aboriginal and Torres Strait Islander Volunteer, Multicultural Community Volunteer, Community Volunteer, Good Neighbour and Citizen of the Year.40 pages, colour illus.banyule volunteer awards 2009

Contents: • Next meeting, The Society’s Map Collection; Introduced by Russell Yeoman • November Meeting • Christmas Function • Society Activities • Tarcoola Press • Museum Open Day • Aboriginal Cultural Heritage Workshop • The Shire of Eltham War memorial, Kangaroo Ground • Other News Items The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

The lady was standing beside a glass case, that was displaying an Aboriginal Ceremonial dress at the 'Wear This' exhibition that was mounted at the George Evans Museum in Sunbury in the late 1990s. The exhibition featured a variety of ceremonial clothing worn by a variety of ethnic groups who lived within the Hume City area.The variety of ceremonial dress displayed at the exhibition showed the number of diverse groups that reside within the City of Hume.A copy of a non-digital coloured photograph of a lady standing next to a glass display case where a ceremonial dress is exhibited. An information board is in the background.'wear this exhibition', hume city council, george evans museum, sunbury

Booklet. ALEC H CHISHOLM COLLECTION. 30 page booklet about the meanings of 2000 Australian aboriginal words by H. M. Cooper, Assistant in Ethnology at the South Australian Museum. Published in 1949 by the South Australian Museum and printed by K. M. Stevenson, Govt. Printer, Adelaide. Catalogue sticker ''2236 COO'' on front cover.H. M. Cooperbooks, collections, ethnology, alec h chisholm collection, h.m.cooper, aboriginal words, ethnology