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Port Fairy Historical Society Museum and Archives
Book, Macmillan Publishers Group Australia Pty Ltd, Triumph of the nomads : a History of Ancient Australia, 1982
Argues that Australia's Indigenous people discovered the land, adapted it and mastered its climates, seasons & reserves.23.0 x 14.0cms, 938 pp. b/w illust dust jacketnon-fictionArgues that Australia's Indigenous people discovered the land, adapted it and mastered its climates, seasons & reserves.habitation - nomadism., demography - palaeodemography - aboriginal settlement of australia., reproduction - infanticide., feuds and warfare., hunting, gathering and fishing., food - plants., trade and exchange - trade routes., australiens (aborign̈es), aborigines, australian -- social life and customs., aboriginal australians -- social life and customs -- northern territory., aboriginal australians -- history., aboriginal australians -- culture -- history., aboriginal australians -- civilization -- history., aboriginal australians -- economic conditions -- history., aboriginal australians -- social life and customs., human ecology -- australia., aboriginal australians., aborigines., australiens (aborigènes), australien., australia -- history., lake mungo / walls of china (willandra sw nsw si54-08), tasmania (tas), australia - aborigines, book -
Lilydale RSL Sub Branch
Card - Identity Card (Reproduction), Marshall Cavendish Corporation, 1993
Introduced in 1939 and issued to all UK citizens including Children. The Card was in use until 1952Identity Card -
Lilydale RSL Sub Branch
Book, C E W Bean, Official History of Australia in the War of 1914-18 Vol X11, Photographic Record of the War, 1938
Reproduction of Pictures taken by the Australian Official Photographers.Red Hard Cover Booknon-fictionReproduction of Pictures taken by the Australian Official Photographers. -
The Mrs Aeneas Gunn Memorial Library
Book, John Monash, The Australian victories in France in 1918, 1920
Republished in full, this edition features a new foreword by Bruce Haigh, colour reproductions of the original maps that were hand-drawn under Monash's supervision, and new photos. It also includes a memo from General Rawlinson congratulating Monash on the performance of the Australian Corps: 'I feel that no mere words of mine can adequately express the renown that they have won for themselves and the position they have established for the Australian nation not only in France but throughout the world.'Index, ill, maps, appendices, p.351.non-fictionRepublished in full, this edition features a new foreword by Bruce Haigh, colour reproductions of the original maps that were hand-drawn under Monash's supervision, and new photos. It also includes a memo from General Rawlinson congratulating Monash on the performance of the Australian Corps: 'I feel that no mere words of mine can adequately express the renown that they have won for themselves and the position they have established for the Australian nation not only in France but throughout the world.'world war 1914-1918 - campaigns - france, world war 1914-1918 - australian involvement -
The Mrs Aeneas Gunn Memorial Library
Book, A. C. Black, Constantinople, 1906
An art history of the city of Constantinople. The origins of the city's prominence is included as a prelude to the physical qualities of the city itself. The influence of important rulers on the city's layout, the walls, the Golden Horn and inland walls, the churches of the city, and contemporary impressions of Constantinople are included. Has a chapter on Turkish women, and discussion of Islam in Constantinople. Includes reproductions of Goble's watercolor and oil paintings.Index, ill, map, p.282non-fictionAn art history of the city of Constantinople. The origins of the city's prominence is included as a prelude to the physical qualities of the city itself. The influence of important rulers on the city's layout, the walls, the Golden Horn and inland walls, the churches of the city, and contemporary impressions of Constantinople are included. Has a chapter on Turkish women, and discussion of Islam in Constantinople. Includes reproductions of Goble's watercolor and oil paintings.constantinople - description, constantinople - travel -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - Reproduction, framed, Bardia (action leading to the fall of Post 11)
Ivor Hele was the Australian official war artist of World War II. This painting depicts the members of 17 platoon 2nd/6th Battalions in their first action of the war. their mission was to "attack and capture Post 11" in order to provide a faint or diversionary attack for the brigades main penetration. The attack was pressed home with the characteristic vigour of Australian soldiers Prior to the attack the commanding officer demanded that " No matter what happens to us, when we go forward we shall give the enemy such a thrashing that they will never willingly stand up to an assault by Australian Infantry again." The Battalion succeeded in its mission and went on to play a vital role in many of the most arduous battles of the war. This painting depicts the actions of one of the predecessor units to 5/6 RVR. Large framed print of painting by Ivor Hele shows 17 Platoon 2/6th Infantry Battalion in an Italian trench during the attack on Bardia. The painting depicts the scene after the capture of one of the Italian dugouts by Corporal Brian Latham's Section. The print is in a large mahogany coloured frame and has a matt finish to the picture. A smaller, separate frame sits below the print and contains the history of the painting. it is in a matching frame and has an olive card backing and the story is printed on an off white sheet. A manufacturers label is located on the obverse " GRAPHIC IMPRESSIONS 239 Burwood Road Hawthorn Vic. 3122 Telephone 9819 5800 76 Harold Street Camberwell Vic 3123 Telephone bardia, 2/6th australian infantry battalion, ww2, ivor hele, wark vc club -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - Reproduction, framed, General Sir John Monash
Framed print of General Sir John Monash standing with hands held to his front in uniform against a dark background. Encased in a moulded timber frame and behind an off white backing board with fade red borders General Sir John Monash G.C.M.G, K.C.B, V.D, B.A, D.C.L, LL.D., D. Eng., M. Inst.C.E Grande Officier de l' Ordre de la Couronne and de Croix de Guerre(Belguim); Grande Officier de la Legion d'Honneur and de Croix de Guerre avec Palme ( France); Distinguished Service Medal ( USA) commanded 4th. Aust. Inf.Bde (15 Sept., '14- 9 July, '16), 3rd Aust Div (10 July, '16-31 May,'18) and Australian Army Corps (1 June-30 Nov.,'18); Director General Repatriation and Demobilisation ( 1 Dec.,'18-15 Nov., Nov.,'19). Laanding at Anzac - Sari Bair - Messines- Broodseinde - Passchendaele - Villers-Bretonneux -Hamel - Amiens - Mont St Quentin - Hargicourt - Hindenburg Line - Beaurevoir Line Chairman of the State Electricity Commission of Victoria 1921/1931 Member of Council of Defence , 1921/1931 1865-1931 sir john monash, john longstaff, 1919, ww1, first world war, great war -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - Reproduction, framed, The Menin Gate at Midnight
'Menin Gate at midnight' was painted by Will Longstaff to commemorate those soldiers with no marked graves on the Western Front during the First World War; also known as 'Ghosts of Menin Gate'. Longstaff attended a ceremony dedicating the Menin Gate memorial to the soldiers of the British empire forces, just outside the town of Ypres, Belgium, on 24 July 1927. The memorial was dedicated to the 350,000 men of the British and Empire forces who had died in battles around Ypres, and bears the names of 55,000 men with no known grave, over 6,000 of whom were Australians. Longstaff was profoundly moved by what he witnessed and that night, unable to sleep, Longstaff returned to Menin Road and later claimed to have had a vision of spirits of the dead rising out of the soil around him. On returning to his studio in London he painted 'Menin Gate at midnight' in a single session. Today 'Menin Gate at midnight' has achieved the status of a national icon. The painting retains its ability to provoke an emotional response and to communicate the scale of the loss of life and the devastation of war. However as people now have a very different understanding of war, the painting serves a slightly different function. Whereas in the past people responded to the painting as it related to the loss of a loved one and their own personal grief, now the painting communicates the loss experienced by a whole generation. The vast number of those who were killed, and the immensity of the damage wrought during the First World War, requires that those who sacrificed their lives should not be forgotten. Longstaff used well-known motifs to trigger emotion. His scarlet poppies are flowers that could be found in the Flanders fields, but they also carry the traditional connotations of shed blood and remembrance; they represent a floral blanket covering the bloodied bodies of unknown soldiers; at the same time, like the paper poppies worn on Remembrance Day, they are a tribute from the living to the dead. The portrayal of the steel-helmeted soldiers rising from the cornfields extends the range of visual emblems used by Longstaff: the plentiful harvest; the harvest of men; the steel-helmeted crosses covering the graves of many soldiers; and the helmeted bayonets raised in cheer and victory.ww1, menin gate, wark vc club -
Healesville Sanctuary Heritage Centre
Newspaper - Cutting, City Boys Meet Their Friends from the Bush, 19 Jan 1954
Members of the Opportunity Club visit Healesville Sanctuary. From donor's personal collection. Reproduction copy has been replaced with the original- 22 April 2009 [KM]Original non-fictionMembers of the Opportunity Club visit Healesville Sanctuary. From donor's personal collection. Reproduction copy has been replaced with the original- 22 April 2009 [KM]1950s -
Bendigo Historical Society Inc.
Photograph - SENIOR BOYS AT SPECIAL SCHOOL, Bendigo, c1961
4 senior boys (pupils) at Special School with Cr V Jackson and Mr Warren (Teacher), 1961Herald Sunorganization, education, special school, copyright not for reproduction, herald sun photograph supplied by feature service, the herald & weekly times ltd. melbourne australia -
Bendigo Historical Society Inc.
Photograph - ST MARYS, CHURCH OF ENGLAND, c1961
Black and white photograph: St. Mary's Church of England. Church altar, cross in centre, cross on left hand side, cross and banner on right hand side, 2 vases with flowers, 2 candlesticks. Alter rail in front. Hanging lamp. Large hand painted mural by A Moller above altar, mainly crucifixion scene.Herald Sunbuildings, church, st marys, copyright not for reproduction. herald sun photograph supplied by feature service the herald & weekly times ltd. melbourne australia -
Bendigo Historical Society Inc.
Photograph - KANGAROO FLAT KINDERGARTON
Black and white photograph. Kangaroo Flat Kindergarten Auxilary 1961, 8 Auxilary members and 5 children in a class room. Inscriptions/Markings: Standing: Mrs Lummis, Mrs Jane, Mrs Pathe - President, Mrs Thompson, Mrs Allan, Mrs Perry - Vice Presisdent, sitting: Mrs Boromeo.organization, education, kangaroo flat kindergarten, copyright not for reproduction. herald sun photograph supplied by feature service the herald & weekly times ltd. melbourne, australia. -
Federation University Historical Collection
Photograph - Collection of 35mm Slides, Reproduction photos, early 20th century Cologne
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Victorian Railway History Library
Book, Thompson, John E, Wangaratta Working Woes, 2018
A reproduction of pages from a Victorian Railways loco repair book from 1945 to 1954.ill, p.97.non-fictionA reproduction of pages from a Victorian Railways loco repair book from 1945 to 1954.railroads - victoria - wangaratta - history, steam locomotives - victoria- history