Yields information about the east end of Sturt St showing a number of tramcars, the shelter and the street scene.Black and white photograph, digital print, of a view looking west from Grenville St along Sturt St Ballarat. Has four ESCo trams in the view, 20, 11, 13 and 9? Photo shows the large ESCo waiting shelter with the weighing machine. Adjacent to the shelter in the median strip is the 8 hour monument. Has a number of horse drawn vehicles, bicycles and a few pedestrians. In the view are the Suttons building, Town Hall, Courier and Star Office. Photo taken c1910.trams, tramways, grenville st, sturt st, esco, shelters, tram 20, tram 11, tram 13, tram 9?

Copy of a colour slide showing Tram 17 in Lydiard Street North, at the terminus. From the direction of the trolley pole and the sign on the destination board, it is preparing to return to Sebastopol. One of the crew can be seen leaning on a fence in the background. Three brick veneer homes can be seen. The photographer says this was taken on the last day of trams in Lydiard Street in 1971. (More likely 17/9/1991 based on A Cook notes, 17 was not used on the last day, all bogie trams)trams, tramways, ballarat trams, crews, houses, last day, lydiard st nth, secv tramways, street scene, terminus, tramway closure, tram 17

Copy of a colour slide showing Tram 17 in Lydiard Street North, at the terminus. This photo is taken from further north than 6013. From the direction of the trolley pole it is preparing to head back into the city, however the destination board is reading View Point.. One of the crew can be seen standing near a fence in the background, with a point bar in his hand. Several homes and motor cars can be seen. The photographer says this was taken on the last day of trams in Lydiard Street in 1971. There are shadows of other photographers at the location.trams, tramways, ballarat trams, crews, houses, last day, lydiard st nth, secv tramways, street scene, terminus, tramway closure, tram 17

Copy of a colour slide showing Tram 42 in Lydiard Street North, at the terminus. This photo is taken from the north east looking down Lydiard Street. The conductor is adjusting the trolley pole it is preparing to head back into the city, and the destination board is reading Sebastopol. The shelter at the terminus can be seen, and there is a female passenger in hat and coat walking away from the tram. The photographer says this was taken on the last of the last tram to run in Lydiard Street in 1971. There is another photographer further down the street.trams, tramways, ballarat trams, crews, houses, last day, lydiard st nth, secv tramways, street scene, terminus, tramway closure, maximum traction, tram 42

Copy of a colour slide showing Tram 42 in Lydiard Street North, at the terminus. This photo is taken from the north east looking down Lydiard Street. Two boys are standing at the rear of the tram. Has a number of people boarding the tram or standing around taking photographs.trams, tramways, ballarat trams, crews, houses, last day, lydiard st nth, secv tramways, street scene, terminus, tramway closure, maximum traction, tram 42

Copy of a colour slide showing Tram 42 in Lydiard Street North, at the terminus. This photo is taken from the south west looking up Lydiard Street. The cemetery gates can be seen in the background. The trolley pole it is ready to head back into the city, and the destination board is reading Sebastopol. There are children and the crew posing beside the tram for the photograph. There is a crowd of people, standing on the road near the tram, and others waiting to take photos. The photographer says this was taken of the last of the last tram to run in Lydiard Street in 1971. Photo quality is poor as the original image was blurred.trams, tramways, ballarat trams, crews, houses, last day, lydiard st nth, secv tramways, street scene, terminus, tramway closure, maximum traction, cemetery, tram 42

Set of three digital images: .1 - Digital image of Wendouree Parade taken from the cabin of Tram 8 on 16/5/2014. The driver, Geoff Gardner is partly shown in the reflection on the windscreen. A red car can be seen reversing into the path of the tram as it approaches the stop south of Pipers Restaurant. .2 - Digital image of Wendouree Parade taken from the cabin of Tram 8, on 16/5/2014. The driver, Geoff Gardner can be seen. Pipers Restaurant is just visible. .3 - Digital image of Wendouree Parade taken from the cabin of Tram 8, on 16/5/2014. The view is back over the tank looking south along Wendouree Parade.trams, tramways, botanical gardens, street scene, track cleaner, wendouree parade, windscreens, scrubber tram, tram 8

Yields information the buildings, buildings and scene at the intersection of Sturt and Lydiard St with a tram crossing the road.Digital image from the Wal Jack Ballarat Album of a postcard - titled ""Sturt Street, Looking West, Ballarat" with ESCo tram No. 16 crossing from Sturt St south side (from Grenville St) into Lydiard St North. Has conductor on rear footstep. Appears to be taken on a hot day. Real Photo Series M 3104. Has a number of horse carts in the photograph. Tram has an advertisement for Suttons Pianos on the roof. Card produced by Valentines & Sons Publishing Co. Ltd. See rear of card for company location details. In the photo are advertisements or buildings for: National Mutual Building, Town Hall, and Marks & Co. Wal has dated the photo about 1921 in his album notes. For rear of postcard - see image i2.trams, tramways, esco, sturt st, lydiard st, town hall, tram 16

Digital image titled "The Corner of Lydiard and Sturt Streets Ballarat Vic", photo looks south west from the Post Office steps towards the south west corner - has Craigs Hotel, National Mutual Life, town hall shops including Anderson Printer and the Town Hall in the picture along with Robbie Burns statue. The Rose Series Postcard No. P 1783. An ESCo tram is parked at the tram stop - No. 5? A number of horse drawn and motor vehicles are in the photograph. Wal has dated the photo about 1930 on the rear of the postcard and about 1929 in his album notes. See item 9193 for a copy print.Yields information the buildings, buildings and scene at the intersection of Sturt and Lydiard St with a number of vehicles in the view.Digital image from the Wal Jack Ballarat Album of a postcard .trams, tramways, esco, lydiard st, sturt st, town hall, tram 5 ?

Yields information on the decorations and tramcars and street scenes at the time of the Queens visit to Ballarat.Digital image from the Wal Jack Ballarat Album of a series of four small black and white photographs taken during the Queen Elizabeth II visit to Ballarat, March 1954. Captions under each photograph in ink. 1 - No. 37 at Pleasant St, looking east along Sturt St. - see Neg 993 2 - No. 25 at Lydiard St with the National Mutual Building in the background - see Neg 991. 3 - No. 21 - Sturt St at Dawson St with Golden City Hotel in the background - see Neg 992 4 - No. 17 Lydiard St taken from the railway station car park - see also Reg Item 5300 for a better photograph and Wal's notes on rear which says No. 17, not 11 - see Neg 994 All photographs include some of the decorations for the Royal Visit. Photographer - not stated, but sheet in Wal's handwriting. May not be Wal Jack based on the negative size, smaller than 120 which Wal used at the time. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negative N993 See image i5 for hi res scan of negative N994 See image i6 for hi res scan of negative N995 See image i7 for hi res scan of negative N996 On rear of the Manila sheet which has been cut from another sheet are "No. 11 Victoria St terminus 25-6-57".trams, tramways, royal visit, lydiard st, pleasant st, sturt st, tram 37, tram 25, tram 21, tram 17

Yields information about the street scene of the SE corner of Sturt and Lydiard Streets in 1953.Digital image from the Wal Jack Ballarat Album of a photograph of No. 39 turning out of Sturt St into Lydiard St North, tram has the destination of Gardens via Sturt St. Photo Wal Jack 7-3-1953. Has the Commonwealth Bank in the background and many motor vehicles. Has an Inspector riding the footboard and a conductor watching and fending off motor cars. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear of photograph in ink "SEC, Ballarat No. 39 into Lydiard St North ex Victoria St 7th March 53 2.50pm" and Wal Jack stamp in top right hand corner with number "T156" written in.trams, tramways, sturt st, lydiard st north, inspectors, conductors, tram 39

Yields information about the Sturt St. and Bridge St and some of the cars that used the street - a Plymouth.Digital image, black and white, of a scene in Bridge St looking back towards the Town Hall and Sturt St, showing a Plymouth motor vehicle, a single trucker and a bogie car in Sturt St. Shows the Dickins store, Williams the Shoeman, Roger David Store. Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "Plymouth Bridge St"trams, tramways, bridge st, sturt st, town hall

A Booklet of 12 views of Bendigo posted to NSW . A 3d stamp of King george VI. Photo 1 Entering Bendigo from the North. - Photo 2 Overlooking a Section of Bendigo - Photo 3 Baths and Park Bendigo - Photo 4 Garden and Post Office Bendigo - Photo 5 A Typical Mining Scene - Photo 6 Rosalind Park - Photo 7 Pall Mall - Photo 8 Law Courts and Conservatory - Photo 9 One of Bendigo Many fine Churches - Photo 10 Overlooking Portion of Bendigo - Photo 11 Charing Cross and Pall Mall - Photo 12 Section of Conservatorypostcard, photograph, bendigo

Views of Bendigo No.41. Scene Taken from St Paul's Tower Looking Eastward. The Free Methodist church. This view represents the locality of the Back Creek gold diggings, and tough at present almost deserted, was once a scene of activity; in consequences of the rich patches of alluvial ground it contained. Photo by N.J. Caire Sandhurst. Casey&Wenborn's Print. On the back a stamp of Ray Dalton BendigoN.J. Cairne

Object. Green Velvet & Silk Decorative Chocolate Box Late Victorian Era Circa 1890. Gold Metal Edged Decoration On Each Corner & Gold Metal Clasp. The Centre of the Lid is Decorated with a Large White Moulded Piece of Celluloid Over Heavy Cardboard. The Celluloid Decoration depicts a Classical Scene either Roman or Grecian; 2 Ladies, 1 Reclining & 1 Standing, With A Peacock & A Swan Around A Pond Containing Lotus Flowers Or Water Lilies in Foreground. The Side of the Box were Silk & 3 Beads in Each of the Corners.J.S. Fry & Sonsdomestic equipment, containers, green velvet chocolate box

Diggers & Mining. Gold. Scene on Sandridge pier. In 1853, the first Chinese attracted by news of the gold discoveries reached Victoria. Markings: 25 994.GOL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Stores at the diggings. Stores at the Ararat diggings, c. 1855. From the original in the Dixon Gallery, Public Library of NSW. Slide depicts the scene at the goldfields with the Commissioners huts and in the background there are other buildings. On the Gold field there is a man on a horse, a man with a heavily laden cart being pulled by 4 ox. Some men are working in the gully for gold, panning, using cradle. In the front centre at the bottom is the head and shoulders of a man with an axe digging out his mine. There are also some dogs in the picture and a tent in the front right corner. Markings: 12 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

3 A4 pages stapled together. Peter's Eulogy. We have lost a giant from the folklore scene. The huge crowd here today shows how much Peter meant to so many people. He has been my friend and band leader for the past twenty five years. Peter was the glue for our band. He planned the musical program in conjunction with the MCs. He listed all the tunes to be played and where to find them for those who read the dots. Peter was great fun to be around and I'd like to mention just a few things to show that. Peter was always an exuberant player. He would bounce around on his seat. This caused a near disaster at a drought relief benefit we were playing. The band was on a platform but our pianist Olive was at ground level as the piano could not fit. Peter bounced around so much his chair leg slipped and Peter ended up on top of poor Olive. Peter loved to entertain. He would play bones or swanee whistle at the drop of a hat. He would demonstrate the Charleston, can can or bunny hop for groups. For a big man he was very light on his feet. He loved to stand and circle his concertina, a memory I won't forget. I have to confess I have slept with Peter. Twice. The first time was at Port Fairy Folk Festival when the band slept in the nunnery at Koroit. Peter, Dean Swift and I shared a room. Peter's snoring was so bad Dean grabbed a blanket and a pillow and went to sleep in the mini bus. I went into another room but even with two closed doors found it difficult to sleep. As recently as this year's Illawarra Folk Festival Peter was in a tent in the performer's area. I noticed the tents either side quickly became vacant. The next time was in Canberra when Peter and I were at one end of a caravan and Mary Smith was at the other. I don't think poor Mary got much sleep that night. On another occasion in Canberra Peter was Half asleep in his van when another well known female performer (not from the band) came in and stripped off. She realised she was in the wrong van and grabbed her stuff and took off. She returned very red faced the next morning to collect her shoes. Peter maintained he saw nothing. One freezing cold night in Canberra Peter ad I had been at a terrific session in the bar. We had to support each other across the oval towards our caravan. Peter tried to straddle the fence and got stuck. There was a real Canberra frost on the fence and a sensitive part of Peter's anatomy was in grave danger of frost bite. Peter took an eternity to extricate himself. I couldn’t help him as I was laughing so much. We'll never forget making Harry McQueen's bull boar sausages at Nariel. Peter had already organised the meat and intestine casings from the butcher in Corryong. He was such an organiser and the sausages were brilliant. Peter was quirky. He always made a morning cuppa complete with tea cosy. It even left Martin Pearson speechless in the breakfast tent at Illawarra this year. Another example was when he sold his beloved FJ which is parked out the front today. As the new buyer drove off down the road Peter stood there playing 'Now is the hour' and 'wish me luck as you wave me goodbye' on his concertina. Peter loved a joke. He knew Shirley Andrews loathed the tune Danny boy so he played it in her hearing any chance he go. He even gave her a cd with a dozen different performers doing their versions of the song. We once played at the Rifle Brigade Oktoberfest and Peter was just a bit under the weather after being there for two days (the band got free drinks). The late night crowd was getting restless so Peter tried to shut them up by holding his finger up. They got more restless. Peter couldn’t understand it. 'it worked for Grummy Ross,' he wailed. It was the only time we ever over rode him and started playing without him. He wasn’t happy but disaster was averted. The dance club once had a reverse deb ball. Peter shave his beard, got his sister Robyn to make up his face and came to the ball in a lovely gown. It took ages for people to realise who it was.Margaret Hogan said the other night 'Peter let me see and do things I never would have done otherwise.' I think that is true of all of us in the band. We performed in major festivals regularly, travelled widely and had experiences such as playing at the opening of Melbourne Museum or State Parliament. Experience we'd never have had without Peter. I'm glad Peter didn’t suffer. He told me last Monday morning on my last visit he was in no pain. For that I am grateful. He passed away that night. He was taken far too young and has left a huge hole in all our lives. Personally I have lost a great mate, but then we can all say that. We'll miss you Dirty Pierre. John Williams.person, individual, peter ellis oam

Hilda Hill Collection. Black & White Photos of Hill Family Total 9. Three girls at SHLC 1918 with white sashes and medallions, dark clothing with white collars, background is garden scene , photo has over exposure problem which gives a lighter print, 24 September 1918, could it be a ladies college of education? Al standing wearing white blouse and dark dress holding a white hat standing and Gert sitting and holding a white hat in front of a bush wearing a white blouse and a light coloured skirt, background is forested area, 'The Pines' January 9th 1919. Claire dressed in dark dress and wearing a white hat with her hands together, oval photo, 'The Ranche', October 23 1918. Jonah wearing a hat and white dress with colourful hemline standing before a large hedge holding a parasol, large tree background left, 'The Ranche'. Three boys and two dogs All boys dressed in dark coats and shorts long socks two of the boys are on their haunches, Background is a gabled roof and 2 chimneys, white fence, between two of the boys is a water tap on a medium height pipe, Durvol December 1919. Moll Noonan seated on a round backed chair wearing a white dress, right background shows the side of a building, at knee level sis a broad leafed plant, other shrubbery in the background, 'The Ranche' November 1918. Ettie seated on a staircase and holding a dog, lady is wearing a broad brimmed hat, One Tree Hill April 18 1920. Two ladies in lightly coloured dresses standing in a garden setting, lady on left has a black sash waistband, Durvol December 1919 . Group of seven girls and 4 boys, all of the girls are dressed in white, front girl has black neck accessory, 'The Pines' January 9 1919 No. 7 Reservoir.Hilda Hill Personal Collectionaustralia, history, post war life

Small oval shaped tin with hinged lid, decorations of female with cattle on lid & farmyard scenes around sides.domestic equipment, containers, tin

Diggers & Mining. Getting the Gold. Slide: (Continued) Numbers of stores scattered about, with their gay flags; and numbers of new holes put down and waiting the result of those in progress, with their windlasses standing on square frameworks of logs, some 5 or 6 feet above the ground. The crowds; the heaps of clay thrown up of all colours - every heap different - bright yellow, dazzling white, mottled Black and white, and brilliant rose pink; the dirt and the noises were altogether something extraordinary. Similar scenes presented themselves in Eureka and Canadian Gullies. All was bustle and activity; for these are the great lotteries of the Victorian Diggings, where there are really heavy prizes - and to each - thousand blanks. . . (From ''Land, Labour, and Gold'' by William Howitt.) Markings: 36 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Getting the Gold. Slide: (Continued) The scene at the Gravel Pits was especially animated, and would have made a capital sketch. The crowded assemblage of white awnings on these clay heaps, which the diggers had raised to protect them at their work on rainy weather, these standing at different elevations; the diggers turning their windlasses; and others, in rows of half-a-dozen along the sides of muddy pools, working away at their puddling tubs with their shovels, chopping and stirring them about; other cradling; others washing out. (Continued) Markings: 34 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Getting the Gold. Slide: But when you came to where the diggers were at work, the scene defied all description. The whole surface was thrown into heaps of clay from six to ten feet high - for it appeared to be all clay which they threw out there. Here, indeed, had accumulated all the mud and clay which for thousands of years had been flowing from the hills around, It was this which had thus buried the gold 160 feet deep, and through which the diggers had to sink for it. Between these muddy mountains thrown up by diggers, the water accumulated in deep pools which they avail themselves of to was their gold our with and the heaps of clay were trodden by hundreds of men constantly crossing them in all directions. (Continued) Markings: 33 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. The Chinese on the Gold Fields. Slide: The Chinese quarter in Little Bourke Street, Melbourne, dates from the gold era. Here is a scene in Little Bourke Street c1880. Shows a footbridge over creek many shoppers male and female including Chinese out shopping. Includes buildings and a large carriage in background. Markings: 11. Used as a teaching aid.hanimounteducation, tertiary, goldfields

S.H. Sparkman, commercial printer, Calendar 1928. Coloured photograph of a mountain scene with company details and monthly calendar. Calendar sheets tear off stapled to backing board. calendar, f. h. sparkman, 1928, commercial printer

Joseph Henry Abbott founded the business in 1853 with a store that supplied everyday essential items to those seeking their fortune on the goldfields. The timing and choice of store ensured that he would become a prominent part of the Bendigo business scene. Abbott's next venture was to establish the New Times Boot Market & Factory in Pall Mall, Sandhurst. In 1867, his wife took over running the shop which was located next to the Bendigo Arcade near Williamson Street. In 1876, the leather business of T Baulderstone was purchased, and operations were further expanded later by the acquisition of the Edinburgh Tannery at Sheepwash Creek, and The Edinburgh Leather & Grindery warehouse in Bull Street, Sandhurst. In 1889, Joseph Abbott passed all interests in the business to his son, who shared the same name, in partnership with an adopted son, Richard Hartley Smith Abbott. The business continued trading under the name J H Abbott & Co.Hard covered Ledger Petty Cash Bookhistory, bendigo, abbott collection

Joseph Henry Abbott founded the business in 1853 with a store that supplied everyday essential items to those seeking their fortune on the goldfields. The timing and choice of store ensured that he would become a prominent part of the Bendigo business scene. Abbott's next venture was to establish the New Times Boot Market & Factory in Pall Mall, Sandhurst. In 1867, his wife took over running the shop which was located next to the Bendigo Arcade near Williamson Street. In 1876, the leather business of T Baulderstone was purchased, and operations were further expanded later by the acquisition of the Edinburgh Tannery at Sheepwash Creek, and The Edinburgh Leather & Grindery warehouse in Bull Street, Sandhurst. In 1889, Joseph Abbott passed all interests in the business to his son, who shared the same name, in partnership with an adopted son, Richard Hartley Smith Abbott. The business continued trading under the name J H Abbott & Co.Hard covered Ledger Petty Cash Bookhistory, bendigo, abbott collection

Joseph Henry Abbott founded the business in 1853 with a store that supplied everyday essential items to those seeking their fortune on the goldfields. The timing and choice of store ensured that he would become a prominent part of the Bendigo business scene. Abbott's next venture was to establish the New Times Boot Market & Factory in Pall Mall, Sandhurst. In 1867, his wife took over running the shop which was located next to the Bendigo Arcade near Williamson Street. In 1876, the leather business of T Baulderstone was purchased, and operations were further expanded later by the acquisition of the Edinburgh Tannery at Sheepwash Creek, and The Edinburgh Leather & Grindery warehouse in Bull Street, Sandhurst. In 1889, Joseph Abbott passed all interests in the business to his son, who shared the same name, in partnership with an adopted son, Richard Hartley Smith Abbott. The business continued trading under the name J H Abbott & Co.Abbott Supply Transaction and debtors Bookhistory, bendigo, abbott collection