Booklet. ALEC H CHISHOLM COLLECTION. 36 page paper cover booklet by the Rev. E. I. Watkin D.D. on the meaning of aboriginal words. Published by the Commonwealth of Australia, Sydney Endacott, Melbourne. Date not known. Printed by E. W. Cole, Melbourne. Catalogue sticker ''2233 WAT'' on front cover. Handwritten in pencil on flyleaf ''Harry Burrell''Rev. E. I. Watkinbooks, collections, etymology, alec h chisholm collection, aboriginal words, e.i.watkin, etymology

Sepia tones photo, on grey mount, of group of Aboriginals. Males, females and children. One white male in suit with small child on left of photo. One male on horseback on right of photo (policeman?) and two males on right, one in uniform (policeman?) and the other in suit. Inscriptions: on front - printed below image 'Martin Murphy, Laverton and Morgan's, Photographer'Martin Murphy, Laverton and Morgan'sperson, group, aboriginals

Part of original kit produced by a Primary and Senior Secondary School in Western Australia dealing with communication, language and Aboriginal History. Video 1. Moving Into Other Worlds Video 2. Two Way Learning and Two Kinds of Power Video 3. Now You See It, Now You Don?t Video 4. A Shared World of Communicationb&w illustrations, colour illustrations, b&w photographs, colour photographs, DVDaboriginal education, aboriginal english, cultural awareness, school curriculum, language and literacy, bilingualism, two way learning

"A landmark history of Indigenous Australia which accompanies a major nine part Australian television series. It combines the most rigorous academic research with capitvating contemporary story-telling. Richly illustrated book that includes images of the landscape, evocative ninteenth-century photography and Aboriginal art. Written by Australia's leading Indigenous historian and public intellectuals"--Provided by publisher.maps, document reproductions, b&w illustrations, colour illustrations, colour photographs, b&w photographscolonisation, race relations, australian aboriginal history, pictorial histories

Purchased when author Ann Blainey spoke to the Surrey Hills Historical Society. There was a Moran and Cato store in Surrey Hills.This biography tells the story of Fred Cato the businessman, who co-founded the Moran and Cato grocery chain. He was an influential Methodist layman, whose major involvements spanned more than forty years, from the Lonsdale Street Central Mission in 1893 to the Aboriginal Methodist Mission at Yirrkala in 1935. He lived to celebrate his 70th birthday.For the History Group, Surrey Hills / with best wishes / Ann.(mr) frederick john cato, grocery trade, business people, methodists, grocers, shops, moran and cato, (ms) ann blainey

Poster - history of Australian flags. Covering histories of the following flags. New South Wales, Victoria, Queensland, South Australia, Australian Aboriginal, Australian Red Ensign, Western Australia, Tasmania, Northern Territory, Norfolk Island, Governor General, Royal Australian Navy, Royal Australian Air Force and Her Majesty's the Queen Personal Flag for Australia

Item in the collection re: "William Anthony (Bill) Theodore DSM". Refer Cat No. 7926P for his service record. This is a commissioning poster. Poster - colour print on paper of painting by Tom Freeman of the HMAS ARUNTA, No. 151 painted on ship's hull. The ship's emblem and motto appear lower right. An image of Aboriginal men appears in the sky above the ship. Artist's signature appears lower left. Frame - varnished timber frame with decorative moulding. Glass front and cardboard backing. Information printed on poster - black ink print. Top: "HMAS ARUNTA" Bottom - "Commissioned 12 December 1998/ Port Melbourne, Victoria".poster, ran, hmas arunta, william anthony theodore, framed accessories

Keith and Kath Hamilton at Blythwood Grange chapel, the former St Joseph's Home. Keith Hamilton, born 9 May 1936 in Ballarat was the MP for Morwell for the Labour Party. He was Minister for Aboriginal Affairs, and Minister for Agriculture for some years. See more information https://en.wikipedia.org/wiki/Keith_Hamilton_(politician)Digital photograph pf Keith and Kathleen Hamilton. keith hamilton, kath hamilton, ballarat, morwell, member of parliament, minister for agriculture, minister for aboriginal affairs

Dr Sydney PERN (c1879- 23 October 1967 ) Sydney Pern was a doctor who practiced in Ballarat. He was a competent artist who also collected Aboriginal artefacts. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil landscape on oil sketching paper.signed lower right 'S. Pern'art, artwork, sydney pern, pern, landscape, available

Contents: - The Calling of Mt Riddell (Frank Endacott), - With its wooden walls still shadowed by lilacs (Pam Firth), - Mechanic Institute (Eric and Pam Firth), - Coranderrk Aboriginal Cemetery , - Our Mob: Interesting Healesville connections (Connections to Captain Cook philately and Red Baron of WW1 notoriety), - Plus moreThe first newsletter of the Society was issued July 1984 and has been published continuously ever since on a quarterly basis....mt riddell, mechanic institute, coranderrk

The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". This is the fortieth edition of the annual magazine of Orbost High School. The magazine belonged to Mary Gilbert, a former teacher at the school. This item belonged to Mary Gilbert, a long-time teacher at Orbost High School.Orbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. This magazine is representative of its history and is useful reference tool..A magazine type publication with a pale blue cover and black plastic binding. On the front is a drawing of a sailing boat, the title"Croajingalong" , the school badge and "1988" above it. The print is black.magazine-croajingalong orbost-high-school

When Hamilton Hume and William Hovell arrived at the bay in 1824 they met with the local Wautharong people who referred to the bay as "Jillong" and the surround land "Corayo", but by the time the area was surveyed in the late 1830s the Aboriginal names had been swapped. The names "Corayo" and "Jillong" had since been Anglicised to "Corio" and "Geelong".Corio Bay is an important harbour and leisure location in the West and continues to attract development such as the new Tasmania Ferry Terminal.An Admiralty Chart of Geelong Harbour revised in 1954Geelong Harbour Map Ref: 2731geelong, corio, admiralty charts

Kamilaroi artist Reko Rennie’s vision is an inclusive environment where people can sit and peacefully reflect on, mourn and acknowledge the deep trauma of the past, as well as connect with the ongoing strength and resilience of the Aboriginal community and support the process of healing. 'Remember Me' symbolises community resilience, identity and family. Positioned in a ceremonial ring, the seating and spears create a circle of gathering and remembrance within the park. In a contemporary and historical sense, the spear is an emblematic statement about struggle and adversity, and it is also an expression of identity and connection to land and culture.The 'Stolen Generations Marker, Remember Me', reflects the community’s wish to create a permanent tribute to the Stolen Generations and their families; a place of reflection and respectful commemoration. Integral to this is the surrounding garden with plants local to the area that have been re-introduced into the setting. Sited at the historically important Meeting Place in the heart of Aboriginal Fitzroy, the artwork honours not only the story of this place, but of all Aboriginal people who were taken away. This project was guided by the Stolen Generations Marker Steering Group and realised by Yarra City Council in partnership with the Victorian Government. Most importantly, it has received widespread grassroots community support. It was officially launched on the 20th anniversary of National Sorry Day (26 May 2018), which acknowledges the impact of the policies spanning more than 150 years of forcible removal of Aboriginal and Torres Strait Islander children from their families. On 26 May 1997 the landmark 'Bringing Them Home' report was tabled in Federal Parliament. The report was the result of a national inquiry that investigated the forced removal of Indigenous children from their families. This was a pivotal moment for many Stolen Generations. It was the first time the stories of forced removal were formally acknowledged by the Government and a recognition that these actions were inhumane. The impacts have been lifelong and intergenerational. A collection of bronze spears and a coolamon with accompanying seating, lighting and landscaping positioned in a ceremonial ring.stolen generations, fitzroy

Jenna Lee dissects and reconstructs colonial 'Indigenous dictionaries' and embeds the works with new cultural meaning. Long obsessed with the duality of the destructive and healing properties that fire can yield, this element has been applied to the paper in the forms of burning and mark-making. In Without Us, Lee uses charcoal to conceal the text on the page, viewing this process as a ritualistic act of reclaiming and honouring Indigenous heritage while challenging the oppressive legacies of colonialism. Lee explains in Art Guide (2022), ‘These books in particular [used to create the proposed works] are Aboriginal language dictionaries—but there’s no such thing as “Aboriginal language”. There are hundreds of languages. The dictionary just presents words, with no reference to where they came from. It was specifically published by collating compendiums from the 1920s, 30s and 40s, with the purpose to give [non-Indigenous] people pleasant sounding Aboriginal words to name children, houses and boats. And yet the first things that were taken from us was our language, children, land and water. And the reason our words were so widely written down was because [white Australians] were trying to eradicate us. They thought we were going extinct. The deeper you get into it, the darker it gets. But the purpose of my work is to take those horrible things and cast them as something beautiful.’Framed artwork

Students attended Sunday School classes at the Kergunyah Presbyterian Church. Sunday school was held in a little 16 foot square wooden building which came from Rocky Valley after it was no longer needed there. Ewen Wallace's father initiated and organised the move. C2011 the building was knocked down because of white ants. The Presbyterian Church will be 125 years old in 2015.Historical: Religious Education: This book was given to students who attended the Sunday School classes at Kergunyah Presbyterian Church. Religion: Presbyterian Church at Kergunyah, in the Kiewa Valley, celebrates its 125th anniversary in 2015 after being handed over to the Uniting Church in the 1970s.White hard covered book with black print of title at top centre. Below is a picture of a fairy girl in pink and a fairy boy standing on a large snail, waving. "An Australian Story Book" "Moorooba Books"Stamped. "Awarded to ... Class .... Teacher ..... From the Kergunyah Presbyterian Sunday School"religion, kergunyah, sunday school, religious education, aboriginal, moorooba., ewen wallace

Mullawullah died on 23 September 1896. His funeral on 26 September attracted a large crown. IN 1897 the Australian Natives Association and the Ballarat Municipal COuncil raised money to this gravestone. Photos relating to the grave of King Billy in the Ballaarat New Cemeteryking billy, ballaarat new cemetery, frank wilson, william willson, wadawurrung, mullawullah, aboriginal

Left to right: ?, Jock, and Albert Mullett (standing) at the opening of the Koori Studies Centregippsland campus collection, churchill, gipplsand institute of advanced education, aboriginal, koori education unit, koori studies centre, albert mullett

Through the eyes of two cultures. A catalogue of an exhibition of paintings by artists Zhou Xiaoping & Jimmy Pike held at the National Gallery of China Beijing, created by the Golden Dragon Museum & sponsored by Arts Victoria, Australia Council for the arts & Foreign Affairs and trade. Coloured photographs of artworks.art, aboriginal, art, zhou xiaoping, jimmy pike, golden dragon museum, aboriginal artists.

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of a Mimi Spiritart, artwork, eddie blitner, blitner, aboriginal, mimi, rarrk

Marley SMITH A Gundijtmara woman, Marley Smith has lived in Ballarat all of her life and has strong ties with family. Marley Smith completed the Ballarat Schoo of Mines Koori Art Course in 1995. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This painting depicts the spirit of the Australian INdigenous education Conference held at the university in 2004. The central circle represents a meeting place. "It's all about ... coming together and to understand and educate one another on everyone's culture - if you have no understanding, then there's no way of learning. [Marley Smith]art, artwork, marley smith, smith, indigenous, aboriginal, alumni

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Painting of two kookaburras. If you can provide information on this artist or artwork please use the email link below.art, artwork, aboriginal, kookaburra, bird, harry taylor, horsham campus art collection

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. If you can assist with information on this artist or artwork please make contact via the 'comments' link belowart, artwork, tim newton, t'bone, aboriginal, horsham campus art collection, horsham available

My visual stories seek to inform about the natural and cultural histories that attribute to the experience of country (place), in order hat the audience gains respect, understanding and a sense of belonging to the place. My practice involves various mediums in two and three dimensional form, which include permanent and ephemeral installation, paving, stonework, woodwork, metal work, lighting design, illustration, mural painting and mosaic work. I am competent in using all these mediums, but do have a preference to stone and wood. Having been involved in public and community art as a designer and sculpture/maker in both individual and collaborations for the past fifteen years, I have been fortunate to work with and partake in various collaborations and project teams; working with council organizations, landscape designers, art practitioners, artisans and arts workers. (https://www.glennromanis.com/biography, accessed 08 June 2022)Glenn ROMANIS Wurundjeri/woi wurrung and Boonwerrung This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A fire pit with sculpted redgum seats in the shape of a gum leaf. It was created for the Arts Victoria 'Artlands' Conference held in Horsham in 2004. Artlands is a national event designed to reflect and respond to emerging trends and shine a spotlight on arts in regional Australia. It is designed to showcase new thinking, present contemporary work, and generate exchange and conversations. The programming champions best practice and strengthens a national network of artists and practitioners working in regional, rural and remote Australia. Presented and delivered by Regional Arts Australia, Artlands is positioned as a multi-art, cross-industry and inter-generational. It presents a critical survey of the contemporary regional cultural landscape; and provides much-needed opportunities for artists to gather, present work and enter into meaningful exchange.art, artwork, aboriginal, glenn romanis, sculpture, campsite, camp fire