Sepia toned postcard of two males rowing a boat off Cliffcrest jetty Harpers Bight. Steep wooded cliffs beside lake distant view of Jemmys Point Gippsland Lakes Victoriajetties, buildings, roads and streets

Cricket A.N.A. Premiers 1935-36B/W Photo 15 Males 8 Standing. Far Left And Far Right are in Suits and ties. 7 Seated in front the man in the middle is also wearing a suit. ( Could be T.W Dadswell?) A.N.A. C.C. Senior Team Premiers ..... Stawell Cricket Association ... 1935/6 Presented by the Players to T.W Dadwell, Esq.. Presidentstawell sport

Silver cigarette lighter, flint fueled with flip lid. Front depicted with engraving of male-female entwined/ Back engraved with place, date and poem. "Yea though I walk through the valley of the shadow of death I will fear no evil for I am the evilest son of a bitch in the valley"cigarette lighter, vietnam, vung tau, brenton

Probably someone's notes to do with SLR's, water transport and trucks.This is a pocket size, hard cover note book. The cover is green buckram. It shows the Australian Coat of Arms. Army form AAB-64. Inside consists of some blank pages and a large quantity of square lined pages. The squares are 6mm x 6mm. At the back is carbon paper.On one plain page is the date “17 Jul 88 0530 HR” with notes and a male name “Ph. NR”. At the rear are notes on weapon handling. Orders & headlines. Boat Handling - details. Vehicle maintenance & basic fault finding.rifles, trucks, water transport, army, notebook

The black and white photograph depicts the Lady Bay Lighthouse Complex at Flagstaff Hill, Warrnambool. It was opened on this site in 1871. From left to right, the Chartroom (previously named the Store), Upper Lighthouse, Flagstaff, Lighthouse Keeper's Quarters. The bluestone buildings are facing North on Merri Street. The Harbour Pilot's Lodgings were on the east of the Complex. There are two unknown male figures standing in front of the light-coloured picket fence that encompasses the Complex. The photograph is mounted on card. WARRNAMBOOL'S LADY BAY LIGHTHOUSES In the 1800s ships sailing from England to Australia began to use Bass Strait as a faster route to Melbourne. Small navigation errors led to many tragic shipwrecks. From 1848 lighthouses were operating along Victoria’s southern coast as a guide for sailors. Coastal towns such as Warrnambool grew and the exchange of trade and passengers was of great benefit. However, the uncertain weather changes, relatively shallow waters and treacherous, hidden rocky reefs were not really suitable for a Harbour and in the 1840s and 1850s, there were many shipwrecks in the area, with some even stranded in its Lady Bay harbour. A jetty was built in 1850 and a flagstaff to guide seafarers was placed up high on what became known now as Flagstaff Hill. In November 1857 the Victorian Government recommended that Warrnambool Harbour had beacons and two lighthouses to guide vessels into and out of the Harbour safely. The white light of the Middle Island lighthouse was to be used for the first time on September 1, 1859. The red light of the Beach Lighthouse, a wooden obelisk structure, was first operated on March 25, 1860, but in 1868 this light was ‘discontinued’ due to it being too low. Melbourne’s Department of Public Works decided to relocate the Middle Island Lighthouse Complex - Lighthouse, Keeper’s Quarters, Privy, Store Room and even water tanks - to Flagstaff Hill. The lower obelisk was shortened, and a protruding gallery, railing, and external ladder were added, and the light from the Beach Lighthouse. A green guiding light was erected on the end of the jetty. The transfer of the Complex began in March 1871. Each shaped stone of the lighthouse was carefully numbered, removed then reassembled on Flagstaff Hill. In 1872 the well was sunk behind the Lighthouse Keeper’s Cottage. The Keepers and families had left Middle Island in April and moved to Flagstaff Hill in October 1871. Vessels entering Lady Bay align the Upper and Lower Lighthouse towers during the day and the lights at night. The Upper Lighthouse is a round tower, and the Lower Light is square. The Lighthouses were categorised as harbour lights rather than coastal lights, so they remain under the control of the Victorian Government’s Ports and Harbours section. The lights were originally powered by oil, then acetylene gas, later by electricity, and then converted to solar power in 1988. In 1993 the solar panel was replaced by a battery charger. A decision was made in 1936 to replace the lighthouses’ lights with unattended lights that no longer required Keepers and Assistants. At least 29 Keepers had attended to the lighthouse from its opening in 1859 to when the last official Lightkeepers left In April 1916. The Warrnambool Harbour Board rented out the Quarters from 1916 to 1936. The Board closed down but the rentals continued with other unknown landlords. In the 1970s the Flagstaff Hill Planning Board was set up under the chairmanship of John Lindsay. The Board was to make recommendations to the Warrnambool City Council regarding using the buildings and the rest of the Crown Land on the site. The Flagstaff Hill Maritime Village opened in 1975 and began renovating the Cottage in stages, during which time evidence of a 1920s fire was found in the eastern section of the cottage. Additions of a porch on the west and a washroom on the east were made in the 1980s. The western part of the building is now a Shipwreck Museum and the east has returned to a late 19th-century Lighthouse Keeper’s cottage and includes the screen made by Assistant Lighthouse Keeper Thomas Hope in the late 19th century. He served as Assistant Keeper in Warrnambool for two periods.The Warrnambool Lighthouse Complex is now listed on the Victorian Heritage Register, H1520, for being of historical, scientific (technological) and architectural significance to the State of Victoria. The Complex is significant as an example of early colonial development. The buildings are significant for their connection with the important navigational function of the Lighthouses, a function still being performed to this day. The buildings are also significant as an example of structures designed and works carried out by the Public Works Department in Victoria in the mid-to-late 19th century. The structures still stand strong. Photograph; Warrnambool Lighthouse Keeper's cottage, lighthouse, flagstaff and chartroom at Flagstaff Hill, and a light-coloured picket fence with gate. Two male figures are in front of the fence. Black and white print glued to a yellow card. The inscription is indecipherable. The right side of the cottage has a built-in, enclosed addition.Ink stamped in lower right hand corner, too faded to be legible.flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, warrnambool, maritime museum, shipwreck coast, lighthouse keeper's cottage, lighthouse residence, lighthouse, chart room, quarters, privy, middle island, beach lighthouse, obelisk, lighthouse complex, lady bay complex, warrnambool port, warrnambool harbour, lady bay, keepers, lighthouse keeper, upper lighthouse, lower lighthouse, assistant keeper, ports and harbours, cottage

Depicted are nine unidentified theatrical performers. Six performers are dressed in long, dark cloaks and two performers are dressed in long, white costumes. There is a male performer dressed in a suit and holding a lantern and umbrella.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: 5660 / 6 /entertainment album, entertainment, beechworth, performance, theatre, theatrical group, arts, actor, actress

Black and white photo of 6 people - 3 females front row, 3 males back row, all wearing white t-shirts with the words ''Gas people are good sports''. Same photo as 11518.344 Kevin Shuttleworth and Bryan Baker, others unknown. On the back the words '' This one preferably and Frame 7'' In this photo the 3 males are standing. Date and location unknown. Back row; Kevin Shuttleworth, unknown, Brian Baker. Girls in front row are unknown.person, group, employees

Black and white photograph. 3 rows of cricketers. Brick wall at back, corrugated water tank at left. 16 men, seated at far left, male holding a cricket ball. 2nd. from front male wearing cricket pads and wicket keeping gloves. Some men wearing whites, some men wearing hats and ties. On the back in ball point pen, ' Mandurang Circket Club 1923 ' Bill Drechsler' ' Jim Charleworth' Cr. Les Nankervis'organization, club/society, mandurang cricket club

B+W Group photo on cream board. 4 males + 4 females, perhaps a family group as there is a family facial resemblance. There are 2 generations . Older man + woman (mother + father?) seated in leather chairs with armrests. The younger 6 are standing behind with the youngest seated at centre of older ones. All in 'good' clothes, males in 3 piece suits + ties, women in 'Sunday best' dresses. Group centred on a large floral mat. Inscription: Bartlett Bros. BendigoBartlett bros. Bendigoperson, group, possibly, family group

7149: OUTSIDE GROUP PHOTO UNDER GUM TREES. 7149A OUTSIDE GROUP PHOTO UNDER GUM TREES. 7149B OUTSIDE GROUP PHOTO UNDER GUM TREES. 7149C GROUP OF PEOPLE STANDING NEAR BBQ. 7149D. THREE PEOPLE INSIDE TWO STANDING WITH BACKS TO CAMERA, ONE MALE SITTING HOLING A BROWN BOOK. 7149E . 4 PEOPLE TWO STANDING, TWO SITTING. THREE WOMEN ONE MALE SITTING ON RIGHT. 7149F. SIMILAR TO 7149E, BUT PORTRAIT. 7149G SIX PEOPLE SITTING ON A BENCH OUTSIDE WITH FOUR CARS IN BACKGROUND. Eight Colour photographs.biarri

Mr Frank Wicking worked in a quarry. He died in 1915 aged 37.Photograph of male adult. Photograph has wooden frame with decorative carved trees and gold inner border. Depicts Mr Frank Wicking who died in 1915 aged 37. He worked in the quarry.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, historic photograph, frank wicking, tom wicking, quarry worker

Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Black / white group photo of 18 male RAAF personnel in uniform. Group is arranged in 3 rows each of 6 men. Each person in the photo is named. Group name appears at the bottom of the photo. On front: 3 men marked with an X Names handwritten in white on each person: Group: No 68 Course Pilots Back L - R: Startin, Chamnes, Price, Rodgers, Hawson, Davey Middle L - R: Woodhams, Cornish, Wilson, Clark, Carter, Carbuff Front L - R: Chadwick, Smith, Edgar, Campbell, Hall, Gray Stamped on back: Crown copyright reserved. Handwritten in black ink: B Talbut 12 Salcey Street, Far Cotton Handwritten in blue ink: 17 O.T.U. Silverstone Northants England Oct / Nov 1943 In pencil: ? Indecipherablephotography, pilots, training

The man is possibly a ship master or captain and the photo of the couple depicts also his wife. Studio photographic portrait of two people: female standing dressed in black? formal attire, arm leaning on seated male also formally dressed in 3 piece suit with watch chain and bowler hat.skipper, captain, ship master

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of standing male from hips to head. The man wears a black suit, white gloves and has a moustache. Work has pink background with leaf and plant forms in greens, yellows and blues.Front: Portland Commemorative Print 5/20 A. Gee. The Undertaker's Assistant. John Cain signature Premier of Victoria. Back: 15

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of seated male in black suit. Background is a pale pink covered with an ornate orange and dark pink vine-like pattern. This pattern is continued in the man's suit by using two shades of black.Front: Portland Commemorative Print 5/20. The Groom. Signature of John Cain Premier of Victoria. Back: 14

Drawing done on location by Francis John 'Curly' Papworth whilst serving in Katherine, Northern Territory during World War Two. This work of soldiers is significant as a work produced by a serving soldier on location during WWII and is a unique example of an artistic work showing the men and their surroundings at the time. Strong provenance as part of the family collection. Pencil sketch on white paper of three bare chested male figures, two left profile and one rear view. All attired in shorts and boots. Information relating to the figures and location are written on the work. Signature right hand corner: Papworth 42. Written in pencil at top of page: Some Independent Attitudes/Katherine N.T. 1942, June/July Working in the Q Store. Beneath each figure written in pencil and ink left to right: Figure 1: Maj Percy Black Adamsom Esq. (in blue ink below: Perc Adamson Dec) Figure 2: Reg Moggins, working on his Birthday too! (in blue ink below: ?) Figure 3: You can't mistake this one either! (in blue ink below: Con Nugent, Dec)soldiers, wwii, world war 2, second world war, artists, wartime, francis john papworth

1987 Cooking school's competition - Table set for 4, 3 plates of food a male in red jacket and a female in blue coat cutting food and looking and judging presentation. Location Unknown. A3 on the backKodakevent, entertainment, school's cooking competition

1987 Cooking school's competition - Table set for 4, 3 plates of food a male in red jacket and a female in blue coat cutting food and looking and judging presentation. Location Unknown. A2 on the backKodakevent, entertainment, school's cooking competition

sepia, tinted photograph. Mounted on cream board. Male seated, dressed in lodge (?) regalia, bow tie, moustache. Regalia stole hand coloured in maroon and gold. 'Guest ' written in lead pencil on reverseperson, individual, portrait male -lodge

Black and white photograph, on grey board, small group, street scene, trees and buildings in back. At front, ten adult males dressed informally, with racing bicycles. Inscriptions: on board 'Yvonne Studio, Kyneton'.person, group, male cyclists

Sepia Photograph: Myer's Creek Diggings 'Bachelder Photo Sandhurst'. 6 male 'Diggers' gathered around a windlass at a mine opening amongst the trees in a paddock. Inscription Markings: Myers Creek Diggings 1867place, mining site, myer's creek diggings

One page document, a page taken from'The Rechabite' dated July 14th, 1906. Article is headed 'A Unique Rechabite Function' held at the Temperance Hall, and details the installation of six male Bendigo tents.bendigo, clubs, independent order of rechabites

Black & White portrait studio photo. Male aged approx thirty. Captioned in writing reverse Tom Glass. Printed on Front. Bartlett Bros, Sandhurst. Turned up collar with small bow tie.Bartlett Bros, Sandhurstphotograph, person, male

Male aged early twenties portrait. Suit coat, vest, turned down collar with neck tie. Hand written caption 'Mr Barry Harrison ?' on reverse. Foster Pall Mall printed on front.Foster Pall Mall Sandhurst.photograph, person, male

Oval shaped metal picture with wire stand; photo of male in suit with white shirt and rose in lapel. He has short hair and a 'handle-bar' moustache. Has an orange seal on back with Melbourne on it.

Coloured slide transparency. Image is of a male seated at a bench wearing a white lab coat. He is holding a white cup over a Bunsen burner. There are many glass jars, beakers and test tubes on the bench.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Panoramic photograph of a LARGE group of people (males and females) grouped in front of an official looking building. Stamped above the [photo is ' Deeds and Securities Branch ' , and in the bottom right hand corner is written ' September 1929 'person, group, deeds and securities branch, deeds and securities branch

Balinese art is art of Hindu-Javanese origin that grew from the work of artisans of the Majapahit Kingdom, with their expansion to Bali in the late 14th century. From the sixteenth until the twentieth centuries, the village of Kamasan, Klungkung (East Bali), was the centre of classical Balinese art. During the first part of the twentieth century, new varieties of Balinese art developed. Since the late twentieth century, Ubud and its neighboring villages established a reputation as the center of Balinese art.This is likely a memento of the Dutch/Indonesia era.Carved and lacquered wooden image of male and female heads. Each is wearing a highly decorative headdress giving the impression of a special ceremony such as a wedding. The necks of the figures merge into further carving, this time of an abstract theme.

Princess Juliana and Prince Bernard married in 1937 prior to the Princess becoming Queen in 1948.The fact that this item was brought to Australia with a migrant family indicates the affection in which the Royal Family was held by many Dutch people.Rectangular tile depicting a leafy tree loaded with oranges. Under it are four young people - two male and two female. The main colours are green on a greyish background. Orange accents appear throughout the clothing. An orange banner reads 1937-1962. Below the illustration is the motto: "Doen kunnen we alles maar dan ook alleen allen samen." (We can do everything but only together). On the back are various imprints relating to the maker Mosa Holland.