Document. Various legal papers. 1 -1894 - Feeham Jas. List of work and costs. 2 - 1893 - Delves H. List of work and costs. 3 - 1889 - Barber Alf. List of work and costs. 4 - 1893 - Mendell & Henderson. List of work and costs. 5 - 1892 - Holland Michael. List of work and costs. 6 - 1890 - Hay Adam. List of work and costs. 7 - 1889 - Hasker J. Costs. 8 - 1888 - New Spencer Street Syndicate. List of costs. 9 - 1894 - Schroder Mrs P with Hawkins Mr C H. Agreement of Tenancy. 10 - 1902 - Flannery Mr D & Flannery Mrs A of Campbell's Forest. Costs incurred. 11 - 189? Rathjen Mr H to Bockholt Mr W H. Draft copy lease. 12 - 1890 - Middleton J (T/1?) Costs.cottage, miners, connelly, tatchell & dunlop, feeham jas, delves h, barber alf, mendell & henderson, holland michael, hay adam, hasker j, new spencer street syndicate, schroder mrs p, hawkins mr c h, flannery d, flannery mrs a, rathjen h, bockholt w h, middleton j

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.A panoramic photograph of the junction of High Street and Cotham Road. The photographer centres the point-of-view on the Kew Post Office and adjacent Court House. These were designed in the Queen Anne style by the Public Works Department's architect J Harvey and completed in 1888. The complex is important because it demonstrates a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. The earlier Jubilee Fountain in front of the Post Office was erected by the Kew Borough Council to commemorate the Golden Jubilee of Queen Victoria in 1887. It was created to a design of the architects Reed, Henderson and Smart. The fountain was later relocated to the Alexandra Gardens to make way for the Kew War Memorial. The tram tracks in High Street were used by the horse tram, which ran from the Victoria Street Bridge to the Boroondara General Cemetery. The tram was replaced by an electrified service in 1915.The Post Officekew post office, kew illustrated, kew where we live, photographic books, henry kellett

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Before true aerial photography became possible, photographers such as J.F.C. Farquhar were compelled to shoot their images from the highest vantage point. Here, it is presumed to be the roof of Xavier College, from which the panoramic view extends west towards the rise of Studley Park. The houses in the foreground face the southern end of Gellibrand Street. Wellington Street is at an angle to the camera with the Queen Street intersection on the near right. The wooden building behind the large horse paddock on the other side of Gellibrand Street is the Kew Recreation Hall, built 1888, demolished 1960. It was reputed to have one of the finest dancing floors in or around Melbourne. The Bowling Green at the rear of the Hall belonged to the Kew Bowling Club. Further west is the Kew Railway Station on Denmark Street, opened to the public in 1887. At this period, much of Studley Park was locked up in large landholdings, dominated by large mansions such as ‘Byram’. Bird's Eye View Looking Westkew illustrated, kew where we live, photographic books, henry kellett, denmark street, kew recreation hall, kew bowling club, wellington street

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour mill, one of the earliest industrial sites in Melbourne. The falls were later to be named after the owner of this mill. In 1888, William Guilfoyle, Director of the Melbourne Botanical Gardens had called for fresh water to be piped from above the weir to the Botanical Gardens, using a pumping station on the Kew side of the Falls, a holding reservoir in Walmer Street and a series of pipes from there to the Gardens. This system was opened in May 1891. Farquhar’s photograph of the man-made weir obscures the industrial activity on both sides of the Falls and focusses solely on the river and the surrounding natural vegetation. The photograph probably predates the disastrous flooding of the Yarra River in July 1891, the greatest to have occurred in the Colony since the foundation of Melbourne.Dight's Fallskew illustrated, kew where we live, photographic books, henry kellett, yarra river

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 31 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. This black and white photo is part of a group of six photos taken on an 18 kilometre walking trip between Bruthen and Swan Reach in East Gippsland in 1926. The route of the walk followed the Tambo River. The photographer has focussed the view on a ruined bridge, presumably caused by a flood, crossing the river. Sections of the left hand pier and span can be seen in the river."BRUTHEN TO SWAN REACH 1926"henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, bushwalking, bruthen, swan reach, tambo river, east gippsland

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 35 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. This black and white photo is part of a group of photos taken in the Victorian High Country. The page is labelled 'Mt Wills / Sunnyside' and includes photos of landscapes and built structures. Mt Wills and Sunnyside were at the time goldfields north of Omeo. This small black and white point-of-view photograph shows the photographer, Henry B Christian, staring across a treed landscape to Mt Wills in the distance."MT WILLS / SUNNYSIDE"henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, bushwalking, northeast victoria, victorian high country, mt wills, sunnyside

Elaine Mann was married to David Mann, a successful Wodonga businessman and community leader who passed away in Wodonga in June 2012. David was a member of the Mann family who began their business in Wodonga in 1920. Elaine was a teacher in Wodonga for many years and an active member of the community.This photo collection is of significance as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the late 20th century.Wodonga, High Street West Businesses including T. B. Erlandsen & Son. and the Terminus Hotel. Thorald Erlandsen purchased his premises in the 1950s. The building was previously owned by John Whan. It started out as a general store but was later extended to include a drapers. The building sold in 1966 to Manns. The Terminus Hotel was built in 1873. It was purchased by Annie and George Allen in 1879. In 1888 they added extensions including a billiard room, a dining room and 18 other rooms. After the death of her husband, Annie Allen continued to run the Terminus Hotel. She later married John Haldon and was licensee of the hotel until 1893 when the license was transferred to William Carkeek. Carkeeks owned the hotel from 1900 - 1903 and again from 1906 - 1909. It was destroyed by fire in 1998 and the building demolished in 1999. In 2021 it is the location of Tristar Medical Centre.wodonga businesses, high st wodonga, t. b. erlandsen & son, terminus hotel

The item is a hard cover book recording weekly work of T.J. Connolly, Ironmongers, Sandhurst. A list of names is written inside the front cover. An alphabetical index at the front of the book, lists types of goods and equipment. The index is followed by handwritten pages recording each week's work including goods, fittings and equipment types, client surname or business name and a numbering system. The work records have also been checked off with ticks or crosses separately. The hard cardboard cover is green with red marbling, which is worn and torn. The leather binding has peeled away from the pages and front cover but is attached to the back cover. The pages are fragile with many loose pages due to the state of the binding. The book is full and includes the date range of 29 May 1886 to 12 October 1888. This item is part of the Margaret Roberts Collection.Business stamp on torn loose page inside front cover. margaret roberts collection, ironmongers, forest street, bendigo businesses

Tait collection: item 27 of 62 This document contains details on the will and probate of Sarah Fry who died in Warrnambool in March 1905 at the age of 47. She was the daughter of Edmund and Jane Lord and came to Australia with her parents and some of her siblings aboard the Electric in 1869. In 1888 she married Francis Joseph Fry, a Warrnambool plasterer. Sarah Fry left real estate to the value of £450 and personal estate to the value of £202. The beneficiaries of her will were her husband, Francis and her three children, Sarah, James and Doris. The lawyer Ernest Chambers had offices in Warrnambool, Koroit and Port Fairy at the end of the 19th century and the beginning of the 20th century. He had this document in his possession and it was passed down to successive lawyers occupying the legal premises in Kepler Street where it was located in 2014 and handed over to the Warrnambool and District Historical Society. This document is of interest as it contains information on the will and probate of Sarah Fry, a resident of Warnambool in the late 19th century and early 20th century. It will be useful for researchers.This is a 1906 cream-coloured parchment sheet folded in two with handwritten material on three sides. Three of the pages are ruled with black ink. There is a seal of the Supreme Court of Victoria attached with a blue ribbon and a red stamp of the Master-in-Equity of the Supreme Court. The document includes the will and probate details of Sarah Fry, a married woman from Warrnambool. All the pages are somewhat stained but one page is very grubby. In the Supreme Court of Victoria; In the Probate Jurisdiction; In the Will of Sarah Fry late of Warrnambool in the State of Victoria Married Woman deceased.ernest chambers, sarah fry, warrnambool, tait collection

This boot belonged to Thomas Rome and may have been either an apprentice’s model or a display item in his boot and shoe shop or both. Thomas James Rome (1873-1974) worked in John Younger’s store in Beechworth before both came to Warrnambool in 1888. Rome worked in Younger’s store in Liebig Street, Warrnambool for 17 years and then established his own boot and shoe store at 115 Liebig Street in 1907, retiring in 1962. He married Amelia Saltau and they lived at Murweh at the corner of Liebig and Princess Streets, Warrnambool. Thomas Rome is mostly remembered today for his purchase and use of an Edison phonograph machine in the late 1890s and the sound recordings he made with this machine at the Warrnambool Industrial and Art Exhibition of 1896-7. These recordings were found intact after Rome’s death and are regarded as the earliest sound recordings still surviving in Australia today. This sample boot is of great significant as an example of the bootmaker’s art in the early 20th century and as a memento of Thomas Rome, important in Warrnambool’s history as a businessman and in the history of sound recording in Australia. This is a small sample black leather boot (probably a lady’s boot). It has double ridged stitching across the instep with a soft leather upper part and stitching separating the soft leather section from the smooth leather. The right side of the boot has seven button holes and seven buttons attached with metal clips. The sole is leather with a small heel and the name of the owner stamped on the sole. ‘10’ ‘T.J.Rome’ thomas rome, history of warrnambool, antique lady's boot, leather boot vintage

This book was a text book used by Arthur Gregory, the test room technician at Warrnambool Cheese and Butter Factory in the 1930s. He tested the suppliers’ milk and cream for butterfat percentage in order to determine the payment to the suppliers. Arthur Gregory later became the manager of Jays Laundry in Fairy Street. In the 1930s Arthur Gregory boarded at 28 Spence Street in Warrnambool. This boarding house was run by May Taggart, the wife of Sam Taggart, a Warrnambool tailor. Les O’Callaghan was also a boarder there and it was through his contact with Arthur Gregory that he obtained the position of laboratory technician at the Warrnambool Cheese and Butter Factory. Les O’Callaghan remained for over 40 years at this factory (leased at that time by the Kraft company) and was very important in the development of laboratory techniques used in the dairy industry. The Warrnambool Cheese and Butter Factory was established at Allansford in 1888 and is still in production today, operated by the Canadian firm of Saputo. This book is of interest because of its connection to Arthur Gregory, a test room technican at the Warrnambool Cheese and Butter Factory in the 1930s and to Les O’Callaghan, the Laboratory Manager and Microbiologist at Warrnambool Cheese and Butter Factory for more than 40 years. This is a hard cover book of 822 pages. It has a blue cover with gold lettering on the spine. It has 29 chapters, an appendix, a bibliography and an index. It has many black and white illustrations and drawings. The spine is slightly scuffed. The inscription is handwritten in pencil. ‘A.S.Gregory 28 Spence Street W’bool’ warrnambool cheese and butter factory, arthur gregory, warrnambool, les o’callaghan, warrnambool, history of warrnambool

This ledger contains summaries of trading finances for Swintons Pty Ltd and Swintons Supermarket for the years 1969 to 1978. William and Ann Swinton migrated to Australia in 1854 and for a decade William Swinton worked as a builder and carpenter in the Warrnambool district erecting many buildings including the Wangoom Presbyterian Church. In 1865 he opened a store in Timor Street selling groceries, china, glass and hardware. By 1888 the business was known as William Swinton and Sons. Branch stores were opened in Cudgee, Nullawarre, Wangoom, West Warrnambool and South Warrnambool. When William Swinton died his son Robert became the first managing director of Swintons Pty Ltd. In 1934 the business split, with George Swinton and Sons selling furnishings, clothing and glassware and Swintons Pty Ltd selling seeds, hardware and produce. Today the Swinton family still operates a furniture and bedding business in Timor Street. This ledger is of great interest as it contains summaries of the financial records of the Swintons Supermarket and Swintons Pty Ltd from 1969 to 1978. It will be very useful to researchers. The current Swinton business in Timor Street is the oldest family business in Warrnambool and, with the Swinton name associated with businesses in Timor Street for 152 years, it is one of the oldest family businesses in Australia. This is a hard cover book with a green cover. There is black printing on the spine and on the front cover. The pages are white with printed ruled blue lines and printed red and blue columns. The entries are handwritten in blue ink. There are two pages at the back with printed graph patterns.‘Collins Analysis Book 61 Series’swintons family, warrnambool, history of warrnambool

Elizabeth is not wearing a ring so date is before marriage in 1894 F.B. Mendelssohn & Co operated from Queen's Walk Studios, Victoria Buildings at 80 Swantson Street, Melbourne from 1888-1915 according to Sands McDougall directories CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991cabinet photo, marg ball collection, shillinglaw family photo album 3, 1888-1915, 1890, elizabeth docherty (nee shillinglaw 1861-1942), john docherty, mendelssohn f.b. & co photographer queens walk melbourne, salvation army

This book was awarded to Ewen Wanliss in 1891 for first prize for Greek in the VI form. Ewen enrolled at Ballarat College in 1888 at the age of 15 along with his brothers David, Cecil, Newton, Sydney and Neville. Ewen's father was Hon. T. D. Wanliss and his previous school was Toorak College IV class. The Wanliss family grew up in Wanliss House Sturt St, which was bought by the school in 1910. The house remained on the property until 1996. "Ewen Wanliss was born on 24th September 1873 and died in 1966. He was educated at Ballarat College, enrolled in1888, and was Captain of the College 1st XI and 1st XVIII in 1892. He served as 327 Pte E Wanliss, 4th (Imperial) Contingent, and as a Lieutenant (20th August 1900) with the 4th Imperial Bushmen in the South African War." (In the Footsteps of Pompey p. 14).Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Bound in brown calf with gilt bordering on front and back cover and the college crest embossed on front cover. Six raised bands on spine with gilt lettering on red calf on the second compartment and gilt decoration on remaining compartments. End papers and page edges marbled. Black and white illustrations throughout, slight foxing on pages and slight detachment of spine. 474 p.Book plate inside front cover: ballarat college crest/ Greek/ VI Form./ First prize./ Awarded to/ E. Wanliss/ Christmas, 1891.ewen-wanliss, 1891, book-prize, ballarat-college, david, cecil, newton, sydney, neville, hon-t-d-wanliss, toorak-college, wanliss-house-sturt-st, south-african-war.

Copy of newspaper article (Jan. 1958): "Out of the Past" "The first post office at Eltham as it appeared in the eighties (sic). This photo was in the possession of the Burgoyne family, whose association with the Postal Department ended yesterday when the new post office was opened." The article indicates the photo is from the 1880s however it actually pre-dates the connection of the Electric Telegraph line in 1877 - most likely early 1870s. The Telegraph Office was opened Thursday, June 7, 1877 and the lines were connected to the building above the awning near where the lower corner of the large sign is. A similar image of the building dated circa 1888 (EDHS_00139) shows the telegraph line connection. The awning has also been updated with corrugated iron in lieu of bark shingles and the false facade above the awning removed. It is possible these modifications were made to the building at the time of the telegraph line connection. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, post office

Despite inclement weather, up to 500 people attended the opening of the Eltham-Hurstbridge railway on 25 June 1912. Local member of parliament Ewen Cameron and Victorian Premier William Watt were present. Agitation for a railway extension began in 1888 when a meeting was held at Arthurs Creek to press for the construction of a railway line from Heidelberg to Kinglake. The Chairman Mr Charles Draper said this was necessary because this was the best fruit growing district in Victoria. Mr Cameron M.P. pointed out that whatever route the line took it would have to follow the Diamond Valley from Eltham. At the same time another meeting was pressing for the line to be extended to Queenstown (St Andrews). However when detailed surveys were made it was discovered that the only possible route was to Hurstbridge because of the hills. In 1912 the railway was opened terminating at Hurstbridge. Digital filerailway station, hurstbridge

Alfred Armstrong Armstrong, Alfred, Eltham is a native of Somerset, England, born in 1825, and was employed under Mr. Mark Isambard Kingdom Brunel as a civil engineer prior to his coming out to Melbourne in 1852. He first visited Beechworth, but returning to Melbourne took contacts at Essendon and Gisbourne for forming and metalling the road. He afterwards purchased property at Eltham, where is at present mining, surveyor, inspector of mines, and mining registrar for the St Andrew’s division of the Castlemaine mining district. Mrs Armstrong, to whom he was married in 1854, at St Paul’s Church, Melbourne, died on 27th March, 1887. from "Victoria and its Metropolis: Past and Present" written in 1888 by Alexander Sutherland. Chapter 19, "The Upper Yarra District" pages [402] - 415. Includes descriptions of some townships and short biographies of local residents. Page 405 Folder of information on Alfred Armstrong, Eltham and Kangaroo Groundalfred armstrong, ada gertrude armstrong, arthur reynolds stockwood armstrong, arthur vivian harrison, eltham cemetery, gravestones, laura augusta harrison (nee armstrong), margaret armstrong, mary armstrong, thomas armstrong

Bottom seated row, right side end, Alex and Alfred (Tommy) Smart. Donated by May Smart, (c/o Pine Tree Village, 330 Springfield Road), student at Eltham State School 1915-1923, daughter of Alex Smart Alexander Wilson Smart, father of Edward Alexander and Alfred Francis abandoned his family and moved to Perth in Western Australia where he was convicted of bigamy and murder and sentenced to death by hanging. Photo used on the cover of "We did open a school in Little Eltham", Eltham Primary School (2006) David Clark Head Teacher 1855-1888 and Assistant, Catherine Clark, his sister. Note: Photo is a Class not Grade (examination level). Photo taken c. 1886. Edward Alexander Smart was May Smart's father and Alfred Francis Smart her Uncle - Tommy the MilkmanSepia photographic print mounted on card Details on reverse re donor and Smart children identifiedeltham, state school no. 209, dalton street, alex smart, alfred (tommy) smart, alfred francis (tommmy) smart, david clark, edward alexander (alex) smart, eltham primary school, may smart, victoria may kamm (nee smart), alfred francis (tommy) smart, catherine clark, david george clark, eltham state school, eltham state school no. 209

These items are from the estate of Norma Adelaide Scott (nee Johnston) ,January 2, 1925 - May 18, 2018 (93 years old) who died in Orbost. Norma was part of the Morris family who came to Newmerella in 1888, had land on Grandview Road and on the flats. Mr Morris had been a school teacher at Lake Tyers Mission before coming to Orbost. "Bobs y’r Uncle" was a nursery rhyme game designed by Frank H. Simpson for John Waddington Ltd. in 1935. The game was especially designed for children. The cards had scenes from nursery rhymes and six cards were needed to make up each rhyme in a set. Games turned out to become an important part in the progress of Waddingtons, who eventually acquired the rights to Monopoly in the UK, and then published Cluedo, opening the way for their supremacy in the toy industry These items are examples of common household items used in an Orbost family in the first - mid 20th century.3228.1 is a wooden tray with handles. The tray is lacquered and hand - painted with green leaves and orange flowers. 3228.2 is a brush with a curved wooden handle, lacquered and decorated in a similar pattern of green leaves and flowers. 3228.3 is a small wooden tray, lacquered and hand -painted with green leaves and yellow flowers. It is a rectangular shape with raised edging attached on the four sides. 3229.4 is a pack of cards in a red box with a cartoon type drawing of a man wearing a checked coat and hat holding two dogs on leashes.3228.5 is an orange / white cardboard box containing a pair of nylon stockings: box labelled " 'KOLOTEX/ Free-n-eezy" stockings.3228,5 - in orange and white print - "KOLOTEX/ Free-n-eezy/ Clings/ 40 denier/ SEAMLESS/ S-T-R-E-T-C-H" and in black - "NEW guaranteed never to ladder"scott-norma cards-playing hosiery-kolotex-stockings trays-wooden household

The donor inherited this Wardana machine from her mother, who bought it in about 1933 and used it to sew garments for her sister's dressmaking business in Frankston, Victoria. The donor often used this machine until she purchased an updated model. There were originally three Ward Brothers who owned the North Melbourne sewing machine business but they had a falling out. This machine's decals on the map of Australia only include the two remaining brothers. The Ward Brothers, G & S Ward, established their sewing machine business in North Melbourne in 1888. The cabinets and ironwork of the machines were made in Australia and the Ward Bros. imported their machines from overseas manufacturers in England, America and Germany. The assembled machines were sold under brand names that included Ward, A.N.A. the patriotic-sounding Australian Sewing Machine Company. The "Wardana" was one of their brands.This sewing machine was fabricated in Australia from imported parts from England, giving a snapshot into the early manufacturing industries that were operating at the time just after Federation.Sewing machine in a wooden cabinet with iron foot-operated cast iron treadle mechanism. The hinged cabinet top opens out to form a worktop. The sewing machine lifts out of the cabinet to sit level with the worktop, resting on two supports within the cabinet. The lockable cabinet door opens from right to left revealing fitted shelves and spikes for spools and bobbins. The gold-painted maker's name is cast into the black treadle. The machine has its original instruction book, oil can, and eighteen accessories in an enclosed cardboard box. The round shallow oil bottle has a rubber dispensing tube. Colourful decals decorate the black body of the machine. Inscriptions include a Serial Number stamped on the bed of the machine. The Wardarna Central Bobbin machine was made in England for the Ward Brothers of North Melbourne.TREADLE: cast into metal ACROSS THE TOPE AND ON THE FOOTPLATE "WARD", "WARD" SERIAL NUMBER stamped into oval plate "28383" DECAL: (Map of Australia ) with images of [two brothers] , "WARDANA" above (logo of the rising sun) DECAL: (Decorative floral design with heraldic-like emblems) above "MADE IN ENGLAND" ARM: "WARDANA" PEDESTAL: "C.B." (representing Central Bobbin) "MADE IN ENGLAND" "MADE IN ENGLAND / FOR / WARD BROS / NORTH MELBOURNE" BOOK TITLE: "Instructions for Treadle Machine" ACCESSORIES: some have indecipherable embossed stamps OIL BOTTLE base: (image of log and short lines radiating from a central inscription (indecipherable)sewing machine, domestic, wardana, ward bros., central bobbin, made in england, north melbourne, c.b., flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, treadle sewing machine, home industry, clothing, dressmaking, clothing manufacturer

1. The Tarnagulla Presbyterian church was built in late 1863 at an estimated cost of 650 pounds plus bricks, and opened for services June 19th 1864. The first minister was Rev. Hamilton. A Sabbath School also opened at this time. The success of gold mining in the area and the resultant population fluctuations, had an impact on the church and in 1866 it was only operating on an occasional basis. It closed in the late 1870's, reopening in 1882 as a mission station. In 1912, repairs and improvements valued at 150 pounds were carried out. In 1926, when the Laanacoorie church closed, the building was transported to Tarnagulla to become the Sunday School Hall. In 1975 it became the Uniting Church. 2. The union Bank was originally a sub-branch of Melbourne and built a brick building in 1859. In 1866 the Union Bank bought the two storied building seen in the photo, from the Colonial Bank. where it remained until 1888. Two newspaper articles from the Bendigo Advertiser, one from 22/08/1953 and the other from 29/06/1950 relating to the presbyterian church and the Union Bank in Tarnagulla. The articles are glued to a piece of cardboard with three other articles not relating to Bendigo.20tarnagulla, union bank, presbyterian church, bendigo advertiser

Notice of the unveiling of the Edward O'Donnell Memorial Fountain on 18 August 1935 at Edward O'Donnell Gardens. Invitation to the unveiling of Edward O'Donnell fountain in the O'Donnell Gardens, St Kilda, at 3pm on 18 August 1935. Edward O'Donnell was a St Kilda Councillor and businessman who was elected to the St Kilda Council in 1888 and served continuously for 44 years. During that time he was mayor on six separate occasions, including the war years. Following his death in 1933, a fountain was commissioned to perpetuate his memory in the centre of the gardens that had, by then, already started to be known by his name. The fountain was designed and built at a cost of £750 by Modern Art Co. Pty. Ltd. Of the art deco style, it is 4.5 metres high and 5 metres in diameter. The fountain’s plaque says his ‘record of municipal and community service will always be an example of true manhood and ideal citizenship’White paper, discoloured with age, printed in blue on one side.edward o'donnell, edward o'donnell fountain, edward o'donnell gardens, o'donnell gardens

The photograph is a pair to a similar photograph taken from the front view. The car is travelling down the CRB or Main Road at Kalorama c1930. Now named the Mt Dandenong Tourist Road. The photograph is glued in the Ivy Child Album. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph showing an old car travelling down a road bordered by a rail fence.Written below the photograph in album: Going Downcar, automobile, ivy child, crb road, main road, mt dandenong tourist road

The photograph is taken at Five Ways intersection at Kalorama in the late 1920s. The cars appear to be parked on Old Coach Road with the FiveWays Cafe and the back of the Methodist Church in the background. The photograph is from the album of Ivy Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia photograph showing seven or more old cars parked at FiveWays in Kalorama. A man and woman are in the foreground leaning on the back of a car.Written below photograph in album: CARS AT FIVE WAYSfive ways, fiveways, kalorama, cars, automobiles, methodist church, old coach road, ivy child, ivy may child

The men on the motorbikes have goggles on their heads but no helmets. They are parked at the Five Ways intersection at Kalorama. The building behind them is the FiveWays Cafe. The image is from the album of Ivy Child and would be late 1920s. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph showing two men on motorcycles parked with a woman standing between them. Three old cars, a building, road and trees are visible behind them.Written below photograph in album: FIVE WAYSmotorcycle, motorbike, fiveways, five ways, fiveways cafe

The man in the photograph is Ted Child. Photo (KAL0258) shows Ted wearing the same outfit standing in the cut at Silvan Dam so this is probably taken at the same place. This photograph is from the album of Ivy Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph with man in foreground in front of bushes. He is wearing a suit jacket. tie, jodhpur type trousers and leather gaiters. He is holding a wide brimmed hat in his right hand.Written below photograph in album: Repeated, only nearer.ted child, arthur edward child, ivy child, silvan dam

This photograph is from the Ivy Child album and shows a scene across the Kalorama Valley. The roof of the Kalorama Homestead is right of centre with cultivated areas around it. Walter Jeeves would have been the owner at this time. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph showing a sweeping scene across a lightly treed valley with hills in the background.Written below the photograph in the album: LOOKING INTO VALLEYkalorama homestead, kalorama, valley, ivy child, walter jeeves

Lyre Bird Gully and Lyre Bird Gully Track run alongside the Olinda Falls. The area has been a popular walking track in the from the 1920s onwards. The photograph is from the album of Ivy Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing a row of tree ferns in the foreground with bush behind.Written below photograph in album: OLINDA FALLS AND LYRE BIRD GULLYolinda falls, falls, lyrebird, lyrebird gully, lyrebird track