The following is an extract from Warrnambool and District Historical Society Website which explains briefly the Great Exhibition of 1896-97 The Great Industrial and Art Exhibition in Warrnambool in 1896-97 was an exciting affair for the town and the surrounding area. People came from far and wide to be enlightened, educated and entertained, with 70,000 visitors passing through the doors during the three months of the exhibition. Not bad for a town with a population of only 6,500 and a further 9,200 living in the surrounding shire! Planning began at a public meeting attended by 60 people in May 1896 and the exhibition opened in December the same year on the site of the current Light House Theatre. The architects submitted plans for four annexes, complete with turrets, a fernery and a giant flagpole. The site covered 1 acre and included a Marine court, industrial exhibits, an education court, defense and agriculture court, stalls, coach builders, dairy show, an art court and provision for a smorgasbord of various entertainment. (The Story of the Warrnambool Industrial & Art Exhibition 1896-97- E O’Callaghan) This certificate was one of many awards for competency and /or excellence in a wide range of activities and skills. Warrnambool Industrial & Art Exhibition 1896-1897 Competitions-Piano forte solo Gertrude Lewin- prizewinner W J Hickford- Mayor E Lyle Rossiter As a link to one of the biggest events ever held in Warrnambool this item has significant value to the history of Warrnambool. It has social significance also linking a number of names related to the event. Rectangular cardboard. pale cream and aqua background, multi linear gold and deeper aqua border with rounded and right angled corners. An interior border has a swag, linear vertical ribbons with four emblems related to science, labour, arts and industry. Four local black and white photographs, the town council crest and town officials, patron and councillors. An inscription of the prizewinner, event and signatures is written in a cream square in the middle of the certificate.Warrnambool/Industrial & Art Exhibition Opened Dec 21st 1896/ By the Chief Justice of Victoria/ Sir John Madden, K.C.M.G. upper L corner. Closed March 19th 1897/ By the Mayoress of Warrnambool/ Mrs WJ Hickford 'First Order of Merit/ Awarded to Gertrude Lewin/ of Parkville/ for Piano forte Solo (under 15) Signatures of WJ Hickford, President and E Lyle Rossiter, Secretary gertrude lewin, wj hickford, e lyle rossiter, the great warrnambool exhibitiion, warrnambool, pianoforte

The Eaglehawk community enjoys a successful annual festival comprising of numerous separate activities to enjoy over a 5 day period. These include: Street Procession, Gala Fair, Art Exhibition, Flower Show, Folk Art, Literary Competition, Heritage displays, Sunday family Day to name a few.Eaglehawk Dahlia and Arts Festival Procession - Bendigo Historical Society boarding their tram Tram and assistant getting ready Eaglehawk Traders' tram Tram on the way Tram crossing Victoria Street Steam Engine Mens Highland Band Ladies Highland Band Old Cars Wedderburn Eucalyptus Float Horse and Donkey Drawn Vehicles Float Brass Band VIP's Highland Band Walkers and Tram Public Gardens and flowershistory, bendigo, eaglehawk dahlia and arts festival, processions, parades, highland bands, bendigo historical society, eaglehawk gardens, eaglehawk

These are corporate greeting cards from NMIT and Preston Technical College. Estimated date mid 1990s - 2007. These would be sent to sponsors and businesses associated with the institute.A number of different designed cards with "Seasons Greetings" from NMIT mostly by Visual Arts students. Date from 1997-2007. Coloured illustration on front, some artists named, including Irene Webb, 1997, Sarah Duke, Elizabeth Buckley 2005, Rhiannon Shaw 2005, Dimity Gray 2004, Jennifer Zeller 2004, Annelies Billeter, Rebecca Wheller, Andrew Baker, Andrea Crisp, Damian Frazer.postcards, corporate communications, preston technical college, nmit,

Colour postcard divided back - Biscay Greetings, series of 6 photographs of Melbourne, with the words "Greetings from Melbourne" on the lower edge. Features Cook's cottage, Banks of the Yarra River, Arts Centre, Como House and a Z class tram outside Parliament. Back has space for name and address, stamp and a message and details of the postcard. Produced by Biscay Greetings, possibly mid 1990's. Card No. BG 178.trams, tramways, postcards, yarra river, z class, melbourne

Framed watercolour landscape titled "Memories" (House at Buchan South) painted by Jan Long. Set in white and grey card double window mount with brown wood frame. Small brass plaque affixed to lower edge of mount. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69.

Typed letter from Shire of Narracan to Shire of Woorayl dated 19th May 1988. Congratulations to the shire of reaching 100 years as a municipality. Sealed with Common Seal and signed by the shire president, councillor ans shire secretary. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69.

Typed letter from the City of Oakleigh to Shire of Woorayl congratulating them on its centenary to be celebrated on Wednesday 25th May 1988. Signed by the Mayor, Councillor & Town Clerk. Tri-colour border with shire crest at top. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69.

Framed B & W photograph showing Shire of Korumburra councillors & Officers 1972. Set in cream painted wood frame. Shire logo affixed to upper corners. Typed heading & names in black ink. Set on card backboard. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69.

Thesis submitted by Morna Sturrock to fulfill the requirements for a Master of Arts degree, Monash University, 1 February 1992. The thesis details the role of Gilbert Dyett in the establishment of the RSL.328 page spiral bound book with clear plastic covers. Visible yellow card title page with black writing, back page is also yellow card. Pages have cut edges. Includes illustrations.Bendigo District RSL stamp on first page. First page: "Morna Sturrock, 4 Fairview Ave, Glen Waverly 3150 ph 5621624" "Presented to the Bendigo District RSL sub branch Inc on the memorable occasion of the RSL's 90th anniversary, 12 August 2006."books, dyett, rsl

Contents: • Next meeting, Discussion Evening: Early Eltham businesses • Office Bearers 1985 • Subscriptions • 150th Anniversary events • Other recent events • Eltham Arts Council The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

List of Full Course Students' 1941, Editorial, Honour Roll, The Literary Society, Fumes from the Lab, Arts & Crafts Gossip, Sport, Commercial Notes, The Junior Techs Black, green and gold soft covered magazine of 56 pages including advertisements. Artwork Mr Allsop - By Margaret Taylor Mr Lambert - By Isabel Boustead Mr Mein - By Margaret Taylor Gaffer - By Margaret Taylor Bickarts Lino Cut Competition Section A - 1st place - By Winsome Hender Barney - By Margaret Taylor Tony - By Isabel Boustead Jack - By Margaret Taylor Lake Wendouree - By Mavis Heinz Issie - By Margaret Taylor Smoking Man - By Margaret Taylor Beryl - By Margaret Taylor Joyce - By Margaret Taylor Pat - By Isabel Boustead Bickarts Lino Cut Competition Section A - 2nd place - By John Henderson Albert - By Isabel Boustead Chick - By Isabel Boustead Leila - By Margaret Taylor Scottie - By Margaret Taylor Mary - By Margaret Taylor Margaret - By Isabel Boustead Bickarts Lino Cut Competition Section B - 1st place - By Maurice Collins Gladys - By Isabel Boustead Squizzy - By Margaret Taylor & Joyce Thompson Spence - By Margaret Taylor Pop-eye - By Margaret Taylor Haymes - By Margaret Taylor and Joyce Thompson Hucker - By Margaret Taylor Minnie - By Margaret Taylor & Joyce Thompson Ian - By Isabel Boustead Keep quiet or I'll slap you - By Isabel Boustead Joe-Joe - By Isabel Boustead Jean - By Isabel Boustead Elva - Isabel Boustead Bickarts Lino Cut Competition Section B - 2nd place - By John Henderson Blondie - By Maurice Collins Wilk - By Isabel Boustead Gladys - By Isabel Boustead Dawn - By Isabel Boustead Signed on front cover by "H. Darby" Has Receipt for Miss Darby for the amount of two shillings from activities and extraneous accounts , signed by W. Hinderballarat school of mines, magazine, r. spence, i. grant, isabel boustead, kenneth palmer, eric marshman, a. stevens, margaret dark, john r. elliott, joy martin, gilbert t. myers, marian peirce, john p.l. gibbs, winsome hender, peggy wells, geoffrey mounter, p. martin, john h. calaby, dr pound, mr mein, lorraine siemering, j. lockhead, herb christensen, max coward, ernest gribble, stan laurie, jim martin, jack nott, bill walters, adrian ward, fred badenhope, eddie gilpin, john hassell, frank jelbart, bob monteith, george lugg, dick menhennett, j. r. pound, william r. burrow, w. e. hender, mavis heinz, a. j. henderson, eric goon, donald eltringham, k. richards, leslie f. evans, ian d. mclachlan, philip c. kempe, maxwell w. lawrence, g. hale, william rowe, murray linklater, alan s. fisher, james w. mcclure, norman m. murray, william h. wray, mackay gleeson, john g. wilson, edward t. mann, keith s. waller, kenneth g. gingell, joan banes, patricia goldsmith, coralie clogan, miss rollan, mrs mcilvena, elva davies, maurice collins, betty davison, a. pilven, j. hucker, m. beaumont, k. mclachlan, r. harbour, d. browning, a. grieve, a. white, h. bantz, j. waddington, r. leigh, b. holloway, k. fletcher, l. lehmann, r. dunstone, s. wallis, e. n. thompson, mr hosie, loris hopwood, dawn austin, f.g. procter, gladstone procter

The work was installed at the cnr of Bridgport St and the Midland Hwy, adjacent to the Daylesford Library, in 1999. The work was commissioned by the Friends of the Library, Daylesford and funded by Arts Victoria and the Australia Council. Poemscape: a physical anthology is a much loved site specific installation work commissioned by the Friends of the Library, funded by Arts Victoria and the Australia Council, made by Daylesford resident Patrick Jones in response to his interests in the provision of public food, the development of locavore sensibilities and the rethinking of economies of material accountability and regard. Patrick Jones is a poet and non-fiction writer, a visual artist and ecological thinker. In 2013 Patrick Jones was awarded the degree of Doctor in Creative Arts from the University of Western Sydney for his thesis, 'Walking for food. Regaining permapoesis.'Public Art Environmental installation work installed near the Daylesford Library. Poemscape: a physical anthology comprises of 19 apple trees (18 Fuji apple trees and 1 Granny Smith apple tree) planted on the corner of Bridgport St and the Midland Hwy, adjacent to the library. Adjacent to each tree is a hardwood plinth at topped with a laser engraved brass plate that has been screwed in place. The text of each plate is by 19 poets including the artist and Daylesford resident Patrick Jones, local poets Peter O'Mara, Toby Sime and Robert Campbell, Australian poets Geoff Page, Kath Walker, D T Sime, Judith Wright, Ramona Barry, Jack Davis, Robert Campbell, Christopher Brennan and International Poets Dylan Thomas - Welsh, Sylvia Plath - American, Choku Kanai - Japanese, William Blake - English, Duo Duo - Chinese (translated from the Chinese by John Rosenwald), Yannis Ritsos- Greek (translated from the Greek by Kimon Friar & Kostas Myrsiades), Michel Deguy - French (translated from the French by Clayton Eshleman), Seamus Heaney - Irish and Rainer Maria Rilke - German. The title plate adjacent to the Granny Smith apple tree is by the artist/poet - Patrick Jones. See photographs with images of each of the laser engraved brass plates. permapoesis, artist as family, patrick jones, william blake, kath walker, chaku kanai, peter o'mara, sylvia plath, dylan thomas, geoff page, duo duo, d.t. sime, judith wright, yannis ritsos, michel deguy, ramona barry, seamus heaney, jack davis, rainer maria rilke, robert campbell, christopher brennan, hepburn shire, daylesford library, public art, installation art, environmental art, hepburn shire public art collection

Carole WILSON (1960- ) Born Canberra, Australia Carole Wilson is an artist living and working in Ballarat, Victoria where she is Associate Professor in Visual Arts and Deputy Dean in the School of Arts. Carole studied at both the Canberra School of Art and Philip Institute of Technology, now RMIT, in Melbourne and completed a PhD at the University of Ballarat in 2001. Her original training was in printmaking and she was a founding member of Jillposters, feminist poster group, in 1983 and worked at Another Planet Posters, Melbourne. For over a decade Carole Wilson has utilised discarded and salvaged materials such as floral carpets, maps and atlases to create works which engage with aspects of botany, garden history, travel and historical ornament. In recent years she has undertaken residencies in Italy, the US, Malaysia and The Netherlands which have all had a significant impact on her work. 'Woven Mantra: A Visual Expression of Meditation' is the title of Carole Wilson's thesis undertaken for a PhD - Visual Arts at the University of Ballarat in 2001. The research project examines the links between spiritual practice and visual art. More specifically, the research examines the relationships between repetition of a manta, and repetition of an image. 2010- Senior Lecturer in Visual Arts, Honours and Research Degrees Co-ordinator 2009-2011 Lecturer in Studio Practice and Postgraduate Co-ordinator 1999-2008 Lecturer in Visual Arts (Sessional) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed artwork by Carole Wilson.art, artwork, carole wilson, wilson, university of ballarat, doctorate, arts academy, mixed media, monoprint, haberdashery

This work pays homage to Solomon J. Solomon’s Ajax and Cassandra. Andrew Potter’s painting tells of the subsequent event. Cassandra is undoubtedly a Trojan War casualty, symbolizing the personal pain of widows and rape victims. The flow of the fabric is the allegory of bloodshed, while the empty jar suggests displacement of refugees. Cassandra’s body, as mother earth, is a metaphor for the peaceful landscape that is desecrated by acts of war. The artist uses these iconic figures to exemplify and demonstrate why peace is always better than war. This work was awarded second prize in the 2009 Lucato Peace Prize. During that year Andrew Potter was undertaking the first year of a Bachelor of Visual Arts (Fine Arts) at the University of Ballarat’s Arts Academy. This item was runner up in the Lucato Peace Prize, and is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painted canvas depicting a naked woman lying on the round beside a glass jar.art, artwork, andrew potter, potter, lucato peace prize, mythology, available

The Annual Report 2014-2015 and Calendar 2016 for the Diamond Valley Community Support Inc outlines the services available from this group. Illustrations are supplied by the Diamond Valley Arts Society. 28 pages, colour illus. 2 copies.diamond valley community support inc., diamond valley arts society

Editorial, Answers to correspondents, Fumes from the lab, Trip to Newcastle, Arts & Crafts gossip, News items, Echoes of the past, The Mystery of the Atom, Inorganic Evolution, Sport, The Junior Techs. Red soft covered magazine.Signed on inside front page by Harold Jolly.ballarat school of mines, magazine, r. s. russell, g. richmond, r. mcinnes, c. j. dennis, junior, j. b. robinson, jas. nunn, doug. cotton, f. v. middleton, professor alfred mica smith, p. montford, r. s. russell, vera jefferies, gordon pearson, g. richmond, r. mcinnes, j. maude, g. roberts, e. j. mckissock, jean rodgers, f. sheehan, m. f. timmings, f. ewart, t. e. leonard, jean graham, vera jeffries, m. conlan, j. r. pound, e. n. schache, w. g. coates, jean ronaldson, r. warrillow, v. g. anderson, c. a. schache

Silk piece donated by Adele Grey from the collection of the late Jenny Lang. Jenny was a member of the Embroiderers Guild of Victoria and held exhibitions of her work at the Arts & Crafts SocietyCream silk square with scalloped edge. Each corner is embroidered with a design of flowers, leaves and butterflies. The scallop edging is embroidery os hand worked with silk thread.costume accessories, female

Marianne SEBETTI (1987- ) Born Vladikavkaz, Russia Arrived Australia 2012 This work was completed while the artist was completing a Bachelor of Visual Arts (Fine Art) at Federation University Australia. Framed drawing. University of Ballarat DVC Art Acquisition Award, 2014Signed verso in pencil 'Marianne Sebetti, The Harvester, 2014'artist, artwork, sebetti, marianne sebetti, drawing, agriculture, harvest

During Angeline Koot's final year at Federation Unvisity the course was conducted online while the commnuity was in lockdown due to the Covid 19 Pandemic. The work reflects the resulting isolation, in particular the effect on the 2020 festive season which was marred with postponment and much uncertaintly due to the pandemic. The subject matter includes cones and a sock representing Christmas traditions. The small soccer plays attempt to stop the 8 ball from destroying the cone pyramid tree, while the shark, representing the chaotic events of 2020, moves to attack a fallen soccer player. The goal keeper attempt to protect the cone pyramic, and keep everything under control. Angeline KOOT (1998- ) Born Malaysia Arrived in Australia 2010 In 2020 still life artist Angeline Koot completed a Bachelor of Visual Art at the Federation University Arts Academy. Still lifeA still life with a pryamid of cones, a blue shark, a black 8 ball, and four soccer players representing the isolation of the festive season during Covid19 lockdowns at the end of 2020. Due to the Covid-19 pandemic and associated lockdowns the End of Year Exhibition (EYE) was an online exhibition and the selection of the DVC Art Acquisition Awards also took place online. Signed top edge Angeline K. 2020angeline koot, alumni, dvc art award, still life, pandemic, soccer, shark, 8 ball, covid 19, available

Peter GEORGAKIS Peter Georgakis completed his secondary education in Colac. He completed a Bachelor of Fine Arts at University of Ballarat (now Federation University). The following year he successfully completed an Honours, Creative Fine Arts. He was the recipient of the 2012 Martha Pinkerton Award. This artwork was purchased at the University of Ballarat End of Year Exhibition for the collection by Vice Chancellor David Battersby. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract ArtPeter GEORGAKIS Peter Georgakis focuses on exploring the concept of cognitive distortions and their relationship towards the physical and figurative. By utilising and relating a variety of figurative and physical imagery, he depicts the fragmentation and explosion of an interior visual landscape within distorted thought processes. This work portrays a wide array of distorted cognitive responses in a very visceral and disordering application. His works convey and visualise this response by using a variety of different software, including medical imaging, sound to image and experimental visualisation techniques. With such software applications, he has been able to digitally manipulate figurative and physical imagery in an unorthodox manner. Through this lens of a variety of software applications, he has been able to experiment and explore a vast range of cognitive distortions and their relationship towards the physical image. art, artwork, printmaking, peter georgakis