Small Trolley Axle with centre pivot, 32cm long, 4cm wide and 1cm thick. Axle bearings are formed 1.5cm diameter. Captive centre pin 14cm long, 1.5cm diameter.

The Burwood brickworks site in Middleborough Road may become the world's first retail centre with a living building accreditation. There are plans for a 10,500 sq. m. shopping centre and 750 townhouses and apartments.brickworks, retail trade, middleborough road, environment

Photo of postcard. Written on bottom in white : Queen Victoria Gardens Bendigo. RSL building in centre, Pall Mall on right. Baby Health Centre in foreground. No 10. Hand coloured photo.bendigo, parks and gardens, queen victoria gardens

Aulsebrook Collection Bendigo Psychiatric centre reel and article -large fools gap typed page with a staple note -Reel for the psychiatric centre and article explaining its development and concerns of development

2 x Foot stools in walnut timber and beaded tops. 1. Burgundy tapestry with floral beading edges and centre. 2. Burgundy and brown tapestry with floral beading edges and centre.footstools

BHS CollectionBendigo, 3 trams at Charing Cross, view looking up Mitchell St. City Club Hotel (centre right), Alexandra Fountain (right), Emery and Gibson Corner (centre left).person, individual, basil miller

Wooden glove stretchers were used in the early 1900s in the production and manufacturing of leather gloves to stretch the finger inserts in gloves and gauntlets. Long wooden object, comprising two shafts joined at centre with metal ball and hinge. Both wooden shafts have decorative linework engraved at centre point. Approximately 25cm in length.glove stretcher, haberdashery, manufacturing, clothing accessory, tool, glovemaking, early 20th century

Originally this teaching model belonged to Prince Henry's hospital library and was transferred to the Monash Medical Centre, Clayton in the 1970s by Sister Gertrude Berger, a famous nurse-educator, who is best known for her work leading up to the transfer of nursing education in Victoria from hospitals to universities in 1986.Gerty (as she was known in the School of Nursing) bought them in Europe in the late 1940s and early 1950s.Teaching model- 3D Female Reproduction Organs Painted and numbered plastic mould, showing vagina and one ovary and fallopian tube in cross-section. The model is mounted on a metallic grey painted timber panel. Manufacturer Adam Rouilly, London. label on lower right.]. Monash Medical Centre Clayton.teaching model anatomy, female reproduction organs

Bendigo's Cenotaph by Dacre Smyth 1988. Bendigo's War Memorial in the city centre is a half size replica of the famous Cenotaph in London. Some 4-1/2 metres high, the Bendigo RSL President described it as the best country Memorial in Australia during its rededication just before ANZAC Day 1988 following its extensive refurbishment. It had first been dedicated in June 1957 and it is normally flood lit at night. It is not known for sure when the painting was donated to the Bendigo RSL but it was hanging in the Foyer years before the Soldiers Memorial Institute became a Museum in 1998. Frame - Light timber, gold trim, no glass. Original coloured oil painting of the Cenotaph, Bendigo in foreground with Charing Cross buildings & fountain in the background. Label black print on gold bottom centre: "Bendigo's Cenotaph" Rear of painting hand written in black felt pen & black ink: "History of the Cenotaph by Dacre Smyth, 1988" cenotaph, bendigo, painting, brsl, smirsl

''Housing the Arts - Establishing Community Arts Centres or Performing Arts Facilities'' Australia Council 1979. 22 page booklet - Synopsis of a survey and report on 30 community arts centres and civic centres in Australia - with brief descriptions of facility and photograph. Introduction of a Resource Kit for Local Councils and arts organizations. (2 copies).

This document was produced in 1989 by the Pulp Mill Women's awareness Group to inform the community and raise awareness of the pulp mill proposed for Orbost. Chair of the group was Heather Richardson and secretary was Beryl FearnleyThis document is a useful reference on the pulp and paper mill issue which caused much concern in the community and resulted in the formation of several new community groups.A 4 pp document with plastic binding. Document contains research on the proposed Orbost pulp mill.In top left corner -PULP AND PAPER MILL RESOURCE CENTREpulp-mill-orbost

Black and white photographWritten on back of photograph: "From Civic Centre, Nov 1969.

Black and white photograph"Written on back of photograph" Ringwood Council - Aquatic Centre Model

This tray was sent home by a soldier called Ern Goodridge. Believed to be WX34399 Hughie Ernest Goodridge. Serving tray made out of 11 strips of different timbers. All edges are curved. At the ends are metal handles that have been chromed.In the centre of the tray inscribed on a metal plaque "NEW GUINEA 1943"new guinea, trench art, souvenirs, wwii

Artistic.Tankard Aviation SGT MessAviation Centre SGT Mess......VIGILANCE......1989. BEER. FESTIVAL.

Australian area of Operations.Map of Phuoc Tuy Province showing civilian access areas in colour. Laminated surface on board backing with black border &mall hanging strap on back.Top centre: “UNCLASSIFIED. LATE SPECIAL OVERPRINT (SHEET 1)map, vietnam

.1) & .2) Two Banners, dark & light blue, small rod at top for hanging, tassels at bottom.“Greetings from Eaglehawk” Centre is depiction of the RSL Badge logo. civic mementos - presentations, flags - banners, eaglehawk, rsl

Digital image of plastic shopping bag for The Bra Shop, circa 1980, used for advertising. The Bra Shop is a franchise with a store located in Greensborough Plaza.Part of a collection of miscellaneous historical images with a connection to the local area.Digital image of plastic shopping bag"The Bra Shop … [various locations including Greensborough Shopping Centre]" greensborough plaza, the bra shop

Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)

Clircular tapa cloth painted and sewn to a round wooden frame. View of a village painted on front of cloth, depicting a pole and wire fence with palnts at base, and palm trees and bushland in the background. The huts have thatched roofs.Front: Tonga Friendly Islands (lower centre, black dye)

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary celebrations in Portland.Black and white photograph showing street scene, lower edge a moving car, followed by horses with rider, rows of people, two-storey building on left-hand side, row of trees upper left to right-hand edge. Possibly a procession during the 1934 Portland centenary celebrations.Back: (All-over pattern "velox" "20" (centre right)esther winifred hall, photography, henty, portland centenary, 1934

Displayed in History House (Cabinet, South wall)Willow-pattern plate with brown design.Front: Base: Willow/AF & S (brown print, centre)

The Corps of Commissionaires was founded in 1859 to provide work for ex service men. The Corps of Commissionaires is a Security Company and is currently trading as 'Corps Security'. The Company specialises in providing corporate security.This hat badge, buttons and ribbons are the originals of someone who was employed by the Corps of Commissionaires.These items include a hat badge, uniform buttons, 2 x ribbons (colour light blue, dark blue and red) with rosettes. The two rosettes indicate 25 years service.Around to centre of the hat badge and the buttons 'Corps of Commissionaires Victoria'.commissionaires, ex serviceman