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Supreme Court of Victoria LibraryPortrait, Robert Dowling, Sir Redmond Barry, 1886
This painting was created by Robert Dowling (1827-1886) in 1885. At this time Dowling was considered Australia's best portraitist. Dowling had been born in England, but migrated to Van Diemen's Land in the early 1830s with his parents. Dowling worked in both Tasmania and Victoria as an artist, before returning to England in 1857. He did not return to Australia until 1884 and received eighteen commissions for portraits. The Barry portrait was commissioned after Barry's death which explains some of the mistakes in the depiction of Barry's robes; the fur cuffs and collar are too large, and the cummerbund is sitting in the wrong place. Sir Redmond Barry is an important figure in Colonial Victorian History, responsible for the establishment and support of some of our finest cultural institutions (the University of Melbourne, the State Library of Victoria, the Supreme Court Library, and aspects of the Museum of Victoria's collection). This is in addition to his role as barrister defending aborigines in the 1840s and his position as a foundation judge of the Supreme Court of Victoria, a position he held for nearly 30 years, presiding over two of the most well known of colonial trials: the Eureka Trials in 1854 and the Kelly trial in 1880.The portrait of Sir Redmond Barry is significant because of the historical importance of Redmond Barry in colonial Victorian history. The painting is also of aesthetic significance as the work of the distinguished portraitist Robert Dowling. Portrait in oils of Sir Redmond Barry. Barry is depicted standing, dressed in red Judicial robes, his hand resting on a chair; behind is a table with books.Signed and dated 1886 (lower left) by Robert Dowling.redmond barry, portraits, judges, robert dowling -
Chiltern Athenaeum TrustBook, Hutchinson & Co LTD, The Golden Plague, c1930
Wilfred Clarence Busse was born in Chiltern, Victoria in 1898. His family moved to the region during the gold rush and continued to resided in the area, purchasing land adjacent the Murray River. Busse completed his secondary education at Wesley College in Melbourne then studied law at the University of Melbourne. Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen (1859-1933) a judge of the Supreme Court of Victoria. Busse was also an avid fictional writer and in 1930 he published two novels "The Blue Beyond; A Romance of the Early Days in South Eastern Australia” and "The Golden Plague: A Romance of the Early Fifties." "The Golden Plague” won the T. E. Role gold medal for the best historical novel which went on to become a best seller. Busse often drew inspiration for his novels from his younger years living Chiltern. His passion for the region lead him to write “The History of Chiltern” which was published in a serial form in the Chiltern Federal Standard from 1922-1923. Wilfred Clarence Busse was a member of Chiltern Athenaeum upon his death in 1960. This book is of considerable importance to Chiltern Athenaeum as it was written by Wilfred Clarence Busse, a barrister and author born in Chiltern. Busse drew inspiration to write novels from his life growing up in Chiltern which is apparent in "The Golden Plague: A Romance of the Early Fifties." Small book in a solid orange hardback with text written in gold on top front and spine. There are 287 pagesFront cover: Wilfred C. Busse / The Golden Plague / Title page: The Golden Plague / A Romance of the roaring fifties / By Wilfred C. Busse / Hutchinson & Co (Publishers), LTD. / Paternoster Row, London, EC4 / wilfred clarence busse, busse, chiltern, chiltern athenaeum, federal standard, t. e. role, "the blue beyond, a romance of the early days in south eastern australia”, "the golden plague: a romance of the early fifties.", "the golden plague”, wesley college, university of melbourne, sir leo finn bernard cussen, supreme court of victoria, gold rush, murray river, “the history of chiltern” -
Chiltern Athenaeum TrustBook - Book by W.C. Busse, Wilfred C. Busse, The Blue Beyond, c1928
Wilfred Clarence Busse 1898-1960, born in Chiltern, was a barrister and author. His family moved to the region during the gold rush and continued to reside in the area, purchasing land adjacent the Murray River. Busse attended school at Wesley College and studied law at the University of Melbourne. Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen (1859-1933) a judge of the Supreme Court of Victoria. Time spent on a Victorian station in his early twenties, as well as careful documentary research, informed the writing of his historical novels of bush life. "The Blue Beyond; A Romance of the Early Days in South Eastern Australia" was written in 1928 and published in 1930. "The Golden Plague: A Romance of the Early Fifties", written in 1930, won the T. E. Role gold medal for the best historical novel published that year and went on to become a best seller. His passion for the region led him to write “The History of Chiltern”, which was published in a serial form in the Chiltern Federal Standard from 1922-1923. He was a member of the Chiltern Athenaeum upon his death in 1960.This book is of considerable importance to Chiltern Athenaeum as it was written by Wilfred Clarence Busse, a barrister and author born in Chiltern. Busse drew inspiration to write novels from his life growing up in Chiltern which is apparent in "The Blue Beyond; A Romance of the Early Days in South Eastern Australia".A small sized book in blue hardback binding, with the title and the author`s name in dark blue fonts at the top of the front cover. There are 288 pages. Front cover: The Blue Beyond/Wilfred C. Busse/ Title page: The Blue Beyond/A Romance of the Early Days in South-Eastern Australia/by Wilfred C. Busse/ Hutchinson & Co (Publishers), LTD. /34-36 Paternoster Row, EC4 / wilfred clarence busse, chiltern, barrister, author, wesley college, university of melbourne, supreme court of victoria, leo finn bernard cussen, historical novels, bush life, the golden plague, the blue beyond, the history of chiltern, chiltern athenaeum, gold rush, murray river, chambers, 1928, 1930, chiltern federal standard, t. e. role gold medal -
Chiltern Athenaeum TrustDocument - Memorial Card from W.C.Busse Collection, c1897
Wilfred Clarence Busse was born in Chiltern, Victoria in 1898. Busse attended secondary school at Wesley College before graduating and studying law at the University of Melbourne. After graduating from University, Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen a judge of the Supreme Court of Victoria. Busse was also a fictional writer seen by his novels "The Blue Beyond; A Romance of the Early Days in South Eastern Australia" was written in 1928 and published in 1930 and "The Golden Plague: A Romance of the Early Fifties" written in 1930. "The Golden Plague: A Romance of the Early Fifties" won the T.E.Role gold medal for the best historical novel published that year and went on to become a best seller. Busse wrote a series of articles for "The Federal Standard" newspaper in Chiltern, about the history of Chiltern. Wilfred Clarence Busse was a member of the Chiltern Athenaeum upon his death in 1960. Frederick Busse was born Henry Louis Friedrich in 1827, in Salzgitter Germany. He is the grandfather of Wilfred Busse. Upon his death, he was survived by his sons Reinhold and William and his wife Wilhelmina. This memorial card is important to Chiltern Athenaeum as it is of a resident who spent many years in the region before being buried in a cemetery in Indigo Shire. It is also important as it is a familial extension of Wilfred Clarence Busse who was born and raised in Chiltern and drew inspiration for his novels from his life in Chiltern. A brown rectangular card with golden boarders and writing memorialising Frederick Busse. There is an angel in the top left corner and bible verses in the top right corner and at the bottom. Obverse: The Lord/ Gave/ And the/ Lord hath/ Taken away/ Blessed be/ the name of/ the Lord In/ Loving Remembrance/ Of/ Our Dear Father/ Frederick Busse/ A colonist of 43 Years/ Died September 3 1897, Aged 70 Years/ Tis hard to break the tender cord;/ When love has bound the heart;/ Tis hard, so hard to speak the words:/ We for a time must part./ Dearest loved one, we have laid thee/ In the peaceful grave’s embrace,/ But thy memory will be cherished/ Till we see they heavenly face/ DEEPLY REGRETTED/ The Art Engraving Company (unknown) Street Melbourne wilfred clarence busse, chiltern, chiltern athenaeum, busse, law student, barrister, fictional writer, "the golden plague: a romance of the early fifties.", "the blue beyond, a romance of the early days in south eastern australia", t.e.role gold meda, the federal standard, indigo shire -
Chiltern Athenaeum TrustDocument - Sympathy Card from W.C.Busse Collection
Wilfred Clarence Busse was born in Chiltern, Victoria in 1898. Busse attended secondary school at Wesley College before graduating and studying law at the University of Melbourne. After graduating from University, Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen a judge of the Supreme Court of Victoria. Busse was also a fictional writer seen by his novels "The Blue Beyond; A Romance of the Early Days in South Eastern Australia" was written in 1928 and published in 1930 and "The Golden Plague: A Romance of the Early Fifties" written in 1930. "The Golden Plague: A Romance of the Early Fifties" won the T.E.Role gold medal for the best historical novel published that year and went on to become a best seller. Busse wrote a series of articles for "The Federal Standard" newspaper in Chiltern, about the history of Chiltern. Wilfred Clarence Busse was a member of the Chiltern Athenaeum upon his death in 1960. Clara Jane Busse was born in 1870 and was married to William Friedrich Busse. She was the mother of Wilfred Clarence Busse. She survived her son Wilfred by 8 years and died on the 15th of September 1968This memorial card is important to Chiltern Athenaeum as it is of a resident who spent many years in the region before being buried in a cemetery in Indigo Shire. It is also important as it is a familial extension of Wilfred Clarence Busse who was born and raised in Chiltern and drew inspiration for his novels from his life in Chiltern.Off white rectangular card with black cursive writing printed Obverse: Clara Jane Busse/ Passed away at Chiltern/ September, 23rd 1968/ Aged 98 years/ At rest/ Miss Claire Busse and/ Mrs Doreen Martin/ Wish to thank you sincerely for/ Your kind expressions of sympathy/ In their recent sad bereavement/ Reverse: With sincere thanks/ “Roseville”/ Main Street/ Chiltern wilfred clarence busse, chiltern, chiltern athenaeum, busse, "the golden plague: a romance of the early fifties., "the blue beyond, a romance of the early days in south eastern australia", clara jane busse, claire busse, doreen martin -
Chiltern Athenaeum TrustPhotograph - Framed Photograph, Unknown
Wilfred Clarence Busse was born in Chiltern, Victoria in 1898. His family moved to the region during the gold rush and continued to resided in the area, purchasing land adjacent the Murray River. Busse completed his secondary education at Wesley College in Melbourne then studied law at the University of Melbourne. Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen (1859-1933) a judge of the Supreme Court of Victoria. Busse was also an avid fictional writer and in 1930 he published two novels "The Blue Beyond; A Romance of the Early Days in South Eastern Australia” and "The Golden Plague: A Romance of the Early Fifties." "The Golden Plague” won the T. E. Role gold medal for the best historical novel which went on to become a best seller. Busse often drew inspiration for his novels from his younger years living Chiltern. His passion for the region lead him to write “The History of Chiltern” which was published in a serial form in the Chiltern Federal Standard from 1922-1923. Wilfred Clarence Busse was a member of Chiltern Athenaeum upon his death in 1960This photograph is of considerable importance to Chiltern Athenaeum as it was written by Wilfred Clarence Busse, a barrister and author born in Chiltern. Busse drew inspiration to write novels from his life growing up in Chiltern which is apparent in "The Golden Plague: A Romance of the Early Fifties."Sepia rectangular photograph printed on matte photographic paper mounted on board placed within a silver frame.photograph, indigo shire, chiltern athenaeum museum, framed photograph, wilfred clarence busse, busse, chiltern athenaeum, "the blue beyond, a romance of the early days in south eastern australia”, "the golden plague: a romance of the early fifties.", “the history of chiltern” -
National Wool MuseumWork on paper - Women's Official Occasions Uniform Design Drawings, Wendy Powitt, c. 1992
A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Official Occasions Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The Official Uniform was used for both travel and official functions. This included a tailored blazer and trouser/skirt set (all water repellent) by Fletcher Jones in pure olive green faille fabric by Foster Valley, a cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, a printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy.8116.1 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a green skirt and green woollen vest over a yellow button up shirt with printed neck tie. Three smaller drawings on the left side of the page show the details of the vest, necktie and shirt. 8116.2 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a black skirt and printed scoop neck, button up blouse, cinched at the waist with a black belt. Around the central drawing are smaller drawings showing the details of the skirt, belt and shoes. 8116.3 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a black skirt and black blazer with detailed striping across the right front and right arm. There is a small detailed drawing of the blazer to the right of the main figure which includes the design of a scarf. 8116.4 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a green skirt, a yellow printed, sleeveless shirt, yellow gloves, along with a matching headband and scarf.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
National Wool MuseumWork on paper - Men's Official Occasions Uniform Design Drawings, Wendy Powitt, c. 1992
A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Men's Official Occasions Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The Official Uniform was used for both travel and official functions. This included a tailored blazer and trouser/skirt set (all water repellent) by Fletcher Jones in pure olive green faille fabric by Foster Valley, a cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, a printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy.8117 .1 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occasions Uniform. The main drawing shows the design for black suit pants and blazer, a yellow shirt with a white collar and a floral printed tie. Two detail drawings appear at the top of the page depicting the Australian emblem in detail as well as the suit jacket and shirt. 8117.2 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occasions Uniform. The main drawing shows the design for a pair of black trousers, a yellow button up shirt with a white collar and cuffs and a floral printed tie. Around the main image are three smaller drawings depicting the detail of the trousers, belt clasp and black shoes. 8117.3 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occasions Uniform. The main drawing shows the design for a pair of trousers, a green knit, button up vest, a yellow shirt with a white collar and cuffs and a floral printed tie. On this design there is also a small swatch of yellow fabric attached as well as a small detail drawing of the knit vest behind the right shoulder of the man depicted. 8117.4 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occasions Uniform. The main drawing shows the design for a pair of trousers, a yellow button up shirt and a printed striped tie. 8117.5 - unnumbered - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occassions Uniform. The main drawing shows the design for black suit pants and blazer, a yellow shirt with a white collar and a floral printed tie. Two detail drawings appear at the top of the page depicting the Australian Emblem set on top of stripes in detail as well as the suit jacket and shirt. 8117.6 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occassions Uniform. The main drawing shows the design for black shorts and floral button up shirt, belt, lace up shoes with socks and pocket detail.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
National Wool MuseumWork on paper - Officials' Uniform Design Drawings, Wendy Powitt, c. 1992
A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The Official Uniform was used for both travel and official functions. This included a tailored blazer and trouser/skirt set (all water repellent) by Fletcher Jones in pure olive green faille fabric by Foster Valley, a cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, a printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy.8122.1 - A laminated A3 sketchbook page depicting a design for the Men's 1992 Barcelona Olympics Australian Official's Uniform. The main drawing shows the design for blue suit pants and blazer with six gold buttons, a yellow shirt and a red, green, yellow and cream striped tie. To the left of the main image are four smaller detail drawings of the belt buckle, gold bottons, blazer and shoes. 8122.2 - A laminated A3 sketchbook page depicting a design for the Women's 1992 Barcelona Olympics Australian Official's Uniform. The main drawing shows the design for a blue elbow length, square necked blazer with gold buttons on both the front of the jacket and sleeves paired with a blue pencil skirt and a red, green, yellow and cream shirt. To the right of the main drawing are four smaller detail drawings showing the pattern for a scarf, the striped shirt, the blazer and the shoes. 1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
Surrey Hills Historical Society CollectionDigital photo, George L Coop, Redex trial on Whitehorse Road, Mont Albert, 1953, 1953
The Redex Reliability Trial 1953 -The first Redex round-Australia reliability trial covered of 6,500 miles (10,500 km), and had a first prize of £1,000. It attracted both amateur and professional drivers in a variety of cars. The route passed through Brisbane, Rockhampton, Townsville, Darwin, Alice Springs, Adelaide and Melbourne before returning to Sydney and attracted much public interest. At the time the idea of driving huge distances around the country in ordinary cars was novel and the logistics were challenging. In many parts of the country there simply wasn’t adequate accommodation or suitably located refuelling stops. The Shell Company facilitated the race by placing petrol dumps along the 5000 km route between Townsville and Adelaide. The race began at the Sydney Showground on 30 August when 192 cars left at three-minute intervals. Of the twenty top finalists, two thirds were sponsored. Ken Tubman and John Marshall won the trial in a Peugeot 203. However the Peugeot in this photo does not appear to be their car, judging by official photos of them with their vehicle, taken at the end of the trial. The Peugeot 203 was a popular car at the time and its reputation was enhanced after winning the trial. A black & white photo taken in Whitehorse Road, Mont Albert during the 1953 Redex Trial as a Peugeot 203 is passing 688 Whitehorse Road on the extreme left. The Peugeot 203 appears to have advertising on its panels indicating it was a competitor in the trial. On the far side of the road is a Morris Minor with a hatted man sitting on the bonnet, a woman standing close by and another man taking a photo of the passing cars. The houses in the background are partly obcsured by large hedges.george coop, mont albert, morris minor, redex trail, whitehorse road, peugeot 203 -
Chiltern Athenaeum TrustPhotograph - Framed Photograph from W.C.Busse Collection
This is a photograph from the W.C. Busse Collection and a woman is illustrated with a bun hair tie and a pearl necklace. Wilfred Clarence Busse 1898-1960, born in Chiltern, was a barrister and author. His family moved to the region during the gold rush and continued to reside in the area, purchasing land adjacent the Murray River. Busse attended school at Wesley College and studied law at the University of Melbourne. Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen (1859-1933) a judge of the Supreme Court of Victoria. Time spent on a Victorian station in his early twenties, as well as careful documentary research, informed the writing of his historical novels of bush life. "The Blue Beyond; A Romance of the Early Days in South Eastern Australia" was written in 1928 and published in 1930. "The Golden Plague: A Romance of the Early Fifties", written in 1930, won the T. E. Role gold medal for the best historical novel published that year and went on to become a best seller. His passion for the region led him to write “The History of Chiltern”, which was published in a serial form in the Chiltern Federal Standard from 1922-1923. He was a member of the Chiltern Athenaeum upon his death in 1960. The photograph belongs to the W.C. Busse Collection, which is of great importance to Chiltern Athenaeum. Wilfred Clarence Busse was a barrister and author born in Chiltern and drew inspiration to write novels from his life growing up in Chiltern.Black and white framed photograph printed on paper and wooden frame.w.c. busse collection, wilfred clarence busse, chiltern, barrister, author, murray river, wesley college, university of melbourne, chambers, leo finn bernard cussen, judge, supreme court of victoria, historical novels, bush life, the blue beyond, the golden plague, t. e. role gold medal, the history of chiltern, chiltern federal standard, chiltern athenaeum -
Chiltern Athenaeum TrustPhotograph - Framed Photograph from W.C.Busse Collection
This is a photograph from the W.C. Busse Collection and an elderly woman is illustrated sitting on a couch. Wilfred Clarence Busse 1898-1960, born in Chiltern, was a barrister and author. His family moved to the region during the gold rush and continued to reside in the area, purchasing land adjacent the Murray River. Busse attended school at Wesley College and studied law at the University of Melbourne. Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen (1859-1933) a judge of the Supreme Court of Victoria. Time spent on a Victorian station in his early twenties, as well as careful documentary research, informed the writing of his historical novels of bush life. "The Blue Beyond; A Romance of the Early Days in South Eastern Australia" was written in 1928 and published in 1930. "The Golden Plague: A Romance of the Early Fifties", written in 1930, won the T. E. Role gold medal for the best historical novel published that year and went on to become a best seller. His passion for the region led him to write “The History of Chiltern”, which was published in a serial form in the Chiltern Federal Standard from 1922-1923. He was a member of the Chiltern Athenaeum upon his death in 1960.The photograph belongs to the W.C. Busse Collection, which is of great importance to Chiltern Athenaeum. Wilfred Clarence Busse was a barrister and author born in Chiltern and drew inspiration to write novels from his life growing up in Chiltern.Black and white framed photograph printed on paper.Obverse: 1,018/w.c. busse collection, wesley college, leo finn bernard cussen, supreme court of victoria, wilfred clarence busse, chiltern, murray river, barrister, author, bush life, the blue beyond, the golden plague, t. e. role gold medal, the history of chiltern, chiltern federal standard, chiltern athenaeum, historical novels, university of melbourne, gold rush, best seller -
Ringwood and District Historical SocietyPlastic Container, Ringwood Garden Club Inc - Tub of Artefacts and Documents to be catalogued
RINGWOOD GARDEN CLUB INC. The following is a list of items that are stored at the RDHS Archive site, from the Ringwood Garden Club. This box of items does not include all the archival items from the Club, the Minutes will be kept at the home of the Archive Officer. Medal: From the Royal Horticultural Society of Victoria. Won at Box Hill show, in 1978. Badge: An early Ringwood Horticultural & Agricultural Society badge. Old Photograph: “Judging the Fruit Exhibits”, circa 1908. Certificate: 3rd. Prize at the 2009 Hanging Basket Competition, from the R.H.S.V. Shield: From the National Dahlia Society of Victoria, Annual Inter Society Championship In 1975. Won by the then: Ringwood & District Horticultural Garden Club. Tray: The Bill McDowell Perpetual Trophy for Amateur Cut Flowers: winners from 1973 to 1987. Old Photograph: From the Royal Agricultural Society of Victoria, awarded at the Royal Melbourne Show in 1947, First Prize, Ringwood. Certificate: From the Melbourne City Council: Festival of Progress, held in 1951, to Commemorate the Centenary of Victorian Government. Certificate of Merit: from past winners at shows. (5) Certificates: 2 unused Certificates of Merit, 1 unused Champion certificate. Garden Competition Certificates: from 1959 to 1981. Poster: Early Autumn Show poster displayed in shop Windows. Hortico Prize Certificates: 2 unused, $10.00 & $5.00 value. Tape Recording: Recorded history of the Ringwood Garden Club, talk given by the late Hugh McCall on 23/9/1996, Club’s centenary. Prize Cards: 41 First Prize” cards from Mrs. D. Holloway & 27 “Second Prize” cards, from 1956 to 1960. Prize Cards: 2 First Prize & 1 Second Prize card from Mrs. Holloway at the 1st. Heathmont Boy Scouts in 1958. Prize Cards: 4 Prize Cards from the Upwey & District Garden Club. 3 lsts., 12nd. Prize Card: from the Boronia & District H & A. Society: 1st. Prize, (no other information) Prize Card: from the R.H.S.V.: Second Prize for 1 Vase of Daffodils, Mr W Rosel. Prize Card: from the Dandenong Ranges Floral Festival, Easter Show, First Prize, Mrs Holloway in April, 1957 plus a Second Prize, same year. Prize Card: from the Mitcham Horticultural Society, Autumn Show, Mrs Holloway, 1 Bowl of Floating Flowers in 1958. Laminated Certificates: from the Great Victorian Hanging Basket Competition by the R.H.S.V. (no years mentioned) Club Syllabus: from 1980 to 2015. Photographs: from winners at our shows and judges at those shows. Ribbons: Ringwood Horticultural Society, 1962, Champion, Exhibit in Vegetables. Upwey & District Garden Club, 1977, Jubilee Carnival of Flowers. Ringwood garden Club, Vic. Large Dahlia Championships, 1983,6 Dahlias, D.V.’s. National Dahlia Soc. of Vic., Autumn Show, 1975, Inter-Societies Championship. Upwey & District Garden Club, 1980 Carnival of Flowers, Mountain Dist. Cham’s. “ “ “ “ , Spring Show, 1973. “ “ “ “ , Carnival of Flowers, 1984, Inter Society Exhibit. “ “ “ “ , “ “ “ , 1982. Best Exhibit. Healesville Garden Club: Autumn Show, Best Exhibit, Cut Flower Section. Ringwood Garden Club, Autumn Show, 1964, Best Exhibit in Vegetables. Upwey & District Garden Club, 1974 Carnival of Flowers. Ringwood Garden Club, Spring 1986, Best Exhibit in Junior Cookery. Ringwood & District Hort. & Graden Club, Autumn Show, 1974, Best Floral Art. Ringwood garden Club, Autumn 1989, Ringwood Amateur Dahlia Championship, Ringwood Horticultural Society, Autumn Show, 1963, Best Exhibit in Vegetables. Ringwood H & A Society: Autumn Show, 1957, Best Exhibit Floral Art. Ringwood & District Horticultural & Garden Club, Spring Show, 1973, Best Floral Art Exhibit. Upwey & District Garden Club, Carnival of Flowers, 1985. Mountain District Championships, Inter-Society Exhibit. Yarra Glen A. & H. Society Inc. Annual Show: small blue sash-style ribbon. Small Ribbons: from Victoria 150, a second (red) & 3rd. (green) Felt Badges: 1 green for Secretary: 1 blue for Judge. Rosette: 3rd. Prize at the Hanging Basket Competition in 2009. Blue Folder: contains photographs, prize cards, certificates, awards, etc. Albums: 4 photo, albums of garden shows, floral art, Spring Celebration photos and Newspaper articles. * All items placed in the container were placed there on 2nd. September, 2019. -
Ballarat Tramway Museum
Administrative record, T. Anderson Robertson and County Court, "Nankervis vs The Ballaarat Tramway Company Limited.", 1901
Copy of "Plaint Summons No. 39" lodged at the County Court, Ballarat May 1901, titled "Nankervis vs The Ballaarat Tramway Company Limited." Cost claimed was L100 (100 Pounds). Comprises: 1. Cover sheet, on pre printed form, filled out in light black ink and with pencil notations giving a sum of L28/9/6 and L30/0/0 (settlement figure?). Pinned with a brass clip to the cover sheet, which is in poor condition at edges is a handwritten sheet giving particulars of the demand and other details. 2. Copy of Interrogatories for the demands - three sheets of typed paper, pinned together to a typed cover sheet with a brass clip. Dated 15/4/1901 and signed by the W.E. Johnston, Deputy Judge. 3. Copy of handwritten statement by a person (a doctor?) who called on Mrs. Nankervis to assess her condition and circumstances - dated 28/3/1901. 4. Copy of handwritten letter from T. Anderson Robertson (Barrister and Solicitor) of Lydiard St. Ballarat, dated 27/2/1901 to the Chairman and Directors of the Ballarat Tramway Co. Ltd. advising them of the accident and seeking compensation. 5. Letter as for item 4, but dated 18/3/1901 detailing the accident and seeking L50. (50 pounds) settlement. - three separate sheets - handwritten letter. In the cataloguing sheet is an e-mail from Alan Bradley outlining how the documents were obtained. Care in handling paperwork required due to damage. trams, tramways, legal summons, horse trams, nankervis, accidents -
Orbost & District Historical Societyblack and white photograph, 1930 - 1940
This photograph shows three generations of the Russell family in Orbost. On the left is John Russell with his son Bill Russell and his wife Ede and their son Ian. John Russell Senior was a blacksmith, wheelwright, farmer and chairman of the Orbost Butter Factory, makers of Sunny South Butter (today part of Murray Goulburn Co Ltd). Bill was born at Orbost in 1893, the youngest son of John and Elizabeth Maud (nee Clarke). Upon his father’s retirement he took over the homestead part of the holding, 1,000 acres of river flats and hill land. He was involved in dairying and was also a successful beef cattle breeder and maize grower. He was elected to the Orbost Shire Council in 1929 and shortly afterwards was President for 18 months (from May 1930 to August 1931). He served a further term as President in 1934-35. He represented the South riding. He was chairman of the Bean Board and a well-known horse and show judge and a member of the Royal Agricultural Society. He was an elocutionist of some note and a member of the committee of management of the Orbost Hospital. He was also a prominent member and Past Master of the Masonic Lodge and a Justice of the Peace. He served as president of the Orbost Golf Club and assisted with the preparation and layout of the present Orbost Golf course. This item is associated with the Russell family, early settlers in the Orbost district.A black / white photograph of a family. A lady is in the middle with a man on each side and a young boy in front. They are standing outside a house in the garden.on back - "3 generations, Johnny Russell, Ede & Bill Russell & Ian Russell"russell-family-orbost -
Sunbury Family History and Heritage Society Inc.Photograph, Horse Racing, c1900 - 1910
The people in the photograph were enjoying a day out at a Sunbury race meeting some time in the early 1900s. Races at Sunbury began in 1886 with the establishment of the Sunbury Racecourse that was located along Racecourse Road on a section of the Rupertswood Estate on land consisting of six furlongs and two straights. The site included a patron’s stand, saddling paddock, bookmakers’ enclosure, two bars, a committee room, judges box, stables, toilets, six entrance gates and ticket boxes. Special trains from Melbourne brought patrons and horses to the Sunbury race meetings. A report in the Melbourne Argus newspaper in 1922, stated that city taxi drivers came out to Sunbury to drive patrons to the racecourse, which was located about 3 kms from the Sunbury station. Some time however, between 1886 and 1901, there was a period when the racing club had been inactive. A meeting was called in 1901 to restore the club’s activities. With a substantial loan from Mr. Clarke the committee was able to organise the installation of a turnstile, perimeter fencing and irrigation of the course by a windmill that pumped water from a recently constructed dam that was on the estate. The club continued to function until 1942, during World War 2, and did not resume activities after the end of the war. The land was eventually sold for housing development. The Sunbury Race meetings were popular with the racing fraternity not only in the district but further afield and were deemed sufficiently important to run special trains from Melbourne to Sunbury on Race days.A non-digital sepia photograph with a strong cardboard backing of a crowd of people dressed smartly for a day out at the races. Most of the spectators are seated in a long marquee. Three men on the RHS are looking at a horse that is lying on the ground.On the back of the card there are scribbled notes and numbers which seem to indicate the photograph has been used for a publication at some time.sunbury race meetings, sunbury race course, racecourse road -
Kew Historical Society Inc
Archive (series) - Subject File, Authors (Kew), 1958
Various PartiesReference, Research, InformationKHS OrderReference file containing Sundry information about authors (poets, novelists, playwrights, historians, politicians, journalists) who were born, educated, lived or died in Kew, initially compiled by Society member Elizabeth Mackie who had previously researched the artists of Kew. Since the file was created, various items including correspondence and newspaper articles/cuttings have been added. Some information relates to organisations rather than individuals, such as that Kew was once the headquarters of the Fellowship of Australian Writers (1/317 Barkers Road). Within the file there is correspondence and curriculum vitae supplied by: Allan Aldous, Lillian Wood, Michele Nayman (1981), Yetta Rothberg (1981), Judith Rodriguez (1981), Rev Dr Arthur de Quetteville Robin (1982). The File also includes a photocopy of a letter supplied by Prof A D Hope (1981) relating to his memories of Kew. Authors mentioned in the file include: Allan Aldous, F G A Barnard, James Bonwick, Martin Boyd, Vincent Buckley, Sir Macfarlane Burnet, Anne M Carson, John Clements, Rita Erlich, Barbara Giles, Alison Goding, A D Hope, Wendy Jacobs, Lally Katz, Jill Manton, Philip Martin, James McAuley, Pauline McKinnon, Philip Mendez, Marrion Miller, Michele Nayman, Brenda Niall, Mark O’Connor, Nettie Palmer, Vance Palmer, Rev Dr Arthur de Quetteville Robin, Judith Rodriguez, Myra Roper, Dorothy Rogers, Yetta Rothberg, Frederick Sinnett, John Stanley, Peter Steele, W D Vaughan, Gwen Walker, J M Walsh, Lillian Wood.authors - kew (vic)authors - kew (vic) -
Melton City LibrariesPhotograph, W.Whittington Wheelwright, Unknown
Blacksmith Shop High Street Melton Residence and Blacksmith Shop was continuously occupied from 1860 and demolished in 1966. Mr A.G. Macdonald operated the shop from 1923-1962 (39 years) An early photo exists of the Blacksmith Shop. It stood on what is now part of the landscaped area of the Melton Community Hall. The three blacksmiths wearing aprons are from the left, W. Whittington, G. Macdonald and A Falconer. MacDonald were employed by Whittington prior to each one in turn taking over the business, Falconer soon after selling the to MacDonald, died. He is buried in the Melton Cemetery. The old Smithy [on the right] stood in what is now 8 High Street Melton. The blacksmith and wheelwright was the forerunner of the modern motor mechanic, whose task it was and is, to keep the wheels of locomotion turning. According to the records there was a Blacksmith in Melton before 1850. In 1871, three blacksmiths, Messrs. A Blackwood, J MacPherson, and A Cameron were operating in Melton. In 1872 Mr. J.B. Whittington commenced as a blacksmith in Toolern Vale. On January 30th 1900, Mr Alexander Blackwood sold the property shown in the picture to J.B. Whittington where his son William Whittington conducted the business. William’s three children attended Melton State School No 340 The family left the district in 1921 when they moved to Essendon. Mr William Whittington died in 1963 at the age of 94. The next owner of the business, for a short period, was Mr. Ackland Falconer, who was succeeded by Mr A.G. Gordon MacDonald, in September 1923. Mr MacDonald raised a family of three. Thirty nine years later, in 1962, he retired, going to live with his son Robert in Sunshine, and the blacksmith shop finally closed its doors. This part of Melton’s history was demolished in by order of the Housing Commission, in 1966. Article research by Melton and District Historical Society Members. note: spelling should be Macdonald. History of the Melton Mechanics Institute. Mabel Rogers 1985 A.G. Macdonald Secretary 1927 – 1956 page 17. Committee member for 41 years. He also held the position of caretaker Blacksmith Shop, High Street Melton. The three blacksmiths wearing aprons are from the left, W. Whittington, G. Macdonald and A Falconer. local identities -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Ceremonial object - Clothing, 'Jabot' style collar and cuffs Moorabbin City Council Mayoral Robes, c1960
In clothing, a collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck and may be permanently attached to the main body of the garment (e.g. by stitching) or detachable. Today's shirt collars descend from the ruffle created by the drawstring at the neck of the medieval chemise, through the Elizabethan ruff and its successors, the whisk collar and falling band. Separate collars exist alongside attached collars since the mid-16th century, usually to allow starching and other fine finishing. Jabots made of lace and hanging loose from the neck were an essential component of upper class, male fashion in the baroque period. During the Edwardian period, and sporadically thereafter, ornamental collars were worn as a form of jewellery. Names for specific styles of collars vary with the vagaries of fashion. Jabots survive in the present days as components of various official costumes, as are those worn by judges and counsel throughout Australian courts and town mayors. 2018 Kingston City Council Mayor Steve Staikos asked CMHS to loan the Former Moorabbin Mayoral Robes and Jabot for display at KCC Office Cheltenham. These Moorabbin Mayoral Robe with Jabot are now displayed along with those of the former City of Chelsea Robe and the former City of Mordialloc Robe at Cheltenham . KCC possesses the original Mayoral Chains of each former Council and they are displayed on each Robe for the annual Opening Meeting of KCC in February. This set of a 'Jabot' style collar and cuffs was part of the ceremonial Mayoral Robes c1960- 94 for the City of Moorabbin 1934-94. This is the last City of Moorabbin Mayoral Robe and was worn by Mayor Ron Brownlees, (prior to amalgamation with the City of Glen Eira and City of Kingston in 1994), and donated to the City of Moorabbin Historical Society in February 2007 by the City of Kingston. The City of Moorabbin developed from the Moorabbin Roads Board of 1862, becoming The Shire of Moorabbin in 1871 and the City of Moorabbin in 1934. November 2018 At the request of the Mayor Cr Steve Staikos this Jabot Collar and Cuffs is now on display with the Mayoral Robes at Kingston City Council Offices Nepean Highway Cheltenham . A detachable , white, nylon, 'Jabot' style, standing collar with a pleated, ruffled, and lace-trimmed frill down the front and 2 matching cuffs that was part of the City of Moorabbin Mayoral Robes c1960 - 94 It has a tear in corner. clothing, collars, ornamental collars, civic robes, mayoral robes, moorabbin, cheltenham, bentleigh, lacework, dressmaking, fashion, formal wear, city of moorabbin. moorabbin shire, moorabbin roads board, brownlees ron, city of glen eira, city of ikngston -
Federation University Historical CollectionUnknown - Object, Allan Mine Cage Safety Brake, c1873, c1873
A mining safety cage was used in a mine lift. It was fitted with mechanisms to prevent the cage from dropping if the lifting rope broke. In the 1870s in Victoria, deaths and injuries from falling cages in vertical shafts of gold mines were a major problem. The inventor of this safety cage was Robert Allan, a machinery maker of Creswick Rd, Ballarat. He said his cage featured a ‘dissolving’ fulcrum. Others called it an eccentric (off centre) system. Note the pair of clutch levers designed to grab the side guides if tension ceases in the suspending rope from the poppet head pulley. Also, the hinged ‘lids’; designed to protect miners trapped in a braked cage from falling rope, and to enable rescue of the miners. This model was presented to The Ballarat School of Mines Council in November 1876. This model was shown at the Smeaton Show in November 1874, Ballarat School of Mines Museum from 1876, and examined by the 1879 Victorian Board of Inquiry (Pg 15 of FedUni Catalogue 3437) From the Argus of 13 November 1874: At Smeaton Show, Robert Allan of Ballarat won 1st prize for a Model of a Mining Cage, a Butter working machine, a Cheese press and a Curd Mill. By 1878 an Allan Safety-Cage was in operation in the Number 6 shaft of the Band and Albion Consols mine in Ballarat. This cage was judged the best inspected by the Victorian Board of Inquiry by 1879, p. 39.Mining was a big industry in Ballarat in the late 1800s and a lot of deaths were recorded because of mining accidents, the development of the mining safety cage brake limited the deaths and injuries from falling cages in vertical shafts. The model also has links to the Ballarat School of Mines, being presented to the council in 1876. Ballarat School of Mines is the oldest Technical School in Australia and is a predecessor of Federation University. The model is significant to Ballarat's mining history.Model of a mine safety cafe. A grey painted wooden frame with metal model of cage and safety brake system. When tension ceases in rope a pair of crutch levers grab strongly onto the wooden guide strips which run down the sides of a vertical shaft. This safety cage was discussed in "Safety Mining Cages. Report of the Board of Enquiry on Safety Cages 1878-9; together with proceedings of the Board and Appendices".safety cage, mine cage safety brake, robert allan, model, safety cage model, machine maker, millwright, mining, gold mining, tools, equipment, victorian board of inquiry -
Chiltern Athenaeum TrustDomestic object - Spoon
This teaspoon is believed to belong to the household of Chiltern writer and historian, W.C. Busse. The teaspoon displays a level of tarnish indicating it may be comprised of silver or silver plate. It has no evident hallmark to determine its maker or date of manufacture, but may pre-date World War Two as mass production methods and the growing popularity of stainless steel in cutlery and other tablewares saw a reduced reliance on silver in such goods after this period. Wilfred Clarence Busse was born in Chiltern in 1898. He went to school at Wesley College in Melbourne, studied law at the University of Melbourne and became a barrister. Additionally, after spending time on a Victorian station in his early twenties, he wrote two historical novels about bush life. His first novel was 'The Blue Beyond: a Romance of the Early Days in South Eastern Australia', written in 1928 and published in 1930. Busse's second novel was titled 'The Golden Plague: A Romance of the Early Fifties'. The judges of the Henry Lawson Society's T.E. Rofe competition to advance Australian literature unanimously awarded it the Gold Medal in 1931 for the best historical novel of 1930. Newspaper articles about the award mention the writer's meticulous documentary and oral history research regarding life on the Gold Fields in the 1850s. It became a best-seller. Busse also wrote a series of articles about local history for "The Federal Standard" newspaper in Chiltern. He was a member of the Chiltern Athenaeum. He died in 1960. This spoon is significant for the detail it conveys of ordinary domestic life in the household of a significant Victorian writer with special reference to Chiltern and the surrounding region. Teaspoon with decorative pattern on handle and tarnished patina. w.c. busse, chiltern, wilfred clarence busse, chiltern athenaeum, gold fields, gold rush, gold mining, mining history, historical fiction, cutlery, tableware, silverware, spoons, henry lawson society, t.e. rofe, t.e. rofe gold medal, federal standard newspaper, 1930s, 1850s, barrister, north-east victoria, indigo shire -
Vision AustraliaAdministrative record - Text, Braille and Talking Book Library 93rd Annual Report 1894-1987: towards the nineties, 1987
Annual report of the Braille & Talking Book Library including Minutes of the AGM, Board of Director's Report, President's report and financial statements. Items also included are: CEP (Community Employment Programs) allowed for duplication of master tapes for storage off-site and development of computer catalogue records, budget estimate requires raising $600,000 in funds which has resulted in 1987 facing serious financial challenges, negotiations with RVIB broken down as print-handicapped philosophy not shared, Braille Book of the Year judges (Joyce Nicholson, Barrett Reid and Stephen Murray-Smith) shortlisted titles for readers to vote upon (John Bryson, Evil Angels) and best narrator (The Bathurst) went to Sean Myers, organisational restructure, resignation of Barbara Johnston and David Blyth, appointment of Jill Keeffe, new borrowers now waiting 11 months to receive first book due to limited staffing levels, bright orange cassette containers introduced (replacing pouches), Otari duplicating system first year in use, 'In Future' and 'Australian Geographic' began, 45 audio magazines including 1 Greek and 3 Italian now circulating, Braille Reading Marathon held, large print collection expanded due to Fitzroy Public Library discarding stock, Versapoint embosser purchased and link with Royal Society for the Blind in South Australia through Braille book catalogue.1 volume of text and illustrationsbraille and talking book library, annual report -
Working Heritage Crown Land CollectionAward - Royal Mint Building Award, JA Dodd Excellence in Construction
2002 Excellence in Construction AwardsFramed Award 2002 Excellence in Construction Awards, JA Dodd LTD, Excellence in Construction, (Existing Buildings) Under $2 million, Project: The Royal Mint Building, Architect: Robert Peck von Hartel Trethowan, Location: 280 William Street Melbourne, J A Dodd Ltd's refurbishment of the historic former Royal Mint Building delivered to the client's specification in retaining the features of this historic building, while at the same time providing modern office accommodation with state of the art facilities. New works have been defined by a modern style encompassing glass, stainless steel and flush surfaces, offering a stark departure from the ornate finishes of the original building. Traditional timber mouldings, tiles stonework and intricate paint methods have been used only where repairs to the existing building were required. The judges praised the superb job and made special mention of the exposed roof trusses. 38 master builder awards -
Warrnambool and District Historical Society Inc.Document - Minutes Books, Woollen Mills 1909- 1923 1933-1945, C 1909 C 1933-1945
The minutes book of the Warrnambool Woollen Mill are an important record of the beginnings of one of Warrnambool's major industries for close to one hundred years. They record the struggle in the early days of 1909 and 1910 to raise the capital. Also mentioned is the support which had been given by local people of small means who were prepared to back the enterprise while those with financial means had been rather more reserved. Apart from a Mr Vidler all the initial directors were initially working in an honorary capacity. They lamented the fact that local banks held half a million pounds on fixed interest so there was no shortage of money. The first directors were appointed in March 1909 : Jas. Worland, W H Philpott, G S Mackay, E H Price, S McDonald, J C Beeching, W Rogers ,J Marfell, J Deany, Jas Duirs, Jas. Ponting, H Jessen, S Nettleton, J Blain, J Gooden, Drs. Holmes, Henderson and Powell. Mr J E Bennett was secured as first manager of the mill in 1910 Over the ten year period of this book there is much discussion on possible returns and share prices as well as decisions relating to the operation of and production from the mill. Within four years they were using more yarn than they were producing. Electricity was connected around 1914 and by 1915 shareholders were receiving eight percent return on their investment and were also contributing to the first world War effort by supplying blankets. Assets continued to accumulate and building was also continued with sandstone being quarried from the site and rain water tanks and asphalt floors installed, all contributing to savings. By 1917 The Warrnambool Woollen Mill was considered to be one of the states best investments and it continued to prosper through the years. The second minutes book likewise records similar events and circumstances for the period 1933-1945. This like wise is an interesting period, covering the period of the second World War. In 1955 the Warrnambool Woollen Mill formed a partnership with the Wangaratta Woollen Mills. Dunlop bought the mill in 1968. From that time until its closure in 2000 it had a number of different owners, the last being the Smith Family Industries. These minutes books hold an important information regarding the establishment and early operation of one of Warrnambool's major industries. The mill itself has strong connection to the Warrnambool community and many of the names mentioned as directors and shareholders have held positions within the community as businessmen and city officials. These minutes add another dimension to their contribution to Warrnambool..1Navy blue hard card cover with cloth spine. White label glued to front cover.186 pages.There are handwritten entries in black ink which are interspersed with reports from newspaper. .2 Pale grey cloth cover on early Kalamazoo filing system 612 pages of typed minutes . .1There are dates from 1910 through to 1923. Minutes have been signed by chairman of directors, M Saltau.label on front cover has blue stamp, The Warrnambool Woollen Mill Company. hand written above in black ink "opened 24th March 1909." .2 dated from May 1933 to September 1945. Signatures include M Saltau, James Disckson and Fletcher Jones.warrnambool, warrnambool woollen mill, first minutes book warrnambool woollen mill, minutes book, warrnambool woollen mill 1909, minutes book warrnambool woollen mill 1945 -
Federation University Historical CollectionPhotograph, Ballarat Teachers' College, 1953
The Ballarat Teachers' College is a predecessor institution of Federation University Australia. This photograph is reproduced in the 1953 edition of 'Extra Muros', the annual magazine of the Ballarat Teachers' College. Group of first year student of the Ballarat Teachers' College in the grounds of Dana Street Primary School, where their College was located. Back Row: D. Henderson, R. Veal, J. Brasier, D. Nunn, Ken Johnson, G. Osborne, P. Brumby, Graeme Anson, R. Williams, R. Romanes. M. Brennan, M. Jeffey, A. Brown. 2nd Row: John Dixon, K. Ryan, L. Coad, P. Callahan, John Gilbert, H. McLachlan, S. Morgan, J. Campbell, G. Keller, Ian Webster, R. Bryant, J. Hullick, K. Rogers, K. Greenway, B. Thomas. 3rd Row: J. Cameron, M. Simpson, M. McNeil, H. Cornish, C. Brown, A. Mead, Margaret Bywaters, D. Wallish, T. Everett, B. Wallace, A. Flavell, Gwen Brereton, M. Gebbie, V. Rodber, R. Dudley. 4th Row: M. Harvey, M. Beeson, Pat Wilkinson, M. Stevenson, L. Place, M. Barker, J. Bray, Gl. Evans, Gw Evans, D. Vary, Janifer Rogerson, P. Grubb, J. van Leeuwan, D. Bautovich. 5th Row: J. Filcock, J. Watts, B. Peterson, J. McArdle, Helen Sadler, J. Plush, Bette Harvey, R. Rule, E. Leach, D. Carroll, A. unn, B. Laurissen, V. James, J. Higgins. 6th Row: J. Turton, T. Nicoll, J. Wiltshire, A. Bolster, L. Howard, M. Corbett, M. Mill, M. McKay, I. Paul, J. Phelan, P. Ross, J. Piper, W. Jones. Front Row: N. McPherson, G. Lougheed, B. Tonks, I. Work, L. Hall, R. Mason, E. Menadue, E. Mercovich, J. McMillan, P. Fogarty. ballarat teachers' college, d. henderson, r. veal, j. brasier, d. nunn, k. johnston, g. osborne, p. brumby, g. anson, r. williams, m. jeffey, a. brown., k. ryan, l. coad, p. callahan, j. gilbert, h. mclachlan, s. morgan, j. campbell, g. keller, i. webster, r. bryant, j. hullick, k. rogers, k. greenway, b. thomas., m. simpson, m. mcneil, h. cornish, c. brown, a. mead, m. bywaters, d. wallish, t. everett, b. wallace, a. flavell, g. brereton, m. gebbie, v. rodber, r. dudley., m. beeson, p. wilkinson, m. stevenson, l. place, m. barker, j. bray, gl. evans, gw evans, d. vary, janifer rogerson, p. grubb, j. van leeuwan, d. bautovich., 5th row: j. filcock, j. watts, b. peterson, j. mcardle, h. sadler, j. plush, b. harey, r. rule, e. leach, d. carroll, a. unn, b. laurissen, v. james, j. higgins., t. nicoll, j. wiltshire, a. bolster, l. howard, m. corbett, m. mill, m. mckay, i. paul, j. phelan, p. ross, j. piper, w. jones., g. lougheed, b. tonks, i. work, l. hall, r. mason, e. menadue, e. mercovich, j. mcmillan, p. fogarty., r. romanes, m. brennan, j. dixon, j. cameron, m. harvey, j. turton, n. mcpherson, ken johnson, graeme anson, john gilbert, ian webster, margaret bywaters, gwen brereton, 4th row: m. harvey, pat wilkinson, helen sadler, bette harvey, a. nunn, john dixon -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Containers, tin ‘Zam-Buk’ ointment, c1980
Charles Edward Fulford, Ltd Leeds, England. The company founded in Australia in 1897 produced patent medicines, manufacturing products including Bile Beans and Zam-Buk ointment. Charles concocted ‘Bile Beans for Biliousness’, supposedly from a secret native recipe discovered by an eminent scientist – all a myth! Phenomenal sales were achieved through door-to-door leafleting, free gifts, and blanket advertising in the popular press, featuring emotive personal stories of miraculous, life-changing cures, presented as news items. The Company was first established in the UK in 1899 after achieving success in Australia. Charles’ brother Frank Harris Fulford, and entrepreneur, came from Canada to Leeds in 1902 to manage the British division of Charles's manufacturing business, C. E. Fulford Limited The company had to face damaging adverse publicity in 1905 when the judge in a case over the Bile Beans name declared that the business was founded on ‘fraud, impudence and advertisement’. But it survived, indeed flourished, expanding internationally. His other ‘secret’ remedy, Zambuk ointment was claimed to soothe and heal every kind of skin condition, an essential standby for all good mothers and wives. Both products lasted into the 1980s, after various company take-overs; interestingly, Zambuk has recently been revived. 1906 Charles Fulford, only 36, died at his home in Australia, apparently from exhaustion. He left a fortune, including a huge bequest to Dr Barnardo’s charity for homeless boys in London. A small round tin with a lift off lid containing 'Zam-Buk' antiseptic ointmentLid : CONTAINS / NO LARD & NO OTHER / ANIMAL OIL OR FAT / Zam-Buk' / FOR / Cuts/ Bruises, Burns / ..........UNEQUALLED FOR SPORTSMEN / "RUB IT IN "/ AS AN / EMBROCATION. Base :DIRECTIONS ................/ HEALING, SOOTHING, ANTISEPTIC. Around Lid : Zam-Buk Made in Australia by C.E.FULFORD (Australasia) Ltd SYDNEY / Incorporated in England / CONTENTS 5/8 OZ.pharmacy, medicines, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, c.e.fulford pty ltd, ointments, zam-buk ointment, sydney, melbourne, fulford frank harris, antiseptic, leeds england, -
Flagstaff Hill Maritime Museum and VillageDomestic object - Tankard, Before March 1878
A tankard is a form of drinkware consisting of a large, roughly cylindrical, drinking cup with a single handle. Tankards are usually made of silver or pewter but can be made of other materials, for example, wood, ceramic or leather. A tankard may have a hinged lid, and tankards featuring glass bottoms are also fairly common. Tankards are shaped and used similarly to German beer steins. The word "tankard" originally meant any wooden vessel derived from the 13th century and later came to mean a drinking vessel. The earliest tankards were made of wooden staves, similar to a barrel, and did not have lids. A 2000-year-old wooden tankard of approximately four-pint capacity has been unearthed in Wales. Metal tankards often come with a glass bottom and the legend is that the glass-bottomed tankard was developed as a way of refusing the King's shilling, i.e. conscription into the British army or navy. The drinker could see the coin in the bottom of the glass and refuse the drink, thereby avoiding conscription. However, this is likely to be a myth, since the Navy could press by force, known as press-ganging, rendering deception unnecessary. In a bar fight, the first punch was thrown while the recipient had the tankard raised to his mouth; another legend has it that the glass bottom was implemented to see the attack coming. A further story is that the glass bottom merely allowed the drinker to judge the clarity of their drink while forgoing the expense of a fragile pint glass. It is unclear if all or any of these legends have any substance. The Tankard is associated with the shipwreck of the Loch Ard which is of significance for Victoria and is registered on the Victorian Heritage Register (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and this tankard is one item from the largest accumulation of artefacts from this notable Victorian shipwreck. The tankard was found on the wreck and it gives us a snapshot into Victorian maritime history. Allowing us to interpret the story of this tragic event. This drinking vessel is also archaeologically significant as it represents aspects of Victoria's history that allows us to interpret Victoria's social and historical themes of the time. The tankards significance is unfortunately its association with the worst and best-known shipwreck in Victoria's history. (See note section this document for history of the Loch Ard wreck)Pewter tankard; rolled lip, flared base, large handle. Surface has marine encrustations. Inscription on attached label. Recovered from the shipwreck as the Loch Ard. "LA 33 255"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, pewter tankard, tankard, drinking vessel -
Chiltern Athenaeum TrustDomestic object - Fork
This fork is believed to belong to the household of Chiltern writer and historian, W.C. Busse. It displays a level of tarnish indicating it may be comprised of silver or silver plate. It has no evident hallmark to determine its maker or date of manufacture, but may pre-date World War Two as mass production methods and the growing popularity of stainless steel in cutlery and other tablewares saw a reduced reliance on silver in such goods after this period. The handle of the fork appears to display the initials 'WB', potentially indicating it was made to order. Wilfred Clarence Busse was born in Chiltern in 1898. He went to school at Wesley College in Melbourne, studied law at the University of Melbourne and became a barrister. Additionally, after spending time on a Victorian station in his early twenties, he wrote two historical novels about bush life. His first novel was 'The Blue Beyond: a Romance of the Early Days in South Eastern Australia', written in 1928 and published in 1930. Busse's second novel was titled 'The Golden Plague: A Romance of the Early Fifties'. The judges of the Henry Lawson Society's T.E. Rofe competition to advance Australian literature unanimously awarded it the Gold Medal in 1931 for the best historical novel of 1930. Newspaper articles about the award mention the writer's meticulous documentary and oral history research regarding life on the Gold Fields in the 1850s. It became a best-seller. Busse also wrote a series of articles about local history for "The Federal Standard" newspaper in Chiltern. He was a member of the Chiltern Athenaeum. He died in 1960.This fork is significant for the detail it conveys of ordinary domestic life in the household of a significant Victorian writer with special reference to Chiltern and the surrounding region.Fork with decorative pattern on handle and tarnished patina, design may include owner's or maker's initials. WB w.c. busse, chiltern, chiltern athenaeum, gold fields, indigo shire, gold mining, gold rush, henry lawson society, fork, silverware, cutlery, tableware, 1930s, 1850s, wilfred clarence busse, historical fiction, t.e. rofe, t.e. rofe gold medal, north-east victoria, federal standard, golden plague, blue beyond -
Chiltern Athenaeum TrustDomestic object - Knife, T. Turner & Co, 1907
This knife is believed to belong to the household of Chiltern writer and historian, W.C. Busse. It displays a level of tarnish indicating it may be comprised of silver or silver plate. The blade contains the mark 'EP' which may indicate silverplate over steel. The blade also contains the maker's mark 'Wingfield', which was the trademark of T. Turner & Co but could also refer to the company Wingfield Rowbotham. Both factories are located in Sheffield, United Kingdom. The trademark is ascribed to goods produced in approximately 1907. The handle of the knife displays the initials 'WB', potentially indicating it was made to order. Wilfred Clarence Busse was born in Chiltern in 1898. He went to school at Wesley College in Melbourne, studied law at the University of Melbourne and became a barrister. Additionally, after spending time on a Victorian station in his early twenties, he wrote two historical novels about bush life. His first novel was 'The Blue Beyond: a Romance of the Early Days in South Eastern Australia', written in 1928 and published in 1930. Busse's second novel was titled 'The Golden Plague: A Romance of the Early Fifties'. The judges of the Henry Lawson Society's T.E. Rofe competition to advance Australian literature unanimously awarded it the Gold Medal in 1931 for the best historical novel of 1930. Newspaper articles about the award mention the writer's meticulous documentary and oral history research regarding life on the Gold Fields in the 1850s. It became a best-seller. Busse also wrote a series of articles about local history for "The Federal Standard" newspaper in Chiltern. He was a member of the Chiltern Athenaeum. He died in 1960.This knife is significant for the detail it conveys of ordinary domestic life in the household of a significant Victorian writer with special reference to Chiltern and the surrounding region. Knife with tarnished patina and cream-coloured handle with owner's initials engraved or stamped.WBw.c. busse, chiltern, gold fields, gold mining, gold rush, north-east victoria, indigo shire, wingfield, t.turner & co, wingfield rowbotham, silver, silverplate, knife, cutlery, silverware, tableware, barrister, wesley college, melbourne, historical fiction, golden plague, blue beyond, henry lawson society, t.e. rofe, 1930s, 1850s -
Vision AustraliaPhotograph - Image, 2002 Vision Australia Foundation Library Awards, 2002
Members and staff of Vision Australia Foundation's library service at the 2002 Library Awards night held at the Kooyong office. 1 - Karl Hughes and Jennifer Yang 2 - David Tredinnick and Caroline Lee (narrators) 3 - Liana Fonti and Joelle Rault 4 - unknown 5 - Marie Aberle, Meike Mellars and Lynda Downie 6 - Jane Clifton and Evelyn Krape (narrators) 7 - Tony Porter (narrator) 8 - Joelle Rault and Anna Fairclough 9 - Caroline Baum (host) 10 - Don Watson (author) presenting the Braille Book of the Year Award 11 - Peter Rose, author of Rose Boys, Braille Book of the Year winner. 12 - Judge (unknown) 13 - Stig Wemyss (narrator) 14 - Melissa Eccleston (narrator) 15 - Rebecca Macauley (narrator) 16 - Chris Thewlis (from Civica Pty Ltd, sponsor) 17 - Agnes Nieuwenhuizen presenting YA Book of the Year award to Irini Savvides, auhor of Willow Tree and Olive 18 - Irini Savvides 19 - Paul English (narrator) 20 - Paul English (narrator) 21 - Deidre Rubenstein (narrator) 22 - Evelyn Krape (narrator) 23 - Robert Stillwell (of Bib Stillwell BMW, sponsor) 24 - Robert presenting award to Paul English for his narration of either Corfu or The Blind Eye (he was nominated twice) 25 - Paul English 26 - Hilary McPhee (publisher/editor) presenting Adult Audio Book of the Year Award 27 - Hilary McPhee 28 - Either the winning author, or the author’s representative, accepting the award28 photographs of attendees for the 2002 Vision Australia Foundation Library Awards.vision australia foundation, awards, book of the year, karl hughes, jennifer yang, david tredinnick, caroline lee, liana fonti, joelle rault, marie aberle, meike mellars, lynda downie, jane clifton, evelyn krape, tony porter, anna fairclough, caroline baum, don watson, peter rose, stig wemyss, melissa eccleston, rebeca macauley, chris thewlis, agnes nieuwenhuizen, irini savvides, paul english, deidre rubenstein, robert stillwell, hilary mcphee
