Blue printed receipt from Long Gully Mechanics' Institute for £2 received from Court King of the Forest for rent. Dated Decr 29 1877. Printed by J. Brockley, Printer, Williamson-st., Sandhurst.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, long gully mechanics' institute, court king of the forest, j brockley

Letter, dated August 3rd 1877 to Court King of the Forest No. 3770. The auditors had examined the accounts, etc and found a Balance still sue of 5/6. Signed G. J. Murray and Wm. Wilson.societies, aof, correspondence, ancient order of foresters no 3770 collection - letter from auditors, court king of the forest, g j murray, wm wilson

Account written on a piece of pale greyish paper and dated April 23/73. Court King of the Forest No. 3770 To Charles Kelynack, Painting and Gilding Banner Poles £0:14:0. Initallled. Woodwards carrying.societies, aof, correspondence, ancient order of foresters no 3770 collection - account, court king of the forest, charles kelynack, woodwards

One of 14 colour photographs taken at the PMHPS Annual General Meeting (AGM) August 26, 2013; celebrating 20 years of the Society. Celebration cake made by Marilyn Allport ?, Susan Reidy, Phil Kingcelebrations fetes and exhibitions, societies clubs unions and other organisations, port melbourne historical & preservation society, pmhps, susan reidy, phil king, pam montgomery

Colour photograph of Reeves Channel of Lake King, Gippsland Lakes. It shows part of both Rigby Island and Fraser Island opposite the steep shoreline of the mainland. Two motor boats on lake. Lakes Entrance Victoriaislands, waterways, topography

Photograph mounted on red card with inscription 'Another stall in 1937'.Black and white photograph group of children, few adults beside a fund raising stall in the grounds of St Nicholas Church. The group are members of Heralds of the King, a children's mission of the Church of England. Lakes Entrance Victoriareligion

Yields information about the appearance of Victoria St at King St loop and tram No. 40Agfa colour slide, white cardboard mount, photo by Keith Caldwell on 12/3/1962 of: Tram 40 at the King St loop in Victoria St, inbound with the destination of Gardens via Sturt St WestIn ink "Vic St 12.3.62"tramways, trams, victoria st, king st, tram 40

Postcard. Theodore King Active 1855 Australian The First Parliamentary Election, Bendigo, 1855 Oil on paper on board, 32.4 x 47.8cm Bendigo Art Gallery. Gift of Mr. J. S. Dethbridge, 1894.

It is presumed that this is an authentic relic from a very significant shipwreck in Tasmania. It was bought at a museum in King Island. The Cataraqui, carrying British emigrants, was wrecked on King Island in 1845 with the loss of over 400 lives. The British Parliamentary and general public outcry following this disaster resulted in the establishment of the lighthouse at Cape Otway in 1848 (and indirectly the establishment of Warrnbambool in 1847)This button, listed as a uniform button, is of some interest as a small relic of the shipwreck, Cataraqui. This wreck has a connection to the establishment of the Cape Otway lighthouse and to Warrnambool’s history as Superintendent Charles LaTrobe came to the Warrnambool district several times in an effort to find the best route to the Cape Otway area. While doing so he became familiar with the Warrnambool area and the need to establish a new settlement at Warrnambool. This is a small metal button covered with verdigris, with any writing or markings obliterated. A small piece is missing at the edge. cataraqui shipwreck, warrnambool, superintendent charles latrobe, button

It is presumed that this is an authentic relic from a very significant shipwreck in Tasmania. It was bought at a museum in King Island. The Cataraqui, carrying British emigrants, was wrecked on King Island in 1845 with the loss of over 400 lives. The British Parliamentary and general public outcry following this disaster resulted in the establishment of the lighthouse at Cape Otway in 1848 (and indirectly the establishment of Warrnbambool in 1847)This button, listed as a uniform button, is of some interest as a small relic of the shipwreck, Cataraqui. This wreck has a connection to the establishment of the Cape Otway lighthouse and to Warrnambool’s history as Superintendent Charles LaTrobe came to the Warrnambool district several times in an effort to find the best route to the Cape Otway area. While doing so he became familiar with the Warrnambool area and the need to establish a new settlement at Warrnambool. This is a small metal button covered with verdigris, with any writing or markings obliterated. A small piece is missing at the edge. cataraqui shipwreck, buttons, warrnambool

.1) Disabled and Discharge Scroll presented to WILLIAM MOYLE who enlisted on 27.3.1916 with 4th reinforcements 60th Batt AIF age 31 years 9 months. Embarked for England 1.18.1916, embarked for France 6.12.1916, hospitalised 26.9.1917 NYD (not not determined), returned to unit 6.10.1917, transfered to 59th Batt 25.9.1918, WIA 29.9.1918 GSW to head, discharged from the AIF 22.3.1919..1) Coloured illustrated certificate, red & black ink. .2) Aluminium round Identity disc .3) Buckingham Palace letterhead with blue print. .1) “No V24414 to WILLIAM MOYLE.” .2) “No 2205 W MOYLE 60th Batt AIF.” .3) “From King George 1918.”documents-certificates, letters, military equipment-identity discs, moyle

Awarded to L.G. Donelan by the Shire of TowongMetal medallion, tarnished on face and rear.Face - FOR GOD, KING AND COUNTRY Back - SHIRE OF TOWONG For Honourable Service Rendered L.G. Donelan World War 1939 - 45l.g. donelan, towong

This commemorative plate was given to schoolchildren at the time of the coronation in 1911.Commemorative ceramic side plate with painted busts of George V and Mary Teck. for the coronation of George V 1911. "Crowned June 22nd 1911" "King George V Crowned June 22nd 1911 Queen Mary" "Long May They Reign"churchill island, coronation, commemoration, king george

Round tin with lid, showing a scene of female tea pickers, labelled Rolfes Tea the young leaves only, Biscuits.Rolfes Tea packed by Rolfe & Co Ltd King St Melbourne 2lbs net Wilson Bros Pty Ltd Melbournedomestic equipment, containers, tin, k217

Metal bicycle lamp, kerosene lamp with adjusting knob. Adjustable handle (to fit to bicycle). Oval "onyx" stone on either side of projectorJoseph Lucas Ltd. Birmingham Patented Silver King Has circle with lion inside and torch on top "Lucas" on bottom of circlebicycle lamp, joseph lucas ltd

A photo of children at Harelands in the 1960s in the dining room doing their homework, helped by Legatees. Harelands was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Harelands generally looked after children up to the age of 14. Harelands was built in the Queen Anne style and is now heritage listed.A record of the residence called Harelands.Black and white photo of children and two legatees in the Harelands dining room.Handwritten caption: 'Homework in the dining room after dinner. One of the men is Legatee Mellor. The boy in the front table is Harold King.'harelands, residences

From Heritage Victoria: The Women's Christian Temperance Union (WCTU) was an international first-wave feminist organisation. The Melbourne branch was formed in 1887 and became the biggest and most influential women's organisation in Victoria. The WCTU introduced large numbers of Victorian women to political activity. The Union linked temperance and women's suffrage to achieve a variety of social reforms to improve women’s lives. Possible belonged to Florence Dellar of Henty Street, PortlandBanner for the Women's Christian Temperance Union. Navy cotton backing. Pale blue cotton front. Hand painted. White cord on edges. White fringe on bottom. Person holding flag and cross in centre. Paint - blue, white, black, gold. Wooden slat on top - nailed. String hanger with white tassels.Front: WCTU. For God, For Home, For Native Land. Portland League of Hope. Tremble King of Alcohol, We Shall Grow Up.wctu, womens christian temperance union, feminism, feminist

Set of B & W photos from WW2 taken around Rabaul area by Pte E. King.Series of B & W photos of Rabaul area. 1. Soldiers on parade. 2. - 4. Local children and adults. 5. - 6. Native militia on parade. 7. - 10. Australian soldiers swimming and sunbaking. 11. - 15. Snow views of Matupi Volcano and surroundings. photos, matupi, rabaul, volcano

VX47159 Cpl Ronald Leigh King 2/29 BN. 101 The Glen, Somerville St, Bendigo.Booklet - brown cardboard, black print, 38 pages.“Demobilisation Procedure Book, No 435919”demobilisation book, r. l king vx47159, ww2

Awarded to Ernest King NEWMAN. Refer Cat No 317 for his pre war and war service in WW11.Round, metal, Australian Senior Cadets badge; Rising Sun insignia in centre, surrounded by a green ring inscrbed 'Recreational Training'Inscribed "1925, 4th Div 2nd State 1st Div Miniature Rifle Shooting/ E K Newman 38th Bn"badges cadet, military, 38th bn

In 1909 His Majesty King Edward VII directed that honorary banners be presented to the Australian Infantry Regiments in commemoration of the services of their members who had volunteered for the South African War 1899-1902. (Promulgated under Military Order 132/1909). These would be similar to those presented to Australian Light Horse Regiments, Royal Australian Artillery and Australian Army Medical Corps in 1904. This Banner was presented to 1st Battalion, 11th Australian Infantry Regiment (Perth Regiment) by HE the Governor of WA Sir Gerald Strickland, KCMG, at a parade held on the Esplanade, Perth, 18 February 1911. Consecrated by the Right Reverend COL. Riley, DD, VD, Senior Chaplain of the Australian Commonwealth Military Forces. This banner was subsequently inherited by successor units to the 11th Australian Infantry Regiment (Perth Regiment), including 88th (Perth) Infantry, 11th Battalion (The Perth Regiment) and 11th/16th Battalion. The banner was handed over to the Perth City Council at a special parade of the 11th/16th Battalion held in Forrest Place on 2 June 1930, and was laid up in the Council Chambers in Murray Street. Together with the other historic colours handed over at the time (see Reference items 1 and 3), this banner later went into storage when Council moved premises in the early 1960's. Perth City Council had some restoration work carried out on these colours in 1975 and later had them on display in their display room at Council House, St Georges Terrace. They were subsequently placed in storage again. Following negotiations by the Army Museum of WA Perth City Council passed on these Colours to the Museum in November 1993. Plain Union flag with red and gold fringe. Red and gold chord and tassels. Pike with Royal Crest pike head. A silver plate attached to lower portion of pike inscribed as follows: "Presented by His Most Gracious Majesty The King Emperor to 1st Battalion, 11th Australian Infantry Regiment Perth Regiment formerly 1st and 2nd Battalions Western Australian Infantry in recognition of services rendered to the Empire in South Africa 1899-1902".

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

Letter written on white paper to the Chief Ranger, Court King of the Forest from Matthew Burke and dated January 31/1872. Matthew had been accused of being illegally on the Court funds. He wrote the letter saying he was being treated by the doctor. The doctor told him to go on the funds as he was not fit for work. He also says he has never been bad on the books yet. Court King of the Forest A.O.F. No. 3770 Sandhurst impression stamp at the top of the letter.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, matthew burke