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Melbourne Legacy
Document - Report, Future Requirements Committee: third and final report (H53), 1978
A report by the Future Requirements Committee dated 11 October 1978. The Committee members were(Chairman): I.W. Anderson, E. Cohen, A.N. Kemsley, L.D. King, J.M. Poulton, R.L. Simmons The Committee notes that its recommendations would probably be resisted by some Legatees but were necessary to meet the changing needs of dependants. They highlighted cancelling the supply of firewood, cessation in 1978 of the Badge Day appeal in Melbourne and the special Christmas promotion, and the Christmas Garden Party at Government House. Boys and Girls classes to be phased out, and Blamey House and Stanhope residences to be closed in 1979-80, with dental care to cease in 1980. They also recommended that more use should be made of labour available from ALL Legatees, and Legacy staff should be strictly monitored as the changes were brought into effect.After two World Wars, Melbourne Legacy recognised that the need for their traditional services was changing and they needed to be vigilant about the transparency of their expenditure.5 photocopied foolscap pages - poor qualityPage 1: 'Copy President from ER' in red ballpoint, 'H53' in blue ball point, 'B' in black.review committee, planning -
The Mrs Aeneas Gunn Memorial Library
Book, Routledge Keegan Paul Ltd, Uncle Remus, or, Mr. Fox, Mr. Rabbit, and Mr. Terrapin, ????
Presents the legends, songs, and sayings of Uncle Remus, following the text of the first edition of Joel Chandler Harris' attempt to record traditional black stories of his time.Ill, p.248.non-fictionPresents the legends, songs, and sayings of Uncle Remus, following the text of the first edition of Joel Chandler Harris' attempt to record traditional black stories of his time. african americans - folklore, america - fiction -
Merri-bek City Council
Four-colour lithographic offset print on Fabriano Artistico 300gsm traditional white hot-press paper, Gracia Haby et al, And Zarafa Kept Walking, 2013
And Zarafa Kept Walking features an image of Zarafa, the first giraffe to be seen in France in the year 1826. She arrived as an exotic gift and political ploy from Muhammad Ali of Egypt to King Charles X. To the delight of many onlookers, she walked from Marseilles to Paris carrying with her perhaps a few feathered friends. She inspired tall hairstyles à la girafe, and prompted Honoré de Balzac to write a story about her. Gracia Haby and Louise Jennison have collaborated as ‘Gracia and Louise’ since 2002, exploring their mutual fascination with the adaptable possibilities of paper and creating works from found images to produce artists' books, prints, zines, drawings, and collages. -
Merri-bek City Council
Four-colour lithographic offset print on Fabriano Artistico 300gsm traditional white hot-press paper, Gracia Haby and Louise Jennison, Turning the Tables on Alfred Court, 2013
Gracia Haby and Louise Jennison have been creative collaborators since 1999, working together to make artist books, zines, collages, drawings, prints and stories. In this artwork, the animals have the upper hand. They are turning the tables on French acrobat, circus owner, and animal trainer, Alfred Court (1883-1977). In 1925, Court's menagerie boasted a collection of 25 lions, 8 tigers, 9 hyenas, 7 wolves, 3 cougars, 12 polar bears, 16 panthers and leopards, 5 jaguars, 2 cheetahs, and an extensive assemblage of exotic animals, including antelopes, llamas, and camels, alongside several monkeys, porcupines, and mongooses. Haby and Jennison’s collaboration explores their mutual fascination with the adaptable possibilities of paper and found images. -
Merri-bek City Council
Ceramic - Ceramic, acrylic paint, gold lustre and mix media, Bundit Puangthong et al, FLESH, 2018
In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex. -
Merri-bek City Council
Ceramic - Ceramic, acrylic paint, gold lustre and mix media, Bundit Puangthong et al, FOOD, 2018
These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists -
Merri-bek City Council
Photograph - Digital print on Ilford Fibre Pearl paper, Kim Kruger, Within ten miles of Melbourne 1, 2022
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Merri-bek City Council
Photograph - Digital print on Ilford Fibre Pearl paper, Kim Kruger, Within ten miles of Melbourne 2, 2022
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Merri-bek City Council
Photograph - Digital print on Ilford Fibre Pearl paper, Kim Kruger, Splitting logs for a “feed” 1, 2022
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Surrey Hills Historical Society Collection
Booklet - Nurses and Midwives in Australian history: a guide to historical sources, Noeline Kyle
Nursing and midwifery have been the occupations of women for centuries and almost every one of us will find an ancestor who engaged in these traditional feminine pursuits. This book offers a number of different websites where you might find some helpful information including for international and government authorities, United Kingdom midwives,An A5 sized booklet of 76 pages, includes indexnon-fictionNursing and midwifery have been the occupations of women for centuries and almost every one of us will find an ancestor who engaged in these traditional feminine pursuits. This book offers a number of different websites where you might find some helpful information including for international and government authorities, United Kingdom midwives, midwives -- australia -- history, nurses -- australia -- history, obstetrics -- australia -- history, australia -- genealogy -- sources, australia -- genealogy