The Tawonga Store was a general store in the Upper Kiewa Valley providing for the farming community. This store had a variety of items and was the main store for many of the farming families who would travel in on horse and cart to make weekly trips to the store for supplies.George Potter owned the store before 1920. Whit Potter, George's son worked with his father for many years. See KVHS 0621 for early Ledgers, which give a comprehensive list of what type of items the residents of the Kiewa Valley purchased during this period.Rectangular sepia photo of Tawonga Store with Geo. Potter printed on its roof. Horse and cart and one early model car and one truck are parked out the front. The truck has a driver and passenger.tawonga store, george and whit potter

The photo was taken when children in the upper grades at Bulla Primary School were on a school camp any Hanging Rock where they experienced a variety of activities such as rock climbing and cave exploration. These activities were carefully supervised by qualified people.A non-digital coloured photograph of a person entering a small cave.hanging rock, school camps, cave exploration, bulla primary school

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

On a piece of paper subsequently glued near one end of its curved upper face, this length of planed and polished hardwood timber bears the inscription: “A [p]iece of w[r]ec[k] of the Loch Ard wrecked near Sherbroke River”. The timber is carefully worked with rich dark colouring and a uniformly moulded design, suggesting that it was part of a fitting or furnishing that was publicly visible and prominent. If the artefact is what it is declared to be, then it is possible that it formed part of the ship’s railings or companionway stairs. The LOCH ARD was a 1,693 ton, 3 masted barque, built on the Clyde in 1873. In an age of increasing competition for the emigrant passenger trade from steam-driven vessels, special attention was paid to her wooden furnishings and fittings. The Loch Line owners prided themselves on their attractive, distinctively painted, sailing ships. Below decks, where cargo and third class passengers were stowed, was made of iron. But everything above deck, and on show to the saloon and second class passengers, was carved and varnished timber. Captain Daish’s 1878 report for the ship’s underwriters notes “a quantity of general Cargo washed up in a confused mass” in the cove and “a number of Cases, Casks and Bales; also deals and boards floating about in some of the gorges” further west of the shipwreck. Contemporary newspaper accounts also reported a large quantity of cargo and timber washed ashore in the days following the LOCH ARD shipwreck, adding “but those were speedily removed by persons who came down from Port Campbell, Scott’s Creek and other places with carts and pack horses”. The appearance and good condition of this wood artefact, and the aged patina and dated hand-writing style of its pasted on inscription, support the suggestion that it was ‘souvenired’ from the floating debris of the LOCH ARD at or near the 1878 date of its foundering off Mutton Bird Island. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The Loch Ard wreck is of state significance – Victorian Heritage Register S417. However there is a lack of documented provenance that limits the interpretive value of this piece of timber (for example, its potential to interpret nineteenth century souveniring and scavenging from shipwrecks along the south west coast of Victoria). Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. A length of hardwood timber, planed and varnished to smooth finish on three sides, with two unfinished tongues protruding from each end (one broken off), possibly from the wreck of the LOCH ARD. The front or upper face is moulded and routed to a regular, linear (skirting board type) design along its entire length, the two sides flat planed. One side contains two inserted dowel rods that have been broken off. The bottom face has not been finished to the same standard. The sample is good quality wood that has retained its density and weight and shows no evidence of having been submerged in seawater for any length of time. Glued on to the upper face of the length of timber near the right hand end is a deteriorated square of paper bearing an inscription. The paper, peeling back and with torn edges, is stuck over an original wood stain but under a subsequent layer of varnish. The faded ink words are indecipherable where paper is missing, but written carefully in an old fashioned cursive script.The inscription on the paper reads: “A [p]iece of w[r]ec[k] of the Loch Ard wrecked near Sherbroke River”. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, nineteenth-century souveniring, shipwreck scavenging, loch line sailing ships, wood sample

Six black and white photographs in a brown wooden frame which has a metal inset. Top left is of 100 ft long vines. Note a figure is in centre. Top middle is of mahogany gums at Upper Combienbar. Top right is Big Tiger Snake Creek- panning for gold. Bottom left photo is of Bemm River. Bottom middle photo is Thunderbolt's Lookout and the bottom right photo is big timber. photographs combienbar bemm-river thunderbolt's-lookout mahogany-gums

Headstone inscription: "In Affectionate Remembrance / EBENEZER JAMES / late Chaplain to the Naval Forces of Victoria / and / The Victorian Seamen's Mission/ This stone is erected / by Friends of all nationalities and creeds as a mark of esteem for his unselfish and consistent Christian efforts for the social and moral advancement of our sailors/ and / in recognition of.... his indefatigable and praiseworthy exertions the stamping out in Victoria of the cruel degrading maritime curse of crimping was mainly due. / Born 11th of March 1841 Died 14th of July 1901/ "A good deed is never lost. He who sows / courtesy reaps friendship and he who plants kindness gathers love." Basil. The Headstone was found at the Melbourne Cemetery, Carlton in 2016. Rev James worked at Port Melbourne and Williamstown Missions but was also a regular visit to Geelong and other coastal ports and beside encouraging fortnightly entertainments and Chapel services, actively shipvisiting to meet with Seamen.This image documents in full the inscription on this commissioned marble headstone marking the grave of a significant figure, the second Chaplain at Port Melbourne, and an important figure in the development and story of not only the Mission to Seafarers in Victoria but also in the life of the Naval Force of Victoria prior to Federation. Rev James was not only an influential figure in the stamping out of crimping, the exploitation of seamen, but also actively worked with government and community to improve the quality of life by active lobbying for the controlled licensing of hotels and liquor sources to limit the incidence of drunkeness rife in the Ports and Wharves of Victoria in the late 19th Century. See also MTSV 0030Large Sepia photograph on paper mount features an Inscribed marble Headstone and grave with a stone facing and surround supporting low decorative cast iron railing. There are flowers and ferns on the grave.Across edge of grave in White upper case: J ROBINSON CARLTON appears to be over printed, the Sepia image may be a copy of an original photograph. Inscription on the headstone can be read, see full wording below in History field. on the paper mount below lwr edge of Photograph: "T. TENNENT 'PHOTO-GOLD TS' COLLINGWOOD"ebenezer james, chaplains, seamen exploitation of, naval force, victoria, melbourne cemetery, carlton, maritime crimping, ebenezer james (1841 - 1901), carlton, mission to seamen, seamen's mission, mission to seafarers

Pair of black Garmont leather ski boots for cross country skiing with padded orange fabric lining at entry point. 6 metal hooks and 8 metal eyelets for lacing boots (no laces included). Thick rubber over leather sole- protruding toe lug. Leather upper shoe. Padded leather tongue attached to boot with a red and white leather Garmont name tag attached.Embossed brand name Garmont on outer sides. Size 37 inscribed in white paint on each heel.

Detachable collars enclosed in a leather box such as this one were used in the 19th and early 20th centuries, particularly by men in the business and clerical professions. The collars were attached by studs or buttons to a shirt. The collars were removed prior to shirt washing the shirt. The leather box was most useful for travelling. Detachable collars could still be used today particularly by clergymen. Two are named E R Twomey.This box and collars are retained as an example of vintage men's wear. It will be useful for display.A brown leather cylindrical case with a strap and buckle. It has white thread stitching around the rim and upper edge of the lid, the slot for the buckle, the rim and lower edge of the base . Inside are four detachable white winged collars for wearing with a shirt. Each has three holes, one for a button and two for a stud or for buttons at the front, two wings and a curved slot at the back.They are made of very fine cotton and linen.002215.1 J.T. MADE IN ENGLAND ESPECIALLY FOR Buckley & Nunn Ltd. MELBOURNE 002215.2 A stamped lion, WELCH MARCETSON 7 CO. LTD. 4 THE ALATUS TRADE MARK DES M 9 M 520 1 3/4 x 1/2 T14 002215.3 MADE IN ENGLAND FOR BUCKLEY & NUNN MELBOURNE EXTRA QUALITY , A deer head with antlers in a pointed elipse E.R. THOMEY a red inverted drawn triangle two dots Lindum 2x 151/2 002215.4 MADE IN ENGLAND FOR BUCKLEY & NUNN MELBOURNE EXTRA QUALITY, A Deer head with antlers in a pointed elipse . T indecipherable . E.R.T.4 indecipherable. Lindum 2x15 002215.5 E.R. THOMEY Indecipherable Lindum 2x 15 ? warrnambool, detachable vintage collars, detachable men's shirt collars

The paddle steamer P. S Pevensy appears to still be a working steamer in this photograph. The boat seems a bit dishevelled and the workers are doing repairs on her, while she is still steaming up the river. If this photograph was taken in 1950, that would have been well before the development of the Tourism Industry in the Murray Darling area. This would explain the number of workers and the fact that they were doing maintenance while the Paddle Steamer was still working. She does not appear to be towing a barge, but a large tarpaulin could be covering a load for transport. This picture holds significance because it shows a paddle steamer in use before the Tourism Industry had developed in the Murray Darling region. The paddle steamer which now carries passengers every day has been renovated to cater for passengers cruising up and down the river. Here is this photograph the P.S Pevensy looks a bit dishevelled and untidy.This is a black and white rectangular photograph of the P.S Pevensey. Four people can be seen painting the wall of the cabins on the upper deck. A person can also be seen kneeling on the back deck working on something lying on the back deck. A wooden boat is nearby, also on the back deck. The boat is steaming and appears to be moving upstream. There is along pole at a 45 degree angle attached to the very front of the paddle steamer.On the front of the photograph written on the paddle steamer can't be seen the words "PEVENSEY. Melbourne." Written on the back of the photograph in lead pencil " M4414-17. K4". p.s pevensey, paddle steamers

Model of the ship served on by W Thomson during WWII.Scale model of the HMAS Maryborough that was operated by the Australian Navy during WWII.Grey and black painted plastic and wood scale model of the Bathurst class HMAS Maryborough (1940 to 1946) minesweeper (commonly known as corvettes) mounted in a wooden frame glass sided and top case. It has cotton rigging with metal anchor chains. An inscribed metal plate is located on the front glass side. The upper of the model is painted grey, and the bottom black. J195 is painted in black lettering on the bow of the model.J195 H.M.A.S Maryborough 1940 - 1946 Made by W. Thomsonmodel, hmas maryborough, bathurst class, minesweeper, corvette

Soft drink came in bottles bought at the local grocery store or at a larger city store on a shopping expedition. The shape of the bottles changed as did the stopper used to seal it. Bottles were re cycled remaining the property of the manufacturer. The history of Zedmanfg Company, Albury. Historical: Change of bottles - shape, glass, stopper, embossing, use. Aesthetic: Display showing embossing & shape especially if in good condition. Clear glass bottle. Bottom half has straight sides. Upper half tapers to the top where a metal crimp fits over the lip. Manufacturer's name is heavily embossed in cursive script diagonally across the lower half. The place 'Albury' is embossed below the diagonal script, in capital letters.There is heavy embossing at the base and at the bottom of the sides. All in capital letters. It has a crown seal - AGMZedManfg Co. Albury - across the bottom half of the bottle. At the base on the sides around the circumference 'This bottle is the property of the Zedmanfg Co. Albury. On the Base: F1486, GM inside A, M 113 glass, bottle, domestic, household, albury, zedmanfg co., drinks, lemonade

This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, handmade. Tall slim Gallon style liquor bottle. Applied, double collar lip; square upper with flared lower. Neck has seams and shoulder seam from 3-piece mould. Body with horizontal ripples tapers inwards to base. Push-up base with pontil mark and embossed inscription. Tape over wire around mouth. Cork remnants inside mouth. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable

This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Neck has seams and shoulder seam from 3-piece mould. Body tapers towards base. Push-up base with pontil mark and embossed inscription. Base is uneven. Mouth has remnants of the seal in it and tape remnants around its outside. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable

Conditions of sale by private contract dated 13th September, 1929 between F. Vincent (seller) and J. Taylor (buyer) for land situate Upper Road, California Gully being Crown allotment 292 section M at California Gully, Borough of Eaglehawk described in certificate of title volume 2959 folio 591717, together with 6-roomed weatherboard dwelling and all sundry. Price 210 pounds.organization, business, h.a. & s.r wilkinson real estate

Conditions of sale by private contract dated 13th September, 1929 between F. Vincent (seller) and J. Taylor (buyer) for land situate Upper Road, California Gully being Crown allotment 292 section M at California Gully, Borough of Eaglehawk described in certificate of title volume 2959 folio 591717, together with 6-roomed weatherboard dwelling and all sundry. Price 210 pounds.organization, business, h.a. & s.r wilkinson real estate

black and white photograph,. Entrance from Pall Mall of 'Bendigo Arcade' and former Colonial Bank, later National Bank ( J. Lerk, 10th. March, 2000 ) National Bank, sign over entrance, finials to pressed steel roof. Moulding decorates upper storey windows and balcony. National bank with cast urns to roof. Valiant sedan car on left. Holden on right. Parking meters on footpath.organization, business, bendigo arcade

Derelict rear of building built as Bridge Store in 1872 for Peter Johnson, later Wylie's Building and a furniture store. Photo taken for the Museum by R. Brownjohn.Colour photograph of the rear of an old, brick two storey building. Building appears derelict and disused. Part of the roof is missing on the lower section and the beams are exposed. Verandah is sagging. Gas tank/hot water service in corner in the centre of the photo. Single door to the right of the gas tank and double doors to the left. One large and one small window in the upstairs section. Chimney on LH side of upper storey.bridge store, peter johnson, wylie's building

Black and white photograph: Gold mines, looking towards Snobs Hill. In the centre: Duchess Tribute Company of the Devonshire Mining Group. At least 8 poppet heads and 6 chimneys can be seen. The original is glued to cardboard. A copy of this photograph is in a black paper photo holder. On the back in pencil a sketch of where duchees tribute was located: between Alexander Street, Upper Road and Vinton Street, California Gully.business, mining, duchess tribute

Coloured slide transparency. Image is of two people amongst a group in a restaurant. The male is smiling standing dressed in pants and a checked jacket, white shirt and neck scarf. The female is standing slightly behind him, smiling and holding onto his right upper arm. The words BIT Social Wine and cheese at Copper Pot Judy Daniel Ken Lindrea have been handwritten on the bottom edge of the border.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Child's book -' Little Betty Blue ' / cardboard cover with watercolour painting of young girl - cloth binding / 'London Ernest Nister , Printed in Bavaria 160 , New York E.P.Dutton & Co / first page written in ink - ' Private School Wattle St , Upper first class prize for home lessons awarded to Doris Emmett, Christmas 1903 , A.L Parckhurst Teacher / collection of Nursery RhymesErnest Nister , E.P.Dutton & Cobooks, children's, story book, little betty blue / ernest nister / e.p.dutton & co / private school wattle st , /, a.l parckhurst teacher / doris emmett

Medieaval and 17th century Dutch paintings show winterscapes with children from the Low Countries skating on skates of similar pattern.The Dutch love of skating is exemplified by the fact that so many brought their skates with them to their new country.4649 (a) and (b) Wooden upper, pointed at both ends; steel blade fastened with central rivet; leather ankle and toe straps. Front straps have eyelets through which very strong crossgrain strap was threaded to tie skate onto shoe, rear strap has hole either side to thread the strap through for tying under shoe instep and around top of shoe and around ankle.R 21 (on right skate) 21 (on left skate)skates, dutch winter sport

Paper program for a film screened at the Athenaeum Theatre commencing 3rd October 1941; Pp. 16, (including wrappers and advertisements), printed in brown; printed yellow paper wrappers, stapled, faintly creased, dated by hand in ink at head of upper wrapper; pages browned; Programme for screening at the Athenaeum Theatre of the film Major Barbara, starring Wendy Hiller & Rex Harrison, commencing October 3, 1941. athenaeum theatre, program, programme, major barbara, frank talbot pty ltd, british dominions films ltd, cecil parkes' strad trio

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 96 Mahoneys Rd., Forest Hill. This property is listed as having sold for $142,500 in 1994. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 165 Mahoneys Rd., Forest Hill, a brick path leading to a flat roofed single story house set back from a lawn and garden in the foreground. There are two hole punch holes centre near the upper edge. There are smudges near the top left corner of the artwork. There are light linear marks on near the centre right border. 165 Mahoneys Rd., Forest Hill Margaret Picken -94 Woodards - B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

Owners at various times : Bliss family, Dr M E WinfieldColour Polaroid photograph of a small timber dwelling, gable roof across building and front room extension. Timber veranda posts set in brick piers. Sash windows, six panes, in upper, single pane in lower. Galvanised iron tanks at front and rear corners of house. Timber sunshades over windows. View of the North Arm. Situated at Hunters Lane, Kalimna, Lakes Entrance, Victoriahouses

Decorative quilt made by SGSC staff. Each department contributed a decorated fabric square which represented what that department did. The body of the quilt features these decorated squares in between plain blue and green squares. Orange fabric border. Backed with calico and hemmed with a wood dowel hanging rod upper edge. Four plain white squares with the council logo in the centre are includes in the top and bottom rows.

Photo of Ballarat trams 17 and 39 at the City Terminus, Sturt and Lydiard Streets with the Ballarat Town Hall in the background. 2168.1 - photo of No. 39 , with a SEC "Everything's under control in my all electric kitchen" advertisement. 2168.2 - photo of 17 and 39 with another single trucker behind. Taken from the ANZ bank - upper windows? Kodak cardboard mount slide, taken Mark Plummer, September 1971tramways, trams, sturt st, lydiard st, town hall, tram 17, tram 39

Full colour, 84 page, book, A5 size titled "Official Visitors Guide, Ballarat, Victoria, Australia", with the upper part of the Queen Victoria statue and the Ballarat Town Hall in the background on the front cover. Gives details, maps accommodation listing, attractions etc of the Ballarat area. Pages 24 and 25 detail the Ballarat Tramway Museum and the BTM advertisement. Published 2009 by The Ballarat Visitor Information Centre.trams, tramways, ballarat, visitors, tourist guides, btm

Colour photograph printed onto white card as a BTM Membership card for 2012 - 2013. Photo of trams 38 at St Aidans Drive, 2012. Has the words "Ballarat Tramway Museum" in white block printing on the upper edge of the card. On rear along bottom edge, has words "Tram 38 St Aidans Drive. Photo: P. Bruce" Two copies held. No label on rear.trams, tramways, btm, membership cards, st aidans drive

Colour photograph printed onto white card as a BTM Membership card for 2013 - 2014. Photo of trams 40 and 18 in front of the depot. Has the words "Ballarat Tramway Museum" in white block printing on the upper edge of the card. On rear along bottom edge, has words "Celebrating 100 years Trams 40 & 18, Photo: Warren Doubleday" Two copies held. No label on rear.trams, tramways, btm, membership cards, depot, 100 years of electric trams

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Metal trophy on stand awarded to the Section 7 Eastern Region Tennis Runners-Up in 2011. The upper part of the small trophy includes a circular enamel disc featuring tennis racquets surrounded by a sunburst. The disc is held within a vertical laurel wreath. The lower section of the trophy is a plastic and metal cube standing on a flat plinth. Information about the award is attached to the cube in front and rear plaques.Front Plaque: EASTERN REGION TENNIS / RUNNERS-UP Rear Plaque: SECTION 7 2011 / JAMES DALBOSCO, DARCY O'SHANASSY, LOUGHLIN O'KANE, DOMINIC WEBER, BEN SCALAkew heights sports club - 397 barkers road - kew (vic), kew heights tennis club - competition trophies