James Lerk Collection - Newsletter: Bendigo Central Bottle Club. March 7/8'' on front cover. (1981) Reference to Ben's Beverage Co, Bendigo (Glovers) - ginger beer; P Hayes - Wine and Spirit Merchant, Bridge Street.

Invitation, white card, green text, issued by the Government of Victoria and the Directors of the Shamrock Hotel to Mr. M.A. Sheean to the Hotel's Official Re-Opening by the Premier of Victoria, Hon. R.J. Hamer, at 12.00 noon, Tuesday 14th April, 1981.tourism, invitation, shamrock hotel, re-opening, hon. r.j. hamer, martin sheehan

Hardback with dust cover Photographed by Anthony Edgeworth Written by John de St.Jorre Publisher Arum Press Ltd. 1981 ISBN: 0 906063 25 0

The Victorian School of Forestry (VSF) was established in October 1910 at Creswick. It was located at the former Creswick Hospital, built in 1863 during the gold rush. The creation of VSF was one of the many recommendations of a Royal Commission held between 1897 and 1901 into forest degradation. The first tertiary forestry school in Australia, VSF was administered by the Forests Commission Victoria (FCV) until 1980, when VSF amalgamated with the University of Melbourne to become that institution's School of Ecosystem and Forest Sciences. Over the period from 1910 to 1980, 522 students completed the Diploma of Forestry at VSF.Limited Edition Print number 92 of 200. Framed Print - Hospital and Spring Hill from Church Street, Creswick" by T.G. Moyle, 1881Published by Trustees of Creswick Historical Museum 1981. Gift from Lorraine Carr (wife of Neil Carr ) in 2003 written on label on back

Stamp on reverse, "Photograph by Information Branch Victorian Dept. of Agriculture Ref No. 1981(889-5)." Appears to be a proof taken from the original.students working outside, ornamental garden, burnley gardens

Shire of Huntly stirling silver hand engraved drop suspended from a ling blue masonic ribbon. Front; SHIRE OF HUNGLY / 1886 / UNITA FORTIOR. Verso; PRESENTED TO THE SHIRE OF HUNTLY / BY CR. THE HON. M. A. CLARKE / 12TH AUGUST 1981shire of huntly, city of greater bendigo ceremonial item

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Reverse: CHILTERN ? / (SAME (illegible), SAME PAPER + COLOURS AS CHILTERN PHARMACY / BOTH MAY HAVE BEEN 1981 WHEN IN YACKANDANDAH? / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Yields information about Bendigo, its tramways, tramcars and preservation by the Bendigo Trust.Book - 100 pages, plus printed colour covers on gloss paper, centre stapled, titled "Bendigo and its Vintage Talking Trams", authored by Sue Mackinnon, printed by the Bendigo Trust December 1981. Has many historic photos of Bendigo, trams in the streets of Bendigo and its then fleet of trams. Gives a history of the trams in Bendigo, including battery tram, steam, ESCo, SEC, the Trust, Central Deborah Gold Mine and its trammies. Has a centre page colour photos of the mine and one of the Birney. In the top right hand corner is a green price label "4.00".trams, tramways, bendigo, battery trams, bendigo trust

Fold out pamphlet - 8 sections, titled "The new Train, Tram and Bus Ticket system made Simple (Almost)", explaining the new fare zone system - Central, Zones 1 to 3, with maps, explanations how it works, and the various travel cards issued by the Tramways Board and private buses and Vic Rail. Provides fare details of Travelcards, with pictures of them, rail singles, tram concessions, and rail weekly. Dated for introduction on 4/10, does not provide a year - see Reg Item 1645 for year - 1981. 2nd copy added 16-6-2015.trams, tramways, map, mmtb, vicrail, tickets, fares

Frederick Bice Menadue (1895-1981) was Mayor of Sandringham in 1935-36.councillor, sandringham, local government, municipality, mayor, mayoral robes, portrait, city of sandringham, jabot, frederick bice menadue, cr. f.b. menadue, dickinson-monteath studio, mayor of sandringham

Masako was a visiting lecturer to the Gippsland Centre for Art and Design (GCAD) in 1981.Stoneware plate with blue brushwork. Fish decoration. masako, ceramics, gippsland, jan feder memorial ceramics collection, gippsland campus, fish, visiting artist

Rehearsal night at Ormond Hall for the 1981 RVIB Carols by Candlelight performanceCol. negatives of Carols by Candlelight rehearsalcarols by candlelight, royal victorian institute for the blind

Portrait image of Bram and Dianne Manusama for the 1981 Carols by Candlelight program.B/W photograph of two performers at the Carols by Candlelight concert.Allow for bleed - on front edge. 47 x 53. P.8. 81280-Lcarols by candlelight, bram manusama, dianne manusama

Humphrey B. Bear performs on stage at the 1981 Carols by Candlelight concert.Col. photograph of Humphrey B. Bear.carols by candlelight, humphrey b bear

Photograph of singer Julie Anthony, supplied for the 1981 Carols by Candlelight program.B/W photograph of Julie Anthony.exclusively on Wizard records & tapes (front right base)carols by candlelight, julie anthony

The President in 1980 was Karl Robertson. A major issue for his year in office was the question of the extension of eligibility for membership to categories of ex-servicemen who had not served overseas or in the other areas presently defined in the Code. Document is dated 12/10/1981 as the presidential year ran from March to the following February and this was written sometime after he was replaced as president. Was in a binder of documents that is passed from an outgoing President to the incoming President. It is primarily from the 1930s to 1990s. Most documents are being catalogued separately.A record of the ideas of the President in the 1970s.White foolscap paper x 2 pages with black type of the President's comments in 1980.presidents, karl robertson

Built 1860 as Bank of New South Wales. Sold 1903 to Mr Lewers (son of Samuel Lewers, first manager of the bank in Linton). Operated as antique shop by Mrs Surman 1950s-1981. Jim and Cynthia Mason ran an antique and Devonshire tea restaurant 1981-84.Colour photograph showing long brick building with chimney, painted blue with white trim, fronting footpath at corner of two streets with shrubbery beside and behind.traquair house, bank of new south wales linton

A booklet titled ' Survey of the Seventies.' Bendigo Art Gallery October/November 1981. An exhibition which 'has an overview of some aspects of Australian art in the 1970's.' Bottom left corner of front cover has a sticker and number 0125 PAT.artwork, exhibition, bendigo art gallery, exhibition, art, artwork, australian art, australian artists, artists, survey. bolttom left corner of front cover has number sticker 0125 pat.

Railways Collection-Stapled A4 Booklet -Pocket History Vicrail 1839-1981 showing an A Class train and a Hitachi train .The booklet has a Timeline of the Victorian Railways from 1839 1982. The name R Trigg is written on the left of the front page.railways, bendigo to melbourne

A brown shield with three medallions sitting below a small gold plate inscribed 'RVIB Table Tennis Championships'. The medallions show two people playing table tennis. Column 1 - Mens Singles: 1980 and 1981 Peter Evans, 1983 Uli Pfisterer Column 2 - Mixed Doubles: 1981 Helen Maxwell & Trevor Bailey, (undated) Jan Smith & Uli Pfisterer Column 3 - Women's Single: 1981 Janet Hartrich, 1982 Gill Tasker, 1983 Anne-Maree DicksonWooden shield with 3 gold medallions of people playing table tennis and metal plates underneathroyal victorian institute for the blind, peter evans, uli pfisterer, helen maxwell, trevor bailey, jan smith, janet hartrich, gill tasker, anne-maree dickson

Issued as a uniform item post WWII until the late 1980s. It was also used parade dress until its replacement of a newly designed uniform made of polyester. This particular sample belonged to CPL K. Howe 3144504 whist in the Army Reserves 1982 to 2005The khaki battledress was standard uniform issued post world war two and used until the introduction of the polyester uniform in the late 1980s. This uniform belonged to CPL K. Howe, the donor providing good provenance. In conjunction with other items of militaria donated by the Howe family. Item can be to tell a story of multi generations of military service of the Howe familySingle breasted hip-height jacket in khaki fabric, fastened with five buttons down the centre of the chest. Two pleated breast pockets with triangular flaps fastened with two buttons. All buttons plastic and khaki green in colour. Jacket is fastened around the hips with a belt, attached on left hand side and buckled in a rectangular metal buckle on right hand side. Both left and right sleeves bear two patches, a double chevron and red rectangular patch rounded to follow the seam of the shoulder, with embroidered text. Navy lanyard looped around right shoulder, held in place by epaulet and tucked into right side pocket. Red patch reads "ROYAL AUSTRALIAN ENGINEERS" Internal left chest label reads "A.G.C.F./VIC. 1981/[broad arrow symbol]/6405.66.025.6408/SIZE OF CHEST/SIZE 99-102R/MACQUARIE 80/BATCH J/DRY CLEAN ONLY/CREASE UPPER/HALF OF/LAPELS ONLY/No. 3144504 [handwritten]/NAME/CPL K. HOWE [handwritten]"jacket, battledress jacket, battledress jacket khaki, royal engineers

Account of the Diamond Valley 50s Plus Club's formation in 1981 and its activitiesPrinted in black on off-white paper, one-sided, with photograph of the Watsonia Community Hall, one of the club's venuesdiamond valley 50's plus club

1copy in better condition donated by Don McLeod of Lyndoch 18th February 1981Hard Cover, Red with Gold LetteringPrepared by Some of the Boys Published by AUSTRALIAN WAR MEMORIAL A.C.T. 1942