A collection of artists drawings cut from 'Album of Sandhurst Views' 1888. (a) St. Paul's Church, Sandhurst, All saints Church, Sandhurst, (b) Roman Catholic Bishop's Palace, Roman Catholic St. Kilian's Church, (c) The Mining Exchange, (d) Sandhurst Hospital, (e) Alexandra Fountain and Pall Mall from Charing Cross.buildings, vaious, alexandra fountain, charing cross, pall mall, hospital, mining exchange, bishops palace, st. kilian's church, st. paul's, all saints

A photocopy of the programme of The Tour under the Direction J. & N. Tait. On the front page of the programme are the words, ' The Tour under the Direction of J. & N. Tait.. Artists Miss Amy Castles soprano, Mr. Anderson Nicol tenor, Mr. Peter Dawson Basso, Mr. Victor Busst solo pianoforte. On the inside and the back is the programme. Date unknown.program, music, singing, lydia chancellor, collection, ephemera, music, singing, event, concert, amy castles, anderson nicol, peter dawson, victor busst

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.The Australian Opera. LP 33RPM vinyl - Commemorative set, Catalogue Number: 2XS 4606, 1 cardboard box cover, 1 internal box cover, 1 paper record cover, 1 plastic record sleeve, 1 vinyl disk, 1 cardboard portfolio of prints cover, 6 prints of costume design (various artists).lp, sound recording, opera

Framed watercolour titled "Late Afternoon" painted by Julie Lundgren Coulter. Features a country scene of trees, low hills, and a waterhole or dam. Painted in colours of browns, creams and yellows. Gold frame with triple cream card mount. On reverse is a name and address label of the artist & the text: "PEACE IS SEEKING A SUNSET & KNOWING WHO TO THANK""PEACE IS SEEKING A SUNSET & KNOWING WHO TO THANK"

Block mounted colour photograph featuring the artist Francis Smith. Shows a head and shoulders image of Smith, bare chested with long hair and full beard. He is resting his right hand on a wooden pole, possibly a shovel handle, and looks skywood. His fingers are dirty. Mounted on craftwood board with black painted edges.

Yields information about the City of Ballaarat the time of the Mayor's report to the City Council, about the events, industry, transport and other issues within the City.Photocopy of part of City of Ballaarat's Mayor's Report for 1951 - 1952. Originals held in the Ballarat Library. Seven pages covering trams, railways, telephones, one page item and artists impression of new SEC Power Station Ballarat "B" then under construction and photo looking from Town Hall - showing a sign "orderly parking".trams, tramways, city of ballaarat, trams, railways, civic history

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade, abstract figurative sculpture, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Hand modelled ceramic sculpture of a Madonna and Child figural group. The abstract figures are fully covered in an olive green overglaze, apart from the base which is overglazed in cream. The base has an incised spiral beneath the glaze, which was used to decorate the hidden surfaces of a number of pieces, The base is signed with the artist's name around the edge.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), sculptures, abstract art, madonnas and child, viola annie mcvicars, viola annie ayling

Newspaper - MX - Melbourne local newspaper, handed out free at Railway Stations in the city area for 17 Oct. 2018 with an article titled "Art on the Right Track", featuring a Transporting Art tram No. C3003 and Artist Oli Ruskidd. The newspaper has little snippets, news about Melbourne's public transport and events. Whole newspaper retained.trams, tramways, transporting art, decorated trams, c class, tram 3003

Framed print - of MMTB No. 467, X1 class tram, drawn by Carl Segnit, side on view printed on white card, with MMTB logo, mounted in a black plastic frame, with Perspex front, with a clip on heavy card (wood product) backing. IN the bottom right hand corner in red print is "1/99" with the artists signature underneath.trams, tramways, x1 class, drawings, tram 467

Dr Bernie Dunn spotted a model of the merchant ship 'Ulimaroa' at Pollywoodside Museum after which he commissioned Ib Odfeldt, a Danish prize winning marine artist, to depict the vessel at sea.The painting was later gifted to ANZCA in 2006. John Traill, co-owner of Huddart Parker Ltd, named the ship in 1907 after his family home 'Ulimaroa' the building which was later purchased by the newly established ANZCA. The S S Ulimaroa was one of the popular ships in the Huddart Parker fleet that was in regular service between Australia and New Zealand from 1908 to 1934. This service was interrupted by WWI when it was commissioned by the NZ Government to carry troops. During the depression it was de-commissioned where it lay in Sydney Harbor until 1934 when it sailed under its own steam to Japan to be converted into scrap metal. Oil on board painting of the merchant ship S S Ulimaroa on the Derwent River, Hobart, with landscape in distance and small steam boat on of main ship. Set in a plain gold and black wooden frame.[on frame in white ink] HUDDART PARKER LTD. / 1908 1934 / S/S ULIMAROA [on reverse in black ink] THIS PAINTING WAS COMMISSIONED / BY DR BERNARD L. DUNN & WIFE JEAN. / FOR THE ANZ COLLEGE OF ANESTHETIST 2006 ("ULIMAROA" ST KILDA RD MELBOURNE ) / TITLE: ULIMAROA ON THE DERWENT RIVER, (TASMANIA) / ARTIST IB ODFELDT / MEDIUM: OIL ON BOARD 2006 / THE SMALL STEAMER IN THE BACKGROUND S/S WARRENTINA / 808 CYGNET COAST RD / PETCHEY'S BAY 7109 TAS. / RED STAMP dunn, bernard, ulimaroa, odfeldt, ib, parker, huddart, traill, john

RICHARD FORD WAS AN ARTISTPHOTOGRAPH OF FOUR CHURCHES TAKEN FROM RICHARD FORD'S GARDEN IN SMITH STREET, CLUNES.AS ABOVEchurches, st-pauls anglican

Ceramic plate, decorated by Serge Daeffler. Hand painted text with transfer illustration of the Old Eltham Bridge at Lower Plenty which was opened on 8/3/1867.Ceramic plate, off-white with green edges, colour transfer photograph, glazed"Welcome to Banyule", "Old Etham (sic) Bridge at Lower Plenty", by Serge Daeffler. Card of Banyule's Heidelberg School Heritage Artist, Robert S, Phillips attached to rear, with price label from Savers.plates, lower plenty

Moran was an Australian realist artist who specialised in floral works in oil. She was highly regarded for her skills as an artist as well as her ability to share her knowledge of painting. realismRural City of Wangaratta Collection, Wangaratta Art Prize Grand Winner 1986.A still life oil painting of pink and white chrysanthemums arranged in a glass vase with rounded gum leaves which has been placed on top of a round dinning table which has been covered in a white tablecloth.Obverse: P. Moran/ (bottom right corner) WANGARATTA ART SHOW/ GRAND WINNER 1986/ (plaque mounted on frame)wangaratta art gallery, patricia moran, still life, flowers, chrysanthemums, painting

Artist - Gordon Thurling, BTV6 graphic artist at the time. Understood that he also worked for Myer in Ballarat, has since passed away. See item 6422 for another example.Strong association with the artist Gordon Thurling and demonstrates in a pen and ink drawing the last tram in Sturt St at the time of the closure of the SEC system.Coloured photocopy of a drawing by Gordon Thurling titled "The last tram Sturt Street Ballarat 19 September 1971". Originally a Black and white drawing of tram 39, with destination "Sebastopol" with Ballarat Town Hall in background, which has been coloured with green, grey and yellow watercolours.ballarat, trams, tramways, closure, drawings, last day, town hall, tram 39, gordon thurling

BHS Collection Leaflet titled A Voice from the Golden City - Bendigo Artists, Architects and Visionaries. An exhibition held at the Bendigo Art Gallery until 4 July 1999. Mentioned are photographers and artists including Thomas Wright, John Carter Northcote, W E D Stuart, Alexander Fox, Nicholas Caire, George Rowe, Ludwig Becker, S T Gill and George Lacy who took photos and painted pictures of the City from local vantage points. Also included are local identities and buildings. Written by Karen Quinlan, Curator. The front has a faded out impression of the fountain, and the back has a photo taken by Nicholas Caire titled Sandhurst - North Part, as seen from the top of the Masonic Hall 1875 photograph: Bendigo Art Gallery.bendigo, history, long gully history group, the long gully history group - a voice from the golden city - bendigo, cassell's picturesque australasia, thomas wright, john carter northcote, w e d stewart, alexander fox, nicholas caire, george rowe, ludwig becker, s t gill, george lacy, james edwin meadows, c d richardson, dr backhaus, george lansell, william charles vahland, robert getzschmann, william beebe, cohn brothers, bolton brothers, bendigo pottery, bendigo advertiser, bendigo tramways, sandhurst trustees, sun loong chinese dragon, shamrock hotel, diamond lil, bendigo william thompson, knipe's castle, no 3 shaft of the garden gully mine, cascade in rosalind park, dame nellie melba, post office clock, alexandra fountain, town hall, post office, masonic hall, beehive store, princess theatre, bendigo art gallery, karen quinlan, australian unity, bendigo historical society, city of greater bendigo, national library of australia, national sound and film archive, the national trust, bendigo branch, north central goldfields library, coliban water, 3bo, ten victoria, albion chambers, albion hotel

The book contains a series of exercises which would have been used by artists and art teachers at the beginning of the 20th century. Mary Norman, the original owner of this book was both artist and teacher. Mary Norman worked in Warrnambool, and has left a significant amount of work of scenes from around the district. The Warrnambool and District Historical Society has five in its collection, Gaul’s Cave, Mermaid Cave, Seascape, Wreck of “La Bella”, Clifton Banks, Hopkins River.Fawn card cover with maroon cloth binding. Title in black. Back cover has black text with Dr Beach’s Entertaining readers and a list of testimonials from teachers.Stamped inside front cover, Mary L Norman the Studio Araratwarrnambool, mary norman, perspective projection, e.g.baker

Framed collage of Australian raw wool by wool artist Pauline Osborn. Titled "Jimba on Manooka" (Sheep on Hill). Work specially made for the National Wool Museum after a visit by the artist in 1991.Wool collage of pastoral scene entitled "Jimba on Manooka" (English translation - Sheep on Hill). Framed and glazed.handicrafts

A sepia coloured portrait of a woman on card. On back 'KEMP, PERRY & CO/Artists and Photographers./81 BOURKE ST. EAST./2 doors East of/THEATRE ROYAL/MELBOURNE' / 'PHOTOGRAPHIC COPIES & PORTRAITS IN OILS & WATER COLORS/CAN BE HAD FROM THIS CARD.' deaf children australia, victorian deaf & dumb institution

black and white photographSwanston Street late 1800's. Carlton to Prahran tram.Talma Artist Photographer. Artistic Stationery Drawing Materials. J.T. Buxton Auctioneer and Valuers. Wm Ford and Co Chemists. Vita Studios. Exchange Hotel.

Rectangular medical chart made from printed and coated paper laid on white fabric (?cotton) and showing the upper part of the human body, with skeleton, organs and blood circulation. The chart is attached to two wooden batons with small metal tacks. The top baton is moulded while the lower baton is circular in cross-section. Both batons are stained black. There are two screwed metal eyelets attached to the upper baton used for hanging the chart. A short length of red cotton tape is attached to the mid point of the upper baton with a metal tack and is used for securing the chart when it is rolled up. There is the remnant of a printed paper label adhered on the reverse side of the chart at the top edge, but unable to read the writing.The artists name (J. Teck) is printed at the bottom LHS of the chart . The logo of the St John's Ambulance Association is printed on the RHS of the lower edge of the chart, along with the words 'St JOHN'S GATE, LONDON, E.C.1'medical chart, blood circulation

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of a plant stem with detailed views of flowers and leaves. Upper left is a top view of a yellow and red flower, labled "b1". Below this is a study of two heart-shaped, dark green leaves ("c"). In centre is a setm view with many-leafed stems coming from the central stem (approximately 8-10 leaves per stem) ("a"). Three flowers on long thin stalks come from these leafed stems. One bud and two seed pods are also shown sprouting from the stems. On right are two flower views - one side view and one back view. Numbers are in pencil and are also printed on white paper and glued to surface of the paper. The work is mounted in a double matt (off-white on yellow) and framed under glass in a wooden frame with gold paint.Front: Bossiaea cordigea (lower left) (pencil) Written in hand unlike the artist's over an erased pencil title. CEW (signature, lower left of image) (purple pencil) Back: 52 (upper left) (pen)collin woolcock, woolcock collection, woolcock, botanical drawings, botanical

The unveiling and blessing of the finished ceramic mural took place on Friday 3 July 1992. The Nunawading Council supplied the funding for the project through their 'Artists in Schools' program. They had a ceramic artist to assist in the project.2 coloured photographs (a & b) of some children from grade 1 and 2 at St Thomas the Apostle School, Blackburn, in their art room looking at their completed mural. Date 1992st thomas the apostle school, blackburn artists in schools project

Print of WWI Aircraft on ground showing damage to engine cowling This is a Royal Aircraft Factory RE.8. This plane was used by 3 Squadron, Australian Flying Corps from 1917 onwards, among others. It was nick-named "Harry Tate" after a popular musical artist of the time http://www.3squadron.org.au/indexpages/history1.htm#WW%20I .Signed Arthur Streeton

Black & white portrait woman, parted drawn back hair style. Lace collar with Vic mourning brooch. Earrings. Vita 77 Swanston Street, Melbourne printed on front. Reverse. Printed in Gold 'From the Vita Portrait Studio. Circular printed stamp contains, S Calvert, 77 Swanston Street, Melbourne, Artist Manager around margin.S Calvert, 77 Swanston Street Melbourne.photograph, person, female

3 tickets, (identical text, one pink 2 blue) for E. Morcombe Concert. On front: 'The Town Hall, Bendigo, Grand Concert under distinguished patronage. Friday 16th July, 1909, Miss E. Morcombe, the gifted 'Bendigonian Soprano' assisted by leading artists. Front Seats 2/-. Mrs E. Mueller, W.J. Parry, Director.entertainment, concert, miss e morcombe

Bendigo Advertiser "The way we were" from 1999. Snap: the former Bartlett Bros photographic studio in Williamson Street dominated photography in Bendigo for almost 50 years. Much of that time it was managed and owned by Robert Bugg, photographer and artist. The business was later acquired by Vincent Kelly, Reg Brock, Martin&Aulsebrook and more recently by the London Pharmacy.newspaper, bendigo advertiser, the way we were

Part of NMIT's marketing strategy, this invitation to Open Day 1999 is aimed at prospective students. See also posters for Expo days and Taste daysBrochures with programs for Open days for Northern Metropolitan College of TAFE 1992 and 1995, and for Northern Melbourne Institute of TAFE 1997 and 1999, and for NMIT 1999. Also folded invitation to 1999 NMIT Open Day. Coloured illustration on front (artist unknown). Inside text lists NMIT courses and has reply paid postcard requesting course and career guides. open days, postcards, corporate communications, programmes, nmit