Document. KELLY & ALLSOP COLLECTION. A share certificate issued by the Confidence Extended Company, No Liability at Windmill Hill, Bendigo. Certificate represents 100 shares of 1 Pound each. Capital raised 42,000 Pounds from 42,000 shares. Certificate No. 1020 issued to Wm. Hyde of Bendigo on 16 Sept.1895. Signed by William W.Barker, Legal Manager, Albion Chambers, Bendigo. Three 'Calls Paid' marked on reverse.Confidence Extended Co.business, stockbroker, kelly & allsop, kelly & allsop collection, confidence extended co., share certificate, william w.barker, wm hyde.

George Meudell was born in Bendigo in 1860, the son of a bank manager. He became a public accountant. He worked for B J Fink. He took up a seat on the Stock Exchange. He later wrote a book, 'The Pleasant Career of a Spendthrift'. The book caused a stir and was withdrawn from sale. There was a later edition where a lot of names were withdrawn from the book.document, names of bendigo pioneers, the meudell mystery, the land boomers, michael cannon, maurice brodzky, george meudell, table talk, bendigo high school, money miller's bank of victoria, grant meudell, hnry miller, isaac pitman, john alsop, melbourne savings bank, andrew lyell, mercantile finance co ltd, b j fink, g w taylor, thomas bent, w l baillieu, stock exchange melbourne, william knox, broken hill proprietary, f m dickenson, historical society of victoria, the pleasant career of a spendthrift, george routledge & sons ltd, routledge & kegan paul ltd, frank campbell, robertson & mullens ltd, j m gillespie, sir matthew davies's mercantile bank, unofficial history of victoria, booksellers' association, the pleasant career, theodore fink, the herald, wilke & co pty ltd, the pleasant career of a spendthrift and his later reflections, lionel robinson, william clark, s m bruce, premier building society, j kitchen & sons ltd

Typed notes mentioning the history of the Hepburn Family and Margaret Cotton McLachlan coming by sailing ship to Australia to marry her fiance who was a miner in Sandhurst and extracts from the diary of William Thompson.document, names of bendigo pioneers, bendigo historical society, settlers under sail, alexander hepburn stone, loch ard centenary commemoration committee, professor j. j. auchmuty, mr don charlwood, andrew hepburn, james hepburn, mary queen of scots, black bothwell, captain hepburn, the 'hope', george b crow, george baker, the 'marlbro', archives department of the latrobe library, mr loman, the 'david clarke', captain hepburn of the royal scots, sir john hepburn, mr howard hepburn, victoria reef lease no 60, ebenezer neill, becker, stirton, margaret cotton mclachlan, ina hepburn, the 'donald mckay', black ball line, james baines and company of liverpool, onedin line, passenger contract ticket, james mclauchlan, christian ferguson, robert miller, william thompson, mr stanwin, the 'shomberg', itchell and son, the 'dunbar', margaret stirton, canon horace stirton, dr james nish, p pentreath, jane pentreath, st andrew's presbyterian church sandhurst, james hepburn, corporate high school, bendigo high school, iron bark school of john rae, rae's hill school, mr john rae, rae anderson, bendigo branch of the royal historical society of victoria, victoria reef mine, 'gourdie farm', mr howard hepburn, john fortey, margaret cotton hepburn

Born: Londesborough, Yorkshire, England 1862; Arrived: Sydney, New South Wales Australia 1885; Lived and worked: England 1893-1896; Died: Montrose, Victoria, Australia 1935VictorianLedger Gift, 1985Rural landscape with large weeping tree, fence, rolling hills, line of trees and sky. Grey rubbed from gold gesso timber frameRecto: Signed "BLAMIRE YOUNG-" in white watercolour in l.l.c of composition; Not dated; Not titledwatercolour, landscape, trees, fence

Henry Havelock Langham's father was William Henry Langham, his mother's maiden name was Lizzie A Hackett and they lived at 235 Gold Street Clifton Hill. Henry was born on 21 April 1904 at Clifton Hill. The Officiating Minister was John Hall. The word "Wesleyan" has been struck out on the certificate because in 1902 it with four other churches came together to form the Methodist Church of Australasia.Methodist Church Certificate of Baptism for Henry Havelock Langham in 1904 at Fttzroy.john hall, henry havelock langham

The convention was held in the Brunswick Street Methodist Church, Cantebury Road, Surrey Hills on the 13th, 14th, 15th, 16th, 17th June 1940. It was arranged and convened by the Methodist Local Preachers' Association.Souvenir program for the 24th Holiness Convention. The program has a reproduction of the artwork "The Light of the World" by William Holman Hunt. The back cover is umber coloured with an image of a bible and card with the words "Behold I stand at the door and knock. If any man will open I will come in! Have YOU opened it yet?"Front cover: "I am "The Light and Hope of the World""methodist local preachers' association melbourne branch, brunswick street methodist church, fitzroy

Looks at the Aboriginal community from the time of white contact, across many parts of Victoria. Chap.1; Melbourne - early missions, camp of Native Police, corroboree trees, canoe trees, grave &? headstone of Derrimut; quarries at Keilor, excavation sites at Green Gully &? Keilor; quarry at Mt. William, notes on inheritance of quarries Coranderrk settlement - Barraks grave, notes on his life; Chap.2; Geelong - Yawangi group of the Wothowurong tribe, camping grounds in area quarries; Notes on William Buckley, Gellibrand (a notable Aboriginal), graves in the Western Cemetery; Chap.3; Colac - war between Colac &? Geelong tribes; Mission at Birregurra, reason for failure of Buntingdale Mission; brass plate to Coc-coc-coine; reserve at Elliminyt, native ovens, camp sites, initiation site &? ritual; quarry sites, axegrinding factory, rock pecking &? engraving; dried hand &? 3 Aboriginal skulls found; Chap.4; The south-west coast - middens, camp sites notes on Framlingham Stn., fish traps at Tyrendarra; Chap.5; The far west - massacres of Aborigines near Casterton; camp sites, oven mounds; the first cricket team formed; Aboriginal cemetery; Chap.6; Hamilton - camps; Mount Rouse Station, axegrinding grooves at Nareeb Nareeb, shelters described, fish traps, massacre at Lake Condah; mission; canoes; Chap.7; Camperdown - legend about Lake Bullen Merri; obelisk erected in memory of Aborigines of district especially chief Wombeetch Puyuun; Jarcoort tribe; fish weirs, camps, intertribal fights between Booluc-burrers, Jarcoorts &? Ellengermote groups; bartering place at Mount Noorat; articles traded, legend of Flat-Top Hill; Chap.8; Ballarat - camp at Lake Wendouree; White Stone Lagoon; legends concerning Mt. Buninyong &? waterfalls at Lal-lal; camp sites; pygmy-type implements near Meredith, quarry at Glue Pot Rocks near Durdidwarrah; brass plate of King Billy; Chap.9; Ararat - Tjapwurong territory; camp sites, quarries, shield &? canoe trees; Bunyip belief at Lake Buninjon of Muk-jarawaint &? Pirtkopen-noot tribes, gives legend; stone implements; mill stones; fish weirs; stone arrangement near Lake Wongan; ground drawing of a bunyip, paintings in rock shelter near Mt. Langi Ghiran; Chap.10; Maryborough - camps, oven mounds, rock wells, stone arrangement at Carisbrook; camp sites at Mt. Franklin; Chap.11; Charlton - belief in Mindye (snake); canoe trees, ovens, camp sites, water holes, rock wells, stone implements; method of rainmaking; Chap.12; Horsham-Stawell, The Wimmera - Wotjobaluk land; camps, fish traps at Toolondo; Black Range cave paintings, Flat Rock shelters (detailed account of these paintings); Bunjils Cave; Chap.13; Horsham-Stawell, The Mallee - camp sites, implements; Ebenezer Mission, Willie Wimmera taken to England by Rev. Chase to become a missionary, died in England; Chap.14; The Murray River, Mildura Swan Hill - Battle of the Rufus; ceremonial ground, Lake Gol Gol, canoe &? shield trees; stone implements; camp sites, fire place arrangements; fish traps; oven mounds; Chap.15; The Murray River, Swan Hill-Echuca - legend about Lake Boga; camps, oven mounds, the Cohuna skull, Kow Swamp, method of burial; Chap.16; Shepparton ovens; brass plates of King Paddy of Kotupna &? King Tattambo of Mulka Stn., native well, camps; Chap.17; Wangaratta -camps, quarry, rock holes, the Faithful massacre; grinding rocks at Earlston; Chap.18; The High Plains - Ya-itma-thang; camps, Bogong moth feasts, native paths for trade &? intertribal fights, articles traded; painted shelters; Koetong Ck. Valley, near Mt. Pilot &? near Barwidgee Ck.; Chap.19; Dandenong - water holes, list of 8 holes in Beaumaris - Black Rock area; camps, middens, stone implements (microliths), legend of Angels Cave, stone axes, Native Police Force, Narre Narre Warren Station, legend about rocks on Bald Hill, kangaroo totemic site; Chap.20; Wonthaggi- Yarram - natives visit Phillip Is., murder of William Cook and Yankee by five Tasmanians (listed as Bon Small Boy, Jack Napoleon Timninaparewa, Fanny Waterpoordeyer, Matilda Nattopolenimma and Truganini) near Cape Patterson, men; camp sites, middens, legend of White Rock; Chap.21; Sale - Bairnsdale, The Lakes Country middens, camps; legend at Wulrunjeri; story of a white woman supposedly living with with the Tutangolung tribe, efforts made to prove story; canoe trees; Chap.22; Sale-Bairnsdale, The Inland Braiakolung tribe, camps, implements, canoe &? shield trees; Ramahyuck Mission, grinding rocks, fights with Omeo tribe; native tracks, death through enemy magic - procedure, belief in ghosts; Chap.23; Lakes Entrance and the Country to the east - Kroatungolung people, legend of Kalimna Valley; camps, stones of Nargun, bunyip, devils at Lake Tyers, excavation at Buchan, carbon dates; middens, ochre at Cape Conrad, stone fish-hook file at Thurra River; note on Bidwel tribe; Each chapter gives historical details, early contacts, relationships with settlers; Aboriginal place names and detailed description of sites and geographical features.b&w photographs, b&w illustrations, colour illustrationsgeelong, colac, hamilton, camperdown, ballarat, ararat, maryborough, charlton, horsham, stawell, murray river, shepparton, wangaratta, dandenong, wonthaggi, yarram, sale, bairnsdale, lakes entrance

Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. Ahmanson Gallery, Los Angeles County Museum of Art, Beverley Hills, Los Angeles, California, USA (1965). (Architect: William Pereira.)Made in Australia / 21 / JUL 65Mcalifornia, slide, robin boyd

Ernest Francis William Swan (1887 - 1981). Born Clifton Hill 1887. Educated at Wesley College and Queen's College at the University of Melbourne, where he was awarded an M.A. and B.D. Ordained into the Methodist Church in 1916.He served at Beechworth, Woomeland and Nhill before being appointed minister of the Piedmont Community Church in California in 1926. Whilst in the U.S. he graduated Th.D. at the Berkley Pacific School of Religion. In 1937 he returned to Australia as minister to Henley Beach S.A. Congregational Church. He was minister at Surrey Hills Wyclif Congregational Church 1940 - 1960. Married Mary Madsen in 1917. Died 31 October 1981.B & W head and shoulders studio portrait of Rev. Dr Ernest Francis William Swan, dressed in academic robes.ernest francis william swan, mary madsen, methodist, minister, congregational, wesley college, queen's college, university of melbourne, berkley pacific school of religion

Rev. Thomas Staines Brittingham Woodfull (1863 - 1941). Born Maldon in 1863, but grew up in Prahran and attended the Punt Rd Church. Qualified as a pharmacist. Worked as a local preacher before being ordained in 1887. Appointed to Sandhurst in 1887 before being sent as Conference Evangelist to Tasmania, where he conducted missions. Married Gertrude Lily Abey (1872 - 1941) in 1891. Returned to Victoria in 1893 and served at Kerang, Maldon, Shepparton, Flemington & Essendon, Collingwood, Bendigo, Albert Park, Brunswick, Box Hill. Retired in 1930. Was active in the campaign against the Collingwood tote. President of the Methodist Conference 1923. Father of William (Bill) Woodfull, Australian cricketer of the 1920s and 1930s and Captain of the Australian First Eleven during the notorious "Bodyline" Test series.B & W waist length studio portrait of the Rev. T.S. B. Woodfull, mounted on grey card."Rev T.S B. Woodfull"thomas staines brittingham, gertrude lily abey, bill woodfull, president of conference, evangelist, methodist, minister, pharmacist.

In 1823 the membership of the Primitive Methodist church in the UK was 33,000. Forty years later, in 1863, membership had grown to half a million making it the third largest religious group after Anglican and Wesleyan Methodist. Primitive Methodism came to Australia in 1840. Source: https://www.movements.net/blog/2016/02/08/lessons-from-the-primitive-methodists-dave-price.htmlCH019.1 - Primitive Methodist white commemorative plate with grey, green, brown and gold illustrations and text. Images: Top: "First camp meeting, held at Mow Cop, May 31 1907". Right side: "Jubilee Chapel, Tunstall". Left side: "Memorial Chapel Mow Cop". Bottom:" Clowes Memorial Chapel, Burslem". Centre: "Hugh Bourne. Born April 3rd 1772. Died Oct 11th 1852" "William Cowes Born march 12th 1780 Died March 2nd 1858". The is text around the rim of the plate: "The little clouds increasing still which first arose upon Mow Hill" "The Centenary Camp Meeting was celebrated at Mow Cop on May 26th & 27th 1907". The back of the plate gives church statistics: "Truly What Hath God Wrought. Chapels & Preaching places 4,905. Ministers 1,153. Local Preachers 16,209. Church Members 210,173. Congregational ... 607,682. Sunday Schools 4,209. Teachers 61,275. Scholars 477,114. Value of Property 4,958,978 pounds. CH019.2 - Same as CH019.1 in white, blue and gold. CH019.3 - Same as CH019.1 with more gold and colour. The wording around the rim is the same but differently placed."1807 PRIMITIVE METHODIST CENTENARY 1907"primitive methodist, primitive methodist jubliee chapel tunstall, mow cop, bourne, hugh, clowes, william

Lochton was owned by William Morris Hunter who built and established the three storey flour mill on the horseshoe bend near Deep Creek in Bulla in the mid 1850s. The mill was steam driven. Since the 1960s when the Boral Company acquired Lochton, the property was leased out until January 1994.A coloured photograph of a former bluestone flour mill on a horseshoe bend of the Deep Creek. Trees are growing along the banks of the creek and sparsely covered hills are along the skyline.flour mills, hunter, william morris, lochton flour mill, deep creek, boral company, george evans collection

The photograph shows a section of the original settlement of the Bulla township. The cutting on the hillside is significant as it is the remains of one of the original stream crossings in Victoria.A coloured photograph of the Bulla Hill along Sunbury Road with a view of the cutting on the distant hillside. The photograph is a view of the old Bulla township looking to the NW. There is a wide grassy verge in the foreground.bulla township, deep creek, wright, william 'tulip', sunbury road, george evans collection

Canon Gully is situated about 2 km upstream from the railway bridge at Rupertswood. In 1864 it was the site for the military encampment of the Victorian Volunteer Forces. William Clarke allowed the military to stage the annual event on his property. Further encampments were held on this site in 1874 and 1877.A coloured photograph of a wide valley with cleared hills in the background. The tree lined creek or watercourse is across the middle distance of the image.canon gully, rupertswood estate, encampments, clarke, william j. t. 'big bull', victorian volunteer forces, george evans collection

A black and white photograph of a farm buildings at Rupertswood with Jackson Creek in the near background and the Caloola Training Centre on the hill in the background.sunbury asylum, rupertswood, farming, clarke, william (sir), farmbuildings, salesian order, caloola training centre, george evans collection

Woodlands Homestead was erected by William Greene in 1843 and is one of the state's oldest buildings. Over the years the complex has been renovated and extended. The property has connections with the racing industry over the years along with the neighbouring properties of 'Cumberland' and 'Attwood'. In 1978 654 acres of the original property was purchased by the state government and placed under the management of the National Park Service.A black and white photograph of part of a building showing the verandah with a paved floor. The hipped roof is covered with corrugated iron and the walls are weatherboard. An old steel kitchen chair is on the LHS at the end of the verandah and asparagus fern is growing up over the rear wall.woodlands homestead, greene, william pomeroy, anne, woodlands park, gellibrand hill, george evans collection

This gum leaf painting is one of a pair displayed on foil in the same frame. It is typical of many paintings by the self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.An oil painting on gum leaf by the well-known Australian artist Alfred William Eustace. He was a self-taught artist during the 19th and early 20th century and a prominent resident of Chiltern. Oil painting on gum leaf by Alfred William Eustace. A scene of a log cabin on Black Dog Creek Road, Chiltern, with Skeleton Hill in the background. The canvas is a juvenile Red Box (Eucalyptus polyanthemos) leaf. It is one of a pair of Eustace gum leaf paintings mounted on gold foil, under glass in a brown frame. Inscription on back. Labels on back: Rehoused by The Centre for Cultural Materials/ Conservation, University of Melbourne "Oil on Gum Leaf"/ by Alfred William Eustace/ Donor:- Cam & Connie Boadle/ Wales U.K. Crescent/ MUSEUM/ GRADE/ 24 OCT 1998/ CONSERVATION BOARD ALBURY/ PICTURE FRAMERS/ Shop 15 & 16/ AMP Lane,/ Albury, 2640/ Ph: 02 6021 7088black dog creek, chiltern, alfred eustace, skeleton hill, gum leaf, painting, eustace

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. Miniature oil painting of a landscape, with creek in foreground and bush and hill behind, by A.W. Eustace, under glass, in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, chiltern, oil painting, landscape

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape, with creek and grassland in foreground surrounded by bushland and hill in distance, by A.W. Eustace, under glass in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, oil painting, landscape, chiltern

This book gives a brief description of tramways around the world before focussing on Box Hill-Doncaster's very own. The tramway - the first electric one in the Southern Hemisphere - operated from 1889-1896. It ran from Whitehorse Road along Station Street north to Doncaster Road Intersection. Photos. Index.arnot> arthur, draper> thomas, laurie> david, meader> william, masters> william, serpell> richard, glassford> matthew, aspinall> joseph w., cockcroft> george, collier> samuel, ellingworth> william, inglis> john, mcmurdie> f.a., padgham> silas, rawlings> alfred, serpell> alfred, wright> george, wright> james, wright> john, wright> william edward, lauer> a.c.h., transport, tram services, station street, box hill, elgar road, doncaster, doncaster road, box hill and doncaster tramway company

This bonnet is part of a collection of clothing donated to the Brighton Historical Society by Dr William and Helen Wells. It is believed to have belonged to William's grandmother Winifred Marshall (nee Hayball, 1886-1971). William's family has had a long association with Brighton, dating back to the town's earliest days in 1843 when his ancestors Robert and Eliza Hayball, who had emigrated to Melbourne two years prior, established a wattle-and-daub hut in what is now New Street, close to Tovell Street. Robert established a business as a timber merchant on the opposite side of New Street. His sons, Robert, William and Edwin took over the firm following his retirement, trading as the Hayball Bros. Hayball Court, which runs off New Street, is named after the family. Robert's son William (1855-1926) married Jessie Robertson and had four children. Their eldest, Winifred Grace Hayball (1886-1971), married Andrew Hollingsworth Marshall at the Black Street Congregational Church in 1907. They subsequently lived in Hill Street, Hawthorn, before moving into a house designed by Andrew and Winifred's brother Robert at 39 Bay Street, Brighton in 1915. Their daughter, Dorothy Marshall (1910-2000) married Robert George (Argie) Wells in 1937 at Wesley College Chapel. They lived in East Malvern until 1947, when they moved into a newly built home in Hawthorn Road, East Brighton, where they lived for the rest of their lives. Their son, William Wells (b. 1939) married Helen Pickering in 1968 and the couple have lived together in Brighton ever since.Pale pink silk bonnet (sleeping or house cap) with cream lace edging. The bonnet is embellished with oval-shaped embroidered appliqué on either side, featuring floral design in white and pale yellow, blue and green. A cream silk ribbon and a row of pale blue and green rosettes run along the top edge between the two appliquéd segments. A length of elastic is sewn through the bottom edge.wells family, winifred grace hayball, winifred grace marshall, bonnet, 1900s