Eight page newspaper magazine recounting the story of the Australian Diggers who fought on the Western Front. world war one, western front, 24th battallion, mont sr quentin, fromelles, pozieres, mouquet, messines, bullecourt, villers-bretonneux, ypres, hamel, quentin, hindenburg, anniversary, john poulton, may tilton, louis nitchie, monty nitchie, clara payne, jean howard, jim nitchie, hector nitchie, victoria cross, albert jacka, william jackson, rupert moon, patrick bugden, walter peeler, william ruthven, walter brown, percy statton, lawrence mccarthy, robert mactier, c.e.w. bean, keith murdoch, chatham family archive, chatham-holmes family collection

Photocopy of pages 2, 3, 4, 6 to 10 of The Mining Record, Feb. 1862. Items mentioned are:- Epsom and Huntly Leads, Pottery Flat, & c, Parliamentary Intelligence, Deep Sinking On Quartz Reefs, The Comet Company (Formerly Cooper's Little Redan), Hustler's Reef Quartz Mining & Drainage Company, Sailors' Gully Quartz Mining Company, Star Reef, Sailor's Gully, Bendigo, Star Reef Quartz Mining Company's Claim, Wilson & Co's Claim, Murdoch and Co's Claim, Hollick and Co.'s Claim, Cook and Co.'s Claim, Coote and Co.'s Claim, Sailor's gully quartz Mining Company's Claim, Garden Gully Reef, Knobel & Co.'s Claim, Ladams and Co.'s Claim, Southern Cross Company, The Rainbow Company, Barry and Co.'s Claim, Union Company's Claim, Winterbottom and Co.s Claim, Jury and Co.'s Claim, Piles and Co.'s Claim, Steers and Co.'s Claim, Watson and Co.'s Claim, Coles and Co.'s Claim, James and Co.'s Claim, Morgan, Kirchner and Co.'s Claim, Boyd and Co.'s Claim, Shanks and Co.'s Claim, Day and Co.'s Claim, Brown and Co.'s Claim, St. Mungo Quartz Mining Company and the Nelson Reef Quartz Mining Company.document, gold, mining reports, mining record feb 1862, bell's life, wellington hotel, botanical gardens, mitchell gardens, bird-in-hand, independent co, ballarat co, perserverance co, north star co, all england co, macleod co, mather and co, gold washing co, bendigo valley co, robey and co, hobbs and co, taylor's, lewis and co, henwood and co, bullock and co, davey and co, webb and lathlean, the welshman's, bon accord, john thomas's, caledonian co, webster, hrdy bros, mcewen and co, the big engine co, epsom huntly and ironstone hill co, 'the thames' steamer, whitely and co, cambridge co, victoria co, dower m'intosh and co, thomas and davies, aurora co, brett's, thomas bros, mitchell brothers, ballarat co, north star co, all england co, mr b g davies, mr ramsay, dr evans, tarrangower times, mr humffray, clunes co, mr courtin, mr lawrence, port phillip and colonial gold mining co, mr bland, r brough smith, john s mcnair, john mathieson, mr r o smith, joseph millen, thomas kaye, john basset, william cook, james cousley, john hill, robert hollinger, thomas houston, george loudon, william manning, john matthews, john mcewen, thomas milligan, john moorhead, robert moorhead, david murdoch, andrew murdoch, joseph nevin, edward o'malley, wm newton paul, james reid, samuel robinson, jesse selwood, james shand, william woods, catherine united claimholders, star reef co, sailor's gully co, churchill davidson, wm wilson, john jervis, james patterson, john carmont, george m'naughten, alexander wiseman, james houston, m'lennan, clark, thomas hollick, james alfred bowles, john lampert, francis palmetser, nichols, little pumping engine co, m'niely, morrison, waight, john coote, robert hamilton, william wilson, john jervis, southern cross co, ladam's claim, knobel, bird, philip ladams, james anderson, cordon, ashley, godwin, burkamp, john lomasney, james bryant, matthew langridge, benjamin exley, j r finlayson, wormold, mccartney, schrade, schumacher, george barry, james patten, peter speares, thomas caley, shadbolt, john lomasney, peat, kenely, mcgenely, egan, exwell, james winterbottom, john winterbottom, william jury, jonathan laidman, john pile, simon howard, peter morris, bignall, charles robison, ferguson, thomas steers, adolphe witts, albert berchdolt, richard urand, thomas watson, klemm, boyd, abbot, peterson, taylor, henry day, walter wallan, brown, grennan, day, young, mr beckwith, joseph thomson, nelson reef quartz mining co

Photographed l-r are Yiannis (John) Papadopoulos (Soufi), Vasilis Koutsouvelis and Anastasios Papadopoulos (Stravolemi). Yiannis and Anastasios were brothers and Vasilis their brother-in-law married to their sister Vasiliki. Anastasios and Yiannis worked in Kalgoorlie on their arrival in Australia and following the race riots of 1916 left W.A. for Melbourne. Anastasios eventually went into partnership with his brother-in-law Vasilis in a business in Chapel Street South Yarra. Yiannis established a fruit business in South Melbourne. A sepia studio photograph mounted on a light brown board of three young men. Two are seated in the front and the other manis standing behind them.pappas

The young lady is Efstathia (Toula) Mavokefalos (nee Raftopoulos) aged 16 who grew up in Romania. Efstathia left Ithaca at the age of three when her parents migrated to Romania. She returned to Ithaca where in 1913 met Costantine J. Mavrokefalos (Black) who had returned from Australia to fight in the Balkan Wars. Within three weks of their first meeting, they married and spent their honeymoon on the ship to Australia. Their children were Regina (Nina), John, Ellie, Marguerita (Rita) and Olga. During the19th century a number of Ithacans migrated to Romania. Generally they worked as barge traders on the Danube River or as farmers. Instability in the Balkans lead to many returning as well as new opportunities and trends in migration for Ithacans, such as Australia.A photograph of a sepia studio portrait photograph of a head and shoulders view of a young lady. The original photograph was backed onto brown board. Details relevant to the photographer are written in Romanian across the bottom of the backing.

The two children are brother and sister, Ellie and John Black (Mavrokefalos). Their parents were Constantine and Toula Mavrokefalos. An oval sepia studio photograph of two little children. The girl is the younger of the two and she is sitting sideways on a seat, while the boy is standing behind her. The photograph has been backed onto a brown board.

The Shire of Grenville was proclaimed in 1864. The Shire offices and hall are believed to have been completed by the mid 1860s. Photograph is dated to 1880s from names of Council members and Shire officers.Original sepia photograph showing a group of men standing outside the Shire Council offices at Linton. Photo shows the fence at the front of the Grenville Shire offices, and part of the next-door shop (shop formerly owned by Thomas Austin). Some names of Councillors and Shire officials handwritten on the back of the photograph. The photograph has been sealed in a protective plastic cover.On reverse of photograph: "Wm Brown / J.J. Shepherd / Alex McVitty / Jas Dodds (Shire Secretary) / G.H. Smith / Jno Clarke / W.G. Bennett / Mr Preston".shire of grenville offices, grenville shire hall, buildings, councillors, austin's shop, joseph shepherd, alex mcvitty, james dodds [shire secretary], john clarke, w. g. bennett, mr preston, william brown [shire engineer], linton town hall

Newspaper clipping of an article about Australian forces fighting in the Middle East doing a radio broadcast for friends and families at home. Exact date is unknown but during WWII. VX 27898 Corporal Thomas John Morris Thomas (Tom Thomas) donated several items to Cranbourne RSL. He served in the Australian Corp Signals in WWII both in Australia and overseas. He was born at Womerah on 9/11/1906 and died at Koo Wee Rup 16/06/1984. He enlisted at Yarram on 1/7/1940 and was discharged at Royal Park on 9/3/1945.Newspaper clipping adhered to brown support card with note typed by a typewriter down left side.Printed: "SOLDIERS' VOICES HEARD IN RADIO GREETINGS' Typewriter: "STH GILAND SOLDIER - CPL. TOM THOMAS VX 27898"newspaper article, wwii

John Stanistreet collection..1) Ribbon: British War Medal 1914-18 .2) Ribbon: Victory Medal 1914-19 .3) Button: Brown, plastic 4 hole .4) Button: Brass coloured Australia in centre Crown above .5) Button: Gold coloured Australia in centre Crown above .6) Button: Gold coloured Australia in centre Crown above, piece of fabric attached.4) - .5) - .6) ”Australian Military Forces”uniforms - accessories, metal craft- brassware, manchester

BHS CollectionBrown cover, gold writing. On front: 'Crown Law Department, Victoria' printed around circular design, crown on top.Book contains ' a digest of the law of mining in Victoria, 1858 - 1881'. Published by Charles F. Maxwell & Son, Melbourne and sydney. 1881. Stamped in blue ink ' Law Department Victoria'.John McFarland, M.A. Barrister at law.bendigo, mining, law of mining 1858 - 1881

Illustrated book with dustjacket. Book is bound in brown cloth with abbreviated title, author's name and printer's mark embossed in gilt on spine. Dustjacket has title printed in white and green and author's name in white print on a black and white photograph of a man with dark hair, wearing glasses and a white coat (Walter Florey), Abbreviated title (in white) author's name (in green) and printer's mark (in black) are printed on a brown background on the spine. The back of the dust jacket has a black and white photo of Penicillin notatum growing in a petri dish"Rise Up to Life" follows Howard Florey’s career from his university days in Adelaide, through the period of his greatest research projects at Oxford, Cambridge and Sheffield which culminated in his success with penicillin, to the final years of his life when he was the first Australian to be elected President of the Royal Society. But this biography goes beyond exploring with insight and sympathy the life of a great scientist to give the reader a vivid and dramatic picture of the scientific processes that led up to a new discovery and a new era in medicine.howard florey, penicillin, history of medicine-biography

J.G.D Mcinnes Regt No 5736 59th Batt A.I.F. Died of Bronco Pneumonia in the field 31.12.1916. Refer 785P for his service history also 786P..1) Plaque, Bronze, round with raised relief of Brittania, Lion & Seals, Rectangular section for individual names .2) Cardboard envelope for postage of the plaques, dark brown in colour“HE DIED FOR FREEDOM & HONOUR” “John George Duncan McInnes”military history, documents - envelopes, commeration, memorial plaques

Two licences, yellow-brown Victorian Gold License No 210, dated May 31, 1853 (a) and a Miner's Right No 20, dated 28 June 1861(b). The Gold License cost one pound ten shillings and for the month of June 1853. It was for Crown Lands within the Loddon District. At the bottom of the license are five Regulations to be observed by the person digging for gold or otherwise employed at the Gold Diggings. It has a crest at the top with a lion and a unicorn. Printed on a circular cnetre piece are the words: Honi so- -al y pense and below the lion, Dieu, in the centre is -t mon and under the unicorn is droit. The Miner's Right No 20, issued by the Colony of Victoria, for the District of Maldon, cost one pound. Across the top is a crest with a lion and a unicorn holding up an oval piece with a crown and a lion on top, In the oval is an illustration with two men and a woman and sailing ships in the background. Around the top of the oval is: Moni s- - qui mal y pense and at the bottom: Advance - Australia. Under the lion is: Dieu et mon and under the unicorn: Droit. Has been stamped in black, but is unreadable. Signatures and names on both documents are very hard to read. Printed by: John Ferres, Government Printer, Melbourne.document, gold, miner's right, miner's right, gold license no 210 & miner's right no20, john ferres

This majestic peacock embodies the technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897) and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians loved majolica, and the large peacock would have been the ultimate home accessory as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became a famous pottery and porcelain manufacturer. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best-known work. Comolera kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today, some historians now believe that twelve were fired at the Minton factory; research is ongoing. These peacocks were so admired that Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, ensuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics and tiles, and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares, including the peacock, at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria, in calm foggy weather in June 1878 on the final leg of the ship's journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case, onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with a Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods, including this peacoc,k back into the sea. The two men found the peacock in its case ‘bobbing along in the water’ and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue, the head had broken from the body. This account was proven to be true in 1988, following the birds' display in Brisbane. This peacock began its life in Australia, not in the grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton & Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home at Malvern for many years and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Miss Florence Miller tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell her Loch Ard relic, it was displayed in the window of the old Argus newspaper office, which was at 76 Collins Street, Melbourne; the Argus had relocated to the corner of Elizabeth and La Trobe Streets in 1926. Between 1935 and 1939, the old Argus building was occupied by the Joshua N. McClelland Print Room, which sold not only paintings and prints but also antiques and authentic replicas, as well as hosting exhibitions. Miss Florence Miller loaned her peacock for display at the Victorian Historical Exhibition held in the National Gallery on 1st June 1935, the 57th anniversary of the Loch Ard wreck. As a result, the peacock attracted public attention in books, newspapers and magazine articles that told the story of its survival from a shipwreck. Miss Florence Miller was keen to sell the peacock, even writing overseas to Captain Blain on November 30th, 1938, about the possibility of a sale, but this became no longer possible due to the outbreak of war. Recent information points to the Loch Ard peacock being owned by John S R Heath before its sale to Frank Ridley-Lee in May 1941. Research is ongoing, but it seems likely that John Samuel Robert Heath, a leading Melbourne dentist with a practice in Collins Street, and his wife, a dental mechanic, had purchased Miss Miller’s Loch Ard peacock before its sale in 1941. They were lovers of fine arts, music, wine and food. The peacock in the window of the old Argus building could have attracted their attention as they had already purchased the old stone Presbyterian Church on Warrigal Road, Oakleigh, in 1933 and had converted its interior. The home, renamed The Studio, even included Melbourne’s first all-electric kitchen. The peacock was perfect for display in the Studio’s entrance. A magazine article published after the conversion was completed included photographs of the interior. The picture of the ‘portico’ had a caption below that stated, “Some of her [Mrs Heath’s] finest pottery was salvaged from the Loch Ard Wreck”. In 2025, Heath’s two remaining sons remember running around in the entrance with the peacock standing there, oblivious to its value. Heath was an accomplished artist, studying under Max Meldrum. He painted and exhibited his works at The Studio and in a public exhibition, and he was a finalist eight times in the coveted Archibald Prize portrait competition, including the submission of his self-portrait that is now part of his grandson’s collection. The next owner of the Loch Ard Peacock was Frank Ridley-Lee. He displayed it at his home in Ivanhoe after buying it at an auction in May 1941. The peacock remained in the hands of the Ridley-Lee family until it was offered for sale by auction in 1975 as part of an art collection belonging to Mrs Ridley-Lee's estate. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to collect the necessary money through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half the cost. On 9 September 1975, the Loch Ard peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since then, it has only left Warrnambool twice. Firstly, in 1980, at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton Majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire, john samuel robert heath, peacock statue, loch ard peacock, majorca peacock

Shire of Eltham Engineers Department, July 1987 Top Row L-R: Phil Wrigley, Ian Craigie, Peter Brown, Rae Robinson, Lilliana Unsworth, Joan Kindellan, Bill Oakley, Lindsay Brooks, Simon Thomas, Simon Beal, Bernie Murray Middle Row L-R: Rosemary Garnett, Maurice Stabb, Alan Lansdowne, Ron Dinsdale, Tony Diagiacomo, John Stamp, Bill Salisbury, Barry Welch, Ezio Lattanzio, Greg Slater, Nick Palamaras, Stephen Richards Front Row L-R: Ray Stockley, Craig Stevens, Fred Harrington, Margaret Morgan, Colene Dal Santo, Debra Whittaker, Bill Mulcahy, Colleen Tuovinen, Michelle Gardam, Graham Rushbrook, Brian Taylor, Steve Smeelie Staff not present: Stan Ashmore, Bob Hayes, Frank Bourchier, Sue Long, Anthony Browncouncil staff, shire of eltham, alan lansdowne, anthony brown, barry welch, bernie murray, bill mulcahy, bill oakley, bill salisbury, bob hayes, brian taylor, colene dal santo, colleen tuovinen, craig stevens, debra whittaker, ezio lattanzio, frank bourchier, fred harrington, graham rushbrook, greg slater, ian craigie, joan kindellan, john stamp, lilliana unsworth, lindsay brooks, margaret morgan, maurice stabb, michelle gardam, nick palamaras, peter brown, phil wrigley, rae robinson, ray stockley, ron dinsdale, rosemary garnett, shire of eltham engineers department, simon beal, simon thomas, stan ashmore, stephen richards, steve smeelie, sue long, tony diagiacomo