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matching lithographer
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Federation University Art CollectionPrint - Printmaking - Lithograph, Tulloch, David, 'Forest Creek, Mt Alexander' by Thomas Ham, 1852
This work is part of Ham's five views of the gold fields of Mount Alexander and Ballarat in the colony of Victoria , drawn on the spot by David Tulloch , and engraved and engraved and published by Thomas Ham. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Coloured imaged of Forest Creek Diggings on Mount Alexanderlower centre "Forest Creek, Mt Alexander" lower left side "Drawn By D. Tulloch" lower right side "Engraved by Thomas Ham"art, artwork, forest creek, mount alexander, thomas ham, ham, david tulloch, tulloch, gold mining, bark hut, castlemaine -
Federation University Art CollectionPrintmaking - lithograph, Senbergs, Jan, 'Melbourne' by Jan Senbergs, 2006
Jan SENBERGS (29 Oct 1939 - ) Born Latvia Arrived Australia 1950 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print. art, artwork, senbergs, melbourne, jan senbergs -
Federation University Art CollectionLithograph, Earl Ingleby, Honey Eater
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork -
Federation University Art Collection
Lithograph, Bower Bird
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork -
Federation University Art CollectionLithograph, Earl Ingleby, Egret
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, birds, egret -
Federation University Art Collection
Printmaking - Lithograph, England, Zoe, Alice and Me
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork -
Port Fairy Historical Society Museum and ArchivesWork on paper - Lithograph, S.T.Gill, Belfast, Port Fairy, 1857
Seascape from original drawing ascribed to S.T. Gill - "Belfast, Port Fairy" published 1857Photograph of etching of seascape drawing of Port Fairy (artistic view) town looking north west from the sea showing town and windmill on the left, a man in a dingy, island in the middle and a sailing ship and Battery Hill on the rightBelfast, Port Fairy - Published by Sands and Kenny Melbourne and Sydney 1857beach, ocean, dingy, windmill, town, sea, ship -
Port Fairy Historical Society Museum and ArchivesPhotograph - Lithograph
This card was probably used as an advertisement. (The Stag built 1848-1853.Land was purchased from Atkinson to build a licensed premises, it later became a boarding house also a boarding school now is used mainly as accommodation and also a Restaurant )Black and white photograph of a drawing of Seacombe House as Port Fairy College with large descriptionPort Fairy College (Boys and Girls) G.W.Ratten Headmaster. I qualified success in all kinds of examinations. Ninety five per cent passes obtained. Over 100 pupils already passed. Commercial classes a speciality. All the educational advantages combined with the pleasures of the seaside, bathing, shelling, beaches & c. Perfect climate. The Sanatorium of Victoria. Delicate pupils especially cared forhotel, stag, seacombe, inn, boarding school, sackville street, cox street -
Federation University Art Collection
Artwork - Printmaking, "Gulliver" by Jo Flynn, 1992
The Gippsland Art School collects examples of limited edition prints to use as a teaching collection. The collection is largely unframed and comprises works from the Print Council of Australia, staff members and former students.Framed aquatint etching.29/30gippsland printmaking teaching collection, gippsland campus, churchill, printmaking, colour lithograph, print council australia, jo flynn -
City of Greater GeelongLithograph by Cyrus Mason, Town Hall, Geelong
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Canterbury History Group
Book, Amanda Scardamaglia, Printed on Stone: The Lithographs of Charles Troedel
This book is the first to document the visual history of print advertising in Australia and in so doing provides a valuable illustrated social history of Australia. Charles Troedel (1835–1906) was a master printer and lithographer, and the face behind the production of most of Australia’s early advertising posters, product labels, and other print ephemera, as well as the iconic Melbourne Album. Troedel’s catalogue of lithographs trace the production and evolution of nineteenth century commerce and culture—in the home, at the bar, in health, hygiene and housework, with fashion and style and in leisurely pursuits—defining the legal categories under which this content was protected and the way advertising came to be regulated. A history such as this is only possible because of the well-preserved archive documenting the work of Charles Troedel and his firm Troedel & Co. This archive includes the corporate records of Troedel’s printing business spanning over a century, and nearly 10,000 copies of print specimens produced by the company, which were donated by the firm to the State Library of Victoria in 1968. The author of the book, Dr Amanda Scardamaglia, has meticulously researched this archive at the State Library Victoria. (Source: Royal Historical Society of Victoria website - https://www.historyvictoria.org.au/product/printed-on-stone-the-lithographs-of-charles-troedel-by-amanda-scardamaglia/)non-fictionThis book is the first to document the visual history of print advertising in Australia and in so doing provides a valuable illustrated social history of Australia. Charles Troedel (1835–1906) was a master printer and lithographer, and the face behind the production of most of Australia’s early advertising posters, product labels, and other print ephemera, as well as the iconic Melbourne Album. Troedel’s catalogue of lithographs trace the production and evolution of nineteenth century commerce and culture—in the home, at the bar, in health, hygiene and housework, with fashion and style and in leisurely pursuits—defining the legal categories under which this content was protected and the way advertising came to be regulated. A history such as this is only possible because of the well-preserved archive documenting the work of Charles Troedel and his firm Troedel & Co. This archive includes the corporate records of Troedel’s printing business spanning over a century, and nearly 10,000 copies of print specimens produced by the company, which were donated by the firm to the State Library of Victoria in 1968. The author of the book, Dr Amanda Scardamaglia, has meticulously researched this archive at the State Library Victoria. (Source: Royal Historical Society of Victoria website - https://www.historyvictoria.org.au/product/printed-on-stone-the-lithographs-of-charles-troedel-by-amanda-scardamaglia/)advertisements, printing industry -
Wodonga & District Historical Society IncMap - Whiteheads New Map of Victoria, E. Whitehead & Co., engravers & lithographers, 1868
Edward Whitehead was a printer and publisher active in Melbourne during the latter half of the 19th century. Whitehead founded his printing business at 67 Collins Street East in 1864 and, though not focused on maps, began publishing his own series of maps of Victoria in 1867. He focussed on producing highly detailed folding maps of Victoria which included a very detailed index of place names. His series of maps of Victoria became one of the most successful and most profitable series of regional maps of Australia ever produced.This is a very early map of Victoria showing Belvoir (Wodonga)A detailed early map of Victoria with counties clearly marked and shaded and a detailed index. It also shows roads, post office towns, railways, telegraphs, gold mining areas and notes on topography. Relief shown by hachures and spot heights. Includes a list of towns with distances from Melbourne on 3 sides of map. It is produced on paper mounted on linen.victoria cartography, rare maps victoria, whiteheads maps -
Merri-bek City CouncilPrint - Lithograph, Noel Counihan, A Metal Pourer, 1948
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Merri-bek City CouncilLithograph (printed by A.R. McClintock), Noel Counihan, A worker resting, 1948
Donated by Elizabeth Batt -
Merri-bek City CouncilLithograph (printed by A.R. McClintock), Noel Counihan, Furnaceman, 1948
Donated by Elizabeth Batt -
Merri-bek City CouncilRelief etching printed in 1 colour from 1 copper plate over lithograph printed in 1 colour from 1 aluminium plate, Emily Floyd, It’s Time (Again), 2007
Emily Floyd is a Melbourne-based artist who works across sculpture, printmaking and public installation. In It’s Time (Again), Floyd graphically presents Gough Whitlam’s election speech, delivered before he became Prime Minster in 1972. Floyd’s training as a graphic designer is evident in the way in which the text’s presentation ties form to meaning. For example, the circular arrangement of the words resembles a vinyl record to be played again and again, implying the speech is worth revisiting. The circular arrangement also references other forms of timekeeping, such as the growth rings of a tree; the face of a clock; the cyclical nature of time, with its diurnal, lunar, seasonal and annual cycles. Floyd's work implies that social and political issues are cyclical in nature. It emphasises the necessity, once again, for proactive measures to ensure a quality, human-centered existence for everyone. -
Merri-bek City CouncilLithograph, John Wolseley, After the Fire - Leaf Surge, 2003
British born artist John Wolseley relocated to Australia in 1976, where he travelled extensively through the outback mainly recording the natural history of remote north Australia in large, minutely detailed paintings. Since 2009, he has travelled to Darwin annually to continue his exploration of the Top End, visiting Arnhem Land and Daly River to work with Indigenous artists to research and capture the detail and essence of particular landscapes. His works reflect how landscape can be thought of as fields of energy in which plant forms move or dance with rhythmic life. After The Fire - Leaf Surge represents the vibrant regrowth of new foliage emerging from a landscape recently ravaged by fire. -
Merri-bek City CouncilLithograph, Noel Counihan, A Girl's Head, 1968
Donated by Natasha Svendsen through the Australian Government's Cultural Gifts Program -
Merri-bek City CouncilLithograph, Noel Counihan, Standing figure, 1968
Donated through the Commonwealth Government's Cultural Gifts Program by Samuel Condon -
Hymettus Cottage & Garden BallaratMounted & Framed Lithograph certificate, Hibernian certificate and photograph
The Hibernian Australasian Catholic Benefit Society was formed at Ballarat in 18 and William Taffe was Ballarat President in 1940 when presented with this mounted and framed photograph and photo-lithographic certificate.Thornton Richards & Co Ballarat inscribed on mounting board. Details of the subject, W.J.Taffe written in on the certificate. -
Glenelg Shire Council Cultural CollectionPrint - Lithograph, Portland Centenary Celebrations, 1934
Promoting the 1934 centennary celebrations, Portland, 1934.Colour lithographic print showing a man and a woman in stylised mid-nineteenth century dress, portrayed in an early 20th century style, overlooking Portland Harbour. Text states "Visit Portland/ The first Victorian Settlement/ during the Centenary Celebrations/ from 15th to 23rd November 1934. Framed under non-reflective glass in brown and gold wooden frame.Front: (no inscriptions) Back: (no inscriptions)lithograph, centenary, 1934, portland, portland bay -
Whitehorse Historical Society Inc.Pamphlet - Souvenir of Melbourne Olympic Games Including programmes, P.C. Grasser & Co. Ltd Melbourme (Lithograph), C 1955
Promotional pamphlet promoting Melbourne Olympic Games- 8-fold brochure printed both sides - Promotional of many aspects of Melbourne Olympics - Promotional materials of MelbourneProduced by Australian News and Information Bureau for the Organizing Committee XVI Olympiad.melbourne, olympic games, 56th olympiad, promotional material -
Kew Historical Society IncWork on paper - Sepia Wash & Ink, G B Richardson, Creek and Old Watering Stage, on the Yarra, East Collingwood, 1854, 1854
Blind Creek was located between the Abbotsford Convent and what is now the Collins Bridge in Studley Park. In an 1858 map of East Collingwood by Clement Hodgkinson, in the State Library of Victoria, one can see how the creek was originally a significant landmark in Collingwood; remaining vacant land until a barrel drain enclosed it. The area was later filled in, surveyed and developed. The position where Blind Creek entered the Yarra was in the immediate vicinity of Hodgson’s Punt, which had linked Kew to the other side of the Yarra from 1839. The Punt was purchased by the Colonial Government in 1852 and was in use until the opening of the Studley Park Road (Johnston Street) Bridge in 1858 made its continued use redundantThe point of view selected by the artist for the watercolour is from the banks of Blind Creek in East Collingwood, looking across the Yarra to the Kew side of the river.Inscribed verso 'Creek and Old Watering stage, on the Yarra East Collingwood 1854 / Trees, stage, &c have long since disappeared / [Artist Signature] / FT 110 / Creek itself now being filled in 1903.gb richardson, blind creek - abbotsford, yarra river - abbotsford (vic) - kew (vic), colonial artists, australian art - 19th century, george bouchier richardson -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)Print - Lithograph, Edmé Jean Pigal, L'Asthme
This artwork was created by French artist Edmé Jean Pigal (1798-1872) as part of a series entitled 'Album comique de pathologie pittoresque'.A framed print depicting a scene from a music room. On the left, a man is waving a violin and bow sitting in front of a music stand. On the right, another man has his hand on his chest and is coughing. A piano, string instruments and sheet music are visible in in the background, and a cello is depicted in the foreground. Text printed above image reads 'ALBUM COMIQUE'. Text printed below artwork reads 'Ambroise Tardieu Editeur & du Battain, No 12/ / Lith. de Langlume & de l'Abbaye No. 4. Larger text printed at the bottom of the artwork gives the title of the artwork: 'L'Asthme'. The print is mounted on card and framed in a gold painted wooden frame. There are two small stickers from Gibson's Auctioneers attached to the rear of the artwork. Two D-ring fittings and a wire are attached to the back of the frame for hanging.
