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Flagstaff Hill Maritime Museum and Village
Painting - Watercolour, J C Long, 1878
Hand painted image of a steamship with three masts.The painting is significant for its connection with Australian maritime art. Painting, watercolour, steamship at sea, flying an Australian Red Ensign flag from the bow. The centre of three masts has a flying flag of blue, red and yellow. Mounted on card. Artist J C Long, 1879. Inscription on top left corner of front and centre of back, handwritten in pencil."J R Long 1879". Inscriptions in pencil, front and back, some is indecipherable "3/" ", " - lack" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, j c long, steamship, marine art, australian vessel -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Water Colour, Lagerbild Germalt von Glunkler
The painting is of Camp 3 painted by internee Glunkler.Water colour of two huts with the windows open. Another hut is partially in the picture. An item of washing is hanging on a clothes line between two of the huts. A garden of red flowers in is the foreground and two gum tree are in the paddock behind a wire fence. Wooden frame behind glass with dark green matt.Glunkler 1942 -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Oil, Camp huts, 1943
Painted by internees C Vagarini at Camp 13.B. FrankBrown wooden frame. 3 huts and the end of a 4th hut in front of which are attractive gardens with a large barrel. Flower pot behind which is a blue cylinder, not unlike a fire extinguisher.Casare Vagarinipainting oil, vagarini c, frank b, camp 3, tatura, ww2 camp 3, oil -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Oil, "Schwefelgelb Schopfiger, Weisser Australischer "Kakadu" Tatura. Weihnachten 1942" Translation: "Sulphur-yellow crested white Australian "Cockatoo" Tatura. Christmas 1942", 1940's
Painted by Dr Otto Rubitschung for Christmas 1942Kakadu - Tatura - Weihnnachten, 1942. Oil painting of a white cockatoo by Dr Otto Rubitschung, a German Templer from jaffa, Palestine, who was interned in Camp 3. The painting is mounted on plywood board.Painting of sulphur crested white cockatoo. Claws around a brown bough. Gold edge around painting. Unframed.Dr O.R. front bottom left hand corner. On the back "Schwefelgelb Schopfiger, Weisser Australischer "Kakadu" Tatura. Weihnachten 1942" painting, oil, hoefer, tatura, ww2 camps, illustrations, dr o rubitschung -
Creswick Campus Historical Collection - University of Melbourne
Ephemera, Unknown
VSF Plaque ROUND. Painted masonite board.Plaque -
Creswick Campus Historical Collection - University of Melbourne
Ephemera
VSF Plaque SQUARE. Painted masonite board.Plaque -
Clunes Museum
Artwork, other - WATER COLOUR
WATER COLOUR OF RIVERGUM TREE PAINTED BY N.H.E.McDONALDLARGE RIVER GUMS IN FOREGROUND. FIVE SHEEP IN SHADE IN RURAL SETTING.RIVER GUMS MURRABIT WEST, VICTORIA. N.H.E. McDONALD local history, illustration, watercolour, mcdonald -
Clunes Museum
Photograph - PHOTOGRAPH PRESBYTERIAN CHURCH
PRESBYTERIAN CHURCH WHEN THE BRICKS WERE PAINTED.PHOTOGRAPH OF PRESBYTERIAN CHURCH, CLUNES. RED BRICK BUILDING.local history, churches - presbyterian -
Whitehorse Historical Society Inc.
Painting, Painting of Vermont Primary School, 1978
Painted by Shirley Jones , a local Artist in 1978Oil painting of Vermont Primary School No. 1022 of the 1880's Shows school with three children in foreground. Two small children kneeling in front Background has a bush scene with figures on a horse Picture is in a wood framehandcrafts, hand painted -
Glenelg Shire Council Cultural Collection
Drawing, Low Tide/Cape Grant Area, 1990
Depiction of a beach with large boulders. The boulders are covered in lichen and algae, and beach sweeps up towards centre right of image. The central third of painting shows the sea (continuing behind the boulders), depicted in blue with white highlights and dark blue shadows. It is edged in the background by a cliff face (painted in brown and grey). Sky is darker blue at top and lighter blue where it meets the horizon. Mounted in double matt (pale tan on faun) with decorative cut-out border, framed under glass in wooden frame.Front: Rankin '90 (lower right) (white paint) Back: 333 (upper left) (sticker) 1990- (upper left) (pencil). Low tide Cape Grant area September 1990 $350 Pastel Ian Rankin. 46 Hurd St Portland Vic 3305 Phone Portland 231465. Phone 055/231465. -
Orbost & District Historical Society
sewing machine, C 1920's
This machine was given to Ada Healey as a child. Ada Healey was for 20 years a volunteer and organizer at the Orbost Slab Hut (Orbost Information Centre). She was known for her craft skills and was a particularly fine knitter. Ada was the only child of Tom & Queenie Warne, born in Bombala/Delrgate. She was married to Keith Healey. The Healey family were early settlers in Marlo.This is an example of a toy given as a "teaching" toy. It was used by its owner to practise sewing before graduating to an adult type machine.A small hand-operated sewing machine. The body of the sewing machine is painted black. The top arm appears to have been painted in a white/cream colour. The machine could have been used to make small articles. There is no bobbin.On the stand- A.L.L.sewing handcraft toy toy-sewing-machine -
Bendigo Military Museum
Equipment - AEOROPLANE LAMP, c.WWII
Navigators Light from a Wellington Bomber. Item belonged to Maxwell Lennox Matheson No 418447 RAAF. Refer Cat No 1959 for his service history. Adjustable lamp, metal square rod stand with black paint, metal bracket (rusted), white electrical cord, small clear globe (missing remainder of stand), bakelite electrical socket, metal light shade, grey paint.lighting-electric, military history - air force -
Ringwood and District Historical Society
Photograph, Photos of last houses to face demolition at Camberwell. c1970s, c1983
One of the last houses to face demolition.Single fronted weatherboard with striped veranda blind, brick chimney over front rooms with TV aerial. Green painted walls. Red painted iron roof over veranda and under veranda rail. Adjacent to Target entrance.The 'Miss Stayput' house in the car park out the front of Target in Camberwell. You can even see the Target logo on the building. The house was owned by Mary Campigli, who defied the council order to move, and won her case in court. She stayed in the house, surrounded by a car park until she died in 1983 at the age of 94. The house was finally demolished soon after. -
Blacksmith's Cottage and Forge
Tin, pile ointment, and box, W.B. Cartwright Ltd. Rawdon (England), Sydney and Melbourne
Part of the domestic medicine chest.LocalIntact tin of pile ointment within cardboard box. Gold colour tin with blue paint and yellow decoration and white lettering/ cream paint with blue lettering. Box is similar, with directions for use. All in good condition. Unused.Cartwright's Pile Ointment. Directions for use. Price:1/9d. -
Flagstaff Hill Maritime Museum and Village
0ar
Large Oar, wooden, white painted blade with brass capping painted white, restored, large piece missing from blade and two pieces of copper wire repairing a split in the blade. 414.7cm x 13.5 x 5.5cm. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Bendigo Historical Society Inc.
Tool - COMPANY SEAL - DEBORAH UNITED GOLD MINING COMPANY
Black cast iron company seal for Deborah United Gold Mining Company used for official documents including shares, black enamelled cast iron with gold trim, painted on one side Deb United in white paint.gold mines, mining equipment, company seal, bendigo-companies-gold mines- deborah united -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Teaching model, female pelvis, 1940s-1950s
Originally this teaching model belonged to Prince Henry's hospital library and was transferred to the Monash Medical Centre, Clayton in the 1970s by Sister Gertrude Berger, a famous nurse-educator, who is best known for her work leading up to the transfer of nursing education in Victoria from hospitals to universities in 1986.Gerty (as she was known in the School of Nursing) bought them in Europe in the late 1940s and early 1950s.Teaching model. Female Pelvis, cross section, flat 3D panel. Painted plaster on painted timber. Originally from Prince Henry's Hospital Nurses Library [ traces of stamp "PRINCE HENRYS HOSPITAL NURSES LIBRARY" on l.l.].teaching model, anatomy, female pelvis -
Whitehorse Historical Society Inc.
Functional object - Shoe Trees
Pair of gilt painted shoe stretcher - probably ladies . Shaped wood toe pieces and spherical heel wedges. Thin metal stretcher also painted - black one side guilt the other. Circular paper label - handwritten.On label - D201costume accessories, footwear accessories -
Hellenic Museum
Dish, 1050 - 750 BCE
Cypriot Bichrome Ware from Cypro-Geometric PeriodThe interior has a painted black spiral in the centre and a single band. The rim is painted to the twin wishbone handles (one missing). Another band at the foot, with a set of lines between, the underside is centred with a brown dot and three concentric lines. cypriot -
Hellenic Museum
Jug, 1050 - 600 BCE
Cypriot Bichrome Ware from Cypro-Geometric/Cypro-Archaic PeriodThe mouth painted inside and out with black bands, the neck with double wavy lines continuing to vertical strap handle, band at lower neck, over broad red and between two sets of black lines on body, foot painted. cypriot -
Ballarat Tramway Museum
Sign, State Electricity Commission of Victoria (SECV), "DEPOT FOREMAN"
Wooden sign with bevelled edges lettered "depot foreman". Background painted white, with black letters. Has three countersunk holes along bottom edge. Rear painted light green, with some red lead primer apparent.trams, tramways, depot, ballarat -
Tennis Australia
Racquet, Circa 1940
A Spalding Favorite squash racquet, with painted cloth shoulder supports, string whipping around shoulders and shaft, and leather handle grip. Materials: Wood, Lacquer, String, Ink, Adhesive tape, Metal, Paint, Leather, Cloth, Guttennis -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Sign, Support Company 5/6RVR
Prior to being re roled into a rifle company, Support Company 5/6 RVR Occupied Menin Barracks Large hand painted perspex sign. Sign has a pale green background with " Support Company 5/6RVR painted in black letters around a large black and red colourpatch and colourised hat badge of the Royal Victoria Regimentwark vc club, 5/6 rvr, support company -
Mission to Seafarers Victoria
Article - Clipping, photocopy, Deborah Stone, The sky’s the limit for modern Michelangelo, 10 May 1988
Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that timeBlack and white copy of a newspaper article, printed on A4 paper.The sky’s the limit for modern Michelangelo Because it was there . . . Melbourne artist Louise Hearman in the domed gymnasium of the Mission to Seamen - Picture: ROSS DUNCAN THE dilapidated pool halls of Melbourne’s Mission to Seamen are an unlikely setting for a budding Michelangelo. But when Louise Hearman came across the one-time mission gymnasium she could not resist the urge to create a fresco. It did, however, take a little persuading for the Anglican Church, which still owns and operates a mission in the 61-year-old building, to agreee to house a minor Sistine Chapel on their premises. A year of labour later, Hearman has had no complaints about the great swirling sky or huge oil paintings which now adorn the empty 11-sided room. Instead she is constantly visited by old sailors and passers-by who are thrilled to discover the unusual architecture and artwork. “When peoiple come here it’s a real discovery. It’s something they find for themselves,” she said. Her pictures are neither religious nor symbolic, merely outpourings to create an atmosphere. “THere are lots of things I’d like to say but I’m not saying them in my paintings. “There are no messages, they don’t have any political statement. Life was a little more comfortable for Hearman than her renaissance predecessors. After struggling with cumbersome scaffolding to reach her “canvas” she discovered the modern wonders of the scissor lift. She does not look on the work as a huge achievement. However, it may all be for nought. Unless money is spent to restore the building the paintings she has created will crumble and die - Deborah Stone The Australian Tuesday 10 May 1988louise hearman, elephant room, norla dome, exhibitions, 1988, melbourne, flinders street, ross duncan, cultural events -
Mission to Seafarers Victoria
Article - Clipping, photocopy, Megan Jones, It’s heaven now in the old gym, 1988
Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Black and white copy of a newspaper article, printed on A3 paper.louise hearman, exhibitions, 1988, norla dome, flinders street, cultural events, melbourne, elephant room, ian hunter -
Mission to Seafarers Victoria
Photograph - Photograph, photocopy, Vogue Living, November 1987
Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time. Vogue Living published an article about the artwork in the Dome. This is one of the few colour images of the artwork.Laminated A4 colour photograph published in Vogue Living in November 1987Vogue Living November 1987 135cultural events, exhibitions, paintings, artists, norla dome, 1988, louise hearman, elephant room, flinders street, melbourne -
Ballarat Diocesan Historical Commission
Portrait, Portrait in oils of Bishop Michael O'Connor, 1906
Stanton Bowman was a Ballarat artist who painted many large portraits of the city's dignitaries and mayors. Bishop Michael O'Connor was the first Catholic Bishop of Ballarat and this portrait was painted from a photographic studio image after the bishop's death.Signed and dated T. Stanton Bowman 1906. -
Tatura Irrigation & Wartime Camps Museum
Photograph, Egyptian Sheikh riding a donkey - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting Egyptian Sheikh riding a donkey. The donkey is following a dog that has a carrot tied to its tail. Following the sheikh are two women and a duck. One woman is carrying wood on her head and both women are possibly harem slaves. The photo also shows one of the Pyramids and two palm trees.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, naval officer in full uniform - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting a naval officer in full uniform.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, sergeant holding a swaggers stick - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting male staff - sergeant holding a swaggers stick, accompanied by "Micky Mouse" in staff sergeant uniform.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures