Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Blue enamel on metal membership medallion produced by the Kew Cricket Club for the year 1922-23 and which belonged to Francis Horace Rigg (1882-1946). The medallion in shield shape is enameled in shades of blue with the initials of the Club, KCC surrounded by the full name of the club and the period for which the member would gain access to games.Kew Cricket Club KCC 1922-1923kew cricket club, membership medallions

Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Blue enamel on metal membership medallion produced by the Kew Cricket Club for the year 1923-24 and which belonged to Francis Horace Rigg (1882-1946). The medallion in shield shape is enameled in shades of blue with the initials of the Club, KCC surrounded by the full name of the club and the period for which the member would gain access to games.Kew Cricket Club KCC 1923-1924kew cricket club, membership medallions

Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Blue and gilt enamel on metal membership medallion produced by the Kew Cricket Club for the year 1928-29 and which belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue and gold with the initials of the Club, KCC surrounded by the full name of the club and the period for which the member would gain access to games.Kew Cricket Club KCC 1928-29kew cricket club

Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Blue and gilt enamel on metal membership medallion produced by the Kew Cricket Club for the year 1929-30 and which belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue and gold with the initials of the Club, KCC surrounded by the full name of the club and the period for which the member would gain access to games.Kew Cricket Club KCC 1929-1930kew cricket club, membership medallions

The emblem and motto is that of the Most Exalted Order of the Star of India established by Queen Victoria in 1861 shortly after the Indian Mutiny to honour Indian princes and chiefs, presumably those who had remained loyal to the crown, and British officers and administrators. The use of English in the motto perhaps indicated English was the language of the British Empire superseding the Roman Empire with its Latin. The wording is sufficiently vague to include other faiths to which many Indian princes belonged. This flag was probably brought home as a souvenir at the end of WWII (1939-1945) Rare example of the flag of an allied nation in World War 2 (1939-1945).Red ensign with Union flag canton and emblem in centre of fly. The emblem is a five pointed star surrounded by a motto “Heavens Light Our Guide” and set in a sunburst. Prior to 1947, it was the flag of British India at international events. It was superseded by the current Indian tricolour when India became independent. Rope runs through the hoist.flag, star of india

This Pewter Mug Collection is a set of 32 trophies won by Australian Alpine skiers Ross and Malcolm Milne between 1959 and 1964. Ross and Malcolm grew up on their family's tobacco property in Myrtleford, and began skiing at Falls Creek at an early age. They were both taught by Austrian Sigi Haberzettl, who was chief coach at Falls Creek for 17 years. Ross went on to win the North-Eastern District Ski Association (NEDSA) Junior Championships for three years in a row. In 1961 Ross was a member of the Australian team which competed against New Zealand in the Inter-Dominion Championships. In 1963, he won the Downhill and Alpine Combined title at the Australian Championships, while placing second in the Grand Slalom event. Ross Milne was selected in the Australian team that participated in the 1964 Olympic Winter Games at Innsbruck, Austria. A few days before the opening of the Games, on 25 January 1964, he tragically lost his life when he crashed into a tree during a training run for the Men's Downhill. He was only 19 years of age. Malcolm became a member of the Australian Junior Ski Team to Japan at the age of 14. He won all of the NEDSA children’s races and won the State Title in 1966. Malcolm continued to achieve great success, winning the Australian Championships for the next five years. At the end of 1969 he won Gold in the Val d'Isere FIS Alpine Ski World Cup Downhill, Australia's first Alpine Ski World Cup medal. He was on the Australian National Ski Team for eight years, representing his country at the 1968 and 1972 Olympic Games and the 1966 and 1970 World Championships before turning professional in 1972. Malcolm Milne was inducted into the Sport Australia Hall of Fame in 1985. In 2000 he received the Australian Sports Medal for his contribution to skiing. In 2004, Ski & Snowboard Australia granted Milne Life Membership for the contribution he made to the sport by becoming the first World Cup medal winner in Australian winter sports history, and the subsequent impact his performances have had on future athletes. Malcolm Milne was awarded the Medal of the Order of Australia (OAM) for services to skiing in 2016.This item is significant because it is part of a collection which documents the career of two outstanding Australian sportsmen.A pewter mug awarded for first place in the Australian National Alpine Championship Men's Giant Slalom in 1969. It has been engraved on one side and bears an emblem of a green kangaroo on skis surrounded by a gold circle. The mug was donated by W.D and H.O. Wills, a tobacco company which sponsored many sport competitions in Australia..Engraved on side of mug: AUSTRALIAN NATIONAL ALPINE CHAMPIONSHIPS 1969 Men's Giant Slalom First Donated by W.D. & H.O. WILLSross milne, malcolm milne, milne brothers, australian alpine skiers

Photograph - black and white. Written on back of photo -' Fountain in Rosalind Park, old camp reserve. Violet and Mr Baker'. The photo shows a three tier fountain, water emitting from top, surrounded by a simple metal fence. Man and woman standing alongside fence looking at fountain, presumably Violet and Mr. Baker.place, public gardens, rosalind park, fountain in roslind park. bendigo. violet and mr baker.

The town of Tawonga is in the Kiewa Valley surrounded by farmland. It is adjacent to Mt Beauty (built from 1946), an SECV town built for workers on the SECV's Kiewa Hydro Electric Scheme, which was being constructed from 1911-1961. Tawonga consists of essential amenities including a store, school, post office, butter factory, sporting facilities, hall and hotel. Activities involved sport, social get togethers eg. dances, fund raising, CWA etc.The posters are a collection of historical photos, documentation and information re the history of the town of Tawonga, which is the centre of a farming community in the Kiewa Valley.Posters framed with thin black plastic strip, covered by glass. Each one has a title re "Tawonga Remembers" and includes print and photos in black and white. These have a beige background. 1. Tawonga 1907; 2. Tawonga 1962; 3. Tawonga State School- 1880-1929; 4. Tawonga Primary School -1960; 5. The Beginning of Change: 1930-1970tawonga, photos of early tawonga, kiewa valley, tawonga remembers, tawonga school

‘Reno’, stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The garden including rare plants supplied by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of Reno, St John's Parade, Kew. Pictured are the garage in the distance at left, the weatherboard house with its simple verandah, and the overgrown front garden.Annotation verso: "Reno. St Johns Parade. Reno. Miss Green".dorothy rogers, reno.-- st john's parade (kew)

Built by John Bournane, Rockingham had a number of occupants before the newspaper magnate David Syme purchased it in 1902. The house in the 1860s and ‘70s was comprised of nine rooms, and was surrounded by a veranda on the front and sides. It was approached from the Kew road by the curve in front of the Hon. S.G. Henty’s mansion of ‘Findon’.In 1955, the Syme family sold Rockingham to the Red Cross Society to be used as a convalescent home for returned servicemen. The house was sold, demolished, and the land subdivided in 1966.An early panoramic photograph of an early Kew mansion (now demolished), dating from the 1870s.A rare, panoramic photograph (c.1870) of the garden of ‘Rockingham’, during the occupation of the house by W. Gardiner Esq. Rockingham was located beside and above the Barkers Road cutting. The view of the garden in the photograph is of the terraces leading down to the Yarra River. At the time the photograph was taken, the property covered an area of “…nine acres of beautifully laid-out grounds, interspersed with numerous terraces leading down the sloping bank of the river”.rockingham, david syme, kew

This shield was presented by 3KZ to the hotel which raised the most funds on Christmas Day in 1955. This money was distributed between the Ausin Hospital and RVIB. The shield has some detailing at the top, and the gold coloured centred plate is surrounded by a chain of laurel which is overlapped in four corners by the inner part of the shield. On the plate is written: 3KZ XMas Day Appeal for Austin Kiddies and Blind Babies. Beneath the plate is inscribed: Presented to Patrons, Morrisons Family Hotel 1955.Tin shield with a centre piece coloured gold3KZ XMas Day Appeal for Austin Kiddies and Blind Babies Presented to Patrons, Morrisons Family Hotel 1955carols by candlelight, nameplates

"Presented to the Royal Victorian Institute of the Blind by Visually Impaired and Blind Bowlers of Victoria in grateful thanks and appreciation for financial assistance to the Australian Championships 1990". Two coloured plastic badges consisting of a wreath of native flowers in dusty pink against the letters V I B B V in gold and a lawn bowls ball against a royal blue background, surrounded by a second wreath that forms the edge of the badge, are located at the left and right base of the plaque. Image of rectangular award consisting of one coloured rectangle with engraving and two smaller round onesroyal victorian institute for the blind, awards

Postcards from France with silk embroidery pictures sent home from the front in Europe during WW1.White Postcards with silk embroidery made in France, 1. Picture of a cottage surrounded by flowers with "Home Sweet Home" at bottom and ornate border. 2. Picture of flowers on front in silk embroidery and "Far from you but thinking of you". 3. Picture in silk of various Allied flags and flowers and words "1914 Right and Liberty 1917".1. Embroidered "Home Sweet Home" On front and letter to "Linda" on back. 2. Embroidered "Far from Home but Thinking of You" on front and letter dated 3/9/17 - To Linda on back. 3. Embroidered "1914 Right & Liberty 1917"and letter to Linda on back.passchendaele barracks trust, postcards, ww1

Benjamin Francis Esposito No 368 enlisted on 23.1.1915 in the 21st Bn age 25 years, embarked for Eygpt 10.5.1915 then to Gallipoli, embarked for France 19.3.1916, awarded the “MM” at Moquet Farm 26.8.1916, WIA 11.2. 1917 GSW to Face & L/Hand, promoted to 2nd Lt 1.1.1919, Lt 1.4.1919, discharged from the AIF 6.10.1919. Francis Stacey Esposito No 535 enlisted on 14.7.1915 age 22 years in B Coy 29th Bn, embarked for Eygpt 10.11.1915, embark for France 16.6.1916, WIA 26.11.1916 GSW to Neck, rejoin unit 18.3.1917, transfer to the 32nd Bn 12.10.1918, discharged from the AIF 25.7.1919. Mervyn Harold No 781 enlisted on 18.8.1914 age 20 years in C Coy 7th Bn, embark for Eygpt 19.10.1914, embark for Gallipoli 5.4.1915, admitted to Hospital Ship 2.7.1915 with Influenza, later classified as Enteric serious, Died of Disease 8.8.1915.Portrait photos, head & shoulders, of 3 soldiers in uniform, 2 with peaked caps. Oval photos mounted on cream backing with 3 battalion patches in the centre. On LHS is a drawing of a soldier with rifle surrounded by green leaf edging. Photos have brown wooden frames with gold inner edge, glass front & wooden ply backing.Across the top in white: 1914 THE WORLD WAR 1918 In centre in red: THREE MEN WENT FORTH FROM THIS HOME In centre in black: Ben Esposito, 1915 Frank Esposito, 1915 Mervyn Esposito, 1915 To fight for the preservation of .... Australia's nationhoodmemorabilia, framed, brothers

Benjamin Thomas Roy Chadd No's 10594, VX20311, 1st and 2nd AIF. Refer 2039 for complete service history also 2034P. Photo taken possibly between WW1 and WW2. Photograph, framed. Re Lt. Col. B. T. R. CHADD. Timber frame mid brown colour. Black and white photograph of eight lighthorse officers, some have medal ribbons on left of chest. One vehicle and row of trees in background. Group full length portrait. Dark green cardboard surround to photograph.On white label with frame "Lt Col B.T.R. CHADD/donated by Mrs B. CAHILL"photography- photographs, frame accessories, military history- army

The items were presented to Alfred Robert Maskell VX25221, 4th Anti Tank Regt in May 1984. Alf worked on the Railway during 1942-43 as a Prisoner of war in horrendous conditions. Refer 2485 for medals and service history also 1076, 2484P..1) A section of the "Thai-Burma Railway Line". A small brass plaque is attached to one edge. .2) Certificate of "Authenticity Thai- Burma Railway memento". Yellow parchment paper with gold surround with blue print. A space for "Presented to and date, signed by". A brief story on the Railway Line. On the rear in one corner in ink "Slice No 131"..1) "Rail slice Thai-Burma Railway 1942-43 Australian Thai Chamber of Commerce"memorabilia, history, railways

Art collectionThe print depicts two tree trunks in the foreground surrounded by bushland. The two tree trunks are composed of patches of white, grey, yellow, light brown and dark brown. The trees in the background are composed of a single colour. On the lower left side is a plant with light blue foliage. The work has a painted wooden frame with small white mount and glass.Front: Hunter (brown handwritten, lower right, partically covered by the mount) Back: 1972 (lead pencil, upper left)

Dressing tables (also known as Vanity Tables in the U.S.A.) have been around since the beginning of the seventeenth century, however it wasn't until the early to mid 20th century that they began to be found in the homes of the middle class and they were often a matching part of a bedroom suite. Dressing tables often featured a variety of objects such as combs, brushes, hand mirrors, perfume bottles, cosmetics, nail buffers, ring holders, jewellery and trinket boxes and trays. The origins of this tray are unknown however its design is reminiscent of trays (and Dressing Table Sets) produced by two English firms in the mid 20th century - "Delina" and "Regent of London". A paper (written by the Warwickshire Industrial Archeology Society) notes that the products items produced by "Regent of London" in the 1940's "satisfied a demand for previously unattainable items, offered to the general public aching for change after wartime privations, post war austerity and years of having to 'make do and mend'." This tray is composed of several decorative elements and materials. The metal border is gilt brass with two filigree bow handles, the main part of the tray is two pieces of circular glass and the encased doily is a mix of embroidered net and petit point. It was suggested in the paper written by the Warwickshire Industrial Archeological Society that the different pieces would have probably been produced elsewhere and brought to the factory to be assembled into the finished product. This vanity or dressing table tray is significant as it is a rare example of an accessory available to and used by women in the mid 20th century. It is also significant as an example of an everyday household item which would have been a valued possession and was made in a style that reflected the importance placed on it to be decorative as well as functional.Round footed dressing table tray with a gilt brass border, filigree bow handles and an embroidered net and petit point doily encased in glass. The gilt border is decorated with a stylized leaf design on the side and a floral design on the top. The petit point embroidery in the center is of five flowers in pink, mauve and yellow surrounded by buds and leaves.vanity tray, dressing table tray, glass tray, gilt brass, petit point, embroidery, net embroidery, doily, filigree, brass tray, flagstaff hill maritime village, shipwreck coast, flagstaff hill, warrnambool, flagstaff hill museum and village, domestic object, dressing table

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a brass band seated on spindle backed, wooden chairs performing on a grassed area, surrounded on the left by large leafy trees and at the back by a two storied building. Parked in front of the building are a vintage car and an early 1930's bus. The band is St. Hilda's Band with Frank Wright as the conductor. The place is Lostwithiel.Written in pencil on the back - St Hilda's (F.W, Conductor), Lostwithiel. 1934frank wright, brass band, st hilda's band, lostwithiel, vintage bus

Life Death & Gold in the Whipstick, a story of Raywood and surrounds - retold in 2015, some short descriptions, obituaries and stories written in the 1860s and later by the correspondents of the day describing life in the goldfields of Bendigo's Whipstick, centred on Raywood, Neilborough, Sebastian and Myers Creek. 117 pages, spring bound with plastic cover, contains maps, illustrations and photographs.Ian Belmonthistory, australian, raywood

Mercury Thermometer (previously #95 from Mechanics Institute Eaglehawk). Mercury Fahrenheit Thermometer. Copper surrounds 'Made in England for DOBBIE Bros.' Melbourne. Approx 42cm long. Small Container surrounding mercury bulb at base. 'Freeze' written on the scale at 32 degrees. Maximum temperature 135 degrees. Minimum temp. 5 degreescottage, miners

White document for the Solemnization of Matrimony of Harold Gengault Smith and Cynthia Brookes at St. Paul's Cathedral, Melbourne on December 6th, 1933. The front has silver printing and border. Inside are Hymns and a Psalm. The Blessing and an Anthem. Mendelssohn's Wedding March at the end. Printing is a purplish colour, surrounded by silver borders. Printers Brown & Newbound, Melbourne.document, invitations, wedding, document, marriage of harold gengault smith & cynthia brookes, brown & newbound

Photograph, Sound Shell, Rosiland Park, Bendigo, constructed of cream bricks and sloping roof. Stage out front with steps to the side. There are three people sitting on the edge of the structure near the white poles that support the roof. A large collection of trees surround the shell in the park.Two other seats in picture, one left and the other bottom right.bendigo, parks and gardens, sound shell rosiland park

Textiles. Woven thread design, edged with a 2.5 cm fringe. A deep coffee coloured linen, with a woven deign in the centre 8 cm square, surrounded with a 2 cm wide border, woven in a different texture. This in turn is edged on each side, with a slanted woven thread, then a .7 cm band of a separate texture before the outer fringe.textiles, domestic, square linen doyley

Metal badge with gold coloured metal and green enamelled detail. Central Victorian Swimming Association Life Member badge. The words Central 15 are enamelled in black around the top edge. A shield surrounded by laurel leaves is in the centre and the initials DSA are enamelled around the bottom. Underneath on a green background are the words Life Member in gold.recreations, sports, swimming

Clothing. Pale blue nylon woman's panties with gussett and elasticized legs trimmed with 2cm nylon fabric frill. V shaped panel insert on front surrounded by 6cm scalloped blue and white lace. Garment may be a 'second' as scalloped lace is stitched inside the garment instead of on the outside as a decorative trim. Elasticized waist band.Tag on inside seam, ''GEN TEX ALL NYLON W''costume, female underwear, woman's pale blue nylon panties

A 25 Millimetre Middle Eastern Coin that was discovered by QC Binks while he was out metal detecting for gold. On one side is an Iron Cross with a small crown insignia in the centre. Four infinity symbols are between the arms of the cross. On the other side is the image of a person in profile with a headdress. Cyrillic writing surrounds the image around the border.bendigo, gold mining, qc binks, middle east, qc binks.

Photograph of an unnamed lady wearing a full length dress and dark coloured hat standing in front of a cottage. The cottage has a central doorway with a window on either side there is a veranda covering the doorway and the windows, There is a brick chimney on the left hand side with an ornate chimney pot. A picket fence surrounds the house with a decorative white gate centre frontperson, individual, lady in front of cottage, miners cottage, picket fence

Every sultan of the Ottoman Empire had his own monogram, called the tughra, which served as a royal symbol. A coat of arms in the European heraldic sense was created in the late 19th century. Hampton Court requested from the Ottoman Empire the coat of arms to be included in their collection. As the coat of arms had not been previously used in the Ottoman Empire, it was designed after this request, and the final design was adopted by Sultan Abdul Hamid II on 17 April 1882. The emblem features an ornate cartouche ensigned by a Tughra. The cartouche is surrounded by various elements of the state including two flags, the red flag of the Ottoman dynasty with a star and crescent and the green flag of the Islamic caliph, largely obscured by a cornucopia. Behind the flags are a number of spears and other weapons. Hanging beneath the lower flourish are the medals of five of the Ottoman decorations.ottoman empire, tughra