The picture is of Boronia Cafe and Store, which was situated one kilometre south of Halls Gap township.The postcard shows a building with a sign reading "Boronia Cafe & Store". The building has a picket fence at the front and a canvas awning on part of its verandah. There is a petrol pump at the front of the building and wooded hills behind.buildings, shops

This photograph is of a local identity, known as Dorrie, who lived and studied in the Ararat community in the late 1920s.Black-and-white photograph of a woman holding two horses by their reins outside of a house surrounded by picket fence and trees. Shadows appear in the foreground where the photographer would have been standing with their back to the sun. Rear: "To dear Miss Norman / With fondest love from / Dorrie".horses, homestead, ararat, dorrie, 1920

This shows the typical building structures of the time period. As the population grows in the area the need for a community meeting place becomes a requirement for the community. Local community rely on each other for company, support and social engagements.This building demonstrats the needs of the local community and the population in and around Streatham in 1888.Square picture in black and white showing the Streatham Hall. The picture is a shot of the front of a single storey weatherboard building with two doorways and one window in view. There is a picket fence running across the front of the building,Back: Stamped in green ink "317"building, rural, streatham, structures, areas, materials

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of beige rendered house with a porch, tiled roof, and low unpainted brown brick fence in the foreground with "32" on the brick pillar beside the driveway. Tall trees and shrubs obscure much of the house.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses, brick fences

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men dressed in suits and hats, sitting on rocks beside a creek in a grassy paddock, with a post a wire fence in the background. The man on the left is Frank Wright. The man on the right is unknown.Printed on back - SELOfrank wright, ballarat, cornet, conductor, smeaton

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men in three piece suits (one dark, one light with a hat), standing on the footpath in front of a building with a cast iron fence. The men are E.N. Wright and Frank Wright.Written in pen on the back - E.N.Wright (left), Frank Wright (right), Sydney (Easter 1923), Taken by Alex Wright (Au)frank wright, alex wright, e.n.wright, cornet, ballarat, cast iron fence

Photo of 2 factories and a couple of vehicles. A truck and a panel van, A red pipe with several valves on top can be seen at the centre of the photo. The pipe is near what looks like a fenced car park.Kodakorganisation, industry, gas and fuel

Small portrait of a man sitting on a stone fence. He is wearing a three piece suit with a watch chain. He is also wearing a bow tie and is holding a round crown hat with a thick material hatband.Paterson Brothers. 8 Bourke Street, East Melbourne.photograph, portrait, male, portrait of a man

Black and white photograph of church painted white with palm tree, wire fence in front. Eaglehawk East Methodist Church before its sale to the Educcation Department ( J. Lerk 11/2/2000 )cottage, miners

Photograph, black & white showing a line of standard roses, part of Fortuna building on L/H side, statue & walled fence at rear, also garden tap in bottom left hand corner of photograph

Churchill Island Heritage Farm has a large collection of photographs. Photograph taken in a paddock of two boys leaning over a wooden log fence, one with hand outstretched, offering hay to a dark brown Highland calf. Churchill Island foreshore and inlet visible in the background.90%/3001 [written in blue pencil on reverse] DANIEL +SHANNON/INGNAM FROM RESERVOIR[crossed out, written in red pen on reverse] BEN + BRETT HAINTZ/FROM RICHMOND, FEEDING/SCOTTISH HIGHLAND CALF/(?) [written in red pen on reverse] [catalogue number written on reverse in pencil]churchill island, photograph

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in January 1940.Sepia photograph white narrow white border of a landscape at Churchill Island with a paddock, fences, and some trees surrounding the water. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in January 1940 and shows Ted Jenkins' carer, Sister Margaret Campbell.Sepia photograph white narrow white border of a woman feeding a flock of white chickens in front of a white picket fence. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, margaret campbell

Postcard, WW1, B&W image of a damaged Chateau, formerly the Portuguese Headquarters, after a German offensive at Estaires. Chateau sits behind a damaged iron fence with central gates. Copy Y 25postcard, postcard, estaires, france, ww1, chateau, portuguese headquarters, ruins

Slide. Eadie's whim and Central Blue Mine. Whim in centre of image, picket fence in front, poppet head in background RH side, possibly Central Blue Mine. Image taken about 1910.mine, gold, r.w.b. central., bendigo mines-jack hattam collection

Photograph - black and white. Photo of the Soldiers Memorial Hall, Bendigo, a different angle. Right hand corner of photo No.7. Iron fence surrounding gardens to the right. Palm tree and tree trunk to the left.buildings, government, soldiers memorial hall., soldiers memorial hall bendigo.

St Judes c1937.church, religion, buildings, el dorado, eldorado

Laser copy of original sketch of teacher, Elsie Shannon by George Rosenkranz, former German POW, a survivor from HSK "Kormoran". The original given to Elsie who had the sketch copied for the MuseumPhotocopied watercolour sketch of one room rural school in timbered background, surrounded by barbed wire and netting fence in the barbs of which Elsie is caught. Tents in the background for Army personnel at Graytown POW Camp."Graytown- Erinnerungen", "Elsie" at State School No. 1005.graytown pow camp, hsk "kormoran", george rosenkranz

St. Mary's Anglican Church at Bulla was originally built on the outskirts of Bulla township in 1858. In the early 1970s it was moved to its present site to make way for the flight path at the newly constructed Tullamarine Airport. The former site was on the corner of Oaklands and Sunbury Roads and is covered with vegetation. The church was designed by Thomas Taylor.A coloured photograph of the board which is along the fence line outside St. Mary's Church at Bulla. The white writing is on a navy blue background and is framed in white. The notice gives details of services, clergy and caretaker.churches, religion, anglican church, taylor, thomas, potter, charles e. rev., prior, a., st. mary's anglican church, george evans collection

Painting was found in hard rubbish collection in Myrtle Grove Blackburn and given to Simon CleggSmall water colour painting of 36 The Avenue Blackburn in a white square frame. There is a white timber fence in the foreground, with many trees green brown and yellow with a building amongst them. Painting signed E.PerepE Perep- 36 the Avenue prior to extensionhandcrafts, hand painted

A property illustration by Margret Picken Commissioned by the real estate agency Fletchers for the purpose of advertising 6 Donald St., Burwood in 2003. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. This property is listed as having sold for in 2003 $560,000 Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 6 Donald St., Burwood. A two story weatherboard house set back from a picket fence and and open gate on the right for the driveway.6 Donald St., Burwood Margaret Picken © 2003 Fletchers whitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden

A property illustration by Margret Picken Commissioned by the real estate agency Fletchers for the purpose of advertising 10 Donald Rd., Burwood in 2001. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 6 Donald St., Burwood. A two story weatherboard house set back from a picket fence and and open gate on the right for the driveway.10 Donald Rd., Burwood Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden

This fully self contained camp park containing accommodation, general store, entertainment, Rotunda, petrol bowsers and community kitchen was the vision of Richard Bromby Whiter, who commenced the project in 1927. Water for gardening and sewerage supplied by an underground bore.Small format black and white photograph of the entrance to the planned Lakes Camping Park, fronting Roadknight Street. Shows sign at the rear of block on timber fence, other buildings in background. Lakes Entrance Victoriatourism, recreation, caravan parks

Second copy image identical 20.5 x 28.5Colour photograph of a bay in the North Arm. It shows the calm waters of the lake surrounded by steep wooded banks, a grassy point with remains of fence or jetty. Reflections of surrounding vegetation in water. Lakes Entrance Victoriajetties, retail trade, waterways, topography

Edward John Price was a son of early settler Edward Joseph Price. Edward Joseph was the first settler in the Village Settlement when he took out Lot 1, Section 1. He built a small home of slabs and brought his family up in 1896. From the outset the Price family ran a store from their home.This picture, taken 1914, shows Edward John Price on his pony delivering papers from his parent's newsagency that was opposite 'Mountjoy' guesthouse on Ridge Road. He was taking them to Lily Badenhop's post office in Blythe's Road. The section of road he is on was called Main Road and is now Falls Road.Black and white photograph showing a man on horseback in the centre of an unmade road that is running into the distance.Trees, a fence and houses can be seen with hills in the background. Reverse of photograph has handwritten description by John Lundy-Clarke.On Front MAIN ROAD On Reverse Looking down Falls Road then the main road in 1914. Before Frank Craig built The Fron (1918). Dunbar’s house Halcyon on left of road. The hall on its right with Keogh’s sheds showing further in the trees. The horseman is Edward John Price who delivered the daily papers to Lil Badenhop’s shop. The bag he carried them in can be seen hanging from the saddle pommel. The first road formation can be seen on the bank to the right. The road seen was constructed 1905 by Bill McGivern.edward john price, edward joseph price, lily badenhop, post office, falls road, main road, mountjoy, frank craig, bill mcgivern, dunbar, halcyon, keogh, farndons hall

Oval photo, landscape view. Mountjoy on hill. Side view of the Post Office with residence showing the fence and a sign. Two children on Ridge Road and two girls outside the Methodist Church, which is not in view.post office, pretty corner, mountjoy, ridge road, fiveways

Black and white framed photograph featuring a group of men inspecting cattle over a fence in front of the Mechanics Instituute Hall at Mirboo North. Set in brown wood frame with cream card window mount.

Yields information about the use Sturt St and St Andrews Kirk.35mm slide - Agfa colour plastic mounts of tram 14 inbound in Sturt St with St Andrews Kirk (Uniting Church) brick fence behind the tram - between Lyon and Dawson St, c1970.tramways, trams, sturt st, st andrews kirk, tram 14

B/W. The Weeaproinah passenger shelter with boy looking out, 3 March 1962. The remains of a picket fence and gate across the entrance to the shelter with an aged corrugated shed and failing overhead name plate...weeaproinah; railways;