Frederick & Isabelle DAVEY's wedding group taken on the day of their marriage. See also 3762P for a related photo. Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service detailsBlack / white photo of a wedding party with guests on the steps outside of a church.Hand written on back: Isabelle Davey (Murdoch).photography, weddings, raaf

CF Reg No 2533.26, 2540.9, 2541.2, 2542.8Reproductions of paintings held at Australian War Memorial, Canberra depicting naval scenes of WWI.Individual descriptions of paintings hand written on back.illustrations-reproductions, military history - navy

176 pages. Some black and white photos. 2 tone green. Soft covers, title in red. Subtitle in black - background of map Australia and islands to the north drawn in white.On fly leaf hand written "MIKE BUNDY" books, military history

Pea green, hard covered book with dust jacket bearing photographic images of soldiers. Photo and details of author on back flaps. 188 pages. Illustrated with one section of black and white photos. Title in red on pale grey front panel on on the green spine.Name of donor hand written on fly leaf. books-military-history, vietnam

Soft cover - green with photo of solder in jungle on front. Title on spine and front cover in gold. 358 pages. Illustrated with black and white photos.Donation details hand written on fly leaf.books, military history

medium sized rectangular b/w photograph in portrait format.hand-written inscription: "The Staff of the mission in Yokohama"yokohama, japan, overseas missions, japanese

This is a photograph of a basketball (netball) team taken in 1921. It is probably a school team. Included in the photograph are: Mollie Hamill; Judy Morgan; Pen Richardson; Hilda Bird; Joy Roach; Alice Hamill; Marion Nixon and Phyllis Salmon.This is a pictorial record reflecting the importance of sport in Orbost society.Two copies of a small black / white photograph showing two rows of young girls in sports uniforms. The three girls in front are kneeling. The row behind is standing. The photograph has been taken outside.on back and front - list of hand-written namessport-orbost-basketball-netball recreation

The Westphal Balance was used in the Science Department at the University of Ballarat, VictoriaA beam Balance, provided with a submersible body at one end, for determining density of water at different temperatures. Housed in a polished wood box.Calibration table, hand written, inside the box.westphal, balance, water density, liquids, science department, university of ballarat

Light blue hard cover of 315 pagesHand written on front cover "Hmas Wongalene

Hard cover, blue cloth report book of 16 pages. Contains school report and marks for Robyn Tompson achieved during the period 1961-65 Hand written teacher remarks and subject marks.williamstown high school, robyn thompson, 1961, 1960's, 1962, 1963, 1964, 1965, student reports

The Flying Dogtor and Elvis Evil Eagle crashed mid air and the Dogtor helped Elvis gain control and rescued him. Thee Dogtor then tried to loosen a pile of logs that were blocking the creek and making the flood worse, but the effort sent his plane into a spin.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 3 pagesPage 1: spelling correction, hand writtenthe flying dogtor, robin boyd, crawford productions, manuscript

Piers Bateman was a local artist, held in very high esteem by his peers and community. He was born in Perth in 1947, moving to Eltham in 1955 as a young child with his family. In 1966 Bateman moved to London for eighteen months to develop his craft. In 1969 he settled in St Andrews, where he built a studio. The St Andrews locale is said to have been a strong influence on his work. Bateman’s talent was such that he was promoted and mentored by such ilk as Charles Blackman, Clifton Pugh and Arthur Boyd, among others. Bateman’s work is an intimate dialogue with the environment, renowned for his paintings of the outback, wilderness frontiers and the sea. He spent a year in the mid-seventies sailing the Greek Islands and the French canals to Amsterdam. In 1980 Bateman and Marcus Skipper embarked on a trans-Australian venture to the red centre and across northern Australia from Cairns to Broome. In the mid-eighties Bateman returned to the Mediterranean, before returning to the Australian outback in the late-eighties. His international career continued on an upwards trajectory between the Australian outback and European seas, providing a unique contrast throughout the course of his career. Bateman's work questions our relationship with the natural world, and in particular, reconciling our colonial heritage with our indigenous past. This line of questioning and his genuine response to place is the key to Piers Bateman’s work, for which he is lauded and celebrated. On September 4th 2015, Piers Bateman died in a boating accident on the NSW coast line. Piers Bateman was an instinctive painter whose inspiration came from nature. He reworked and scraped off the paint, moving it around until forms and colours of the landscape took shape. Although Bateman lived in Spain and Italy, his time in Europe made him aware of the contrast between the two continents and the bright clear light that defined the Australian landscape. At the time of this work, Bateman was living in St. Andrews, but travelled regularly to New South Wales and South Australia on painting trips. The ‘Grass Tree’ Xanthorrhoea johnsonii (commonly known as ‘blackboy’) is indigenous to these areas. It is a uniquely Australian, slow growing plant with twenty-eight species growing within Australia. Old examples of this tree are survivors of many wild fires, which can cause their blackened trunk, of one to two metres, branch into two or more heads. These heads consist of thick, rough corky bark, surrounded by long, wiry leaves and flowers that produce seed capsules with hard black seeds. The tree’s ability to be one of the first to flower after a wild fire ensures a food source for many insects and birds.Oil on canvas painting. Detail of three grass trees resting on the side of a mountain/hill. Green and gold palette throughout depicting the colours and light of the Australian landscape. Hand written, low right in capitals: 'BATEMAN'bateman, grass trees, xanthorrhoea johnsonii, landscape

This sextant was used by Captain J Menzies, Harbour Master in Warrnambool who testified in the Victorian Royal Commission of 1925 on the development of Warrnambool Harbour.A maritime instrument with links to Victorian Harbour Development history of the early twentieth century.A brass sextant in wooden box'J Menzies' hand written on box lid.sextant, capt. j. menzies

A function to launch Legacy Week in 1989. The photo appeared in the President's Highlights Report in 1989, the caption said 'A distinguished cross section of the Melbourne community joined for the official launch of Legacy Week. A grow of Vietnam Veterans were among the guests to listen to the address given by the Guest of Honour, former Chairman of the ANZ Banking Group, Sir William Vines, A.O.' More photos of the event are at 01644. Four men are seated at a numbered table and others are behind. The banner in the background says" Lest we (crossed out) You Forget. Legacy Appeal. Terry Walsh in second from the left in the back row. Other names not known.A record of a function for Legatees.Colour photo of 8 Legatees at a launch of Legacy Week in 1989.Hand written on back "6" in blue pen".legacy week, vietnam veterans

Wodonga Benefit Building & Investment Society was registered as a Friendly Society on the 26th May 1873. The Society was taken over by the Bank of Victoria in 1883Large minute book with canvas cover attached with thread. Contains minutes and financial reports from 12th March 1873 until 18th August 1883Hand written notes inside. No external markingsfinancial records, building society, wodonga, friendly societies

Photocopy of a Newspaper Clipping - from The Sun, most likely 17/4/1939 about the closure of the Collingwood line on Saturday 15/4/1939. Bus services replaced the trams during the afternoon or earlier that the scheduled last tram in order to prevent damage by revellers. Titled "Tram Chairman beats revellers". Has a photo of the last tram with Mr. J. Peden as Gripman and E. McLeod as the conductor with two male passengers."1939" written in on the left hand side in ink.trams, tramways, collingwood, closure, cable trams, crews

Set of two newspaper clippings from the Prahran Times about the removal of the former VR Tram tracks in St Kilda and negotiations with the Victorian Railways. L=Pounds .1 - "Railways Pay St Kilda L199,900" - 24/3/1959. .2 - "Tramway removal could cost over L280,000" - 11/3/1959.Hand written notes in ink re source.trams, tramways, vr, st kilda brighton, track removal, railways

This is one of a pair of paintings by artist Mike McCrea, created when he was in Warrnambool in 1985. The painting was framed and sold by Patana Galleries, Paton Place, Manly Vale, NSW. It was later purchased by athe company of Master Mariners of Australia and who donated the pair to Flagstaff Hill. The pair of paintings are significant for their association with steamships and the Master Mariners of Australia group. The paintings represent a time in local history when many steamships were sailing the coast and transporting passengers and goods.Painting; timber framed oil painting with the image of a cargo steamship off the coast of Warrnambool. Artist is Mike McCrea. Framed by Patana Galleries, Manly Vale, NSW. Hand written, "Red. No. 390 A" Sticker "61"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, painting, mic mccrea, patana galleries, master mariners of australia, steamship

Same map as 4012 but printed names are easier to read. Hand drawn arrows show the road now built connecting Macs St to the Warrnambool RdShows early layout of the town and names of landownersgovernment map of the township of Peterborough with handwritten notes on it. Includes the names of the landowners 1931some hand drawn arrows.peterborough, old maps, maps

Undated but stapled to a further copy of 00130 which was dated 'Xmas 1932'. Pages headed 'Camp Savige, Monday' indicate that it was created for a camp at Stan Savige's property. It recounts the cricket competition between the Dark Blues, Light Blues, Green and Orange teams. Written and illustrated by Pat Hanna in a satirical style it was clearly intended to entertain as much as to inform, but the humour would be seen to be heavy handed or not funny at all today. Nevertheless it demonstrates that campers enjoyed their stay at Somers. See also 01290 and 01291. In the early years, Legacy organised outings to the property of Legacy founder, Legatee Stan Savige, who had a place in Balnarring close to the beach. Permanent camp buildings were built in 1930. In 1930 Lord Somers (Governor of Victoria) also started a camp at a nearby property and the area was renamed Somers. Legacy Somers Camps continued intermittently at Stan's property until it was decided in 1951 to make other arrangements for holidays.Illustrates the sort of activities considered appropriate to occupy camp participants, and the amateur enthusiasm of the newsletter producers in the early half of the twentieth century.3 typed foolscap sheets black on cream, pencilled corrections and linesLegacy symbol hand drawn in pencilnewsletter, savige property, legacy somers camp, camps