Collected by Dorothy Brumby in relation to Great Western ResearchB/W Studio photograph with older man seated with elbow on pedestal W.J. Chapman Stawell

Black and white photograph glued onto card showing a seated man holding two young children. Probably members of the Pickford Family, Cluneschatham-holmes collection, clunes, children, bawden, pickford family

The photo is of the Paizis family taken in 1915 in Perth Western Australia. Picture standing is Nikolaos Paizis (business name N. Black); seated l-r: Thalia Paizis (Papadopoulos), Maria Paizis (Kezos), Chrysaida Paizis, Diamanto Paizis (Raftopoulos).A mounted sepia studio family photograph of a man, 2 ladies and two young girls. The man is standing whilst the two ladies and young girls are seated.

Jim and Toula Kandiliotis are photographed with their daughter, Chrissa.A copy of a sepia studio photograph of a lady and man with a little girl.

A black and white studio photograph of a head and shoulders view of a man dressed in a suit. He is hatless and his hairline is receding. The corners have been cut on an angle and the photograph is in postcard format. Imprinted in the bottom RH corner: EDWAD HARRIS/ STUDIOS/ 106 KING ST/ SYDNEYsydney, edward harris studios, unknown

A black and white studio photograph of a man, a lady and a little girl. unknown

In these bold, dynamic portraits, seemingly surreal worlds are created and explored by the subjects, filling the ground floor with vibrant colour and life. Exploring mythology and fantasy, belonging and truth, Atong Atem continues her exploration of identity, and the ways in which we construct images and stories to understand ourselves and our surroundings. Atem’s portraits reference the work of 20th century African studio photographers Malick Sidibe, Philip Kwame Apagya and Seydou Keita to create a visual representation of a relationship to culture. She was drawn to their work as an alternative to ethnographic and colonial images of Black people which she encountered in the history of photography on the African continent. This movement of photographers emerged from a desire to document themselves and their communities on their own terms. Artist Bio Atong Atem is an Ethiopian born, South Sudanese artist and writer living in Narrm/ Melbourne. Atem’s work explores the inherent intimacy of portraiture and photography as well as the role photographers take as story tellers, interrogating photography as a framework for looking at the world and positioning people in it. She takes framing into a fantastical direction with the small portals over the subjects’ faces, inviting the viewer to look at them through a surreal and constructed lens. Atem references the works of 20th century African studio photographers Malick Sidibe, Philip Kwame Apagya and Seydou Keita to create a visual representation of a relationship to culture. She works primarily with photography, video and textiles to explore migrant narratives and postcolonial practices in the African diaspora, the relationship between public and private spaces and the exploration of home and identity through portraiture. Atem has exhibited her work across Australia, including National Gallery of Victoria, Art Gallery of New South Wales, National Portrait Gallery, Immigration Museum, Gertrude Contemporary and Australian Centre for Contemporary Art. Atem has at international art fairs including Photo London 2023, Photo Basel 2022 and Vogue Fashion Fair in Milan.  Atem has exhibited internationally at the Tate Modern, London, and Wereldmuseum in Rotterdam, C/O Berlin and with PHOTO Australia at the Victoria and Albert Museum (V&A). Atem has also exhibited in the Africa Fashion exhibition at the National Gallery of Victoria, which was launched and curated by the Victoria and Albert Museum (V&A).  Atem was the recipient of the inaugural La Prairie Art Award from the Art Gallery of New South Wales in 2022 and the National Gallery of Victoria and MECCA M-Power scholarship in 2017. Her work is held in numerous collections including the National Gallery of Victoria, the Art Gallery of New South Wales and the State Library Victoria and the National Portrait Gallery.

Photograph of the Robert Oliphant plaque, tombstone 1860, Forgandenny Churchyard, ScotlandPhotograph of the Robert Oliphant, tombstone, Forgandenny Churchyard, Scotlandrobert oliphant plaque, tombstone 1860, forgandenny churchyard, scotland, robert oliphan

Red, black & white spice box from Robert Harper & Co Ltd.Star brand mixed spices 1oz net. Robert Harper & Co Ltd incorporated in Victoria, Australia. Harpers Pure Spice.domestic life

Black & White portrait of George Berry dontaed by John Mills from the estate of Bernard Grayden.Black & White portrait of George Berrygeorge berry, john mills, bernard grayden

Portrait photograph of singer Julie Anthony, most likely supplied for inclusion into a Carols by Candlelight program.B/W portrait of Julie Anthonycarols by candlelight, julie anthony

Program, printed in black on off-white card, for a Street Carnival to aid the AIF Ambulance Appeal, November 1940. Back of card features a signed photograph of Robert Taylor.On photograph on back: "Sincerely, Robert Taylor" and "Metro-Goldwyn-Mayer"carnival, ambulance, aif, street carnival

Series of photographs loaned for copying by Robert Collier through Keith Rooney. Photographs have been scanned by Ted Arrowsmith at 300dpi as a 'tiff' and burnt onto a CD Rom. copies of photographs were produced from the CD Rom for inclusion in the album.Black and white photograph of Robert Collier's home in Tunstall. Fred Cecil, Robert and George Collier on the roof.collier fred, collier robert, collier george, springvale road tunstall, orchards, tunstall

Robert Charles Letts - enlisted 1 Nov 1942 - discharged 27 Nov 1945. Rank: Pte Unit: 2/11 Aust mobile laundryThere are two old pay books for a WW2 soldier. 1. This has a brown buckram cover. No 260051. Australian Military Forces "Soldiers Pay Book" is printed at bottom. The centre has the Australian Government Crest. 2. Light brown cover. No. C90941 - Australian Military Forces "Soldiers Pay Book" is printed at bottom. The centre has the Australian Government Crest. Extra line at bottom marked 'continuation'. Inside both books are pages showing places - money - dates. The loose pages and cover are held together by two staples/book. 1. V65066 crossed out then VX 119118 written above it in white ink, LETTS, Robert Charles. The rear page has personal information. 2. VX119118 LETTS, Robert Charles. On front cover there is pay information and personal information throughout book. Rear cover has 2 x B & W portraits of soldier.ww2, soldiers pay

The first issue of the school magazine The Minervan Nov 1913 records the unveiling of the portrait. See file attached. William Henderson served as the school's first President for many years. Artist James Swinton Diston (1857 - 1940) created the portrait for the family in 1900. It was gifted to the school at an unveiling ceremony held 19 August 1913. The portrait was displayed in the school for many years before being transferred to St Andrews Kirk. It was located in a shed at St Andrews around 1990 and returned to the College per favour of old collegian Clark Chester, former Captain of Henderson House. Ornate gold framed portrait in oils.william-henderson, clark-chester, henderson-house, ballarat-college, st-andrews-kirk

Black and white photograph (2 copies). Two oval portraits of man and woman. Appears to be taken from newspaper. Caption beneath portrait reads: "Mr. and Mrs. Kennedy- Pioneers and Pillars of the United Free Methodist Church."

Portrait of Alexina Duncan (nee Butcher) who was the wife of David Duncan, the first treasurer of the Port Phillip Farmers' Society in 1848. The Port Phillip Farmers' Society eventually became Melbourne Royal. The painting is part of a pair with a portrait of David Duncan.Oil Portrait In Heavy Elaborate Gilt Timber FrameON BRASS PLATE - PRESENTED FOR ALEXINA DUNCAN BUTCHER BY HER FAMILY THE ORIGINAL AUSTRALIAN ANCESTORS ALEXINA DUNCAN WIFE OF DAVID DUNCANrasv, duncan, alexina duncan, treasurer, port phillip farmers' society

Biography of Sir William Stawell.Blue Paper dust jacket cover. with print. Oval Portrait of a man's head.Lives of the Australian Chief Justices. (in capitals printed in background) Head and Shoulders oval portrait of Sir William Stawell. in the centre of cover.stawell, law

Small portrait of a lady seated on a chair beside a table with her right hand resting on the table and a book in her left hand. She is wearing a long high neck dress with a voluminous skirt. The bodice has decorative edging. She is also wearing a hat.Dublin & Melbourne Portrait Rooms, Market Square, Castlemainephotograph, portrait, female, portrait of a lady, dublin & melbourne portrait rooms

Book. ALEC H CHISHOLM COLLECTION. 223 page paperback collection of bawdy folk-songs by Robert Burns. Includes an 8 page glossary of Scottish words. Edited by James Barke and Sydney Goodsir Smith. Notes by J. De Lancey Ferguson. Published by Panther Books in 1966 and printed by C.Nicholls & Co. Ltd., England. Catalogue sticker '2042 BUR' on spine. Handwritten in biro on first page 'to the Old Pretender from the Young'.Robert Burnsbooks, collections, poetry, alec h chisholm collection, robert burns, poetry

B095.1, B095.2 - Two round bronze medals. The obverse has an image of Robert Raikes and text round its edge and the reverse commemorative text.Obverse: "ROBERT RAIKES" Reverse: "CENTENARY OF SUNDAY SCHOOLS 1880" "JUNE 1880"raikes, robert

Ballarat born Robert Jenkins (6th Field Company Engineers) embarked from Sydney on board HMAT A40 Ceramic in November 1915. Twice wounded ("shell-shocked"), he returned to Australia in April 1919. Robert Edward Jenkins enlisted in the army (V195393) in December 1941 and in October 1942 joined the RAAF. At discharge, he was a Flight Lieutenant in 514 Squadron.Postcards, photographs, flying log book and film negatives of Robert Edward Jenkins (RAAF s/n 419813) and Robert Jenkins (r/n 3295)robert jenkins, robert edward jenkins, 6 field company engineers, 514 squadron, georgina jenkins (nee lynch), philip henry rutlidge

Married Dennis Flatman, died 14.3.1908 aged 75. Head and shoulders portrait photograph.sepia portrait, unmounted, original, good conditionJane Flatman (nee Webb) married Dennis Flatman Jane died 14-3-1908 75 years

Lady Mayoress of St Kilda 1888-1889, standing studio portraitsepia studio portrait, mounted, original, fair conditionMrs S E Jeans Lady Mayoress 1888-1889

Robert Anderson Snr. as a very young boy, dressed in kilt, hat and buckled shoes. Large sporran.Early Photograph of very young Robert Anderson Snr.local history, photography, photographs, slides, film, robert anderson snr, sepia photograph with pink tinting background., mrs emma anderson jacobs

Internet Research materialRelevant research material 1918 World War 1Internet Research printouts of World War 1 details - General Sir John Monash portrait, Maps of Battles etcGeneral Sir Jon Monash portrait and details of service, Maps of Battles of Wold War 1 1918 world war 1 - 1918 internet research printed material australian at war 1918

1889 Wedding Day of Robert and Bessie Anderson.Robert Anderson Snr. on Wedding Day with second Mrs Anderson.. Robert Anderson seated, dressed in suit with waistcoat. Bessie Anderson standing dressed in skirt and velvet jacket with vest and ribbon and cameo at throat. Seems to be some confusion on the Family Tree re Robert's 2nd wife's name. There is confusion as to whether Robert Snr's 2nd wife was Bessie Fleming or Annie Grant. Photo is titled Bessie but it may be Annie?? Lee O'Donnell, descendent of Wilhelmenia, believes it is Annie.T.Teed. St. George's Studios, 238 Bourke Street, Melbourne.local history, photography, photographs, slides, film, robert and bessie anderson, wedding day, sepia photograph, mrs emma anderson jacobs

Studio portraits of John Mitchell [child] Mrs Mary Mitchell, Mrs Mary Mitchell [Top Right] and Henry Mitchell [Bottom Right] and of Hailes Street Greensborough.4 studio portraits, sepia.Names written on back.mitchell family, henry mitchell, john mitchell, mary mitchell