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Victorian Maritime Centre
Ashtray - Metal
The metal ashtray was purchased sometime during a cruise by unknown person. It is part of a cruise liner collection by D Benson and Family over a period of years. D Benson sold part of the collection to the V.M.C who purchased the remaining part. It is a great source of information to visitors to the V.M.C. At the time of ocean liner holiday cruising, many people smoked cigarettes and purchased these souvenirs to keep or give away as gifts.Round metal ashtray with log H.M.S BirminghamLogo H.M.S Birminghamsouvenir, cruise liners, h.m.s birmingham -
Glenelg Shire Council Cultural Collection
Souvenir - Souvenir Ashtray - Portland, Victoria, n.d
Bakelite ashtray, round, branded 'PORTLAND' in gold.souvenir of portland, domestic item, ashtray -
Glenelg Shire Council Cultural Collection
Medal - Medal - Queen Victoria's Jubilee, 1887
Australia Victoria Portland Jubilee of Queen Victoria 1887 (AD) Mint: Stokes & Sons Other Details: Medal issued in 1887 by the Town of Portland to celebrate the 50th jubilee of Queen Victoria's ascension to the throne. It names W.T. Pile as Mayor. William Thomas Pile served as Mayor from 1887 to 1888.Gilt Queen Victoria jubilee medal. RoundHead of Queen Victoria facing left, wearing veil and coronet; Around, VICTORIA'S JUBILEE Below, 1887. Inscription on truncation of Queen's neck: H.S. Reverse Description At centre within broad ornate, zigzag border Town Hall building; around above, TOWN HALL PORTLAND; In exergue: W. T. PILE ESQ. / MAYORcelebrations, queen victoria, medal, numismatics, victoria, golden jubilee, 1887 -
Bendigo Military Museum
Container - CAKE TIN, Willow, made in Australia
Tin used to send cake to troops serving overseas, possibly WW1 or WW2Round grey metal cake tin with lid“Willow”cake tin, willow -
National Wool Museum
Textile - Jumper, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Red jumper with rounded v neck collar. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
Merbein District Historical Society
Equipment - Horse muzzle
A muzzle used for horses to stop them from eating the grapes A round wire muzzle with a black leather straphorse, winery -
Ringwood RSL Sub-Branch
Souvenir - Badges RAAF 50 mm round
Badges RAAF 50 mm round chromedRAAF button chromed -
Clunes Museum
Domestic object - SALT CELLAR
SALT CELLAR, ROUNDED MADE OF PRESSED GLASSNilsalt cellar, condiment -
Clunes Museum
Domestic object - CERAMIC JAR
ROUND CERAMIC CONTAINER WITH HANDLES ON EACH SIDElocal history, domestic item, containers, -
Whitehorse Historical Society Inc.
decorative object - Lace floret
Round piece of cream lace with raised centre.handcrafts, lacemaking -
Port Melbourne Historical & Preservation Society
Medal (Item), Wojciech Pietranik, 60th anniversary of end of World War 11 medal, 2005
The boxed medallion commemorates the service Robert Cornelius WATTERS, a member of the Royal Australian Naval Reserve. He served as a Leading Sick Berth Attendant from 11 September 1940 - 21 March 1944.World War 11, 60 years ,1945 2005. Reverse side: World War 11 Service to Australiarobert cornelius watters, norma watters, armed services - navy, royal australian naval reserve -
Wangaratta RSL Sub Branch
Silver Medal, C1934
White metal medal issued to commemorate Melbourne's centenary 1934-35. This medal was given out to Victorian school children; 325,600 white metal medals were struck. The medal references Portland, the location of Victoria's first settlement. The Henty brothers, entrepreneur farmers and whalers, established the state's first permanent European settlement in Portland in 1834. Melbourne was established the following year by a party of settlers led by John Batman.Commemorates the settlement of Portland, Melbourne and Victoria, 1834 - 1935Round two sided silver metal medalFront - Centenary of Victoria 1934 - Portland 1934 Rear - Centenary of Melbourne 1935centenary, victoria, melbourne, medal -
Bendigo Historical Society Inc.
Domestic Object - BENDIGO POTTERY COLLECTION: ROUND SUGAR BOWL
A round sugar bowl from Bendigo's pottery.Bendigo Pottery Australia logobusiness, retail, material, bendigo pottery's website -
Bendigo Historical Society Inc.
Domestic Object - BENDIGO POTTERY COLLECTION: SMALL ROUND JUG
A small round jug from Bendigo's pottery.Bendigo Pottery Australia logo next to the handlebusiness, retail, material, bendigo pottery's website -
Whitehorse Historical Society Inc.
Textile - Doyley
White round doyley made in netted lacehandcrafts, lacemaking, manchester, table linen -
Warrnambool and District Historical Society Inc.
Bottle, John Fletcher Warrnambool, Early 20th century
This is a marble stopper bottle. It was filled upside down so that as soon as the filling stopped the marble was forced down to seal the bottle against the rubber ring. Pressure inside the bottle kept the marble pressed against the top of the bottle. To open the bottle the marble has been pressed down and has fallen into the neck chamber below. The marble stayed inside the chamber when the bottle was tilted up for drinking. This bottle came from the Warrnambool aerated waters factory of John Fletcher. This factory was commenced in the mid 19th century by John Davis. As a young boy John Fletcher worked at the cordial factory of John Rowley in Banyan Street, Warrnambool. He then worked for John Davis at his Union Cordial Factory in Koroit Street for many years. In 1885 he succeeded John Davis in this business. Fletcher’s business continued until 1930 when it was sold to the soft drinks manufacturer, Ralph Reeves. John Fletcher made aerated waters, soda water, tonic water, lemonade, ginger ale, hop beer, hop bitters, sarsaparilla and cordials. This bottle is of interest as a good example of a marble stopper bottle and as a memento of the soft drinks made by John Fletcher, a prominent Warrnambool businessman for over 40 years. This is a glass bottle with a heavy round base and a rounded body which is markedly indented at the top, causing the aperture inside to be narrowed. The neck is rounded and tapers to the moulded glass opening at the top. There is a round piece of red rubber inside the top of the bottle. A green glass marble is loose in the neck section. The lettering giving details of the manufacturer is embedded into the glass. There is a small chip on the base.‘John Fletcher Trade Mark (crown symbol)Warrnambool’ ‘Soda Water’ ‘M’ john fletcher, warrnambool, cordial manufacturers, warrnambool -
Ballarat Tramway Museum
photograph - Darling Street Eaglehawk Bendigo - unused track, Peter Duckett, About 1950
Set of two photographs showing the Darling Street extension of the Eaglehawk line. This section of the route fell out of use when mining decreased (See Keith Kings, Bendigo Tramways). Both photos by Peter Duckett about 1950.Yields information about the Darling St extension of the Eaglehawk line.Set of two Black and white photographs by Peter Duckett.Details the image on the rear of the print in ink.bendigo, tramcars, bendigo tramways, eaglehawk, darling st -
Kew Historical Society Inc
Archive (series) - Subject File, Liberal Party of Australia
Kew Historical Society IncSince its foundation in 1958, members of the Kew Historical Society have been compiling and storing information about subjects relating to the history of Kew and its environs, of which this file is an example. Arranged by Secondary Values (value of records to users)Subject file containing information about the Australian Liberal Party and its predecessors particularly relating to Kew. The file includes newsletters, agendas, how to vote cards, invitations to rallies etc. The information relates to three levels of government - local, state and federal.liberal party of australia -- kew (vic.), liberal and country party of victoria, political parties -- kew -- victoria -- australialiberal party of australia -- kew (vic.), liberal and country party of victoria, political parties -- kew -- victoria -- australia -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Kew Historical Society, John Cannon House, 1993
Various partiesReference, Research, InformationSecondary Values (KHS Imposed Order)Subject file containing a photocopy of a newspaper article, and a for sale notice about/of 32 Marshall Avenue, Kew. John Cannon House was a hostel for deaf children, named, the Directorate, School Education sold it in 1993. kew historical society - archives, kew - history, 32 marshall avenue (kew), john cannon house, glendonald, children’s hostels - kew (vic)kew historical society - archives, kew - history, 32 marshall avenue (kew), john cannon house, glendonald, children’s hostels - kew (vic) -
Warrnambool and District Historical Society Inc.
Gramophone Needles, Tin of Gramophone Needles, 1940s
This tin of gramophone needles was produced to be used in conjunction with a Decca Gramophone. The Decca company was founded in 1914 by Barnett Samuel and Sons and their gramophone as patented as the world’s first portable gramophone. The company became known as the Decca Gramophone Company in 1928. Portable gramophones became very popular, especially with the soldiers in World War One. Today the gramophone is largely a collector’s item and has been replaced by more sophisticated sound systems. These needles and their box are of interest as an example of a recreation product in the past. Gramophones were found extensively in homes up to the 1950s. This is a small rectangular-shaped tin with rounded edges. It has a hinged lid painted green on the top. The top has printed material in green, black and white lettering. Inside the tin is black paper lining and inside the lining are about 50 gramophone steel needles. This is not a full tin. The needles are in good condition but the tin is a little rusty‘Decca Soft Gramophone Needles Finest Sheffield Steel Use Once Only’ gramophones, history of warrnambool -
Glenelg Shire Council Cultural Collection
Plan - Ship Plan / Mould, n.d
Wooden pattern for mould for boat fitting. Flat, rectangular, rounded edges. Two halves of a 3cm diameter cylinder attached to either side of rectangle, about 12cm in from one long edge. Hollow cylinder 7.8cm diameter attached to either end of 'split' cylinder, 3cm cylinder fitted into hollow cylinders. Painted white. -
Falls Creek Historical Society
Poster - Falls Creek's First Lady
Skippy St Elmo - Champion Skier and High Country Housewife. For much of the winter 1945 newly married Skippy St Elmo was alone in Wallace's Hut while her husband Toni worked as an assistant hydrographical observer for the SEC. During her first two weeks Skippy had her first ski lesson and promised herself that someday she would be able to ski. Before winter's end she was accompanying Toni around the snow gauges. The following year, Skippy and Toni became the first full time residents of Falls Creek. Along with a group of other SEC workers they built the first lodge at Falls Creek, “Skyline” in 1947. Not only did Skippy fulfill her promise to be able to ski but also went on to become the Victorian Women's 1949 Downhill & Combined Champion and in 1954 won the Albury Ski Club Men's championship. While modest about her skiing success, Skippy was very proud of her domestic skills and cooking prowess using a camp oven. She also was spent time sewing ski wear for both Toni and herself. Skippy definitely earned the title of “Falls Creek’s First Lady”.This item is significant because it documents a pioneering figure of Victorian skiing.Poster composed of photos and text explaining basic information about Skippy St. Elmo mounted on display board.skippy st elmo, key figures of falls creek, skyline -
Melbourne Legacy
Letter, Biography of Lieutenant-General Sir Stanley Savige, 1957
Letter dated 1 Nov 1957 from W.B. Russell to Mr Cooper (Chair of Biography Committee) reporting on his progress with the writing of "There Goes a Man". The work so far involved research and writing a draft of the first few chapters, and he notes that despite the 50 hours per week he is allocating to his Departmental duties, he has been able to keep fairly close to his target of spending 36 hours a week on the book.Part of the story of how the book 'There goes a Man' came to be created.White paper with black type of a letter from WB Russell to Legacy about the progress of the biography he was writing about Stanley Savige.Signed W.B. Russell in blue ink, annotated in pencil: 'Shown to J.G. Gillespie 30.11.57'savige book, committee -
Whitehorse Historical Society Inc.
Newspaper - Article, Schwerkolt plans come under attack by family, 19/01/1994
Article in the Post about the objection by the Schwerkolt family to Council plans to commercialise Schwerkolt Cottage. Rosalie Whalen talks about the history of the cottage.schwerkolt, johann august, schwerkolt, maria catherina wilhelmine, whalen, rosalie, schwerkolt, carl benno, schwerkolt, ern, schwerkolt cottage -
Federation University Historical Collection
Book, T W Burke, The Gold Ring, 1962
This book is part of a collection of books, photos and memorabilia donated from the Chatham-Holmes family collection. It is about Catholic marriage.This hard backed book has a blue, white and gold cover with a photograph of a family (mum, dad and three children) on the front cover, as well as the title, the author and the foreword. On the spine is printed the surname of the author, the title and the initials of the publisher. On the back cover is printed the title, price, information about the book and the publisher. The book contains 134 pages.Written in pencil on the fly page - 12/-chatham-holmes family collection, the gold ring, t w burke -
Flagstaff Hill Maritime Museum and Village
Decorative object - Flue Cover Art, 1890s to 1930s
In the late 19th and early-20th centuries household heaters burned wood and coal for heating. In winter the warm air from the fireplace would flow into the room through a round flue in the face of the chimney. In the warmer months the unnecessary heater and flue was removed and the chimney cleaned. Homemakers then covered the circular flue hole with a decorative and usually inexpensive wall hanging to prevent draughts and dust. The practice was especially popular in France and Germany where a lot of the artwork originated. The covers were no longer needed after households changed over to more modern designs of heaters. The flue covers were known as Wall Art or Flue Cover Art. They were usually round and illustrated with a lithograph or chromograph print. The picture was then mounted on card, covered with glass, and framed with a brass or tin rim. The border was commonly gilt with a black stripe around the centre. There were numerous illustrations, many with a European appearance, and were easily bought through local merchants for a small price.This pretty flue cover is significant for representing a common domestic wall decoration from the late Victorian to the Edwardian eras, when solid fuel heaters were used in low to high income homes. The picture is similar to many other flue cover images, apart from the holly clutched in the girl’s hand, which gives the cover a Christmas theme. This flue cover is the only one in our collection and appears to have a unique design; the hand painted floral decoration on the glass and the two crimson rings around the edges of the frame’s white border haven’t been seen on other flue covers. Flue cover, metal and glass. Print of a young girl with blue eyes and curly blonde hair, a hooded blue cape, a silver clasp with blue stones, and a sprig of holly in her hand. The round metal frame forms a deep, white-painted, crimson-edged border for the illustration. The hand-painted blue flowers on the glass front form add to the border and give a 3-dimensional effect. The picture is between the cardboard backing and the glass front, with the metal frame holding them together. There is a metal chain attached for hanging the cover.warrnambool, flagstaff hill maritime museum, picture, handpainted, portrait, girl in blue cape, metal frame, round picture, illustration, print, holly, christmas, child in blue cape, silver and blue clasp, holly sprig, late 19th century, early 20th century, 1890s-1930s, victorain, edwardian, flue cover, flue cover art, wall art, chimney flue cover, chimney hole cover, stove pipe cover, fireplace flue cover, antique, victorian, glass frame, chromograph, lithograph, tin, brass, lithograph print, chromo print, christmas girl, blue cape, blonde girl -
Geelong RSL Sub Branch
Plate, 1990
This Plate was commissioned by the RSL of Australia to9 commemorate the Diamond Jubilee of the ANZAC Troops Landing at Gallipoli on 25 April 1915.The item is an original, theIssue Number is 562A round plate, cream colour, a picture of Gallipoli Peninsula in the centre and smaller pictures round the ende of the plate. The flags of Australia and New Zealand at the top of the plate.on the front of the plate 1915 to 1990, Landing at Gallipoli on 25 April 1915. On the back of the plate - This limited edition collector's plate was commissioned by the Returned and Services League of Australia to commemorate the Diamond Jubilee of the ANZAC Troops landing at Gallipoli on the 25 April 1915. Signature of Brigadier A B Garland AM (RL) Issue Number 562 gallipoli, diamond jubilee plate -
Bendigo Military Museum
Accessory - MEDALLION & MEDAL, 1) 1919
.1) These medallions were issued to School children in 1919. .2) After a call was made to have something to show you had volunteered for Active service but were rejected on medical grounds..1) Medallion, round with ring at top, etched raised figures front and back. .2) Medal, round, with etched raised Australian Coat of Arms on the front..1) On front, “”Victory, The triumph of Liberty and Justice, The Peace 1918” On reverse, “Peace 1919 Australia” .2) On the front, “Volunteered for Active Service - Medically unfit”, On reverse, “65066”the peace 1918, volunteered, medically unfit -
Bendigo Military Museum
Award - CADET TROPHY, Engraved 1938
The cup relates to Harry Burrell BEM, MM, VX59659.Round metal cup with centre stand mounted on a round Bakelite stand base, cup has a created edge at the top, the cup is crushed out of shape.Engraved on side of the cup, “38th Batt, CDT H Burrell, best Cadet 1938. Inside Bakelite base, “Rec. No. 15580-4”cadets, trophy, -
Warrnambool and District Historical Society Inc.
Household, Glass, 1990
This glass has been issued to mark the end of the name of St. Ann’s College, Warrnambool in 1990 and the school’s amalgamation with the Warrnambool Christian Brothers College in 1991. St. Ann’s School commenced in 1872 and was then known as St Mary’s Convent of Mercy School, Wyton. The latter name was the name of the ex-John Ardlie home in which the school was then situated. There were eight foundation Sisters of Mercy. In 1888 the name was changed to St Ann’s School and in 1991 it amalgamated with the Warrnambool Christian Brothers College to form Emmanuel College. This glass is an interesting memento of the year that the name of St Ann’s College in Warrnambool ceased to exist. This is a clear drinking glass in the shape of a goblet with a round base and an elongated body with a round opening at the top. The crest of the school is impressed onto the glass in gold outline. ‘St. Ann’s Warrnambool Omnia Vincit Labor 1872-1990’ st ann’s college, warrnambool, emmanuel college, warrnambool