Specially prepared for release at a ceremony on 9th April 1995, to mark the restoration of the historic headstone and placement in Dowling Forest Cemetery during the 1995 Victorian Heritage festival.Medium blue cad with black tape on spine. inset black border with the Title and sub title B/W Photo of Broken gravestone above Author NameThe Headstone Book Christorpher John Prowse 1814-1843 Val McCallum Inside: With best wishes Val McCallumstawell

Contains the following tickets showing the style of tickets issued by various public transport operators. 3 pages of MMTB Imperial currency tickets 1 page of Pensioner concessions 3 pages of decimal currency tickets including dual currency type 1 page of Ultimate tickets - type sold at safety zones by Zone sellers 1 page of PMG prepaid tickets, special supplementary journal, machine bus ticket 1 page of PMG prepaid Section tickets, 1 page of incapacitated section tickets 2 pages of Hospital tickets Scholar's Concession ticket issued to the donor, Swimming class tickets and a Police ticket. 2 pages of unidentified tickets SPER National Park line 1 page of Adelaide tickets 4 pages of Provincial tramway tickets, dual currency including a Bendigo battery tram ticket. 3 pages of Brisbane tram and bus tickets 2 pages of Launceston bus tickets - 1968 1 page of Hobart tickets VR motor coach (bus) ticket 1 page of Perth tram tickets A TAA ground transport ticket San Francisco ticket, Hong Kong tickets, 2 pages of recovered MMTB tickets from behind tramcar seats - imperial currency and one MMTB Supplementary Running Journal.Yields information about the style of tickets issued by Australian Public Transport systems.Album - heavy black/green card covers containing 35 ruled quarto sheets secured with an Arnos metal binder with the title "Tickets" taped to the front of the object.tramways, melbourne, tickets, ballarat, bendigo, adelaide, launceston, hobart, brisbane, hong kong, taa airlines, perth, san francsico, sper, pmg

These photographs are a pictorial and historical record of the photographer, Ronald George Thorn, of his days as an engineer with SECV. He worked in the Kiewa area as a cadet engineer from 1948 to 1950 and then in 1953 to 1956 as an electrical engineer grade 2.The photographs tell the story of one mans involvement in the construction of the Kiewa Hydro Electric Scheme during his employment with the State Electricity Commission of Victoria.A foolscap sized sheet of light weight cardboard with 3 photographs (black and white) adhered to sheet 7 and 8 black and white photos adhered to sheet 8. Number 7 is handwritten in ink on a small square of white paper and adhered to the page by sticky tape. Number 8 is also written as above and adhered to reverse side.engineer, kiewa, secv

This Gear box universal, with its Cone assembly ( inc lens) in conjunction with Magazine 500 exposures unit ( see CAT 5561) is part of the F22 aerial camera assembly. As an assembly, the type F22 aerial camera came into RAF and RAAF service c1942. It was used by the RAF over Europe and by the RAAF extensively through the Sth. West Pacific area of operations, during WW2. This type of camera was used through the Vietnam war up to the early 1980's. The F22 camera assembly when mounted in the reliable Canberra aircraft, did aerial survey work in PNG, Indonesia, Malaysia and Sumatra and the Australian mainland. This type of camera was used in Spitfires, Mosquitos, Avro Lincolns and Canberra aircraft.Heavy, metal construction. The base is a rectangular box shape and mounted to that is a funnel shaped tube. Inside the tube are numerous small baffles around the sides painted matte black. The box has a 7 pin electrical connector. The box section can be opened by releasing catches. It has a timber base. Near the mouth of the tube, outside, is a panel with a slot and indentations F5.6 F8 F11 F16.There is a tape label near mouth if tube with writing embossed "LENS S/NO 2767849" The box has a label "GEARBOX/UNIVERSAL. MODEL 14A/4249 SERIAL No. 1685"aviation, reconnaisance, camera, photography

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MARCUSE / B.worth (in pen) Reverse: BEECHWORTH NOSTALGIA / BW – 01 (crossed out) / B2 / CORNER CAMP + FORD STREET / (on masking tape) 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Three (3) black and white photos of Dan MANSON. Footballer/cricketer. Played 3 games for Port Melbourne Football Club in 1959 but played many years for Port Colts. .01 - preparing for a football match by taping his glasses to his head .02 - training on the ground. Taped glasses obvious. .03 - as wicketkeeper behind the stumps to "batsman" Winifred ATWELL, famous honky tonk pianistsport - australian rules football, arts and entertainment, dan manson, winifred atwell

Opaque Red glass lamp base and clear glass top. Dark metal top on base which houses the base for the top and the opening for the wick to raised and lowered by the round wheel also on this metal base. Grecian urn shaped base. Black tape around bottom edge of base, also strips of black tape on inside bottom of base. Perhaps to assist with repairs where base is damaged

A wooden racquet with solid, convex throat, cloth tape, and parchment shoulder reinforcements, and deep grooved handle grip. Inscription across and along throat on obverse: DRIVA/WILLIAMS & CO. PARIS. Inscription across butt cover, in French: WILLIAMS & CO/1. RUE CAUMARTIN/PARIS/A GARDER SOUS PRESSE. Materials: Wood, Gut, Cloth tape, Ink, Glue, Lacquer, Leather, Metal, Parchmenttennis

An 'R-600' metal tennis racquet with double shaft and round head and string whipping around shoulders and shaft. Metal bridge with orange adhesive label printed with 'R-600'. Cream plastic shaft casing and butt cap. Handle wrapped with perforated tan leather grip tape. Label on side of shaft states: TAIWAN. Materials: Metal, Nylon, Adhesive tape, Leather, Plastic, Stringtennis

A JCP 'TR-555' metal tennis racquet with double shaft and round head. Black plastic bridge with yellow adhesive label printed with 'TR/555'. Black plastic shaft casing and butt cap. Handle wrapped with perforated black leather grip tape. Adhesive label on butt cap states: JCP/ MADE IN KOREA. Materials: Metal, Nylon, Adhesive tape, Leather, Plastic, Adhesive labeltennis

A Wilson 'T2000' metal tennis racquet, with double shaft; yellow plastic shaft casing and silver whipping. Handle wrapped with grey non-original grip tape. Net anchored to metal wire wrapped around head frame. Yellow plastic butt cap with white label featuring 'W' logo in red. Materials: Metal, Plastic, Adhesive tape, Nylon, String, Adhesive label, Rubbertennis

A Wilson 'Extra' metal tennis racquet, with double shaft, plastic throat bridge; plastic shaft casing ; and a handle wrapped in white grip tape. Cream plastic butt cap with featuring manufacturer's 'W' logo. Manufacturer name on throat bridge (both sides). Model name on outside edges of shaft pillars. Net sprayed with 'W' logo. Materials: Metal, Plastic, Adhesive tape, Nylon, Painttennis

A Spalding 'Tournament' model tennis racquet, featuring concave throat and fine-grooved wooden handle with leather end wrap and butt cloth . White reinforcement tape around shoulders. Manufacter logo features on throat on reverse. Model name features on throat on obverse. Manufacturer logo printed on butt cloth. Materials: Wood, Metal, Lacquer, Glue, Leather, Gut, Ink, String, Adhesive tapetennis

Multi-part object of 7 identical racquets (parts are numbered from 2008.961.1 to 2008.961.7). Each racquet is: a Paramount metal racquet with no net and leather grip wrap branded with 'FAIRWAY BY BALMFORTH'. Plastic packet of loose grommets taped to shaft. Adhesive label inside throat states: 'EUROPEAN FEDERATION/M5/ SPORTS GOODS MANUFACTURERS'. Materials: Metal, Leather, Adhesive tape, Plastic, Adhesive labeltennis

Demonstrates the production method of the BTPS newsletters, yields information about the BTPS activities and has a strong association with the author of the time., Demonstrates the production method of the BTPS newsletters, yields information about the BTPS activities and has a strong association with the author of the time.Original copies of the BTPS Magazine/Newsletter Fares Please! for the period June 1990 to November 1992. Produced by Warren Doubleday for the BTPS at the time, has the original bromides for the various photographs used. Printed by a laser printer and then pasted up with the Fares Please! titles and photographs using Scotch Magic tape. Some yellowing of the tape or other tapes used is noticeable. At the time, these were then photocopied to produce the final copies. 1990 - June, September, November 1991 - January + Sales Mail Order sheet, March, May + two pages with new cuttings, July, September and November 1992 - January, March, May, September, November. (July Missing)museums btps, fares please

A corsage is a small bouquet of flowers worn on a woman's dress or worn around her wrist to a formal occasion, traditionally purchased by the woman's date. A corsage originally referred to the bodice of a woman's dress. Since a bouquet of flowers was often worn in the center of the bodice, the flowers took on the name "corsage." This corsage was worn by Marjorie Burton.It was probably pinned on a dress to decorate it and may have been made by Marjorie or her mother. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who made many of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11This item is an example of a typical dress accessory and reflects women's clothing styles of the mid 20th century.A corsage of pink and white artificial flowers with green leaves and tied with a pink ribbon. The stems are bound with green tape. In the centre of the flowers sre tiny white pearly beads.corsage accessories burton-marjorie

Refer to Cat 112P for Service Record. Missing presumed dead.Flying suit inner - brown colour cotton sateen fabric with kapok lining. Metal zipper at front. Tape ties to aqnkles. makers label back below collar.Maker's label - black ink print on white cotton "W>P> 1019 KAPOK LINING/Size 2/Height 5'5" to 5'6"/ Breast 33"/35"/ Waist 30"/32"/ Seat 36"/38"/ Leg 28"/ H174255/ 40/ C.I.L. (D)/ 1941". Faint black ink stamp above label - "(Crown)/ A.M."uniform, raaf, ww2

Framed set of documents, including letter from Ballarat College Principal, John Garbutt to George Howard, Esq. teaching master, Grammar School, Echuca 25 June 1878; memorandum confirming ongoing employment and raise of salary from Principal Garbutt to G Howard 17 December 1879; male and female student lists and results by subject covering Geography Form V, Arithmetic Form VI, Latin Form V, Mathematics Form III, English Form V, Mathematics Form VI, Mathematics Upper VI.Collection of papers, framed under glass; thin black frame with fine gold line on molding; cardboard backing and paper sealing tape; hanging wire across back. principal-john-garbutt, g-howard, 1879, 1878

Gaiters belonged to Alan Walter Mason VX140967, 2/10th AUST PORT OP COY AATNC. Enlisted 7 May 1943, Discharged 30 November 1945..1) & .2) Khaki webbed gaiter fitted with two clips and two straps for fitting. Straight double taped top and curved bottom with canvas lining on inside bottom.1 & .2) "VX140967 MASON, A.W." in black ink on canvas lining.uniform, gaiters

W F R.BUDGE VX48105, refer Cat No 2721 for his service details.Set of 2 Australian Identity discs, held together by tape, cotton. .1) Metal ID disc, round shape. .2) Metal ID disc, octagonal shape..1) & .2) Engraved front: VX48105 - BUDGE WFR, C-E. Rear side: 0-4. identity, discs, passchendaele barracks trust

Australian Flag made of dark blue rayon blend with cotton Union Jack & stars. LHS reinforced with white canvas. Metal swivels on ends of tapes attached to canvas.Makers label worn.flags - national - australian, passchendaele barracks trust

Hardcover book with brown cover and yellow dust jacket with simple line drawing of an Egyptian and Australian. Inside on front page is part of a leaf held down with sticky tape.Written on first page "Dear Rex Happy Birthday 1985 Love from Harry" "Mrs May Hall"books, military history

The Ballarat Junior Technical School was a division of the Ballarat School of Mines..1) Blue and white St George exercise book with members names, and account details including expenditure. .2) Blue covered exercise book with red tape spine.ballarat junior technical school, mothers club, ballarat junior technical school mothers club, coombes, mathews, h. stevens, hocking, collinson, marshall, dow, voice, finn, bickerton, boak, sainty, wittingslow, cutter, brokenshire, odell, redfern, j.j. stevens, mills, quick, glyus, blackmore, leathan, witcher, o'dell, methews, robinson, g. rose, bennett, waightman, widdop, grose, r.d. stevens, chandler, m. greenberger, norman, e. marshall, strange, dodd, cunningham, whightman, patterson, trotter, sykes, buckland, weightman, fry, moncrief, ruthford, shearer, waldron, glazner, shipworth, dorintong, mortimer, monk, wilson, howard, new

Blue hard covered book with red tape spine. It includes attendances for students in Joinery. The instructor was George Pyke. Includes a blank Ballarat School of Mines enrolment form.joinery, ballarat school of mines, george pyke, trades

1865 Borough of Eaglehawk Rates Blue cover A4 booklet. Cloth tape binding Photocopy of Rates book. Compiled by Noelene Wild Eaglehawk Heritage Society 1996Noelene Wildeaglehawk, history, rates book