Stamp on reverse, "Photograph by Information Branch Victorian Dept. of Agriculture Ref No. 1981(889-5)." Appears to be a proof taken from the original.students working outside, ornamental garden, burnley gardens

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Reverse: CHILTERN ? / (SAME (illegible), SAME PAPER + COLOURS AS CHILTERN PHARMACY / BOTH MAY HAVE BEEN 1981 WHEN IN YACKANDANDAH? / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

James Lerk Collection - Newsletter: Bendigo Central Bottle Club. March 7/8'' on front cover. (1981) Reference to Ben's Beverage Co, Bendigo (Glovers) - ginger beer; P Hayes - Wine and Spirit Merchant, Bridge Street.

Invitation, white card, green text, issued by the Government of Victoria and the Directors of the Shamrock Hotel to Mr. M.A. Sheean to the Hotel's Official Re-Opening by the Premier of Victoria, Hon. R.J. Hamer, at 12.00 noon, Tuesday 14th April, 1981.tourism, invitation, shamrock hotel, re-opening, hon. r.j. hamer, martin sheehan

Refer Cat. No. 6939.6Service Dress Shirt with neck scarf. Fabric - cotton polyester colour, patterned with alternating bands of dark and light green vertical stripes of varying width. 1. & 3. Shirt - with wide collar, six white colour plastic buttons on front placket, long sleeves with two white colour plastic button cuff. No pockets. Manufacturer's label - inside back of collar. White cotton fabric. 2. & 4. Scarf - long rectangular shape with each end cut on the Diagonal.Manufacturers label - black ink print. 1. “SANDRA LEIGH/ QUEENSLAND/ 1981^/ 8410-66-097-4954/ SIZE 14 TLL/ NAME/ SERVICE NO". Followed by "WASHING INSTRUCTIONS" 2. "WILLS INDUSTRIES/ WESTERN AUSTRALIA/ 1983/ ^/ 8410-66-097-4954/ SIZE 16 AVE/ NAME/ SERVICE NO". Followed by washing instructions.uniform, women's service dress, army, browne, passchendaele barracks trust

Article in the 'Shantytown Gazette' Greymouth, New Zealand about Dr. L.L. Smith the only legally qualified man advertising in the colonies.Article in the 'Shantytown Gazette' Greymouth, New Zealandsmith, l.l., dr.

Reprinted in 1981, by Overseas Press Service. No. 45 of 200 copies .Green covered hardback book with gold embossed grapes and leaves on front cover. Written by Hubert De Castella.Gold embossing.vines, sketches

Worn by Mick Anzin, during the 1981 winning Grand Final.Machine knitted, sleeveless jumper, with a red diagonal strip extending from the left shoulder to the right hip. The stripe is on both the front and back of the jumper. The number 57 is on the back. "57"

This Hewlett Packard 43120A monitor defribulator electro cardiograph equipment was trialled around 1981/1982 to Gren Sylvester at the Ambulance Officer Training Centre. Having proved successful, it was introduced to non-MICA (Mobile Intensive Care Ambulance) ambulances in Victoria. It was used successfully for at least 15 years and was noted for its reliability and also for its ability to keep working after being dropped. It was later replaced by lighter equipment. Source Ian Gordon AHSV assistant curator 23 March 2016.Monitor Defribulator Electro Cardiograph. Electrical equipmwntr with screen, paddle and carry handleSOUTHCARE UNIT NO 3monitor defribulator electro cardiograph, ambulance equipment

This album of Comradeship activities was compiled by Legatee Fred Holdsworth. It contains photographs, newspaper cuttings and ephemera relating to various “Comradeship” activities (social gatherings) held throughout the 1970s and early 1980s. Items included various events legatees participated in. First few pages had photos from a gathering at Cruden Farm on 15 May 1977. Cruden Farm was owned by Elisabeth Murdoch, the mother-in-law of Legatee Geoff Handbury. It appears there was a kite flying contest. Names are not listed. Three photos were from Queensland where Legatee Wal Escott had retired at Mundoona apartments, Noosa Heads, one photo shows him with Lorna Grimwade on 6/10/1979. There is a black and white photo of Max Armstrong, Rex Hall, Harry Burton, Warren Hardy riding horses in the Anzac Day march. The year is not known but an accompanying newspaper article mentions that they had been riding every year for 13 years on horses loaned by the police mounted branch. The newspaper clipping shows another photo of the four. A photo of seven legatees including David Carter were at the Numurkah Annual meeting in 1978. There are 8 photos of a gathering of Legatees and their wives at Stanhope in 1979. A photo of a Christmas party at Chaucers in 1979 was missing from the page, it has shown Choirmaster Reg Thomson and Choristers; Rob Allison, Bruce Hall, Les Patch, Bill Seager, David Syme and Ron Austin; with the M.C. being Fred Holdsworth. There was a trip to a trout farm in Alexandra Yea area in February 1978. At a comradeship evening there a photos showed the Comradeship committee of Harold Berg, John Cooper and Fred Holdsworth. Also photos from Anzac Night in 1980 and 1981. Plus other gathering at people's homes. A black and white photo of men in formal black tie, is from a night at the Windsor Hotel to farewell Sit Thomas White to become Australia's High Commissioner in London. Left to right are Sir Archie Michaelis, Sir John Latham, Sir Thomas White, Lt Col Donovan Joynt and Sir Stanley Savige. At the 1981 comradeship Christmas party, the held a 'this is your life' tribute to President Ken Green.The Comradeship photo album was put together by the Comradeship committee and records events that Legatees did and places they lived or visited. Some appear to be trips to visit other Legatees living overseas and social occasions held in different places. It shows the bond that Legatees have with each other.Brown vinyl photo album. The front cover is embellished with a double gold border. The album contains thirty pages bearing both colour and black and white photographs as well as newspaper clippings from various “Comradeship” events during the 1970s and 1980s.Inside cover - “A record of Comradeship activities / Fred Holdsworth” ? First page - “AT CRUDEN PARK / 15 May 1977” Third page - “CHAMP THE KITE MAN” Fourth page - “THE SHRINE 1977” / “THE CHAMP” / “REX” Fifth page - “Lorna Grimwade/ + Wal Escott/ at Noosa Heads, Q. / 6/10/79” Sixth page - “Max Armstrong, Rex Hall, Harry Burton, Warren Hardy” Seventh page - “Numurkah Annual 1978” / “ANZAC Night 1973” Eighth page - “STANHOPE 1979” Ninth page - “THE CHRISTMAS CHORISTERS at CHAUCERS CANTERBURY 1979.” / “FEARLESS FREDS FAMOUS FOLLIES. CHOIRMASTER. Reg Thomson. CHORISTERS. Rob Allison. Bruce Hall. Les Patch. Bill Seager. David Syme. Ron Austin. / M.C. Fred Holdsworth.” Tenth page - “ALEXANDRA YEA / ~ / FEBRUARY 1978” Eleventh page - “COMRADESHIP HIERARCHY 1979 / HAROLD BERG / DEP CHAIRMAN / JOHN COOPER / CHAIRMAN / FRED HOLDSWORTH / TREASURER” Twelfth page - “ANZAC NIGHT / ~ / 1980” Eighteenth page - “ANZAC NIGHT - 1981” Nineteenth page - “ANZAC NIGHT -1981” Twenty Second - “THIS IS YOUR LIFE / 1981 comradeship/ christmas party” comradeship, events, legatee event

Yields information about Bendigo, its tramways, tramcars and preservation by the Bendigo Trust.Book - 100 pages, plus printed colour covers on gloss paper, centre stapled, titled "Bendigo and its Vintage Talking Trams", authored by Sue Mackinnon, printed by the Bendigo Trust December 1981. Has many historic photos of Bendigo, trams in the streets of Bendigo and its then fleet of trams. Gives a history of the trams in Bendigo, including battery tram, steam, ESCo, SEC, the Trust, Central Deborah Gold Mine and its trammies. Has a centre page colour photos of the mine and one of the Birney. In the top right hand corner is a green price label "4.00".trams, tramways, bendigo, battery trams, bendigo trust

Fold out pamphlet - 8 sections, titled "The new Train, Tram and Bus Ticket system made Simple (Almost)", explaining the new fare zone system - Central, Zones 1 to 3, with maps, explanations how it works, and the various travel cards issued by the Tramways Board and private buses and Vic Rail. Provides fare details of Travelcards, with pictures of them, rail singles, tram concessions, and rail weekly. Dated for introduction on 4/10, does not provide a year - see Reg Item 1645 for year - 1981. 2nd copy added 16-6-2015.trams, tramways, map, mmtb, vicrail, tickets, fares

A booklet titled ' Survey of the Seventies.' Bendigo Art Gallery October/November 1981. An exhibition which 'has an overview of some aspects of Australian art in the 1970's.' Bottom left corner of front cover has a sticker and number 0125 PAT.artwork, exhibition, bendigo art gallery, exhibition, art, artwork, australian art, australian artists, artists, survey. bolttom left corner of front cover has number sticker 0125 pat.

Railways Collection-Stapled A4 Booklet -Pocket History Vicrail 1839-1981 showing an A Class train and a Hitachi train .The booklet has a Timeline of the Victorian Railways from 1839 1982. The name R Trigg is written on the left of the front page.railways, bendigo to melbourne

Frederick Bice Menadue (1895-1981) was Mayor of Sandringham in 1935-36.councillor, sandringham, local government, municipality, mayor, mayoral robes, portrait, city of sandringham, jabot, frederick bice menadue, cr. f.b. menadue, dickinson-monteath studio, mayor of sandringham

Masako was a visiting lecturer to the Gippsland Centre for Art and Design (GCAD) in 1981.Stoneware plate with blue brushwork. Fish decoration. masako, ceramics, gippsland, jan feder memorial ceramics collection, gippsland campus, fish, visiting artist

Rehearsal night at Ormond Hall for the 1981 RVIB Carols by Candlelight performanceCol. negatives of Carols by Candlelight rehearsalcarols by candlelight, royal victorian institute for the blind

Portrait image of Bram and Dianne Manusama for the 1981 Carols by Candlelight program.B/W photograph of two performers at the Carols by Candlelight concert.Allow for bleed - on front edge. 47 x 53. P.8. 81280-Lcarols by candlelight, bram manusama, dianne manusama

Humphrey B. Bear performs on stage at the 1981 Carols by Candlelight concert.Col. photograph of Humphrey B. Bear.carols by candlelight, humphrey b bear

Photograph of singer Julie Anthony, supplied for the 1981 Carols by Candlelight program.B/W photograph of Julie Anthony.exclusively on Wizard records & tapes (front right base)carols by candlelight, julie anthony

Issued as a uniform item post WWII until the late 1980s. It was also used parade dress until its replacement of a newly designed uniform made of polyester. This particular sample belonged to CPL K. Howe 3144504 whist in the Army Reserves 1982 to 2005The khaki battledress was standard uniform issued post world war two and used until the introduction of the polyester uniform in the late 1980s. This uniform belonged to CPL K. Howe, the donor providing good provenance. In conjunction with other items of militaria donated by the Howe family. Item can be to tell a story of multi generations of military service of the Howe familySingle breasted hip-height jacket in khaki fabric, fastened with five buttons down the centre of the chest. Two pleated breast pockets with triangular flaps fastened with two buttons. All buttons plastic and khaki green in colour. Jacket is fastened around the hips with a belt, attached on left hand side and buckled in a rectangular metal buckle on right hand side. Both left and right sleeves bear two patches, a double chevron and red rectangular patch rounded to follow the seam of the shoulder, with embroidered text. Navy lanyard looped around right shoulder, held in place by epaulet and tucked into right side pocket. Red patch reads "ROYAL AUSTRALIAN ENGINEERS" Internal left chest label reads "A.G.C.F./VIC. 1981/[broad arrow symbol]/6405.66.025.6408/SIZE OF CHEST/SIZE 99-102R/MACQUARIE 80/BATCH J/DRY CLEAN ONLY/CREASE UPPER/HALF OF/LAPELS ONLY/No. 3144504 [handwritten]/NAME/CPL K. HOWE [handwritten]"jacket, battledress jacket, battledress jacket khaki, royal engineers