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Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Linton, Victoria, 2013, 22/05/2013
Colour photographs taken in the main street of Linton, Victoria.linton -
Ballarat Heritage Services
Photograph, Mullock Heap In Victoria Park, Ballarat, 2014, 04/11/2014
The large mullock heap, marks the site of a former quartz mine, and is one of the few visible signs of the former presence of extensive gold mining activities in this area of Ballarat. Originally known as Park Mine, and now known as Mount Holled Smith, the mine associated with this mullock heap puddled 750 tons of washdirt each day. The mine closed down in 1874, at which time 94,699 ounces of gold had been removed from the ground. Colour photograph of a mullock heap in Ballarat's Victoria Park.mullock heap, ballarat gardens, victoria park, park mine -
Tarnagulla History Archive
Photograph of the interior of the Victoria Theatre, Tarnagulla, Interior of the Victoria Theatre, Tarnagulla, c. 1960s
Murray Comrie Collection. A monochrome photograph depicting the interior of the Victoria Theatre, Tarnagullatarnagulla, commercial road, victoria theatre, tarnagulla public hall -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Bank of Victoria – Yackandandah III, c1983
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: ERNEST MARCUSE / BANK OF VICTORIA / YACKANDANDAH Reverse: Y 2 / 013 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Bank of Victoria – Yackandandah II, c1982
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: BANK OF VICTORIA / YACKANDANDAH / ERNEST MARCUSE / Reverse: Y 4 / 015 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Lara RSL Sub Branch
Book, Official History of Australia in the War of 1914-18 - Volume VII - Sinai and Palestine H.S. Gullett, 19388. fifth edition
Records the work of the Australian Lighthorse in the British campaigns in Sinai, Palestine and Syria during the years of 1916-17-18. An account of the strategies and tactics employed for the whole force. Historical narrative of Palestine, Sinai and Syria and Australian Lighthorse.Official History of Australia in the War of 1914-18 - Volume VII - Sinai and Palestine. Maps and Illustrations.light horse, sinai, palestine, syria, horses, turkish advance, gaza, magdhaba, allanby, beersheba, jerusalem, jordan valley, abu tellul, damascus -
Federation University Historical Collection
Pamphlet, Fletcher and Son Ltd, History on Display
Images and backgrounds histories and historical features/ Has a map of museum's location, as well as assitional information.ballarat historical society, museum -
Ringwood and District Historical Society
Envelope, Packet: Early editions of Ringwood history notes and research notes 1857-1963
Early editions of history notes and research notes 1857-1963 +Additional Keywords: Burnside, M -
Flagstaff Hill Maritime Museum and Village
Book, A History of Greece Vol 12
This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. A History of Greece Vol 12 Author: George Grote Publisher: John Murray Date: 1869Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library covered by a sticker from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, a history of greece vol 12, george grote -
Whitehorse Historical Society Inc.
Document, History of the South Vermont area
A short history of South vermont, from the land survey in 1855, including pioneers' names and occupations.A short history of South vermont, from the land survey in 1855, including pioneers' names and occupations.A short history of South vermont, from the land survey in 1855, including pioneers' names and occupations.vermont south, smith, l. l. dr., lobb, a, hoadley, mrs, confectionery, orchardists, norwich village, vermont, land subdivision -
Flagstaff Hill Maritime Museum and Village
Book, History for State Schools
History for State Schools Compliled by: Allingham & Lyttle Publisher: M L Hutchinson Date: 1904flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, history for state schools, book -
Whitehorse Historical Society Inc.
Article, Students Trace City's History
Students of Luther College,Students of Luther College, Croydon attempting to piece together history of some of City of Whitehorse forefathersStudents of Luther College, luther college, nitschke, bernie, hounsell, richard, bennetts, jane -
Whitehorse Historical Society Inc.
Document, Outline History of Blackburn & District Tree Preservation Society, 14/10/1970 12:00:00 AM
Outline history of Blackburn and District Tree Preservation Society .Outline history of Blackburn and District Tree Preservation Society by J. Field, 14 October 1970.Outline history of Blackburn and District Tree Preservation Society .blackburn and district tree preservation society, environment -
Whitehorse Historical Society Inc.
Photograph, Extensions to Local History Room, 1/12/2002 12:00:00 AM
Coloured photograph of extensions to Local History Room - floor slab poured and workers are hard at work.schwerkolt cottage & museum complex. local history room, whitehorse historical society, arrowsmith, ted -
Whitehorse Historical Society Inc.
Photograph, Extensions to Local History Room, 1/12/2002 12:00:00 AM
Coloured photograph of extensions to Local History Room - concrete foundation poured and site ready for walls.schwerkolt cottage & museum complex. local history room, whitehorse historical society, arrowsmith, ted -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Book, Oxford University Press Australia, The Oxford Companion to Australian Military History, 1995
Hardcovered book comprehensively covering Australian military history, ranging from the colonial period to the 1990sISBN 0 19 553227 9australian military history, australian military history -
Moorabbin Air Museum
Document (Item) - Short History of Ansett-ANA, The History of Ansett-ANA
Appears to have been produced for advertising or publicity. -
Camberwell Historical Society
Book (Item), R.J. MacDougall, History of St John's, Camberwell, 1963
church, camberwell -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Rob Christie, Dargo Crooked River a Pictorial History, 1984
Short history of the Dargo Crooked River goldfield, which operated 1860 to 1900, illustrated with photographs.mines and mining -
Federation University Historical Collection
Book - Royal Commission, Sources in the history of Victorian Education No.3 Vol 1 & 2 Royal Commission on Technical Education 1899-1901 Minutes of Evidence, 1978
The Fink Report was important for the social, economic and educational history of Victoria. It gave an insight into a broad cross section of Victorian life at the turn on the century. Eight staff from the School of Mines Ballarat were interviewed as part of the Royal Commission.Two books with orange/yellow covers outlining the Royal Commission into Technical Education in 1899 -1901 .1 has 256 pages .2 has 579 pagesStamped withdrawn on front cover and first page and UB stamped on the side.victorian education, royal commission, technical education, andrew anderson, gilbert dawbarn, thomas hart, frederick martell, richard middleton, alfred mica smith, robert pinnock, walter wynne, ponsonby carew-smyth, maude glover, herman h. schlapp, william knox, frederick paul, herbert h. smith, william macdonald, theodore fink, stawell school of mines, daylesford school of mines -
Ringwood and District Historical Society
Document, Gerry Robinson, How Geology and Geography can influence History: Canterbury Road, Jun-14
Documents prepared by Gerry Robinson, June 2014: How Geology and Geography can influence History: Canterbury Road +Additional Keywords: Robinson, Gerry -
Otway Districts Historical Society
Document, W.J. Evans, History of Otway Roads. W.J. Evans, June 1981
Document. History of Otway Roads. W.J. Evans. 1st ed. W.J. Evans; Beech Forest (Vic); 1981. 13 p. Soft cover.otways; roads; history; -
Port Melbourne Historical & Preservation Society
Audio - CD, "Yachting History Interview, Dick Edwards, 12/10/1960"
"Yachting History Interview, Dick Edwards, 12/10/1960". Interviewed by Ronald Jackson. Recording made by Janice MacDonald, the grandaughter of Dick Edwards sport - yachting, eli 'dick' edwards, janice c morton macdonald, port melbourne yacht club, pmyc -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Regan, Des and Press, Kate, How to trace the History of your House, 1990
Step by step instruction for researching the history of Australian dwellings. Illustrated with sketches of house styles. Explains land maps, titles, transfers, terminology. Indexed.buildings -
Ringwood and District Historical Society
Memorabilia, Record of Historic Lane and formation of Carmel Haven Kindergarten, Ringwood East, Victoria - 1956
Buying of Carmel Haven and formation of kindergarten after Mrs. Olive Raftis and a committee bought the historic lane which ran between Victoria St. Lois St. and Wenwood St. Ringwood East.Six pages of memorabilia about the historic lane running between Victoria Street across Lois Street and Wenwood Street, Ringwood East formed by Ringwood Council at the request of Mrs. Olive Raftis and Committee who collected and subscribed to the lane, including picture of house bought to use as a Kindergarten. 26269-1. Description of location and photograph with summary of Kindergarten activities 26269-2. Newsletter - Second meeting of ratepayers to discus lane 26269-3. Receipt from Borough of Ringwood for supply of 400 square yards of concrete path Victoria Street to Wenwood Street to Mrs. Raftis 26269-4. Receipt to Committee for 18 yards of gravel for concrete gutter. 26269-5. Receipt to Mrs. O. Raftis £5 with 2d Victoria Stamp Duty attached. 26269-6. List of contributers. -
Marysville & District Historical Society
Postcard (item) - Black and white postcard, Rose Stereograph Company, The Main Street, Marysville, Victoria, 1913-1967
A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A black and white photograph of Marysville's main street. This is now known as Murchison Street.POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co.,/ Armadale, Victoria Dear Max./ I arrived here/ about 12AM Master E. M. Tonkin/ C/o Mrs. H. H. Castles/ Donniflour St/ Kyneton./ Vic.main street, murchison street, marysville, victoria, p. 2749, rose series postcard, postcard, souvenir -
Marysville & District Historical Society
Book - Hardcover book, Alexander Sutherland, M.A, Victoria and its Metropolis-Past and Present-Volume 1, 1888
A history of Victoria from the time of the discovery of Australia through until 1888.Hardback. Dark brown cover with the title in gold lettering. There is also a border in gold decorating the outer edge of the front cover. The spine is also decorated in gold along with the title and the volume number.non-fictionA history of Victoria from the time of the discovery of Australia through until 1888.melbourne, victoria, exploration, settlement, john batman, john pascoe fawkner, pioneers, colonisation, immegration, aboriginals, discovery of gold, democracy, burke and wills, agriculture, manufacturing, literature, art, music, drama, education, science, churches, history -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Travel Victoria, 2006
A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria. The photograph shows the corner of Murchison Street and Pack Road in Marysville.murchison street, marysville, victoria, photograph -
Surrey Hills Historical Society Collection
Book, Lost and almost forgotten towns of colonial Victoria: a comprehensive analysis of census results for Victoria, 1841 - 1901, 2003
Purchased from the author when he spoke at a meeting of the Surrey Hills Historical Society. This meticulously researched book lists all towns and villages with entries in the Victorian censuses between 1841 and 1901. There are over 1400 entries. It includes the latitude and longitude for each town. It indicates how many males and females lived in the town, and the number of occupied dwellings (where available). For many of these settlements the only visible trace of them today is in the census results collected by the fledgling governments of Colonial Victoria. It is a comprehensive reference and a fascinating insight into the movements of early populations of new Australians and the forces that shaped them and is useful to historians, researchers and all readers with a fascination for colonial history.This book lists all the towns and villages with entries in Victorian censuses between 1841 and 1901. There are over 1400 entries. 518pp, with place name index. cities and towns, ghost towns, victoria, 1841, 1901, angus b watson -
Yarrawonga and Mulwala Pioneer Museum
Map, Map of Victoria, 1868
Original property of Alice Rebecca Puckey [nee Ford] Born England 23/07/1867 Died rosbud Vic 16/03/1951 Grandmother of Merven Elizabeth Clarke 30 Sturt st Mulwala1868 Map of Victoria