The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Black wool vest with a lace up front. The vest is heavily embroidered in an abstract multicoloured floral motifs. It is lined with a fine olive green silk. women's clothing, australian fashion - 1970s, vests

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Lace collar attached to the neckline of a garment. It is narrow over the back , widens at the shoulders and tapers down in a triangular shape to a point on either side at the front. lace, women's clothing, collars

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream collar. Panels of locked stitch lace onto netting are alternated with cut work. The neck edge is bound with fabric to attach the collar to a garment lace, women's clothing, collars

The current site of the Kew Recreation Centre in High Street Kew previously housed the Kew Depot on the corner of Disraeli Street. In nearby Derby Street, a number of original Victorian era buildings were gradually replaced due to development of the Baths precinct and commercial development.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Small single fronted cottage in Derby Street, Kew. The weatherboard cottage has a block fronted facade, and a Victorian verandah with cast iron lace.Annotation verso: "House in Derby St., next to Kew Baths (Demolished?)"dorothy rogers, derby street (kew), victorian houses -- kew (vic.)

This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Small single fronted cottage in Gladstone Street, Kew. The weatherboard cottage has a block fronted facade, and a Victorian verandah with cast iron lace.Annotation verso: "Mr Williams cottage in Gladstone St, Kew. He was Miss Louisa Henty's coachman. Hailed from West Indies. Built about 1900."dorothy rogers, victorian houses -- kew (vic.), houses -- gladstone street (kew), louisa henty, gardeners -- kew (vic.)

The current site of the Kew Recreation Centre in High Street Kew previously housed the Kew Depot on the corner of Disraeli Street. In nearby Derby Street, a number of original Victorian era buildings were gradually replaced due to development of the Baths precinct and commercial development.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Small single fronted cottage in Derby Street, Kew. The weatherboard cottage has a block fronted facade, and a Victorian verandah with cast iron lace.dorothy rogers, derby street (kew), victorian houses -- kew (vic.)

A cloth bag with envelope flap and button. Cream coloured material with red and pink embroidery on one side. Lace with red trim around edges.Schlate wohl' embroidered on top flap.handcrafts, embroidery, pillow, case, lace, needlework, german

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this dress as a vintage item and wore it during the years 2010-18, before donating it to BHS. The Mooney sisters, Nell and Ida, were situated beside the Regent Theatre in Collins Street, Melbourne and were well respected milliners and dressmakers.Short sleeved peach silk dress (.1) featuring beige lace appliqué on neckline, along with original rectangular brown cardboard box (.2).Label: "MF 2900 / Misses Mooney / of Collins Street" Printed on lid of box: "Misses Mooney / 189 Collins Street, Melbourne"di reidie, vintage clothing, misses mooney, melbourne designers

A tea gown or tea-gown is a woman's dress for informal entertaining at home. These dresses, which became popular around the mid-19th century, are characterized by unstructured lines and light fabrics. Belonged to Louisa Hoadley, (Mrs. Thomas Carlyle Adamson) - daughter of Abel Hoadley. Black two piece satin ensemble - Tea gown. Long skirt with short fitted style jacket, with black lace trim on skirt and bodice.tea gowns, dresses

Worked by Miss Lily Sebire about 1900.White tablecloth in Renaissance work, also known as point lace. Braid is stitched onto a calico pattern, then linked by needle and thread in a variety of designs.tablecloths, embroidery

Mary Pilgrim married Graham Keam 1953 at Winiam Methodist Church by Rev. A. C. Boquest.The Pilgrim family has been in the district for generations, possibly one of the early pioneers of Winiam, Victoria.A charming white lace frock with a train and scalloped neckline set with diamente. Her veil of embroidered tulle was held in place with a coronet of orange blossoms.scalloped neckline set with diamente, and embroidery on veil.1953 wedding dress, pilgrim, keam, ceremonies, marriage, bride, textiles - bridal - fashion

Gertrude Kathleen Barry was a music teacher, performer, and director of many musical productions in Linton and district, playing and teaching both piano and violin. She was the youngest of five daughters of Linton policeman/Clerk of Courts Denis Barry and his wife Ellen (née Quirk). The Barry family lived in a house they called "Listowel", which was in Cumberland Street, almost opposite the Catholic Church. As a pupil of the Sisters of Mercy in Ballarat, Gertrude passed the Musical Society of Victoria pianoforte examination in 1900. She became a music teacher shortly afterwards, teaching both privately and assisting in the music programme at Linton State School. She is first listed as a music teacher in music examination results published in 1906, and it is understood that she ran a private music school with her sister Dora from around this time until about 1915. The "Misses Barry" frequently performed at local concerts and fundraising activities. Gertrude moved to Ballarat in 1925, and was still listed as a music teacher in electoral records in 1972. She died in 1976. The bracelet Gertrude is wearing in the photograph is thought to have been presented to her in 1917 by the congregation of St Peter's Catholic Church in Linton, in appreciation of her many services to the church.Black and white copy of original photograph of a seated lady looking down and holding a violin and bow. She is wearing dark clothes with lace trim."Miss Barry"gertrude kathleen barry, musicians, music teachers

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Cream silk child's dress. Elbow-length gathered sleeves with smocking at wrists. 2-panels of hand crocheted lace forming a 3-panel yoke with central insert of cream embroidery. Full-length dress in silk with two rows of smocking on bodice. At base of dress are two panels of 6 rows of pin-tucking, separated panel of lace over silk backing. Lace at neck. Opening in centre back with 7 button holes and 5 mother-of-pearl buttons with striution carved design. Cream satin ribbon runs under smocking at back and sewn into side seams.clothing, costume, dress, 1900s

Clothing. Infant's cream silk dress with bodice front and back. Casing at waist with .5 cm cotton ribbon insert. High round neckline with 1.5 cm lace trim and casing with cotton ribbon insert. Bodice at front has embroidered circle and leaf pattern. Centre back opening (28 cm) fastned ribbon ties at neck and waist and 1 X one cm button and button hole between. Straight long sleeves edged with 1.5 cm lace at wrist. Skirt is edged with 3 cm scalloped lace at hemline with two horizontal rows cutwork stitching.costume, children's, infant's cream silk dress

Clothing. Girl's cream coloured short sleeved linen waist length bodice/blouse. High U shaped neckline with ribbon insert lace and fold over lace collar (5cm). Yoke front and back with zig zag edge at front and V shaped at centre back. Yoke has decorative diagonal embroidered panels and pin tucks. The lower section of the blouse is shaped above the waist with darts and pleats below the bustline at the front and at centre back. Short sleeves have ribbon insert lace around arm holes with 7 cm embroidered fabric forming the sleeves.costume, children's, child's bodice/blouse

Clothing. Beautiful cream, floral, lace - probably linen, 10 cms deep. Each of the four layers of floral lace is overlapping a 3 cm wide, permanently pleated, band of cream silk, which is edged with a narrow 5 mm band of black velvet. The linen lace has a scalloped lower edge alternating five circles .8 cm diameter and four circles 1.2 cm - this edging forms the scalloped effect. Flowing scrolls and leaves fill in between the flowers. Presumably this four frill flounce has been removed from another garment to be recycled.costume, female, four frill layered garment trim

Clothing. Pink silk sleeveless woman's bed jacket. Arm holes trimmed with 2.5 cm coffee coloured lace with bright pink spot. Front opening with V neckline front and back. Front opening and neckline edged with pink spot 10 cm scalloped coffee coloured lace with pink spot. At the back the lace trim dips to a V at centre back.Front fastened at front with a bow of 2.5 cm pink patterned ribbon below neckline. Below the shoulder on each side of the front are sprays of embroidered flowers and ribbon bows in mauve, green and cream.costume, female, woman's pink silk bed jacket

Wax doll owned by Elizabeth Annie Robshaw. Doll dressed in cotton lace fabric. Three cotton petticoats. One of lace and pintucks. Two plain petticoats. Cotton drawers. The doll has wax legs with moulded boots, copostion arms. Thumb missing on left hand. Ginger wig. Holes in ears for earrings but earrings missing. No markings on doll. Doll’s face and shoulder plate badly damaged. Clothes need to washed. Large piece of lace in box with the doll. Appears to be of a later date than the doll. Printed sign with doll “Wax doll 1870. Owned by Miss Robshaw.’

Clothing. Cream coloured lace silk wedding dress. Dress made from fine silk fabric with self stripe, fully lined with cream coloured linen. High round neckline with stand up lace collar(6cm). Bodice at front has crossover from shoulder to waist, forming deep Vshape at centre front with net insert below the collar. Net insert has vertical pin tucks. Bodice front and back has cream coloured lace overlay that extends over the shoulders to halfway down the 3/4 length sleeves. Hem of sleeves trimmed with embroidered lace with geometric pattern. Cummer bund of pleated silk fabric (7cm) is attached around waistband. Floor length skirt is gathered into the waistband.Front of skirt has straight lace panelsoverlay (37cmX 90 cm) including 20 cm flounce at lower edge, attached at waistline. Back of skirt has gathered lace overlay attached at waistline extending across side seams and over the edge of front lace panel. Centre back opening fastened with eighteen metal hooks and eyes from collar to waist and six metal press-studs below the waist. Cummerbund fastened with three metal hooks and eyes. A fabric insert at centre back fastened with press-studs. Collar has five pieces of stiffening plastic. Bodice has three bone casings across front above waistline, and four across the back. Cotton tape band (66 cm X 3cm) attached inside bodice at front with hook and eye fasteing.Printed on inside waistband, ''AMALIA SALXANO FARRONE'' NAPOLI ''MODE +CON----'' VIA EGIZIACA A PIZZO FALCONE 93''. Printed inside LHS sleeve at arm pit ''SAXONIA 48X''.costume, female, cream coloured wedding dress

Picture of late 19th century double storey, double fronted mansion with wrought iron pillars and balcony lace work on upper ballistrade. Built for Moritz Michaelis in 1870Michaleis Moritz, black and white photograph, unmounted, poor condition with water damage to right side.Linden 14-4-1972 Age photo 1758/59'

Victorian padded, embossed and paper lace New Year card with silk intaglio of a New Year greeting. The card has opening front panels with the cross and a Christian message. A small card with a cross central feature (with message entwined) on opening panels revealing a silk intaglio with a New Year message.padded greeting card, new year,

CENTRAL white silk square surrounding a small panel of embroidery featuring flags of various nations in the shape of 1918. Cotton lace inserts between 4 silk panels embroidered with pale pink & white flowers & trailing green foliage. Pale pink ribbon bows at each corner < the whole silk panel edged with wide, scalloped edge lace with mitered corners.1918 Souvenir de Francemilitary history-souvenirs, flags - national, manchester - fabric

Pair of leather riding boots as issued to the Australian Light Horse servicemen during World War 1. These boots are designed to fit the feet and lower calf and are worn laced. They are made of tan coloured leather with leather soles and have leather laces. These boots were issued to Captain Lewis George Cole of the 3rd Light Horse Brigade (refer supplementary documents attached).world war 1, ww1, australian light horse, alh, cole

This garment was made by Edith (?) Cowell (Mrs Jim Richardson, nee Cowell) and has been donated by her daughter Esma Richardson.This item is an example of the needlework skills of women in the early 20th century.A full length white cotton night-dress with long sleeves. It has lace around the shoulders and across the chest, broderie anglais collar and cuffs. A ribbon is threaded through the lace at the neckline and cuffs. The bodice also has small pleats or pin-tucks at the front and clear buttons. Pinned to the left shoulder is a blue certificate indicating from the Bombala Exhibition Society of 1913.The certificate from the Bombala Exhibition Society indicates that Alice Cowell won first prize in the 1913 show for having made this night-dress.night-dress bombala-exhibition female-clothing

Christmas Greeting Card: Embossed Flap style greeting Card with white and blue flowers. Blue lace work at either side of the card. Inscription 'Joys brightest blossoms ever strew Your happy road in life. Inside blue lace with white Ivy and Á happy Christmas with a poem. Hand written To: Emily From: her loving another. Box 625ephemera, mementoes, christmas cards, christmas greeting card

Pink sleeveless nightgown - waltz length. Fine lawn fabric. Round neckline edged with cream coloured cotton lace with zigzag pattern. Hem lined with cream coloured zig zag pattern lace. Gathered at hips with decorative embroidered stitching. Pink and blue embroidered floral pattern on front of bodice. Decorative stitching around neckline, arm holes and hemline.costume, female, night gown

Clothing. White nylon women's panties with gussett and straight legs, Centre and back of legs trimmed with 2.3 cm lace. Centre front full length panel (20cm wide) with two full length side panels. Lower section of side panels have 14 cm frilled inserts of pleated nylon fabric, with lace trim at top. Elasticized waistband.costume, female underwear, woman's white nylon panties

Photograph showing two women, both wearing aprons and a man in a three piece suit and a bowler hat standing at the front gate of a late Victorian home. Bow windows in front are partially obscured by greenery and there is ornate iron lace work on the veranda. A lady with her face deliberately obscured is holding a kitten. The name 'Yareena' is on a plate attached to the lace work on the veranda,buildings, house, yareena, yareena

Frock was worn by donor's daughter Susan during time the family lived in England1964 white terylene dress, puff sleeves gathered at bodice and trimmed with nylon lace from neck edge to skirt. Five pearl buttons from neckline to skirt. Dress is lined from the bodice to the hem which is trimmed with nylon lace. Neck rear has two button opening. See also NA3591.1.2 Booties, NA3586 Bonnet, NA3592.1.2 BootiesSally Pigtail Regd - Terylenecostume, children's