'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.2 VICTORIA GVE HAW E Margaret Picken ~96 WOODARDS -HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.5 VICTORIA GVE HAW EAST Margaret Picken ~89 WOODARDS -HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.56 VICTORIA RD HAW E Margaret Picken ~98 WOODARDS -HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.74 VICTORIA RD HAW E Margaret Picken ~90 WOODARDS -KEWartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.104 & 104A VICTORIA RD HAW WOODARDS -HAW Picken ©2002artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.162 VICTORIA RD HAW E Margaret Picken ~89 WOODARDS -HAWartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.5/177 VICTORIA RD HAWTHORN Margaret Picken ~89 WOODARDS -HAWTHORNartist - margaret picken 1950-

Donated by Mrs Brian Jasper.Coloured post cards in folder with views of Rutherglen and District. This one is a view of All Saints WineryOn message side of card: "Rutherglen Victoria. Historic 'All Saints' Winery, of the 'Castle of Mey', Scotland has a 'B' Classification from the National Trust of Victoria. | NCV.1051 Nucolorvue Productions Ltd."all saints winery, winemaking

The library has no papers for the Memorial Board. The Board was presented to the Court by the Law Institute of Victoria in honour of those members of the legal profession who served during World War one. The Argus reports that the memorial board was unveiled by Chief Justice Madden on 17 July 1917. Names were added after this date and subsequent research indicates that some names were incorrectly placed on the board, while others, particularly members of the legal profession that were admitted to practice after the war were omitted. While memorial boards are a common addition many public and civic building after World War One. This large board is more comprehensive than the small board dedicated to members of the Bar that can be found inside the library, it is therefore of great historic interest capturing as it does the names of over 100 men who practiced as barristers and solicitors in Victoria before 1914 and who served in the armed forces during the 1914-1918 war.Five Blackwood panels with gold lettering of the names of the men who served during WWI. There are stylised copper decorative flowers on the corners of the memorial. The main inscription reads “1914 Roll of Honour 1918” “Erected by the Law Institute of Victoria in Honour of those members of the Legal Profession who enlisted for active service in the Great War”. The board is divided in to five panels, with the names of members of the legal profession who served during World War One. The Centre panel contains the list of the names of the 22 men who died during the conflict. memorial board, world war one

Certificate issued by " EDUCATION DEPARTMENT/ VICTORIA" Title "YOUNG WORKERS" "PATRIOTIC GUILD" Issued to "ELAINE GUNNELL/ EAGLEHAWK/ 210" on "19th July 1944". Certificate - light weight cardboard, with dark brown print on stylised scroll and illustrated in colour with gum leaves and gum nuts in background, lower foreground, two school pupils. Education Dept, Victoria crest at top.Certificate inscription - black (typed) ink "ELAINE GUNNELL/ EAGLEHAWK/ 210/ 19th JULY, 1944" Handwritten signature by Headmaster in black ink "H A ? LIEGNOR" certificate, ww2, education department of victoria

Yields information about the corner of the Victoria St terminus at the Orphanage and the relationship to the tramway.Digital Image of the Ballarat Orphan Asylum and Victoria St looking west with a tram at the terminus and the tramway overhead poles. Titled "Ballarat Orphan Asylum and Victoria St" From the Facebook group of old time photographs of yesterday. Probably taken soon after the tramway opened in 1905.trams, tramways, victoria st, orphanage, esco, postcards, tram 1 ?

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph on boardprinted in ink on support l.c.: VIEW OF STURT STREET, BALLARAT, TAKEN FROM THE TOWN HALL TOWER. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 13. / VIEW OF VICTORIA HILL, BENDIGO, TAKEN FROM OLD CHUM HILL. / This scene represents two of the principal Quartz-reef claims in the district of Bendigo, with their surface / excavations. The one nearest the foreground is the North Old Chum's Company's claim, which is very rich with / gold-bearing quartz. The other claim, on the hill side, is the private property of Mr. George Lansell, and is even / more valuable than the former, giving employment to over 100 men. The building on the right is the quartz-crushing / plant belonging to the new Chum and Victoria Companies. The excavations are several hundred feet in depth. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography, victoria hill - bendigo - victoria

A number of female student teachers of the Ballarat Teachers' College pose at the front of their hostel at 130 Victoria Street, Ballarat East. Mavis Canty stand centre right in dark dress with a rose on the collar.Written on back "Ballarat Teachers' College, Mavis Canty with girls of the Ballarat Teachers College Hostel, 196-"ballarat teachers' college, 130 victoria street, hostel

This is the third in a series of booklets produced by the Land Conservation Council in 1997 (176 pages). Booklets One and Two (1996) contained A Descriptive Report and Proposed Recommendations. The Final Recommendations include information on processes for protection of historic places, lists of significant places in the south-western region and aboriginal historic places. Attached inside the back cover are two maps showing the location of the significant places.This is a useful book as it lists the declared historic sites in the region and researchers will find the information helpful. This is a soft-cover book with a multi-coloured cover featuring a photograph of the Pioneers Memorial, Deep Lead. It has a red-coloured spine and back cover.Front Cover – Historic Places - Special Investigation - South-Western Victoria - Final Recommendations – Land Conservation Council Spine – Historic Places – South-Western Victoria – Final Recommendations – Land Conservation Council Back Cover – Historic Places, Final Rec., code used for retail sales warrnambool

This is a photograph of Army’s Inter-Service Softball Team that competed in the 3rd Military District, Victoria against Navy and Air Force taken on the 26th of February 1981. The competition was held from the 23rd to the 27th of February 1981. A note on the back of the photo indicated Army’s team came second. It is not known who the winning team was and where the competition was held.This is a photograph of Army’s Team that competed in the 3rd Military District Inter-Service Softball competition against Navy and Air Force, taken in an unknown location in Victoria on the 26th of February 1981. The black and white photo is on photographic paper and was scanned at 300 dpi. It is part of the Army Survey Regiment’s Collection. .1) - Photo, black and white, 1981. Back row L to R: PTE Karen Ball – DSU Broadmeadows, CPL Kay Melton – DSU Puckapunyal, SPR Scheryl Delforce – Army Survey Regiment Bendigo, WO2 Dizzy Dowsett – CARO, LT Jan McFarlane. Front row L to R: SPR Sharon Jones – Army Survey Regiment Bendigo, CPL Donna Sheldrick, CPL Di Chalmers – Army Survey Regiment Bendigo, PTE Karen ???, PTE Jackie Hubbard.Personnel and dates are identified on the back of the photo as well as on paper. royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

A number of photographs showing A day in the Life at State College Victoria at Ballarat. The campus was situated at Gillies Street, Ballaratstate college victoria at ballarat, scvb, ballarat teachers' college, library, art, ceramics, exhibition, student residences

Christian Science in Victoria Australia - One person's perspective of the introduction of Christian Science in Australia - the first 100 years

Prodromus of the Palaeontology of Victoria Decade 3 Author: Frederick McCoy Publisher: Government Printer Melbourne Date: 1876Pastedown end page has sticker from Warrnambool Mechanics Institute and Free Librarywarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, prodromus of the palaeontology of victoria decade 3, frederick mccoy

Booklet of 47 pages The story of Gilwell in Victoria, by W.D. Kennedy, Published by The Australian Boy Scouts Association, [1963].book, boy scouts association

Investigating the dispossession of Aboriginal people from their lands in Western Victoria. The methods of dispossession (exclusion etc.) and restrictions, with the consequences of this.maps, tables, b&w photographsdjab wurrung, dhauwurd wurrung, bargundidj, djadja wurrung, djagurd wurrung, gadubanud, girai wurrung, gulidjan, jardwadjali, watha wurrung, wergaia, western victoria, land tenure

Notes extracted from the History of Victoria and Melbourne by Mrs Leach on James Maggs. Anzac Day March 1932Notes extracted from the History of Victoria and Melbourne by Mrs Leach on James Maggs.maggs, james, pioneers

Black and white photograph of the State Savings Bank of Victoria, Mitcham, taken from the north side of Whitehorse Roadstate savings bank of victoria, mitcham, banks