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The Beechworth Burke Museum
Animal specimen - Dusky Woodswallow, Trustees of the Australian Museum, 1860-1880
The Dusky Woodswallow is often found in flocks which can be located in two separate populations. The Eastern population if located in Atherton Tableland in Queensland south to Tasmania and west to Eyre Peninsula in South Australia. The other population is found in south-west Western Australia. They reside in open forests and woodlands. This species is surprisingly aggressive and may fight with other Woodswallows for territory and nest sights. They will even chase raptors away from their homes. This species flies in flocks of around 10 to 30 birds which cluster together. In terms of diet, these birds eat insects and nectar from flowers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Dusky Woodswallow has largely deep brown colouring with some areas of grey on the head, neck and chest. There is a deeper brown colouring between the wings on the back of the specimen and the wings are black. This bird has a small curved bill which is grey and white. The legs are dark grey and the bird has long talons with an extra long toe in the centre. The eyes are made of brown glass with a back pupil. The bird is styalised standing on a wooden mount and has a paper identification tag attached to its right leg.[torn] / 9 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, swallow, woodswallow, dusky woodswallow -
The Beechworth Burke Museum
Animal specimen - Pacific Black Duck, Trustees of the Australian Museum, 1860-1880
The Pacific Black Duck is also known as the Grey Duck in New Zealand. Despite these names, the plumage of the bird is brown in colour with the occasional cream and small amount of black. This species of Duck is located in all of Australia with the exception of the most arid zones. They can also be found throughout the Pacific region. The Pacific Black Duck resides in a range of different habitats that have some sort of water. These birds feed on aquatic plants, crustaceans, molluscs and aquatic insects. To catch their food, these birds plunge their heads and necks under the water with their rear raising above the top of the water. This technique is termed "dabbing". This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Despite its name, the Black Duck is largely brown in colouring. It has a mixture of light brown and cream plumage on the neck, face and stomach. The wings and rear of the duck are a darker brown. Each brown feather is bordered with a cream colour which separates the feathers from each other. The top of the head is also dark brown and there is a darker stripe of black colour horizontally on either side of the eye. The specimen has two brown and black glass eyes and a black bill. The legs and webbed feet are a dark brown and black colour. Tied around the left leg is a paper identification tag. The number 134 is inscribed on the left side of the wooden platform on which the bird is standing. This specimen is stocky.3a. / Australian Wild Duck / See Catalogue, Page 38. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, duck, pacific black duck, grey duck, australian duck -
Australian Commando Association - Victoria
Medal - WW2 Medals - William Alsop 2/10 Commando Squadron, c. 1945
Awarded to William Donald Alsop - 2/10 Commando Squadron during WW2These medals has historic significance as it was issued to William Alsop a Commando in 2/10 Commando Squadron for his service during World War II and has strong provenance as it was donated with a Deed of Gift.The six–pointed star is yellow copper zinc alloy. The obverse has a central design of the Royal and Imperial cypher, surmounted by a crown. The cypher is surrounded by a circlet containing the words ‘The Pacific Star’ and War Medal 1939-45.SX33860 William Alsopww2, world war 2, australian commando, independent company -
Flagstaff Hill Maritime Museum and Village
Book, William P. Nimmo, The Poetical Works of Henry Wadsworth Longfellow, (short title on cover is ‘The Poetical Works of Longfellow’), n.d.!
As mentioned in the Description, the cover of The Poetical Works of Henry Wadsworth Longfellow is plain and in good condition. The internal pages are in similarly good condition, straight cut, and secured to the book binding with no signs of heavy use or wear. However the paper of the internal pages appears yellowed with age, unlike the cover pages that join the boards to the content pages. As also noted in the Description, the internal pages have intricate lettering, with black page borders, double column printing, and nineteenth-century styled black and white illustrations (etchings). This suggests that the bound pages represent an earlier print run and the cover was added, or replaced, at a later date. The book cover’s plain green design with minimal gold lettering seems more recent publishing practice than the pages within. This book bears no publishing date, which supports the speculation that the content pages were purchased as a remaindered lot and bound and distributed by another party, possibly in Australia rather than Britain, and at a much later date than the old fashioned page formatting suggest. The good condition of the cover and the bound pages indicate the book was seldom borrowed or read and the book may therefore have been acquired after the height of the poet Longfellow’s popularity (in the mid to late nineteenth century). The stamps and labels attached to the cover and title pages testify to the book’s provenance, from its initial ownership by the Warrnambool Mechanics Institute Library, to custody in the Warrnambool Municipal Library (where it, along with other WMIL texts, was catalogued by a librarian called Pattison), and finally to the Flagstaff Hill Historical Book Collection. The book was part of a collection of books, now known as the Pattison Collection, which originally belonged to the Warrnambool Mechanics Institute Library. In this context it is an example of the range of titles carried by Victorian rural libraries in the colonial and federation periods (Significance Assessment 2009).The book is bound in plain green cloth covered board with gold lettering on the top of the spine, which reads “THE POETICAL WORKS OF LONGFELLOW”. The cover is plain otherwise and in good condition. Clear Tape secures a typed paper sticker on the lower middle of the spine, which reads “PAT 811 LON”. The internal pages are in similarly good condition, straight cut, and secured to the book binding with no signs of heavy use or wear. However the paper of the internal pages appears yellowed with age, unlike the cover pages that join the boards to the content pages. The internal pages contain intricate lettering, black page borders, double column printing, and nineteenth-century styled black and white illustrations. Name: The Poetical Works of Henry Wadsworth Longfellow Author: H W Longfellow Publisher: William P Nimmo The cover page bears a printed label stuck over an earlier one, which reads “Corangamite Regional Library Service • Warrnambool City Library • Pattison Collection”. The title page bears a flat oval shaped black ink stamp containing the words “MECHANICS WARRNAMBOOL INSTITUTE”. On this page there is also the notations “P/W 4885” written in pencil, and “821” written in blue ‘biro’.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, poetry, henry wadsworth longfellow, classic book, 19th century, literature, leisure, warrnambool mechanics institute library, pattison collection, henry wadsworth longfellow’s poetical works, edinburgh publisher william p. nimmo, h w longfellow, the poetical works of henry wadsworth longfellow, warrnambool public library -
Mont De Lancey
Book, William Applegate Gullick, Under the Southern Cross Australia, 1911
A non fiction book showing full page black and white photograph glimpses of the six states and one territory of Australia in 1910. The ACT is not shown as it was not a territory until 1911. There is simple text describing each photograph at the top and bottom of each page.A blue covered rectangular hardcover book titled in red text and black text on the front cover - Under the Southern Cross with a white map of Australia and Papua with five grey stars of varying sizes with lined rays around each one. Inside on the title page is printed, Glimpses of Australia - Issued under the the direction of the GOVERNMENT OF THE COMMONWEALTH OF AUSTRALIA. Department of External Affairs, Melbourne 1910. On the back of the title page is printed Sydney: William Applegate Gullick, Government Printer for the state of New South Wales. 1911 above an ornate lined symbol. Opposite the title page is a detailed map of Australia showing six states, the Northern Territory but not the ACT which didn't become a territory until 1911. The ACT (Self-Government) Act 1988 established the framework for the ACT Self-government.non-fictionA non fiction book showing full page black and white photograph glimpses of the six states and one territory of Australia in 1910. The ACT is not shown as it was not a territory until 1911. There is simple text describing each photograph at the top and bottom of each page.australia, australian states, australian territory, australian life, australian cities -
Warrnambool and District Historical Society Inc.
Bottle, Webb Bros Port Fairy, Early 20th century
This is a marble stopper bottle from the Port Fairy aerated waters factory of the Webb brothers. A marble stopper bottle was filled upside down so that as soon as the filling stopped the stopper was forced down to seal the bottle against the rubber ring. Pressure inside the bottle would keep the marble pressed against the top of the bottle. To open the bottle the marble was pressed down where it would fall into the neck chamber below. The marble would stay inside the chamber when the bottle was tilted up for drinking. The Webb brothers operated the Port Fairy Aerated Water and Cordial Factory in William Street (no 29) in the late 19th and early 20th centuries. This bottle is of interest as an example of a marble stopper bottle from the aerated waters factory of the Webb brothers in Port Fairy. Cordial manufacturing was an important industry in Warrnambool and district for over 100 yearsThis is a marble stopper glass bottle. It has a rounded base with a rounded body tapering to a deeply-indented section which forms a narrow neck chamber. The top is rounded moulded glass with an opening. The green marble is loose inside the neck chamber and the rubber ring has been displaced and is at the bottom of the bottle. There is some discolouration inside the bottle from the original contents.‘Webb Bros. Aerated Waters Port Fairy’ cordial manufacturing in warrnambool district -
Eltham District Historical Society Inc
Photograph, William Hall, Possibly Sarah Shillinglaw, c.1875
Photographer William Hall operated from 114 Brunswick Street from 1875 through 1886. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1875-1886, sarah aldous (nee shillinglaw 1854-1925), william hall photographer 114 brunswick street, 1875 -
Eltham District Historical Society Inc
Photograph, William Hall, Possibly Sarah Shillinglaw, c.1875
Photographer William Hall operated from 114 Brunswick Street from 1875 through 1886. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1875-1886, sarah aldous (nee shillinglaw 1854-1925), william hall photographer 114 brunswick street, 1875 -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK ''THE SONNETS OF WILLIAM SHAKESPEARE''
Book. ALEC H CHISHOLM COLLECTION. 88 page hardcover collection of the 154 sonnets of William Shakespeare with the famous Temple Notes and an introduction by Robert O. Ballou. Illustrated with B&W drawings/images of Shakespeare and Stratford. Published in 1961 by Avenel Books, New York. Printed in the U.S.A. Catalogue sticker ''2127 SHA'' on front cover. Library of Congress Catalog Card Number : 61-13903.William Shakespearebooks, collections, poetry, alec h chisholm collection, william shakespeare, robert o.ballou, sonnets, poetry -
Wangaratta RSL Sub Branch
Envelope Art
Sent to Mrs MacDonald "Monald" 32 Grey Street Wangaratta by soldier during second world war.Victoria's 2/24th Infantry Battalion was raised in Wangaratta in July 1940. They were welcomed with open arms by the local community as they rapidly built up their numbers. The people of Wangaratta adopted the Battalion and they became known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. Many of the soldiers maintained life long friendships with the people of Wangaratta. Even though the Battation was disbanded in 1946 members and their families return each year, in November, for a commemorative service at the 2/24th Battalion Memorial Wall at the Wangaratta Cemetery.Cream paper envelope with hand drawing of rope around bomb with yellow strip and pilot on top. Red cross top left cornerTop left - AIR MAIL Top right - postage stamp Top centre - AIF Censor stamp Right side Mrs M MacDonald "Monald" 32 Grey Street Wangaratta Victoria Australia Bottom left side - "OK Joe Were over Toyko" Rear - 129537 ACI Gilbert A V Group 436 Flinders Island Tasmania ww2, envelope art -
Clunes Museum
Booklet - FIST DRAFT OF RUSH, RUSH
FIRST DRAFT OF "RUSH" BY WILLIAM NICHOLSON, A4 PAGES IN A BLACK DISPLAY FOLDER. A STORY OF THE VOCTORIAN GOLDFIELDS 1851-1901ON FRONT COVER WHITE RECTANGLE STICKER HANDWRITTEN: RUSH FIRST DRAFT WILLIAM NICHOLSONrush, william nicholson -
Warrnambool and District Historical Society Inc.
Document - William McJannet Probate 1898, 1898
Tait collection: item 44 of 62 This document gives details of the Will and Probate of William McJannet, a Warrnambool carpenter who died in 1898 at the age of 80. He and his wife and two of his children came to Australia from Scotland in the 1850s and at the time of his death he was living in Raglan Parade. He left real estate to the value of £400 and the beneficiaries were his children. The lawyer concerned with this document, H. Parrington, had legal offices in Kepler Street with the firm known as Higgins and Parrington but Mr Parrington was in partnership with Mr J.Tait when this document was drawn up. The document has been passed down to successive lawyers occupying the Kepler Street premises and located in this building in 2014. This document is of some importance as William McJannet was a well-known resident of Warrnambool in the 19th century. The document will be useful to researchers. This is a piece of white paper folded in two with printed red lines on the edges of three of the pages. Three pages have typed material and one page has handwritten material in black ink. It gives details of the Will and Probate of William McJannet who died in 1898. In the Supreme Court of Victoria In the Probate Jurisdiction In the Will and Codicil of William McJannet late of Warrnambool Victoria Carpenter deceasedwilliam mcjannet, h.r.parrington, warrnambool, tait collection -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK ''THIS VITAL FLESH'' BY WILLIAM BAYLEBRIDGE
Book. ALEC H CHISHOLM COLLECTION. 263 page hardcover book, with dust jacket, of collected works of William Baylebridge (Memorial Edition) Volume 1. Published by Angus and Robertson, Sydney in 1961 and printed by Halstead Press, Sydney. Catalogue sticker '2101 BAY' on spine. Handwritten in ink on flyleaf 'This copy for Alec H. Chisholm who was one of Baylebridge's few personal friends, P. R. Stephenson Sydney 1961'William Baylebridgebooks, collections, poetry, alec h chisholm collection, william baylebridge, poetry -
Glenelg Shire Council Cultural Collection
Book, Chambers' Encyclopaedia, Vol. IX, 1889
reference book; encyclopaedia;Brown leather bound spine with maroon cloth-covered board covers. Gold lettering and gold graphics in six rectangles on spine. Leather corners on outer edges.reference book; encyclopaedia; -
Glenelg Shire Council Cultural Collection
Book, Chambers' Encyclopaedia, Vol. VI, Humb to Malt, 1889
Brown leather bound spine with maroon cloth-covered board covers. Gold lettering and gold graphics in six rectangles on spine. Leather corners on outer edges.reference book -
Glenelg Shire Council Cultural Collection
Book, Chambers' Encyclopaedia, Vol. V, Frid to Huma, 1889
Brown leather bound spine with maroon cloth-covered board covers. Gold lettering and gold graphics in six rectangles on spine. Leather corners on outer edges.reference, encyclopaedia -
Glenelg Shire Council Cultural Collection
Book, Chambers' Encyclopaedia, Vol. IV, Dion to Pric, 1888
Brown leather bound spine with maroon cloth-covered board covers. Gold lettering and gold graphics in six rectangles on spine. Leather corners on outer edges.reference -
Glenelg Shire Council Cultural Collection
Letter - Letter - Mr Williams to his daughter Eleanor Rebecca Jones, William Jones, 17/10/1854
These letters came to Portland on the 'City of Sydney' under Captain Henderson. This ship was owned by the Henty brothers. Captain James Fawthrop was the harbour master at Portland and also captain of the Portland Lifeboat crew at the time of the wrecking of the Admella in 1859.Hand-written letter in glass bottle. Letter written by Mr Williams Jones, Launceston, to his daughter Eleanor Rebecca Jones who was staying with Captain James Fawthrop at Windsor Cottage, Portland.captain james fawthrop, letter, bottle, windsor cottage -
Glenelg Shire Council Cultural Collection
Book - Book - Chambers' Encyclopaedia, Vol. III. Cata to Dion, William & Robert Chambers, Chambers' Encyclopaedia, Vol. III. Cata to Dion, 1888
Brown leather bound spine with maroon cloth-covered board covers. Gold lettering and gold graphics in six rectangles on spine. Leather corners on outer edges. -
Glenelg Shire Council Cultural Collection
Book, Chambers' Encyclopaedia, Vol. I. A-BEA, 1888
The Chambers Encyclopaedia. Brown leather bound spine with maroon cloth-covered board covers. Gold lettering and gold graphics in six rectangles on spine. Leather corners on outer edges. -
Glenelg Shire Council Cultural Collection
Book, Chambers' Encyclopaedia, Vol. X. Suas to Zyri, 1889
Brown leather bound spine with maroon cloth-covered board covers. Gold lettering and gold graphics in six rectangles on spine. Leather corners on outer edges. -
Glenelg Shire Council Cultural Collection
Book, Chambers' Encyclopaedia, Vol. VII, Malt to Pear, 1889
Brown leather bound spine with maroon cloth-covered board covers. Gold lettering and gold graphics in six rectangles on spine. Leather corners on outer edges.non-fiction -
Glenelg Shire Council Cultural Collection
Book, Chambers' Encyclopaedia, Vol. VIII. Peas to Roum, 1889
Brown leather bound spine with maroon cloth-covered board covers. Gold lettering and gold graphics in six rectangles on spine. Leather corners on outer edges.non-fictionreference book -
Federation University Historical Collection
Book, William McKenzie, Chemistry, Theoretical, Practical and Analytical, as Applied to the Arts and Manufactures. By Eminent Chemists, Volume II, Pre 1885
Brown and leather covered book with gold and black detailing. 1008 pages. Images included. book, mackenzie, c.w. vincent, chemistry -
Kilmore Historical Society
PLUTARCH'S LIVES, 1855
Faded blue cloth cover with embossed detail on cover and gold embossing on the spine 'Langhornes' Plutarch's Lives' xxiv ; 748 pages ; 23cmHandwritten inscription on first page '4' plutarch, kilmore mechanics institute library. -
Kilmore Historical Society
WHISTON'S JOSEPHUS, Whiston's Josephus The Excelsior Edition, Circa 1800's
Brown hardboard cover with gold embossed detailing on cover and spine 'Whiston's Josephus, The Excelsior Edition' 11 unnumbered pages; 684 pages ; Illus; 24cm;Stamped inscription on front page 'Glenaroua Public Hall and Library No, 181' Stamp on various pages 'Public Hall and Library Glenaroua'kilmore mechanics institute library. -
Kilmore Historical Society
LAYS OF THE SCOTTISH CAVALIERS, Lays of the Scottish Cavaliers and other Poems, 1871
Faded green hardboard/ leather cover with embossed detailing on cover and spine 'Lays of the Scottish Cavaliers' 'By W. W. Aytoun' 'W. Blackwood & Sons Edinburgh and London' viii; 359 pages; 18cm;Handwritten inscription '12' Stamp on multiple pages 'Kilmore Mechanics Institute'scottish poems, kilmore mechanics institute library. -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Hornung, E. W. (Ernest William), Peccavi, 1900
435 p. : faded dark green cover, paper tape used to repair spine has hand written title and author's name.fictionfiction, e. w. hornung -
Kew Historical Society Inc
Decorative object - Paradise Bird Design Linen Curtains, GP&J Baker, 1920s
William Turner, a Scottish born free-lance designer, who was contracted to GP&J Baker, painted the image on which the design was based in 1918. Turner had trained as a furniture designer before leaving for London in the 1890s, where he rose to prominence as an Arts & Crafts designer. The bird that gives this design its name is adapted from Robert Havell’s ‘A Collection of Birds of Paradise’, published in 1835, and was a favourite of Victorian chintz designers.“Paradise Bird” has been in continuous production since its creation. The hand-block print, of which these curtains are an early example, was supplemented by a version engraved on copper rollers in 1962, and was updated onto screens in 1982. The curtains have significance to the collection because of their intrinsic value and for the link to one of the historic mansions in the City of Boroondara. The curtains by G.P & J Baker of London use one of the exemplary designs in this manufacturer’s output. The first use of the design was in 1918, following the Great War, and the design is said to reflect the hope for peace which was a feature of the postwar years. The curtains are an early example of the Paradise Bird design, and were block printed. A pair of curtains originally situated in one of the front reception rooms of 'Tourmont' in Balwyn Road, Balwyn (now Fintona Girls’ School). The fabric in the curtains was manufactured by the English firm of GP&J Baker. The textile design is variably named as ‘Paradise Bird’ or more recently, ‘Hydrangea Bird’. Turner’s bird perches in a blossoming branch directly above a woodpecker, which is an attribute of Mars, god of war. Thus the design reads as a symbolic statement where War is reversed and Paradise returns (a hopeful message at the end of WWI). “Paradise Bird” has been in continuous production since its creation. . curtains, fabric design, historic buildings -
Warrnambool and District Historical Society Inc.
Coin - Token, Bateman token, 1855
This coin is a Warrnambool Bateman penny. It is an example of an Australian token – a coin that had the value of a penny and was produced by businessmen in the 1850s to be used only in the business of the person named on the coin. There were two firms in Warrnambool that produced tokens in the 1850s – William Jamieson, a general storekeeper and William Bateman. The latter had a general store in Banyan Street and became in the early 1850s one of the largest merchant firms in the Warrnambool district. But the firm’s liabilities were financed by overdrafts and insolvency resulted. A disastrous and suspicious fire in 1856 destroyed the Bateman store and caused a great number of insolvencies in the district as so many businessmen and farmers were financed by Bateman who eventually left the district. This token is of supreme importance. It is significant for three reasons: 1. It is an example of an 1850s Australian token, demonstrating an early business practice in our history. 2. It is an example of a Warrnambool token produced by an important Warrnambool business (only two firms in Warrnambool produced tokens) 3. It is a Bateman token and these are comparatively rare because many Bateman tokens were destroyed in the 1856 fire. This is an 1855 metal token with, on one side, an image of a woman holding scales in one hand and a cornucopia in the other (Dea Pecunia?). The obverse side has the name of William Bateman Junior of Warrnambool. It is a business token which could be used only in the Bateman store in Warrnambool in place of a penny.One side: Woman image and the word ‘Australia’ Obverse side: ‘William Bateman Junr. & Co., Importers and General Merchants, Warnambool (sic), Victoria, 1855’ william bateman junior, warrnambool tokens, bateman token, coin tokens