Camisole. Cream cotton, 4 metal buttons,covered in fabric. eyelet and embroidered pattern on front and sleeves, and across shoulders at back.Bodice is gathered at front and back, onto a peplum, which has rounded fronts. Short cap sleeves, edged in embroidered cotton scallops.costume, female, underwear

Black & White studio portrait head & shoulders matron, wearing lace cap, floral brooch. Printed on front. Charlemont Sydney and Melbourne. Also reverse The Royal Arcade Sydney,and at 114 Elizabeth Street Melbourne. 117 68 pencilled reverse, doubtful date.Charlemont & Co Sydney & Melbournephotograph, person, female

Photograph, Horse and Jockey with a Maltese cross on the chest and sleeves of the top that he is wearing, and white pants, black boots, and a Maltese cross on his cap. There are stables to the right and white picket fence behind the horse. On the back is; purchased from S.Hall, C.D.G.M.Bgo. July 1980.photograph

Black and white photograph of medical staff. Two males in suits, two in white coats. Thirty four nurses in uniforms of the time. Small caps, aprons, black stockings. Matron centre second row from front has veil. Mounted on fawn board.W Vincent Kelly, Bendigoperson, group, hospital staff

Holland Bros. Engineers, iron and brass founders, Bendigo. Catalogue for grave rails, caste iron lace work, balcony panels, spandrills, Corinthian caps, newel posts, veranda columns, crushing roller, wheels. The catalogue is made up of 27 loose pages.books, catalogues, holland bros

Charity Day, Wangaratta, 1914.Digital image copied from a black and white photograph of a person dressed in Scottish outfit (kilt, tam-o-shanter cap) seated in buggy harnessed to a goat, surrounded by crowd of onlookers including two children dressed as jockeys (one wearing number 25)Captions written and printed on photograph 'One of the [?] Charity Carnival', 'WANGARATTA 12/8/14', 'Thelma Studio'wangaratta, goat, race, charity carnival, wangaratta charity carnival, goat race, scottish outfit, animals

A 'The Winner' wooden tennis racquet with solid convex throat. Rounded handle with thin grooves, and leather end wrap and leather butt cap. Model name imprinted across throat on obverse. Materials: Wood, Lacquer, Metal, Glue, String, Ink, Leather, Guttennis

A metal tennis racquet frame with double shaft and green plastic string-buffers around head. Black plastic shaft casing and butt cap. Handle wrapped with brown leather grip tape. No model name. Materials: Metal, Adhesive tape, Leather, Plastictennis

A Wilson Jack Kramer Superrally tennis racquet, enamel painted in black and gold. Butt cap feature 'W' trademark. Leather handle grip by Moody. Materials: Wood, Nylon, Leather, Ink, Glue, Lacquer, Metal, Plastic, Paint, Ribbon, Adhesive tapetennis

A Wilson Set Point tennis racquet. Shaft features Wilson logo and model name. Butt cap features 'W' trademark. Leather handle grip features floral perforations. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Plastic, Plastictennis

A Wilson Citation tennis racquet. Wilson logo features across base of head. Model name features along shaft. 'W' trademark features on lower shaft and butt cap. Materials: Wood, Nylon, Ribbon, Plastic, Glue, Lacquer, Metal, Ink, Painttennis

A sealed plastic container of three Wilson 'US Open Tournament Select - Regular Duty Felt' grass court tennis balls. Plastic reclosure cap over ring-pull style metal lid. Materials: Metal, Ink, Rubber, Plastic, Synthetic materialtennis

A sealed plastic container of three Wilson 'US Open Tournament Select - Regular Duty Felt' grass court tennis balls. Plastic reclosure cap over ring-pull style metal lid. Materials: Metal, Ink, Rubber, Plastic, Synthetic materialtennis

A sealed plastic container of four D.F.S.A. 'Roland Garros French Open' tennis balls. Intact metal ring-pull lid and plastic reclosure cap. Entire container shrink wrapped in printed plastic. Materials: Metal, Ink, Plastic, Synthetic material, Rubbertennis

This pair of kneeling rails was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. A kneeling rail is part of the furniture of a church and is used during religious prayer, assisting the person to be in the position of kneeling. A padded kneeling mat or cushion would also be provided for comfort. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This pair of kneeling rails is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857. The items in our collection from the Missions to Seamen in Williamstown, Victoria, have historical and social significance. They show that people of the 1800s and 1900s cared about the seafarers’ religious, moral, and social welfare, no matter what the religion, social status or nationality. It had its origins in Bristol, England when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Rev. Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobson’s Bay; later the Mission occupied buildings in Williamstown and Port Melbourne. Rail and base, one of a pair of two kneeling rails. Three varnished wood pillars and cap rail, mounted on a rectangular box-shaped base: a kneeling rail is used in religious worship. These kneeling rails are part of the St Nicholas Seamen's Church Williamstown Collection.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, rail for kneeling, rail, kneeling rail, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, missions to seamen victoria, mission to seafarers, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, religious furniture, religious worship, flying angel club, altar rail, kneeler, prayer, ceremonial furniture

This cap was part of a media kit produced by Melba Industries, part of the Austrim Textiles Group. The kit was given away at a media launch to publicise the production of an Australian made, nylon wool pack called 'Jumbuck'. The packs will be made at the former Valley Mill in Geelong. This launch occurred on 21 July 2000 and was attended by Andrew Moritz, National Wool Museum Director, who collected this media kit for the museum collection.Part of media kit for launch of 'Jumbuck', Australian made nylon wool packs produced by Melba Industries (part of the Austrim Textiles Group) in Geelong.JUMBUCK / AUSSIE-MADE WOOL PACKS Melba Industries 80% WOOL / 20% VISCOSE / ONE SIZE FITS ALL / HAND WASH ONLY / MADE IN CHINAblack, mr lindsay - melba industries (an austrim nylex ltd company) austrim nylex ltd valley worsted mill, jumbuck wool pack

Postcard - St Kilda Road, view looking south at the Shrine of Remberance, BP House and on the far right part of the now demolished Prince Henry's Hospital. Trams in the view are W2 345 (Carnegie Route 4) and SW6 913 (City, Route 4). Tram 813 has adverts for Coffey Ford and T&G insurance along with others. The driver of 913 has his cap on an angle.Yields information about St Kilda Road around the Shrine, c1970 and tram services.Postcard colour - St Kilda Road, with W class trams and the Shrine of Remembrance - National View - Murfett publishingtrams, tramways, st kilda road, w2 class tram, sw6 class tram, tram 913, tram 345, shrine of remembrance

This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections, bubble in glass. Bottle has foul smelling contents inside. Mouth has hard capped cork seal with black, hard rubber capped stopper. Side of mouth has ship or mark. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder has some diagonal creases and a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Base is uneven. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle

Demonstrates uniform cap manufacture. Appears to be unworn.SEC Motorman/Drivers/Conductors cap - green cloth exterior, grey cotton interior lining, brown leather internal hat band, black cotton hat band on exterior with a plastic band at the front half of the cap terminating in two small SEC metal buttons on either side, black plastic peak. Sewn on the inside is a label "Commonwealth Government Clothing Factories Melbourne" and stamped "6 1/2". On the right hand side of the inside of the brown band, stamped in gold is the Australian Coat of Arms and the words "A quality product / made in Australia / by the Dept. of Supply". Appears never to have been used.tramways, trams, ballarat, uniforms, cap

Two part object. (1) A Slazenger 'Phantom IMF' tennis racquet with open throat, plastic butt cap and handle wrapped with leather. Manufacturer name across base of head. Model name printed along left throat pillar. Plastic butt cap features manufacturers name and cat logo. Logo also featured at base of throat.(2) Full length navy blue vinyl racquet cover with two zippers and printed with manufacturer's name and logo and model name. has woven adjustable shoulder strap. Materials: Metal, Adhesive tape, Plastic, Leather, Ink, Vinyl, Graphitetennis

A Spalding, "Rosie Casals" Impact-240 Model tennis racquet, featuring whipping around shoulders. Two tone green paint from grip to top of shoulders. Manufacturer's name along side edges of shaft and on butt cap; endorser name on throat and rest of model name along shaft (both sides). 'S' symbol spray-painted across net. Perforated leather hand grip and white plastic butt cap. Name 'WOODS' engraved by hand into throat on reverse and shaft on obverse. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Leather, Plastic, Adhesive tapetennis

Belonged to Lt. Col. Duffy MC - see catalogue No. 4991P.1 & 2. Officers Peak cap - blackwood felt fabric cap with red edge trim and red wool felt hat band and black leather chin strap secured by gilt Australian Military Forces metal buttons. At front of hat band is a gold coloured embroidered badge of a lion over a Queens crown. peak decorated with gold braid. 1. Lining - black satin fabric with plastic cover, mid brown leather sweatband. Makers label "Commonwealth/Government/Clothing Factories/Melbourne" 7 3/6. 2. Lining - brown satin fabric, mid brown leather sweatband. uniform, military

Sewell WAAF. Refer to other Cat No - Sewell name - 252.2.Coloured Portrait, head and shoulders of female Air Force Officer. She is wearing a dark blue cap and jacket. Light coloured shirt with a dark tie. On her peaked hat are (3) badges - a crown, a Flying Eagle and some sort of Laurel emblem. Service + W.A.A.F.Nilportrait, waaf

Robert Charles Roberts No 3200 RAAF. Enlisted 17.1.1938, Rose to the rank of T/Sgt LAC 1.11.1939, transfer to Aircrew 26.11.1940, commissioned 29.7.1941, embarked for Canada 15.9.1941 then UK, posted to 455 Sqd (UK) 24.2.1942. Reported missing 10.4.1942 then presumed dead 11.4.1942.Coloured photo, cream background., head & shoulders portrait of Robert Charles ROBERTS in RAAF uniform. Peaked cap, white shirt & tie, Air Force wings badge on L breast. Brown wooden frame with gold trim, glass front, fawn cardboard backing.In black texta on back: Lyn Harrisonphotographs, raaf, framed

M72 LAW 66mm Rocket Launcher Anti Tank Cylinder Housing. Round cylinder with a 2 clip on end caps adjustable sites & trigger mechanism rubber. All metal construction, has a fabric shoulder strap. Firing instructions drawn in white on one side.Rocket HE 66 mm Anti Tank M72 A3 Lot RAN90 E 001 - 018, Operating and Storage Temp 40oF to + 140oF - Danger near blast area.arms-ordnance, military history, m 72, rocket

First aid kits were kept in many households as transport wasn't always available and many people lived in isolation especially those on farms. This first aid kit was found under the floor of a home in Tawonga South.Wooden box with 2 steel hinges on the top and 2 steel clips and 2 steel rings at the front. The corners are reinforced with steel caps. When open the lid has 4 bottles of liquid (medicine?). The box is full of medical aids eg. bandages, scissors, etc.first aid kit

Dross Drossou sold his cordial manufacturing business to Phillips and Stone, a Bairnsdale company, in 1948. Phillips & Stone continued to manufacture soft drinks at Orbost until the early 1970s when the factory became a distribution centre. It closed as a distribution centre in 1978 and later served as the headquarters of the Orbost State Emergency Service. The site of the Cordial Factory now forms part of the carpark at the rear of the Orbost Newsagency. (John Phillips) This bottle is an example of a product manufactured/distributed by a local industry no longer existing.A narrow-shouldered, clear glass bottle with white and red lettering. The neck is threaded (cap is missing). It is labelled "P & S 850ml; Phillips and stone; refreshing drinks. BAIRNSDALE AND ORBOST. Manufactured by Phillips & Stone Bairnsdale & Orbost E2361. Preservative added. Artificially coloured and flavoured."glass-bottle container phillips-and-stone