Hardcover w/ Dust JacketMelbourne University Press Biographies Catalogue, Subscription card and Corrigenda. Newspaper clipping of an article by Giles Auty about an Arthur Boyd painting exhibition at Philip Bacon Galleries in Brisbane.biography, dictionary, australian biography, walsh st library

The horseshoes in this purpose-built display case were made by Thomas Alfred Chapman in 1906-1907. Chapman operated a blacksmith’s shop in Mortlake Rd, Purnim, about 15 mins drive from Warrnambool. Chapman made this horseshoe case especially for the 3rd Exhibition of Australian Manufacturers and Products, held in the Exhibition Building in Melbourne, which was organised and promoted by the Australian Natives Association (ANA). Reference is made to the horseshoe case in the Exhibition’s Souvenir Catalogue of 1907 on page 85, under the heading 'In the Machinery Section the following exhibits are also shown … 'CHAPMAN, T.A. , Woolsthorpe, via Warrnambool, Case of Horseshoes'. The Australian Natives’ Association (ANA) were a non-partisan and non-sectarian, friendly society founded in Melbourne, Australia in April 1871. It was set-up for the benefit of Australian-born white men, and membership was restricted exclusively to that group. Men of other races including the Chinese and Indigenous people were not allowed to join. The ANA had relatively progressive views on women (for the time) and attracted suffragists seeking support for their cause, and in 1894, the ANA advocated for women’s enfranchisement. Although, white women were only admitted as members from 1964. The organisation was most prominent in Victoria and sought to shape Australia’s national identity and was a training ground for businessmen, trade unionists and politicians including many of Australia’s early prime ministers such as Edmund Barton, Alfred Deakin, James Scullin and Francis Forde, and the first Australian-born governor-general, Isaac Isaacs, was a member. By 1910 it had developed into a nationwide association with real political and social influence, and members would participate in many activities. The ANA lobbied strongly for anti-Chinese legislation and were an ardent believer of colonial unification. Its mission and efforts are largely credited for the successful referendums that resulted in Federation of the six Australian colonies into a new nation, the association’s most important legacy. The ANA was also a supporter of trade protection, and were a staunch advocate of the first act of Australia's new parliament, the Immigration Restriction Act 1901 (cth) or commonly known as the White Australia Policy, which became one of the central pillars of Australian nationalism in the 20th-century. The ANA campaigned against the Australian Federal Government's new immigration policy after the Second World War (non-British immigration from southern and central Europe) in order to maintain a 'white Australia', and resisted changes when the Labor government during the 1970s fully dismantled and abandoned the White Australia Policy. The ANA merged with Manchester Unity Independent Order of Oddfellows, in 1993 to become Australian Unity Ltd. The display case of horseshoes changed hands several times, going from its maker Thomas Chapman to his mother then various other members of his family. The case was also displayed at the Lee Family’s butcher shop at 188 Liebig St Warrnambool, and in the Purnim Hotel during the Warrnambool May Races. In the late 1950s the horseshoe case went to Thomas’s son, Brian. He was a Master Farrier and completed his apprenticeship at Flemington Racecourse, and in Warrnambool he owned a blacksmith business at the Warrnambool Racecourse Grounds. Brian later operated a blacksmith’s at Flagstaff Hill, where his customers would bring their horses to be shod. Brian passed away in August 2017. The horseshoe case is significant as an example of trades in the early 20th century in Western Victoria, Australia. It is also significant as an example of horseshoes from the early 20th century. The horseshoe display case is also significant for its association with the Australian Exhibition of 1907, showcasing Australian produce and manufacturing to the world. The horseshoe display case is locally significant for its association with local families, essential businesses and community events. Display case of homemade horseshoes. Wooden case with glass front containing 16 horse shoes grouped in sets, each set with a label: Made 1906-1907 for Australian Exhibition of 1907 by Thomas Alfred Chapman of Warrnambool. The case contains (a) complete chrome set each of Trotting Shoes, Hunting Shoes and Racing Plates, and (b) one pair of Hind Polo Shoes and one pair of Front Aluminium Shoes. The wooden frame has gold lettering on each side proclaiming “Australian Natives Association, T.A. Chapman, horse shoer, Warrnambool” and is topped by a painted Australian coat of arms. Gold lettering on frame, in the order of top/bottom/ left/right “AUSTRALIAN.NATIVES.ASSOCIATION / T.A. CHAPMAN / Horse Shoer / Warrnambool”flagstaff hill, warrnambool, shipwrecked coast, maritime museum, shipwreck coast, horseshoe display case 1906-1907, chromed set of trotting shoes 1906-1907, chrome set of hunting shoes 1906-1907, chrome set of racing plates 1906-1907, pair of hind polo shoes 1906-1907, pair of front aluminium shoes 1906-1907, australian exhibition 1907, australian natives association (ana), t.a. chapman horse shoer warrnambool, thomas alfred chapman, brian chapman, brian “snacks” chapman, blacksmith warrnambool, warrnambool may races, warrnambool racecourse, purnim hotel, lee family’s butcher shop warrnambool

The fourth Battalion appears to be made up of Castlemaine and Bendigo Residents.Four magazine photographs. .1) Kitchen of the Fourth Battalion .2) Cadet Display at the Exhibition Ground, Jubilee Week, 1887 .3) 4th Battalion in Quarter Formation. .4) A group of Fourth Battalion officers, 1898 VersO - Certificate of the Royal Geographical Society of Australasiaarmed services, fourth battalion, cadets, voluntary regiment, kitchen, exhibition grounds, militia

Black and white photograph: image shows framed items on wall, models of ships in glass cases, on display at Golden Days Historical Exhibition, 1960. Model ships and paintings belonged to 'Mr. Alfred G. Rutland of Chewton' (see inscription on back of photo 8096.14)bendigo, history, golden days historical exhibition

Invitation issued to Kay MacGregor, Vice-President, Bendigo Historical Society, to attend the exhibition opening of The Home Front, Australia during the First World War, held at The Hall, National Museum of Australia, Lawson Crescent, Acton Peninsula, Canberra, on 9th. April 2015.event, war, home front exhibition, kay macgregor, anzac, home front, national museum, canberra

Hand written press statement from A. Richardson, President, Bendigo Branch of R. H. S., Vic. Statement mentions Central Deborah Restoration, also the Eaglehawk Logs and the Victoria Hill Project. Mentioned also is an exhibition and parade of historical gowns on 7th March.mine, gold, central deborah gold mine, central deborah gold mine, central deborah restoration, eaglehawk logs, victoria hill project, exhibition and parade of historical gowns, mrs biggs, a. richardson

Mackay collection - Bronze medal Centennial International Exhibition Melbourne 1885 awarded to T H Henderson Esq with relief depiction of Queen Victoria & wreath around wording Artieus Dignis Honor Insignis. Name engraved on rim T H Henderson Esq.civic mementoes, presentations, centenial exhibition

One of thirty photos taken by Alison Kelly at the Mission Arts Centre, late 1980s, early 1990s. Some with captions. Many have copies already in collection. Group at exhibition. Person in foreground is photographer Alison Kelly; on right is donor of these pictures, Jim Hillismissions to seamen, celebrations fetes and exhibitions, social activities, mission arts centre

Sandhurst Industrial Exhibition 1879 First Class Certificate awarded to Maggie Sneddon of Sandhurst for a model bed. Dated June 30th 1879. Certificate has a central image of the Corn Exchange building (TownHall) The certificate is bordered with detailed pictures of native Australian flowers.W Holmes Sandhurstindustries

Postcard depicting the opening of the first parliament of the Commonwealth of Australia in the Exhibition Building Melbourne by HRH The Prince of Wales. Printed along the top of the card is ' Citizen's presentation to the Borough Council Eaglehawk. Down the sides and across the bottom is a list of about 60 names of citizens in Eaglehawk.postcard, opening of parliamenty, opening of the first parliament, exhibition buildings, borough council eaglehawk

Peter CLARKE (1969- ) Gunditjamara (Lake Condah) Born Heywood, Victoria At two months old Peter Clarke was removed from his parents and placed in a Catholic boy's orphanage in Ballarat. The orphanage was closed and Peter was moved to a public orphanage where he discovered 'manners were not a necessity and you often had to take before you were ever given in this orphanage. ... This new orphanage was not a home for me but a prison of sadness and despair.' Disconnected from his country and lore Peter Clarke chose "my own path to land, county and water". Although his childhood memories are dark and bleak, he uses vibrant colours. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Mallee Wood didgeridoo with vibrant colours. A natural wood imperfections have been used to emphasise what is recognisable as a frog. This work was purchased from the "My Art, My Life, My Colours' exhibition at the Federation University Post Office Gallery, May 2008.art, artwork, aboriginal, peter clarke, didgeridoo, stolen generation, st joseph's orphanage, sebastopol, my art, my life, my colours' exhibition, federation university post office gallery

Agfa colour blue white plastic mount, photo by Keith Caldwell of W6 986 east bound in Bourke St at Exhibition St with the Southern Cross Hotel in the background. Tram has an advert for Aspro, route 88, East Preston. 20/3/1966In ink "W5 20 iii 66"trams, tramways, w6 class, bourke st, route 88, east preston, tram 986

Norman Keith HOFMAIER (12.08.1951- ) Born Beulah, Wimmera, Victoria Norman Hofmaier was a scion of a well-known family, he completed his secondary education at Hopetoun High School and Ballarat College. Later he studied Visual Art at University of Ballarat, including painting, design and sculpture. Hofmaier’s childhood in Beulah was spent on the family property running beside the Yarriambiack Creek. Both he and his father had an intimate knowledge of the flora and fauna of the Mallee. The Wyperfeld National Park, home to the Big Desert, was a favourite place for Norman’s uncle who planted acres of native trees at the family property. Dr Di Bresciani explains: “The colours and vastness of the Mallee are represented in many works which reflect, variously, the relentless quiet and swirling energies found in the ‘dust storm might’ of the Mallee area. Most works may be described as abstract, lyrical abstract or abstract expressionist." From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. His work reflected his exploration of his inner state, sometimes flowing and placid, sometimes tempestuous. After a brief sojourn into city-life Norman returned to working in the country, until finally submitting to mental illness and permanent care in the mid 1990s. Norman Hofmaier's works are represented in major collections including that of the well- known artist Mitch Pearson ( an important influence and lifelong friend). The work 'Pastel of a Nude' was shown in a widely distributed magazine and two works owned by Mark Shannon were planned to be published as record covers in 1993. He won an award during the bicentennial recognising his skill as a Wimmera artist. From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. This work was purchased from the exhibition 'Norman Hofmaier: Mallee Mysteries' at the Lost Ones Gallery in Camp Street, Ballarat. The exhibition explored the legacy of Hofmaier’s work as well as raising money for the Ballarat Art Foundation. The Hofmaier family donated 16 works of the artist to be sold to raise funds for the foundation, to support emerging artists.Original painting in square format, featuring abstract swirls of blue, white, red, yellow and green.On back of work: 1. pools of diluted oil paint covering approximately 8 cm from each edge, 2. in right hand corner in permanent marker "N Hofmaier" 3. middle right hand side, torn exhibition label, with the words, "Belauh", "Local Art", "Prome", "Local Art", "$350", "Collect A", "oin" 4. Bottom right corner, two exhibition labels on card. Cards read: The flowing of movement before any known bodies are formed. Matter and gases bubble forming kaleidoscopic colours and shapes. Promethius 1 Oil based pigment with petrol on prepared board 1320 x 1210 mm On front of work, bottom right hand corner, in white lettering, N Hofmaier. Bottom right hand olive green frame damaged on front of work.painter, mallee, beluah, norman hofmaier, wimmera, abstract, alumni

A group of artists created an arts centre and save the Mission building but it was demolished in 1995.Colour photograph depicting the Mission to Seamen, Beach Street, Port Melbourne in 1988. In front of the building is a sign for an art exhibition: " Zeitgeist - Spirit of the Times - paintings by Phil Edwards, Robert Ewing and Anthony May, Sculptures by Andrea Griffin, August 18- September 8 1988."port melbourne, harry a. norris, brick, art deco, 1937, beach street, ww2

Photo folder. Written on front 'Prints from Kodak' Handwritten in black ink Bob Pratt, photos Golden Days Historical Exhibition held 12th to 17th August 1960. In pencil on top RH corner, Pratt 17/-. Photos from folder are catalogued in this collection.bendigo, history, golden days historical exhibition

Medallion: Opening of Federal Parliament Medallion. Shield shaped medallion with crown on top. Pictures of King Edward and Queen Victoria, Duke and Duchess of Cornwall with inscription. Issued to commemorate opening of 1st Federal Parliament by Duke and Duchess at Melbourne Exhibition Building, 1901. Box 625Opening of the first Federal Parliament T.R.H. The Duke and Duchess of Cornwell and York. Melbourne May 1901. Aust. Commonwealth est 1st Jan 1901 63D of Victoria R.I. First Parliament opened May 1901 1st of Edward V11 W.A. TAS. NSW. SA. QLDnumismatics, medals - commemorative, 1901.1st federal parliament opening. king edward. queen victoria.

Through the eyes of two cultures. A catalogue of an exhibition of paintings by artists Zhou Xiaoping & Jimmy Pike held at the National Gallery of China Beijing, created by the Golden Dragon Museum & sponsored by Arts Victoria, Australia Council for the arts & Foreign Affairs and trade. Coloured photographs of artworks.art, aboriginal, art, zhou xiaoping, jimmy pike, golden dragon museum, aboriginal artists.

Golden Jubilee Anniversary of the Slovenian Association Melbourne was an unforgettable event for members, friends and visitors. The Slovenian hill at Research became alive with song, rainbow colours, dances, choir, poetry, sporting competitions, exhibitions, great food and drinks, children entertainment and many happy people.Slovenian Association Melbourne 2004 Golden Jubilee 50th Est. 1954badge, slovenian association melbourne, golden jubilee

Yields information about two BTM workers enjoying at St Adians Drive turning the tram.Laminated A4 black and white print of Carolyn Dean and Barry McCandlish at Carlton St terminus, c198?. with tram 27. Carolyn was being trained at the time by Richard Gilbert in Ballarat, 1978. Photo Richard Gilbert. Print made 9/2009 for exhibition purposes and laminated.trams, tramways, carlton st, wendouree parade

Photograph of a garden in KewA colour photograph, dating from the 1950s of the garden of 2 Daracombe Avenue, Kew. This view of the garden of the Beck family house was donated by Anita Beck at the time of the historic garden exhibition at the Kew Court House in 2016. The Beck family occupied the house from the 1950s to 2009. Inscription to reverse: "2 Daracombe Ave 1950s to 2009 / Beck family".daracombe avenue (kew), gardens -- kew

Maryanne COUTTS (1960- ) Born Melbourne, Victoria Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and was awarded a PhD (Painting) from Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including the United Kingdom, Spain and Thailand. She has worked as a Sessional Lecturer at the Arts Academy, University of Ballarat (1999 - 2003), and is currently Head of Drawing at the National Art School, Sydney. In 2007 Maryanne Coutts won the Portia Geach Memorial Award and was the joint winner of the Blake Price in 1982. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.An apple depicted in oil by Maryanne Coutts. This work was created specifically for the 'Imaging the Apple' Touring Exhibition curated by John R. Neeson. It was also exhibited in 'Telling Tales: Maryanne Coutts' at the Ballarat Fine Arts Gallery in 2008. Donated by the Australian Cultural Gifts Program, 2008art, artwork, maryanne coutts, coutts, apple, alumni

Photograph taken after 1901 as James Nelson took over his family's undertaker's business in that year.This is a cropped version of a photograph (Registration no. 338) which shows both east and west sides of Sussex Street. The photograph has been mounted on card (for use at LDHS exhibition, 1983). This version of the photograph (showing Sussex St east side) is also Mounted photo 444.sussex street linton, railway hotel linton, james nelson undertaker, linton public library

Double-sided folded page with blue border advertising sale of Oban Road Estate Ringwood building allotments. Front page features photograph of view from the estate towards Dandenong Ranges. Centrefold pages include terms of sale, layout and features of the subdivision, and summary of local services. Photocopy of typewritten price list for the 52 lots also attached.Subdivision includes Oban Road, Ambrie Avenue, Hendra Grove, and Mullum Mullum Road. (Agent) T.M. Burke Pty Ltd., 63 Exhibition Street Melbourne, Telephone 654 4144.

One of the platters in this photograph is a part of the Federation University Art Collection. Black and white photograph of a man sitting behind a table with two ceramic platters. Written on back: "Associate Diploma of Arts (Ceramics) student Geoff Phillips with his artwork commemorating different phases of the moon and times for planting vegetables. " Ceramics Exhibition 12-11-92ceramics, pottery, geoff phillips, moon, vegetables