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Port Fairy Historical Society Museum and Archives
Photograph, Cr J Meagher Shire of Belfast president 1876-77
He was chairman when the ill fated fire occurred at the Shire Office in Sackville Street, and which later led to the conviction of the Engineer, Mr D.J.Howes who was soon after reprieved, upon a potion by 758 ratepayers and residents of the district.Black and white portraitbelfast, meagher, president, portrait, government, shire, municipal, local-government, howes -
Port Fairy Historical Society Museum and Archives
Photograph, Cr G Lydiard Belfast Shire President 1877-78-79, 83-84 88-90
George Lydiard occupied the station “Korongah” and with Mr J Knight carried out extensive drainage works from Tower hill to the Belfast Lough. This drain was constructed over a period of two years, is six miles long and some of it still exists.Black and white portraitbelfast, president, portrait, shire, council, municipal, local-government, korongah, g.lydiard -
Port Fairy Historical Society Museum and Archives
Photograph, Cr J Gibson Shire of Belfast President 1884-85 87-88
Councillor J. Gibson on leaving to sail to Australia from Ireland was shipwrecked two days out and most of the passengers were lost. He owned the property at Clonlara, and bred horses. He was a native of Cavan Ireland. Black and white portrait belfast, president, portrait, government, shire, council, municipal, local-government, clonlara -
Port Fairy Historical Society Museum and Archives
Photograph, Cr W Leddin Shire of Belfast President 1890-91 1900-01
Councillor William Leddin resided at Yambuk.Black and white portraitbelfast, president, portrait, government, shire, council, municipal, local-government, yambuk -
Port Fairy Historical Society Museum and Archives
Photograph, Cr William Boyd Shire of Belfast President 1891-92 95-96
Councillor William Boyd was the son of Alexander Boyd who emigrated from Scotland and purchased the property known as Tarrone station in 1884. William managed the station grazing cattle and sheep. The area was later to become part of the Soldier Settlement land after the Second World War.Black and white portraitbelfast, president, government, portrait, shire, council, municipal, local-government, tarrone -
Port Fairy Historical Society Museum and Archives
Photograph, Cr G Ritchie Shire of Belfast President 1893-94-95
Councillor Geoff Ritchie was the son of John Ritchie who had been one of the early Presidents. He lived on a station called “Boodcarra” and was engaged in pastoral pursuits.Black and white portraitbelfast, president, portrait, government, shire, council, municipal, local-government, cr geoff ritchie -
Port Fairy Historical Society Museum and Archives
Photograph, Cr D Lane 1911-12,17-18, 29-30
Councillor Lane carried on agricultural farming activities at Killarney on part of the Special Survey. His last term as president was during the Great Depression of the late 1920’s when there was a considerable amount of unemployment in the district Black and white portraitCr D Lane 1911-12,17-18, 29-30government, belfast, president, portrait, shire, council, municipal, local-government, d.lane -
Port Fairy Historical Society Museum and Archives
Photograph, Cr W Riddell Shire of Belfast president 1914-15
Councillor Riddell’s property on Riddells Lane, Kirkstall was mainly used for grazing. He was actively associated with all types of sport and was a judge at Kirkstall and Koroit race meetings.Black and white portraitportrait, belfast, president, shire, government, municipal, local-government, kirkstall, riddells lane -
Bendigo Historical Society Inc.
Photograph - FEMALE PORTRAIT
Photograph : sepia portrait of a female, only shoulder and head, puffed sleeves, high neck collar with lace on top. Fair curly hair.photograph, portrait, female, photograph, portrait, female. -
Port Fairy Historical Society Museum and Archives
Photograph, Ireland,Robert Mayor 1886,1867, 1895, 1880's
Black and white portrait photographbelfast, mayor, portrait, government, shire, council, municipal, local-government -
Port Fairy Historical Society Museum and Archives
Photograph, C Bourne, Mayor of Borough of Port Fairy 1888
Mayor of Port Fairy 1888Sepia portrait of Mayor in suit belfast, mayor, portrait, government, shire, council, municipal, local-government -
Port Fairy Historical Society Museum and Archives
Photograph
John Gray Mayor of Port Fairy 1918Black and white portrait photographbelfast, mayor, portrait, government, shire, council, municipal, local-government -
Port Fairy Historical Society Museum and Archives
Photograph, Edward Manley Mayor 1920, 1921, 1928
Edward Manley Mayor of Port Fairy 1920, 1921,1928Black and White portrait photographbelfast, mayor, portrait, government, shire, council, municipal, local-government -
Port Fairy Historical Society Museum and Archives
Photograph, Edward Spink Revell 1924
Mayor of Port Fairy1924 Black and white portrait photographbelfast, mayor, portrait, government, shire, council, municipal, local-government -
Port Fairy Historical Society Museum and Archives
Photograph, Robert Scott 1926
Robert Scott Mayor of Port Fairy 1926Black and white portrait photographbelfast, mayor, portrait, government, shire, council, municipal, local-government -
Port Fairy Historical Society Museum and Archives
Photograph, Cr J Ritchie Shire of Belfast President1866-67 1869-70
Cr J Ritchie came from Scotland at Hobart in 1833 having been 9 months on the outward journey. he took up land at South Esk and remained there for 6 years.later on advice of the Henry brothers he came to Victoria and after a preliminary inspection of the land charted the brig “William” and with all of his possessions, including 2000 sheep and two servants he arrived in Portland Bay in January 1840 and as he already held a squatting licence No 230 became a settler in the district. he moved along the coast toward Goose Lagoon but due to a drought the water had dried up and forced him to move further eastward to the Upeer Hopkins but the lack of any but brackish water he was forced to return to Aringa. Aringa comprised of 26,000 acres between the Shaw and Moyne Rivers, 640 acres became freehold at one pound and acre with the right to take up leasehold at a low rate according to the number of stock. At Aringa he designed and built his first home part of which still stands today. He married Sarah Elizabeth Davis in 1852 at Weerongurt Station (Mr John Cox’s property). Mrs Ritchie died in 1920. he was elected Shire of Belfast President for the periods of 1866-67 and 1869-70 John had originally chosen to practice law as his vocation in Scotland but abandoned law for the open air life and died at the age of 86 years in 1887 elected Shire of Belfast President for the periods of 1866-67 and 1869-70Black and white portrait photograph Cr J Ritchie 1866-67 1869-70belfast, president, council, portrait, government, shire, municipal, local-government -
Bendigo Military Museum
Photograph - PHOTOGRAPHS WW2, c.1939 - 1945
Single portraits are of Corporal Alan COOKE VX124263 of 148 General Transport Company. Enlisted 13.3.1943.A collection of photos depicting country scenes, camps, & sporting groups in the Northern Territory 1939 - 1945. Also single portraits.photographs, northern territory -
Tatura Irrigation & Wartime Camps Museum
Photograph, 1948-1950
Ex POW Camp 13 Murchison. Paul Hoemberg and his bride. Post WW2 Germany. Studio portrait.Ex POW Camp 13 Murchison. Paul Hoemberg and his bride. Post WW2 Germany. Studio portrait.paul hoemberg, pow's, camp 13 murchison -
Bacchus Marsh & District Historical Society
Photograph, Concord Tent No. 140 Friendly Societies Rope Quoit Tournament, 1903
In June 1903 some of the Friendly Societies in Bacchus Marsh formed an association to play Rope Quoits tournaments. The first tournament concluded after a series of matches in September 1903. The winners of the tournament were presented with a trophy in the form of an illuminated photographic portrait of the winning players. Reports of a Rope Quoits Association being formed for Friendly Societies members appeared in the Bacchus Marsh Express from 13 June 1903. Reports of the weekly tournaments subsequently appeared in the Express through June to September 1903. A detailed account of the final tournament and the illuminated photographic portrait presented to the winning players appeared in the Bacchus Marsh Express on 26 September, 1903, page 3, column 1.This illuminated photographic portrait is significant because it depicts evidence of recreational activities and social groups which were active in the 1900s. Framed photographic portraits of Bacchus Marsh Friendly Society membersConcord Tent No. 140 Friendly Societies Rope Quoit Tournament bacchus marsh friendly societies, quoits, games -
Australian Commando Association - Victoria
Photograph - Portrait of Curly Papworth, Artgraph Studio, March 1943
Set of 4 sepia studio photographed portraits of Francis John Papworth VX66806 Shot in March 1943 while on leave after escape from Timor Items 4.1, 4.2, 4.3 & 4.4 referThese photographs display historic significance from WW2 and Curly Papworth's service in the 2nd/2nd Independent Company. It has strong provenance as part of the Papworth Family donated collectionSeries of sepia studio portraits of 'Curly' Papworth - Francis John Papworth VX66806ww2, world war two, 2nd/2nd commando, commando, francis john papworth -
Harcourt Valley Heritage & Tourist Centre
Memorial Portrait Photograph, Lieut Col R Gartside VD, 1914
Lieut Col R Gartside VD was killed in action at the Dardanelles,on Saturday 8th May 1915. This portrait was presented to the Harcourt State School byShire President, Mr E Pritchard After a lengthy career in the militia, Colonel Gartside served with distinction in the South African War, becoming known as the ‘Hero of Elands River’. He saw active service in WW2 and was killed leading a charge at Cape Hellas during the Gallipoli campaign. Sepia photograph, a portrait of a soldier in World War I uniform, wearing cap and medals -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Portrait of a Lady. She is standing with her left hand resting on a small piece of furniture. Behind her is a chair. She is wearing a full skirt with a jacket and a hat with a feather. Sepia portrait on a black mount board. No details on photo.photograph, portrait, female, portrait of a lady -
Stawell Historical Society Inc
Book, Hugh McGrae, Georgiana’s Journal as edited by Hugh Mc Crae, 1934
This Journal written by Georgina Mc Crae Melbourne 1841 - 1865. The Painting on the cover is a self Portrait. A very Interesting account of Victoria's early History.A white coverd paperback - Top in white print in black background Imprint Classics. Georgina's Journal in Pink Print. In Central cover In an oval inset a Colored Portrait of Georgina Mc Crae. Below Portrait Melbourne 1841 - 1865. Edited By Hugh Mc Crae.Inscription on Fly Leaf: Hand written. To The Stawell Historical Society - To Honor the memory of John McClure. REfer Pages 87 - 154. 178. 192. 198.234. Note John Mc Clure is Intered Deep Lead Cemetery 1859.stawell education -
Bendigo Historical Society Inc.
Photograph - 6 PHOTOGRAPHS BY BENT
Six small portrait photographs by M.Bent Photographer Centre of Pall Mall Sandhurst, 4 of men, 2 of women.M.Bentphotograph, portrait, male & female -
Bendigo Historical Society Inc.
Photograph - SMALL PORTRAIT PHOTO OF A MALE BY IMPERIAL
Small sepia portrait photograph of a young male with hair parted in centre. Photographer Imperial 109 Elizabeth St.Imperialphotograph, portrait, male -
Bendigo Historical Society Inc.
Photograph - 1 T.F.CHUCK & SON PHOTOGRAPH
One small portrait photograph of a male by Photographer T.F.Chuck & Son Melbourne with number 22148 written in ink on back.T.F.Chuck & Sonphotograph, portrait, male -
Uniting Church Archives - Synod of Victoria
Photograph, William Butterss - Life Governor of Haileybury College, 1985
"A portrait of well-known Brighton identity Bill Butterss was unveiled by his wife Betty at Castlefield, Haileybury College Junior School, Brighton, recently. Mr Butterss is a life governor of the College, and a former student was chairman of the council between 1976 and 1983. The portrait was pained by Ron Crawford of Hawthorn Rod." The photograph was of Mr Butterss and his brother Bishop Robert Butterss, Bishop of the central region of the Anglican Diocese of Melbourne.William Butterss and his brother Bishop Robert Butterss are standing looking at the new portrait of William Butterss."C&N 8/5/1985"butterss, william, haileybury college -
Tatura Irrigation & Wartime Camps Museum
Painting - Portrait - Oil Painting, Jacky, 1946
Jacqui Seal was the daughter of the Australian Army Intelligence Officer in Camp 13, Captain Stanley L. Seal. and sometimes visited her father in camp. Mueller asked to paint Jacky her father agreed, and Mueller presented the final work to her.|Jacqui did not like the portrait and pasted newspaper over it, since partially removed.Portrait of a young girl with bow in her hair and the name "Jacky" on her jumper. Portrait on brown paper in plain varnished wooden frame. Partially covered by newspaper.M. Mueller 1946.tatura, camp 13, manfred mueller, german pow, seal -
Kew Historical Society Inc
Photograph - Daguerreotype of a woman, c.1855-65
One of a pair of separate half-length studio portraits of an unidentified man and a woman photographed using the daguerreotype process. Both portraits are contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding. Each daguerreotype required an individual negative, presented to the sitter as a positive, and was not reproducible. Due to an exposure time that could extend to many minutes, people were often seated for portraits. Sitters were almost exclusively drawn from the middle to upper classes because of the cost of production of the photograph. It is assumed that the subjects of the two daguerreotypes were unidentified members of Gwen Steele's family. They are the earliest photographs in the pictures collection.Half-length studio portraits of an unidentified woman photographed using the daguerreotype process. The portrait is contained within a pinchbeck frame, bound in a brown-tooled leather cases, with red, cut-velvet binding. The portrait of the woman is notable for her centre-parted hairstyle with the fullness of the hair drawn into a single chignon at the base of the neck. This style set off the tilted-back angle of bonnets and hats. The seated woman wears a dark silk day dress with a voluminous skirt. The bodice is set-off by a large lace collar on its high neckline and at the cuffs. daguerreotype, portraits -
Benalla Art Gallery
Painting, ADNATE, You and the space between, 2015
Contemporary ArtAcquired with funds raised by The Friends of Benalla Art Gallery, 2014Partial portrait depicting indigenous person with paint covering part of face. Unframed work. Recto: Not signed, not dated, not titledpainting, portrait, indigenous, paint