Boyd bemoans the fact that Australia looks to overseas engineers, architects and other creative people to design new infrastructure projects.Original manuscript published as 'We're building monuments to the cultural cringe' in 'The Australian' on 10.10.1964.Typewritten (c copy), pencil edits, quarto, 4 pagesaustralian design, imported design, gladesville bridge, robin boyd, manuscript

Boyd suggests the emergence of an Australian School of modern architecture and points to orderliness, material and structural honesty and austerity as characteristic features.Original manuscript of an article published as 'Australian Architecture' in "Australian Building Profile", 1964, pp. 8-9.Typewritten (c copy), quarto, 2 pagesaustralian school, robin boyd, manuscript

Contains drawings and impressions of the Western Front by Australian artist Sergt. Penleigh Boyd. Electrical and mechanical Mining Co. AIFwalsh st library

Robin Boyd received a letter from the Dennis family, the owners of Tarndwarncoort Homestead in July 1956 (see item D306).Colour slide in a mount. Tarndwarncoort, Warncoort, Victoria, AustraliaMount Made in Englandslide, robin boyd, tarndwarncoort, tardnie

Robin Boyd’s desk cupboard contained two exercise books (D482.1-D482.2) and assorted articles, essays and other material regarding Sydney Opera House (P1378.01-P1378.36, D179-D181, D479-D480), inserted inside the front cover of Walkabout Magazine July 1966 (P1377). Robin Boyd asked Mandie Eckersley (nee Boyd), his eldest daughter, to research the Sydney Opera House for him in the Mitchell Library, both before and after Utzon left. Robin was writing a book, but was very disillusioned with the way the entire saga unfolded. Mandie Boyd recalls: “It was a huge task because he wanted any mention at all in any publications to be noted. No one else had done it at that stage, not even the clippings service.” This second (and final) volume is filled with transcriptions on newspaper articles, editorials and letters to the editor covering the period 1962 to 1966 when Utzon quits. The Reding Universal Exercise Book, filled to pp 0-48 and p 92Written on front cover: "Mandie Eckersley, 19 South Street, Edgecliff. NSW." In exercise book: handwritten notes. On back cover: list of dates from 1966-1977. Inserts in page 41: Public Library of New South Wales photocopying service receipts dated 8-2-67. Public Library of New South Wales Applications slips for books from stack.sydney opera house, jorn utzon, sydney opera house project

Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In part 1, Boyd discusses the general framework of the series in which the relationship between an Australian identity and a homogenising cultural force, reinforced by technology and mass production, is explored. Boyd questions the wholesale acceptance of imported ideas and goods, and instead advocates a critical examination of the Australian design culture, a search of an originality that does not fall into the myths of bush values. (Same content as item D184, differing Video cues of LHS of page.)This is a script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D184 is the draft version.Typewritten (c copy), foolscap, 9 pagesuniversity of the air, design in australia, robin boyd, australian design, nationality, national style, manuscript, ohm2022, ohm2022_30

Robin Boyd designed this three-seater sofa. The sofa was featured in the promotional brochure for Domain Park Flats in 1962. The original sofa was recovered from yellow upholstery to red in 1967 when the painting 'Man on Sofa' by Tony Woods (item A05) was purchased and hung. The original sofa is currently stored offsite. The sofa was reproduced in the 2017 Boyd Collection by K5 (item F004 and F035).Deep red woolen fabric, three loose seat cushions, no arms, 6 timber legs each with a brass foot cover.sofa, domain park, robin boyd

Watchmaker History: James McCabe was born in 1748. He was the son of Patrick McCabe, a notable watchmaker from Lurgan in County Armagh, Ireland. James McCabe immigrated to London in 1775 and established his business in Bells Building, Fleet Street, on 2nd April 1781. He was made an Honorary Freeman of the Clockmakers Company. The House of McCabe was renowned for the sheer variety of its designs, and the creativity and prestige of its manufacture were celebrated and revered by owners worldwide. These pieces remain highly collectable today and fetch increasingly higher prices at auction houses worldwide. Watch association with the Loch Ard: The watch was saved from the sea when discovered on the body of Mrs Rebecca Carmichael from Dublin and handed to Eva Carmichael, the only family member to survive the fatal wreck of the Loch Ard on 1st June 1878. Eva gifted the watch to her husband, Thomas Achilles Townsend when they married in 1884; his name is engraved on the rear movement cover. The watch was held by the family until 2011 when they decided to bring the watch, to Australia for auction. At this time the watch was in the possession of Eva Carmichael's grandson, Robert Townsend. Given its connection with the Loch Ard shipwreck, it was purchased at auction by Flagstaff Hill Maritime Village on 25th October 2011 to add to its Loch Ard collection and is currently referred to as the Carmichael watch. It is now on display alongside the Minton Peacock, which also survived the Loch Ard shipwreck, and other artefacts from the collection. James McCabe was originally a Belfast watchmaker who had moved his business to London. At the time James McCabe was much esteemed for producing fine watches and clocks, especially for export to India. Only the best watches were inscribed “James McCabe” and many with highly decorated cases were intended for the Indian market. Contemporary newspaper accounts of the watch's discovery echoed a Carmichael family tradition that the watch had been intended as a gift from the City of Dublin to King George IV to mark his planned visit to the city in 1821, however, there is no evidence to support this theory. Dr Evory Carmichael, according to some accounts, bought this watch from a nobleman for about £100 at some point and so it travelled with him on his final fateful journey to Australia. Today we can only guess at the actions of Mrs Carmichael in the chaos and darkness of the pre-dawn shipwreck. Perhaps the two items that were found on her body, the watch and a locket, were items that reminded her of those she held most dear, her husband and her family. When Mrs Carmichael's body was washed ashore the watch was found secreted in the waistband of her dress. In its own right the watch is of artistic and monetary value and is a rare and beautiful object depicting watch making in the early 19th century. It is a historically significant object in it’s own right and there is additional importance, surviving a significant event in the maritime history of Victoria. The wreck of the Loch Ard, Victoria's greatest maritime disaster has also been declared an event of National Significance because of its strong connection to Australia's immigration and maritime history. The watch, together with the Loch Ard Peacock, make up the two most significant shipwreck artefacts in Australia. Both of these items are of great social significance to not only local people but the wider Australian community. Funding for the watches purchase came from six local trusts and one anonymous citizen and is now on permanent display. Both these artefacts symbolise and helps to interpret the stories of survival along the Shipwreck Coast. Fob Watch, known as the "Carmichael Watch" or the "Loch Ard Watch". 1814 fob pocket watch belonging to the Carmichael family, recovered from the wreck of the Loch Ard. Fob watch (or pocket watch)and winding key, made by James McCabe and Son, of Cornhill, London. The watch is in excellent condition and its design is decorative and intricate. The gold face is covered by glass. The gold rear cover is hinged over a silver inner cover that includes the winding hole. The watch has a knob with a swinging ring from which it can be hung. The dial of the gold watch face is textured and has raised Arabic numerals and every minute is marked around the perimeter by a dot, with the 5-minute dots slightly larger. The numerals and dots are a different coloured gold than the rest of the face. The centre of the face has a wavy pattern fanning out to the base of the numerals. The hour and minute hands are of a dark colour. The stems of the hands are a wavy shape and finish with spade shaped tips; the tip of the hour hand is larger than that of the minute hand. The hour hand reaches to the base of the numerals and the minute hand is long enough to rest between the minute dots. The back of the watch is decorated with a detailed design on a textured gold background. The design is embossed in coloured metals; gold, silver, greenish-gold and pink. In the centre is a dove resting on leaves of a pot plant that sits on a silver circular base. Another dove is flying above it, and their beaks touch together. On the right of the base of the pot plant is a dog resting on its hind legs, body facing away from the plant and head twisted around to look at the birds. On the sides of this design and meeting at the base are sprigs of leaves and buds. Around this central design is a rope-like border. Around the perimeter of the case is a border of leaves and budding stems. The inside of this cover has embossed hallmarks, numbers and etched markings indicating that the watch is 18 carat gold, made by James McCabe, assayed in London in 1814 and the case may have been made by Daniel Willmott, case maker. The silver inner workings cover has a full name beautifully engraved on it. There is a winding hole that accesses a square-ended lever for the key to fit over. The handle of the watch is a twisted gold knob with a hollow ‘D’-shaped swinging ring attached to the end of it. This knob also has a hallmark.On the silver inner workings cover “Thomas Achilles Townshend” is engraved, underscored by a thin, delicately decorated line. On the gold handle is the logo of a crown with “18”’ next to it. Inside the gold rear case is stamped “DW’. Under that is etched “JAN 77 II”. Underneath this are 3 logos; a logo “leopard, crowned”’, a logo “ crown on top of 18”, and a logo “T”. Under these 3 symbols is part of a stamp that could possibly be “IMC”. Under this is “ ’ 5 9 4 ”. Other numbers, symbols and letters are etched into this case including “15001”, “2/5/19”. Others are difficult to read.warrnambool, shipwrecked coast, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, maritime museum, shipwrecked artefact, shipwreck artefact, carmichael, townshend, townsend, carmichael watch, loch ard watch, pocket watch, loch ard, 1st june 1878, james mccabe, thomas walker, robert townshend, loch ard gorge, great ocean road, victoria., memorial headstone

Cardboard front cover with green head shot photo of soldier. White pages, cut edges, black printing & black & white photos. Front cover below photo: “by James K Oliver, 3/772902, April intake 1955, 20th National Service Training Battalion, 55th Anniversary Edition”books - military, military history - army, national service

This is a facsimile copy, produced by Masters of Architecture Students at the Melbourne School of Design University of Melbourne, 2017. This feature correspondence, newspaper articles, and other material concerning the development of Appletree Hill Housing Development, Glen Tower Drive, Glen Waverley, 1966. In 1965 Lend Lease Homes commissioned Robin Boyd to design six brick veneer houses. They were built as a display village at Appletree Hill.A facsimile of an booklet to advertise Lend Lease homes designed by Robin Boyd.appletree estate, architecture, domestic architecture, housing estate, walsh st library

Two Newspaper clippings or Illustrations contained within Reg. Item 2488, page 81 showing two ESCo trams (one Californian combination and the other a Sebastopol tram) in Sturt St near Grenville St, with the original tramway shelter in the background and the other the mass photo of horse trams (See Reg. Item 2491) and hand written notes about the two photographs by H.P James. James notes the circumstances of the 2nd photo - taken to show the Directors of ESCo in Liverpool Ballarat and their tramway assets. The Second photo James says was taken c1923 (just) - prior to the removal of the shelter. Also provides notes on the colours of the tram route indicators and times of services. Note Item Not formally Numbered. Image btm2516i1 shows the position on page relative to the two cuttings and 2516i2 a detail view of the first photo. See worksheet file for newspaper source and letters to & from David Frost re this.Written notes in ink.esco, horse trams, timetables, route indicators

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Monnington in Adeney Avenue was built by James Griffiths in 1886. His family lived there till about 1917."Monnington. James Griffiths House."monnington, james griffiths, adeney avenue -- kew (vic.)

Robin Boyd travelled to Singapore, combining it with a visit to Osaka Japan, where he was Exhibits Architect for the Australian Pavilion at Expo 70.Colour slide in a mount. SingaporeMade in Australia / 32 / JUL 69M2slide, robin boyd

Self-reflective piece exploring some people's disposition to certain skills. Boyd argues that the hand has a character of its own.Typewritten, pencil edits, quarto, 2 pageshand, h p schoenheimer, the beast with five fingers, robin boyd, manuscript

Description of Barrett's book. Overview of Boyd's comment on Barrett's insight on the inner suburbs of Australia during the industrial era that is rarely discussed.Original manuscript for a Preface to 'The Inner Suburbs: The Evolution of an Industrial Area', by Bernard Barrett. MUP 1971.Typewritten (c copy), quarto, 3 pagesindustrial revolution, bernard barrett, collingwood, robin boyd, manuscript

Robin Boyd travelled to Singapore, combining it with a visit to Osaka Japan, where he was Exhibits Architect for the Australian Pavilion at Expo 70.Colour slide in a mount. Neptune Orient Lines office, SingaporeMade in Australia / 26 / JUL 69M2slide, robin boyd

Robin Boyd travelled to Singapore, combining it with a visit to Osaka Japan, where he was Exhibits Architect for the Australian Pavilion at Expo 70.Colour slide in a mount. Hotel Malaysia (1968), Singapore (Architect: Alfred Wong). Made in Australia / 35 / JUL 69M2slide, robin boyd

Robin Boyd travelled to Singapore, combining it with a visit to Osaka Japan, where he was Exhibits Architect for the Australian Pavilion at Expo 70.Colour slide in a mount. Hotel Malaysia (1968), Singapore. (Architect: Alfred Wong)Made in Australia / 36 / JUL 69M2slide, robin boyd

Robin Boyd travelled to Singapore, combining it with a visit to Osaka Japan, where he was Exhibits Architect for the Australian Pavilion at Expo 70.Colour slide in a mount. Hotel Malaysia (1968), Singapore. (Architect: Alfred Wong)Made in Australia / 37 / JUL 69M2slide, robin boyd

Robin Boyd travelled to Singapore, combining it with a visit to Osaka Japan, where he was Exhibits Architect for the Australian Pavilion at Expo 70.Colour slide in a mount. Unknown location, possibly SingaporeMade in Australia / 31 / JUL 69M2slide, robin boyd

Robin Boyd travelled to Singapore, combining it with a visit to Osaka Japan, where he was Exhibits Architect for the Australian Pavilion at Expo 70.Colour slide in a mount. Malaysia-Singapore Airlines (MSA) building, 77 Robinson Rd, Singapore, 1969 (demolished 1994)Made in Australia / 25 / JUL 69M2slide, robin boyd

Roger Banham discusses his impressions of Paddington and terrace house. Robin Boyd's thesis in 'The Australian Ugliness' is discussed and Boyd's featurism illustration is included.Photocopy, thick paper very discoloured 2 pages, pp 805-806.Black underline where Robin Boyd and 'The Australian Ugliness' discussed.

The invitation was sent to F.G. Davey requesting his attendance at Buckingham Palace where he was to be presented with the DFC by King George VI. Part of F.G. Davey Collection. See catalogue no. 3536P for his service record.Confidential document in black type under the letterhead of the Central Chancery of the Orders of Knighthood, St James' Palace SW1. Letterhead including a crest is printed in red. Signature of the sender is a printed replica of a handwritten version. Document is printed on cream coloured cartridge paper.distinguished flying cross, medals, f.g.davey

Looking towards the Beacon and Beacon Road housing. Shows undeveloped paddocks between Beacon and the railway. Also West Gate Bridge is in the distance James LAURITZ print of Port Melbourne, laminated (one of 18). Copies of slides produced for Port Melbourne Councillocal government - city of port melbourne, built environment, james lauritz, beacon cove, beacons, engineering - bridges, west gate bridge

Boyd comments on Australian life and culture in the first half of the twentieth century up until 1959. He reflects on changes - is it progress? - from the pastoral to the industrial, briefly on housing and construction, and emphasises US influences in design (especially cars) and politics, and the lingering, conservative influence of the UK. Robin Boyd wrote this article anonymously. He was a member of the 'Round Table', a English based group on imperial and commonwealth matters.Original manuscript of an article published in The Round Table, "The Commonwealth Journal of International Affairs", Vol 50, Issue 159, pp 26-31, 1959.Typewritten, quarto, 6 pagesAnnotations and corrections in pencilaustralian identity, taste, automobile design, they're a weird mob, nino culotta, 1959 australia, cyril pearl, on the beach, so you want to be an australian, sidney nolan, john ely burchard, robin boyd, manuscript

Discusses how Australian cities can be improved economically, environmentally and aesthetically; stresses good planning, accessibility, affordability. Refers to a chapter by Boyd.Typewritten (c copy) some edits, quarto, 26 pagesaustralian cities, planning, accessibility, affordability, ownership, free contract, developers, robin boyd, manuscript

Boyd discusses the achievement of Moshe Safdie in the design and dream of Habitat 67. He outlines the history, philosophy and sociological objective of cluster housing.Original manuscript published as 'Experimenting with boxes: Habitat's cluster' in Architectural Forum Vol.126, No.4, May 1967 pp. 35-41.Typewritten (p/copy), quarto, 9 pageshabitat 67, moshe safdie, expo 67, le corbusier, urbanism, unite d'habitation, reyner banham, alison and peter smithson, kenzo tange, clusters, russian apartments, cluster housing, robin boyd, manuscript