Mankind has been bothered by flies ever since time began. This has led to the invention of a number of different fly traps or fly catchers.Glass fly traps were popular during the 19th and early 20th centuries. The flies, being attracted by some sweet liquid or other bait in the bottom, were unable to find their way out. This trap has small glass legs enabling it to be used standing on a flat surface such as a table. Most were suspended by wire handles. This is an example of a common domestic item no longer commonly used today.Moulded clear glass fly catcher on small glass legs. Glass stopper. A piece of bait is suspended in the centre and the top opening is covered up with a piece of cloth and a fluid such as kerosene or similar is put in the gutter below the outer part of the dome. The flying insect is drawn inside by entering the underside opening and then, when trying to leave, flies against the glass and then drops into the catching fluid below.fly-catcher pest-control glassware

This splicing tool is handmade on a forge. It is used for splicing in fibre and wire rope work to form a semi-permanent joint between two ropes, or parts of the same rope or steel cable. The rope is partly untwisted and then the strands are interwoven. Splices can be used to form a stopper at the end of a line, to form a loop or an eye in a rope, or to join two ropes together. Splices are preferred to knotted rope; a knot typically can reduce the strength by 20–40%, but a splice is capable of attaining a rope's full strength. This homemade, handmade splicer is an example of a tool used to splice a cable or rope, a craft that was in much need onboard a sailing ship. Splicing tool; a spike on one end and a flat blade on the other, with goose-neck centre for leverage. Handmade.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, splicing tool, rope work, rope strands, knot making, netting, net making, sailmaker's tool

GC advised that when they first arrived in Eltham in the late 1960s, he would enjoy driving out to Yarra Glen. The Eltham-Yarra Glen road was unmade at the time. He passed this residence on the north side of the road. It was totally remote. GC found the juxtaposition of this little cottage with its surburban wire gate out in the remoteness of the landscape intriguing. Since then the road has been reconstructed and diverted away from the cottage which is now owned by Parks Victoria.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyIlford HP4birch cottage, christmas hills, early settlers, edwin samuel birch, eltham-yarra glen road, honor mary birch, honor mary williams, john hill, watsons creek

These brooches were made by Hans Beck, a German Templer who was born and lived in Palestine. When WWII broke out, he was sent to Australia on the "Queen Elizabeth" in 1941 and interned in Tatura Camp 3. His wife and children were left behind in Palestine. His daughter Ingrid said that although they were behind barbed wire, they were safe. Hans worked as a manufacturing jeweler in Sydney after his release from Internment. He sent for his family on 1947. A 1 x wooden triangular shape with a small four petal flower made of tiny white shells. A metal stick pin is attached to the back. B 1 x wooden heart shape. Two flowers on stems made from small pink shells. Each flower has five petals. A group of four tiny white shells sit between the flowers. A vase is carved into the bottom of the heart. A small safety pin in attached to the back. C 1 x wooden oval shape. Group of three pink shell flowers on green stems. Two flowers have six petals and a centre made from shells. The centre flower has only one petal. A bow of tiny white shells at the base of the brooch. Small safety pin attached to back. D 1 x wooden round shape. A cluster of shells in a floral pattern. A small bright red shell in the centre of cluster. Pin on the back is broken. E&F 2 x wooden round shape. A cluster of small shells in a floral pattern. One dark wood, one lighter coloured wood. handmade, brooch, shell, beck, queen elizabeth, templer

Eight coloured photos of Stawell's Water system. a. Old Valve house Pomonal b. Old Valve house & inlet grating from tunnel cutting. c. Old Valve house & Main ground grill. d. Sludge trap. e. interior of water supply tunnel at Pomonal. f. Tunnel showing outlet litter trap with rake for cleaning trap. g. Tunnel entrance at Pomonal. h. Vandal shattered cncrete pipe with multiple wire reinforcing (old?) Eight colour photographs of buildings, tunnels and equipment in bush setting.grampians water supply

Coloured photo showing different types of bricks stored in racks"written on back of photograph" Photo from collection of Mr Allan Bruce -2 Bona Street ,Ringwood east. 1,2,3,4 = the four stages of brickmaking at Ringwood East. Stage 1. Hand made large brick Stage 2. Same size as above -wire cut Stage 3. Almost a machine made brick Stage 4. Machine made - Ringwood stamp

Yields information about the reassembly of No. 40's bogies following their overhaul in 1985 and some of the people involve.Black and White photograph of the installation of the motors into No. 40's bogies, 8/2/1985. 3880.1 - Warren Doubleday, Barry McCandlish and Barry James crane driver carrying out the work. 3880.2 - photo with the motors in position.On rear of 3880.1 in ink "40's rebuilt trucks arrive back. Warren Doubleday and Barry McCandlish ass the crane driver 8-2-85", label "Photo Page 34 bottom Reduced to 5 1/2" x 3 3/4". and in bottom left hand corner "Photo Dave Macartney" See April 1985 Trolley Wiretramways, trams, btps, cep, maximum traction, bogies, tram 40

The first Palais dance theatre in Warrnambool was established in the Hotel Mansions on the corner of Kepler and Koroit Streets. When the hotel was destroyed by fire in 1929 the Palais was moved to the Oddfellows Hall in Koroit Street operating as a cinema. In 1939 the area in the Oddfellows Hall was converted into a dance floor, a skating rink and a squash court. The Palais dance hall continued until 1974. It had been a major entertainment venue in Warrnambool featuring many well known bands and singers over the years. This photograph is a fine memento of a most important entertainment venue in Warrnambool in the second half of the 20th century.A colour photograph of the interior of a dance hall showing the dance space, the lighting and the alcoves. The photograph is in two sections placed together. It is mounted on a yellow cardboard mount with a cut-out, printed name in cursive script. The black frame is made of composite material. A glass covering is over the photograph. On the back is a wire attachment for the hanging of the frame. There are crease and scratch markings in the bottom of the photograph.Palais de Dansepalais de danse warrnambool, the palais warrnambool, interior of the palais warrnambool, dance hall warrnambool, warrnambool

This photograph shows the islands in the Hopkins River in 1911. This section of the river is in the Allansford area, near Jubilee Park (Hopkins River Caravan Park). It was, and still is, a picnic and fishing spot. On one of the islands is an unmarked grave which may be that of Jemima Christine Allan, the first wife of one of the first European settlers in the Allansford area, William Allan. She died in 1842. The photograph was taken by Jordan Studios so the photographer may be either Joseph Jordan, one of the best-known Warrnambool photographers of the past, or his son Arthur, also a well-credentialled photographer.This photograph is considerable historical importance, showing a section of the Hopkins River in the Warrnambool region in 1911.This is a black and white photograph in a wooden frame with a patterned edging. The photograph is inset with a gilt metal edging and enclosed in glass. The backing is wooden with a wire cord for hanging. The photograph shows the river with islands covered in vegetation. On the river are two boats, one wuih four occupants standing up in the boat and the other with two occupants. In the ccntre of the photograph is a tree stump and a dead tree.The Islands Hopkins River Warrnambool 1911 Jordan Photohopkins river, jemima allan, jordan studios

Sandakan- Panali, North Borneo were the places of the infamous Sandakan death march. Thousands of allied POWS died. Aust lost 1787 men. Refer to the Australian War Memorial for details. Three black and white photographs taken just after WW2 .1) Photograph showing two signs, a gate post and barbed wire gate. .2) Photograph of flat land, with an enormous number of white wooden crosses. The crosses in the foreground are marked unknown. .3) photograph of flat land, with numerous white crosses. The foreground ones are marked unidentified P.W of unknown nationality .1) Photograph of signs. “Sandakan War Cemetery Turn off at Mile 7 Other sign “ Australian War graves at Mile 8” Rear has a label. All three- Sandakan (North Bendigo) photo taken early June 1947 by H. Eisfelder. ww2, p.o.w, sandakan

Goggles constructed of two oval lenses in metal frame which attaches to thin canvas which is stretched over wire frame which touches eye. Thin khaki elastic strap on left and right side attaches at back with thin hook and eye in metal. Two lenses attached via hand stitched brown leather strap with some fur attached.

Refers to Bert HEWSTON Cat No 2759.2 for his service history. Part of the HEWSTON collection re WW1 & WW2.Hard covered photo album containing postcards of tourist attractions in UK, greeting cards, etc. Towards the back are post cards of troops in Europe c.WWI. Encased in linen dust cover embroidered in greens & yellow on front. Many cards have messages on them. Wire stapled spine. Dark red card cover. Dark grey pages with slots for affixing cards.On some cards: “Bert”books-albums, documents - post cards, military history - souvenirs

Gold frame with glass front, dark green border with brown background. Photo of 6 head shots of 6th Brigade Machine Gun Team 1928 with cup in centre on white background. Frame has cardboard backing with silver wire hanging strap with 2 black cushion buttons at bottom. Cab 26 1687/1 on white tag at bottom RHS back."Dad CAPT ROY SHADFORTH" on top of background. Names of other 5 members beside each photo on background. "6th Brigade Machine Gun Team 1928 Seymour, Winners of Vickers Machine Gun Competition" on bottom.photography-photographs, frame accessories, military history - army, passchendaele barracks trust

Items belonged to Robert ALLEN No 7925 6th Field Artillery Brigade AIF. The grooves on the handles are from the barrel rifling, they have been engraved "Bapaume" "Pozieres." "Ypres". refer 1786P for service history also 1787.4.Trench art mounted into a picture frame (attached by wire through holes in back of frame) nine items made from spent artillery shells. Three cheese/butter knives, one spoon, two rising sun badges, two "Australia" shoulder badges, one RAA Corps badge. Label says knives are engraved but too tarnished to be able to read properly.numismatics - badges - military, domestic items - cutlery, ornaments - metal, military history - souvenirs

Cow mounted on wooden base. Iron wheels fitted to each corner of base; pulling ring fixed to front of base. Cow: Chamois leather covered, perhaps metal and a type of paper mache. The head pivots and has a collar and bell around the neck. The hooves are attached to the base by wire. Has internal tin compartment with top-opening and metal teats (two).

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of an early 1930's bus parked on the grass in the foreground, with a man standing on the hidden steps of the bus and another man walking in front. In the middle distance rail lines can be seen on an embankment rising behind a post and wire fence and in the background a tower rises on the closest hill. The bus is the St Hilda's Band bus and the place is Llanelly in Wales.Written in pencil on back - Llanelly, Wales, 29/5/34frank wright, 1930's bus, welsh tower, st hilda's band, sthilda's band bus

This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, olive green glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Mouth has remnants of tape and wire seal. Mould seam around shoulder. Body tapers slightly inward to the base. Push-up base has pontil mark and is embossed in large letters. Base is uneven. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable

Black and white photographs (2 copies of same) . Image shows streetscape Pall Mall. From LH side of image Courthouse Hotel, Drug Houses of Australia Victoria Division,Bendigo Branch. Camelot restaurant, Bendigo Advertiser offices on RH side. Cars parked on kerb., lamp post and wires down middle of road. Sign on roadside 'Heathcote' with arrow pointing.bendigo, streetscape, pall mall

Water channel, 2 excavators, worker climbing ladder. Poppet head of a mine in background, Rubber tyred tractor with blade and trencher fitted in creek bed, larger excavator is adjacent to the tractor on the left bank, light posts and wire along the left bank, central gutter has plastic laid for a short distance, Pipe held down with sandbags in centre gutter.Kodakorganisation, industry, gas and fuel

black and white photogrpah 'Queen's Reserve' showing statue of Queen Victoria, poppet legs of Hustlers Royal Reserve No 2 City Mine, chimney, post office tower. Early telephone wires on pole. On front 'Queen's Reserve' In biro ' Hustler's Royal Reserve No. s 2 ( city ) mine. On back RHSV, Bendigo Branch. Previous reg. no. Mng 12place, landscape view, queen's reserve, bendigo

Metal brooch. Item represents a stylised butterfly or moth. Each wing is composed of four rough circles, each larger than the other. Each circle is held by a smaller solid circle. In the centre, wire has been wrapped around the 'body' with one end forming an antennae. The other antennae has broken off. Reverse has the remains of clasps. Object is rusted.bendigo, gold mining, qc binks, qc binks.

This is a photograph of one of the many stone ruins of buildings which can be seen in the Sunbury district and surrounding areas. This series of 13 photographs show various views of one of the remaining uninhabited stone cottages which were built in the early days of the district's settlement.A coloured photograph of a stone cottage with a wooden shingle roof and its weatherboard and corrugated iron out building. A valley between two sections of the building suggests it has been built in stages. Three chimneys are visible and the cottage has three 12 paned sash windows with a doorway in the centre of the front. There is a cyclone wire fence and gate across the front and the garden is overgrown.stone structures, shingle roofs, george evans collection

A booklet put together for an exhibition of Emil Wittenberg's work. A short biography and picture of Emil is inside.A single piece of white paper with print on both sides and folded to form booklet. Front cover has a black and white sketch of man in corner of a barbed wire fence. "An exhibition of work from the Dunera Voyage and internment in Hay and Tatura." "A biographical note". on front in black ink. Back page has a piece of paper stuck on it advertising the exhibition times and dates.emil wittenberg, tatura museum exhibition

A Dayton Pilot tennis racquet, with a steel head and throat, and, wooden shaft and deep-grooved handle. Racquet strings made from piano wire. Racquet head stringing continues through into the fully opened throat. Decals of maker and model, with patents, feature on front, and right side of shaft. Materials: Wood, Metal, Glue, Lacquer, Paint, Leather, Ink, Cordtennis

Photocopy of part of page 13 of 'Trolley Wire', October 1969 listing the closure dates of the various Australian tramway systems and if known, the 'last tramcar' to operate, the gauge and the form of traction power. List 24 systems, shows Melbourne, Ballarat and Bendigo as still being in service and the Glenelg interurban as well. Has been photocopied and then trimmed with a ruler. Three copies held.trams, tramways, tramways, closure, australian tramways, gauge

Colour print of BTM tram No. 40, at Depot Junction on a very wet Boxing Day, 1999. Tram has "Bray Raceway" sign on front drivers panel, with ice cream van in the background. Appeared in colour in the February 2000 of Trolley Wire on Page 44. Printed onto Kodak Royal Paper. Photo by Earl Ewers. Photo taken 26/12/1999.On rear in blue ink "Car No. 40 going about its business at Depot Junction on a very wet Boxing Day 1999." and in bottom right hand corner "Earl Ewers" In centre of photo on rear is label with "Photo / Enlarge to 119% 145 x 100 Colour.", crop marks and a yellow sticker with "59" written on it.btm, depot junction, trolley wire, tram 40

Yields information about the horse tram being displayed at the CHHA fair.Photo of Ballarat Horse Tram No. 1 on a low loader outside the Ballarat Army Drill hall on 9-10-1994, as part of the Central Highlands History Fair on that day. For further details see the November 1994 issue of Fares Please! Photo appeared in Feb. 1995 issue of Trolley Wire. Printed on Kodak Paper. 462.1 - as above but with two people looking at the tram.On rear 'WAD photo 9/10/94' and 'photo page 38, top same size' and cropping markings.ballarat, horse trams, tram 1

Black and White photograph of BTPS No. 26 lifted while its side frame was being replaced during 1975. Photo printed in the August 1975 issue of Trolley Wire on page 32. Photo shows the broken side frame and the replacement side frame. The tram car has been lifted on No. 2 road within the depot building. Photo by Richard Gilbert. tramways, trams, btps, depot, tram equipment, tram 26

A Wilson 'T2000' metal tennis racquet, with double shaft; and cream plastic shaft casing. Handle wrapped with black non-original grip tape. Net anchored to metal wire wrapped around head frame. Cream plastic butt cap with white label featuring 'W' logo in red. Materials: Metal, Plastic, Adhesive tape, Nylon, Adhesive labeltennis