Bartlett Bros Sandhurst portrait photograph of a woman seated, back of photograph reads Photographers Miniature & Portrait Painters Bartlett Bros View Place Sandhurst.Bartlett Brosphotograph, portrait, female

Photograph, black and white. Portrait of a young woman, leaning on a rock, looks like in a garden.She has curly/wavy short hair, wearing earrings(sleepers).Bartlett Bros. Sandhurst.person, individual, female portrait, photograph. portrait of a young woman. unknown family collection.

Photograph - Man on racing bike with woman beside him On Rear: Triathalon at Eppalock Promo Left David Meade, Erica Baldwin 25/3/94recreations, sports, cycling, bendigo advertiser

Churchill Island Heritage Farm has a large collection of photographs dating from the nineteenth century.Photograph of two woman standing in front of an informational display for Gerard Neville Buckley . Photograph has been taken from a distance showing the Visitors Centrecatalogue number written on reverse in pencilchurchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of a sailboat moored beside a rope fence, with a man carrying a woman across the shallow water, and another man standing in the boat holding a line.120% 3COL MCOUTA [written in pen on reverse at top of photo] catalogue number on reverse in pencilchurchill island, photograph

Postcard, WW1. B&W image of the ruined Church at Steenwerck after a German offensive. Lone figure of a woman at lower left. One copy Y28postcard, postcard, ww1, france, church ruins, steenwerck

The opening services of the Glendearg Grove Methodist Church South Malvern were held on 5th February 1905. The church had seating for 400 people and was built at a cost of 1200 pounds. The President of Conference the Rev. W.H. Fitchett D.D. preached at the opening services. An extension was added to the church in 1918.B & W postcard showing the front of the Glendearg Grove Methodist Church, South Malvern. The church is behind a picket fence, and a woman stands on the path with a pram.Glendearg Grove Methodist Church as it was 1904 - 1918.glendearg grove malvern, methodist

Provenance unknownWoman's bust-bodice in white cotton. Fastens at back with ten pairs of hooks and eyes. Has metal hook on elastic hanging from left back.Satin ribbon label printed with blue ink "Venus Maiden Shape" next to fastening. Stamped inside left back in black ink "12548".costume, george evans collection

Painted by Enid Philip in 1922 at the National Gallery School, Melbourne for an overseas scholarship.Painting depicts elderly woman, two young women and girl sitting around a table having morning tea. On canvas, oil paint and wooden framesignature of artist Philip, Enid (1898-1984)morning tea painting enid philip national gallery school

Coloured Photograph of Cr. Judith Wendy Reid, Mayor, City of Nunawading, August 1986 to August 1987.Wendy was the first woman to be Mayor in the City of Nunawadingreid, judith wendy, city of nunawading, mayor

Photo of Bike presented to The Nunawading & District Historical Society (Blue frame with Red - Man's Bike) (NA2587). The Red Woman's Bike was presented to The Museum of Victoria.blackburn road, blackburn, no. 12, robinson, george, rob's cycle and sports

Carl Benno was the youngest son of August and Pauline Schwerkolt and Wilhelmina was the youngest daughter of Wilhelmina and Francis BothSepia photograph of a woman with curly fringe, a high-necked dress and a decorative vest. Written: 'Wilhelmina Both Schwerkolt 1874 - 1916. Married to Carl Benno'schwerkolt, wilhelmina, both, wilhelmina

International House at the University of Melbourne was Australia's first 'international house'. Its first purpose-built accommodation wing opened to residents in 1957, with the official opening the following year. The building was later named the Ian Clunies Ross Wing in honour of the first chair of the International House Council. buildings

Black and white photograph of Phyllis Beyer showing a young woman in fancy dress costume striking a pose for the camera, taken in the garden Lakes Entrance Victoriaclothing, genealogy

Photograph of young woman playing tennis in a gymnasium. Caption on reverse states: 'Hitachi Follow Up camp August 1978'. Materials: Paper, Photographic emulsiontennis

Photograph of woman holding a book. Identity unknown. Part of a series of images taken during a tennis day involving Norman Brookes. Materials: Paper, Inktennis

Photograph of a woman playng tennis. Identity unknown. Part of a series of images taken during a tennis day involving Norman Brookes. Materials: Paper, Inktennis

The Lavers Hill Hotel was established in about 1906. The publicans were Messrs. Hedley, Tom McGrath, Pat Harrington and F. Betteridge. When Tom McGrath was publican the hotel boasted 20 rooms and first-class stabling. Pat Harrington when publican supported the local football club when it was formed, and soon after owned the General Store from 1924 until 1926. When a census officer collecting statistical information asked Mrs Harrington, "What does your husband do?" the answer quickly came, "Well now, what could you say Pat has ever done." The hotel burnt done in 1930.B/W. Harrington's Laver Hill Hotel, with one woman approaching the hotel from the left and three people on a very long, two-dimension veranda.lavers hill; hotel;

Plastic picture frame containing print on paper of young woman holding tennis racquet. Velvet-covered cardboard stand. Materials: Plastic, Cardboard, Velvettennis

An article in the Melbourne Age (2 March 1978, p. 25) recorded the retirement of Clare Ralph of Goullet of Melbourne (active 1953-78). "One of Australia's most talented milliners, Clare Ralph, of Goullet, is selling her business because she wants to spend more time in her garden. "I have been in the business for 25 years and last week I turned 60 and so I thought now is the time," Mrs. Ralph said at her Richmond shop yesterday. ... Mrs. Ralph is selling cheaply $10,000 for the label, which also covers sportswear, and tenancy and lease of the premises which have a showroom and workroom. ... Mrs. Ralph is as unpretentious as the relaxed Goullet styling which brought the new concept of millinery to Australia non-hatty hats with none of the "Melbourne Mum" quality so rife at the time. She said she started off making hats rather than dressmaking because she couldn't afford to buy the three yards of material necessary for a dress. "I wanted to get out of the house and so I did millinery night classes at Caulfield Tech." Her first efforts were sun-hats of natural straw which Mrs. Ralph trimmed extravagantly … "gold fishnet and braiding and sparkly jewels all over the crown. "They were ridiculous but a lot of fun," she said. She carted them by train to the city and nervously showed them to a store buyer. After the meeting, she couldn't face taking the samples home again on the train and left them. Before she could collect them, to everyone's amazement particularly Clare Ralph's, they had been sold. "The next thing was people were asking me what I was going to do for winter. I hadn't thought I was in the industry. I just thought I had sold a couple of sun hats and that was marvellous because I needed the money," she said. If the new buyer is interested, Clare Ralph will continue designing hats on a consultancy basis for them, which would be great for all the fans she has collected since those crazy sun-hat days.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Wide brimmed woman’s hat designed by Clare Ralph of Goullet of Melbourne, constructed of white stiffened fabric with a white fabric cord surrounding the crown of the hat.Label: Designed by Goullet of Melbournegoullet of melbourne, clare ralph -- milliner, women's clothing -- hats, headwear

In the descriptions of two hats by La Rene in the Museum Victoria collection it is suggested that their origin may be French. La Rene was also a Sydney design house and it is believed that the fedora in the Kew collection is an Australian product. This hat and the MV examples have similar attributes.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Deep pink coloured felt woman’s fedora by La Rene with a broad navy ribbon at the base of the crown. The rim is fastened to the crown at one side of the hat.Label: Fashioned by La Rene. 37-6622; 36-1690women's clothing -- hats, headwear, milliners - la rene

Product label in tones of red, green, yellow and white showing printed text and a graphic of a woman, lion, ship, wool bale, shield and pitch fork. front: [printed] ALBION MILLS, GEELONG / THE GEELONG / PURE WOOL RUG / MANUFACTURED BY / THE ALBION WOOLLEN MILL CO. / GEELONG, VICTORIA. / No. / WEIGHT / SIZEalbion mills, archives, wool industry, blankets, rugs, products, advertising, geelong, packaging, label, graphic design

The Keith Wingrove Trust conducts a competition among Australian artists, graphic designers and students for the production of Ex Libris Bookplates. The competition is called The Australian Bookplate Design Award. The purpose of the competition is to increase interest in and to attract publicity to the artistic value of bookplates. Although the competition is referred to as 'Australian' there is a category of award open to International artists. This bookplate was part of the 2013 Australian Bookplate Award. Wim Zwiers (b. 1922, Holland) Zwiers studied at the Academy of Fine Arts in Rotterdam from 1940 and graduated from there in 1944. Renowned as copper and wood engraver Zwiers became a teacher at an academy in Groningen. Zwiers has produced a few hundred bookplate. Around 1992 started to use the computer making ex-libris and other small graphics. Although he was not the first who started making computer exlibris, he surprised many by starting at age seventy. Framed etching - a bookplate for Zelma and John Gartner featuring a woman reading in the foreground and a weatherboard house in the background. Gift of the Keith Wingrove Memorial Trust, 2015Edition: 170/200 Signed: Wim Zwiersartist, artwork, printmaking, framed bookplate, available, bookplate, zweirs, zim zweirs, life drawing, keith wingrove memorial trust, australian bookplate design award, john gartner, zelma gartner

Manders family. Peter Mander.Wooden cased mantel clock with hinged glass front, roman numerals on face. Decorative pendulum with eight sided star with a woman's face design on star.clocks, mantel clocks

This photo dates from circa 1896. It depicts Mrs Sarah Ann Milford, then aged 65, in a buggy somewhere in Castlemaine. Mrs Milford is holding the reins in gloved hands, having driven five miles into town from her home on the Faraday Road, Harcourt. The journey would have taken about one hour. Mrs. Milford together with her farmer/orchardist husband, worked an extensive orchard/farm, Here she is depicted having delivered apples, butter and vegetables from her family orchard to Castlemaine market. Mrs Milford is wearing a strictly tailored 'must fit snug everywhere' jacket with shoulder cape, very full sleeves, closely buttoned bodice, high neckline and rather severe collar. The skirt was separate , of lined brown twill cotton, pocket at side back. A buggy rug is strapped across her knees. The buggy rug was lined with yellow and black figured damask. Despite the masculine-oriented property laws and society norms many Victorian women were active partners in their family business. The photo is a good record of the fashions, transport and capabilities of this pioneer.Sepia photograph of a woman dressed in Victorian fashion, seated in a covered four wheel buggy.The horse is equipped with light buggy harness and wearing a buggy bridle.