Showing 8094 items
matching wool
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Bendigo Military Museum
Headwear - CAP, PEAKED, UNIFORM, C. 1939 - 45
Cap, peaked, khaki wool with blackened brass Rising Sun badge. Leather chin strap.uniforms-army, male headwear -
Bendigo Military Museum
Footwear - BOOTS, FLYING, c.1939
The boots belonged to Maxwell Lennox Matheson No 418447 RAAF. Refer Cat No1959 for his service history..1 & .2 Black leather boots, wool fur lined, straps to hold shut, pairflying boots, footwear, raaf -
Bendigo Military Museum
Clothing - VEST WW2, Department of Defence, c.1946
Department of Defence brown, lined, leather, buttoned, with khaki wool & 4 buttons down front“G H ALLISON 1946” Jerkin leather Size No 1 Wearers height 5' 3" to 5' 6" Wearers breast over jacket 34 " to 41"uniforms - army, costume - male uniform, vest, -
Tatura Irrigation & Wartime Camps Museum
Calendar, c.1943
Made in Camp 3 by Ursula Stuerzenhofecker for her friend Helga AndersonHandmade illustrated calendar. At top wool tie for hanging and date section attached with staples at bottom.Ursula Sturzenhofecker 24.12.46war camps, documents, calendars, stuerzenhofecker, anderson, helga -
Williamstown High School
Cadet's jacket
Khaki wool jacket worn by Williamstown High School cadets, 1950's and 1960's.williamstown high school, 1950's, 1960's, alex jurga, cadets -
Brighton Historical Society
Cloak, c.1925
Orange bouclé wool coat woven with velvet stripes; brown fur collar and deep hem.1920s, cloak, cape -
Stawell Historical Society Inc
Memorabilia - Realia
Square Beaded Edged Pin Cushion, Navy Velvet on top, wool work on Canvas back. stawell -
National Wool Museum
Ribbon
Ribbon awarded to Mr Charles Wilson Peel of 'Callenondah' at Gnawarre. Mr Peel ran a superfine merino stud. This ribbon is from the Geelong Legacy Fleece Show 1962 and was awarded as a Trophy Winner. Navy blue wool ribbon with stamped yellow text. Yellow tassels at each short end. -
Kew Historical Society Inc
Clothing - Knitted Striped jumper, Grace James, 1971-1988
Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Diagonally striped pink jumper with bands of varying widths in deep pink, acqua, black wool.grace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), knitted jumpers, woollen clothing -
Bendigo Military Museum
Uniform - JUMPER, Bruce Pie Industries Ltd, 1962
"Items in collection of K.W. Peatling" refer cat no 5140.2 Box 173 for his service detailsknitted wool jumper, v neck with long sleeves, cotton bound slits in shoulders for epauletteslabel on back neck edge, burgundy coloured writing "BRUCE PIE INDUSTRIES LTD. QUEENSLAND 1962 SIZE 42"wool uniform. military issue, wool jumper -
Churchill Island Heritage Farm
Photograph - Colour photograph of seated woman
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This photograph shows the extensive involvement and assistance of volunteers at Churchill Island throughout the decades.Colour photograph of seated woman in period costume, spinning wool in front of the fireplace in Rogers Cottage [catalogue number on reverse in pencil]churchill island, photograph -
Whitehorse Historical Society Inc.
Clothing - Womens Suit, c1980
Suit owned by donor - Valda Arrowsmith and was worn to many City of Nunawading official functions.1980 Burgandy wool women's pleated skirt and three buttoned jacket. Jacket fully lined.Fletcher Jones Australia Finest Clothingcostume, female -
Whitehorse Historical Society Inc.
Domestic object - Sewing Needles
From Betty McPhee Collection of Sewing Equipment.Packet of Sewing Needles. Size 18/24 0- Best nickel plated wool needleH Milward & Sons, Redditch Englandhandcrafts, equipment, handcrafts, dressmaking, handcrafts, embroidery, handcrafts, needlework, domestic items, sewing -
Dandenong/Cranbourne RSL Sub Branch
Boots, leather flying, 1944?
Korean War/Japanese Occupation period historical significance.Black leather flying boots with lambs wool interior lining belonging to A34219 Stuart SimpsonNil -
Whitehorse Historical Society Inc.
Clothing - Child's dress and bolero jacket, Dress & jacket, c 1968
Handmade by Estelle Bannister for her daughter Giselda.Fine example of domestic dressmakingChild's handmade apricot wool dress and bolero jacket for age approx. 3-4 years.Nilchild's dress & bolero jacket -
National Wool Museum
Photograph - Wool Follicle, J W Allen, 1900 - 1940
This item is part of a collection of six black and white glass lantern slides previously housed together in a glass plate box. The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting an illustrated diagram of a wool follicle.agriculture, new south wales graziers association, travel, sheep, breeding, photography, glass lantern slides, j w allen -
National Wool Museum
Photograph - Wool Fibres, J W Allen, 1900 - 1940
This item is part of a collection of six black and white glass lantern slides previously housed together in a glass plate box. The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting a detail image of wool fibres.printed: ORIENTALISagriculture, new south wales graziers association, travel, sheep, breeding, photography, glass lantern slides, j w allen -
National Wool Museum
Photograph - Wool Fibre Diagrams, J W Allen, 1900 - 1940
This item is part of a collection of four black and white glass lantern slides previously housed together in a glass plate box. The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting illustrated diagrams of wool fibres.agriculture, new south wales graziers association, travel, sheep, breeding, photography, glass lantern slides, j w allen -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Bailey Elaine, Fox Margaret, Women in Local Government East gippsland, 2003
A booklet reminisences, family history, and recipes from members of the East Gippsland Wool and Fibre Group.genealogy, recipes, settlers -
Bendigo Historical Society Inc.
Photograph - GREATER BENDIGO PHOTO COLLECTION: A' BECKETT AND CHAMBERS, 1960's
Photograph. A' Beckett Chambers building in Bull Street, Bendigo. Wool, Stock and Station agents. 1960s.bendigo, business, a'beckett chambers -
National Wool Museum
Sign
Three display signs advertsing Physician blankets and Bradmill sheets.One of three display signs. One of three display signs. One of three display signs.Berber by Physician 'The New Natural Look' Pure New Wool flame Resistant Machine Washable (Wool Cycle Only) Sheets by Bradmillsign -
Parks Victoria - Gabo Island Lightstation
First Aid Kit
Used on Gabo Island lightstation.This portable first aid kit comes in a lockable metal box and includes an instruction manual, smelling salts, eye cleaner, dressings, cotton wool and burns dressing. It was made in September 1976.Supplement to Royal flying doctors service of Australia.The kit has first level contributory significance for its relative completeness, historic value and provenance to the lightstation.1. White, two hinged lid, metal first aid kit. Containing: 2. Instruction manual. 3. Smelling salts. 4. Eye cleaner. 5. 6 x sterilised dressings. 6. Cotton wool. 7. Large burn dressing. (padded gauze). Lock on lid. rusted slightly on top and sides. Five screws on right side. Four screws on left back lid. Metal hinged handle on left side. Metal compartment on inside. -
Port of Echuca
Photograph, Approx.1980s
The barge 'Ada' was built in Echuca in 1899. It was 33 metres in length and 6.9 metres wide and was made from timber and iron. It's design was unique as it was half-timber, and half-iron- the iron featured above the water line to prevent the wool bales from getting wet. The 'Ada' was used to carry wool from sheep stations on the Murray and Murrumbidgee Rivers down to Echuca Wharf for distribution around the world. The Permewan Wright, Murray Shipping Company, owned the 'Ada' and in the1930s the barge was sold to the Evans family who used it to transport timber to it's Echuca sawmill. The 'Ada' was purchased by the Port of Echuca in 1974 and is seen here on the Moama slipway undergoing restoration for Port of Echuca in 1979 to 1980. The remains of the 'Ada' still lie on the banks of the Moama slipway but it has fallen into near complete disrepair.The barge 'Ada' is very significant due to the uniqueness of her design. The hull is timber, up to the water line, then iron from the water line up to protect the bales of wool bales that it transports from water damage. The P.S Pevensey, within the Port of Echuca collection, has the same design feature.The barge 'Ada' in dry dock, on a slipway with a 4 knot marine sign is next to it. The barge is surrounded by trees and has since fallen into disrepair. Verso: 'Ada Barge'murrumbidgee river, wool, ada, murray river, barges, evans saw mills, timber industry, port of echuca, echuca wharf, permewan wright co. -
National Wool Museum
Textile - Dress, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Lilac glittery knitted ribbed dress, with elbow length sleeves and collar.front [label]: PURE / NEW WOOL back [label]: DRY CLEAN / ONLY / A (60) / 072829knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Footwear, Spats, wool, 20thC
Spats, a shortening of spatter guards are a type of classic footwear accessory for outdoor wear, covering the instep and the ankle. Spats are distinct from gaiters, which are garments worn over the lower trouser leg as well as the shoe. Since the mid-19th century, soldiers of various nations, especially infantry, often wore leggings or spats to protect their lower leg, to keep dirt, sand, and mud from entering their shoes, and to provide a measure of ankle support.These spats are of a type commonly worn to protect good shoes early 20thC and may have been part of a soldiers uniform c 1914A pair of khaki wool spats with 4 buttons and leather strap, with metal buckle, to pass under instep.MADE IN ENGLANDfootwear, spats, army uniform, clothing, knitting, craftwork, wool, world war 1 1914-18, world war 2 1939-1945, early settlers, city of moorabbin, bentleigh, mckinnon, ormond, moorabbin, post war settlers, hunt ailsa, -
Phillip Island and District Historical Society Inc.
Photograph, 1900
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandCopy of a Postcard of Horse Drawn Lorries carting wool along Thompson Avenue in the early 1900'slocal history, photography, wool carting, black & white photograph, horse transport, wool industry, thompson avenue cowes, john jenner, bryant west -
Bendigo Military Museum
Uniform - COAT, RAAF
Item issued to Arthur Thomas MANLY, No 431130 RAAF. Refer Cat No 3710 for his service details.RAAF jacket, blue wool. No rank or job badges. Plain, black bakelite buttons. 2 Pockets.Written inside on rear bottom: MANLYuniform, raaf, jacket -
Yarrawonga and Mulwala Pioneer Museum
Bale Fasteners
100 Metal Hooks used to clip wool bales together contained in a brown cardboard box with instructions -
Tatura Irrigation & Wartime Camps Museum
Book - handcraft, Zweiter Band, Schachenmayr Lehrbuch Der Handarbeiten Aus Wolle, 1937
Appears to be a book of patterns for hand crafts using wool. Written totally in German. Yellow hard cover.Schachenmayr Lehrbuch Der Handarbeiten Aus Wolle A Stamp - N. Arnot POG 573 Jerusalem - Palestinebook, handcraft, camp 3, internee, wool craft -
Numurkah & District Historical Society
Celluloid doll
Given to Pat Finlayson's grandchildren by a friend - doll at least 60yrs old Celluloid Doll 21" tall dressed in nappy, pink bonnet, knitted wool dress, cotton dressdoll,celluloid, toy, baby clothes