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Glenelg Shire Council Cultural Collection
Document - K. S. Anderson Collection - Acquisition of 'Blainslie', Mar-73
K.S. Anderson Collectiona) Handwritten history of building of Richmond House by Stephen Henty. Richmond House became Richmond Henty Hotel, acquisition of 'Blainslie', next door property to Richmond Henty Hotel, built by W.P. Anderson to make motel. b) Statement of account from Nicol, Silvester & Culhane Solicitors to K.S. Anderson, detailing amount owed to him for selling 'Blainslie'.k s anderson collection, stephen henty, richmond henty hotel, accounts, blainslie -
Ballarat Tramway Museum
Administrative record - Memorandum, State Electricity Commission of Victoria (SECV), acquisition of surplus Brill 22E trucks from Ballarat, 16/10/1962 12:00:00 AM
Has a strong association with a person in the UK who was seeking tram equipment had the Ballarat system closed in 1962., Has a strong association with a person in the UK who was seeking tram equipment had the Ballarat system closed in 1962.Memorandum or letter, carbon copy, dated 16/10/1962 on Electricity Supply Department paper, about the acquisition of surplus Brill 22E trucks from Ballarat by a person, Mr John Batty of the UK. Based on the proposed abandonment being implement, asked for the appropriate price for such equipment. Copy for "Tramways' Abandonment file" in red. Sheet has rounded corners.trams, tramways, 22e trucks, sale of trams, closure -
Bendigo Historical Society Inc.
Document - ADDRESS GIVEN AT THE ART GALLERY - BENDIGO
Four pages address given by a member of the committee of the Bendigo Art Gallery detailing the work of the art gallery up to that point in the acquisitions of art works. The speech was given at the presence of the Premier of Victoria Mr. Hamer, the Mayor Cr. Campbell, the councillors of the City of Bendigo, the Mayor of Eaglehawk, dr. Eric Westbrook, Mr. Don Webb and Mr. Dennis Colsey.bendigo, entertainment, art gallery -
Federation University Art Collection
Painting, Angeline Koot, 'Merry 2020' by Angeline Koot, 2020
During Angeline Koot's final year at Federation Unvisity the course was conducted online while the commnuity was in lockdown due to the Covid 19 Pandemic. The work reflects the resulting isolation, in particular the effect on the 2020 festive season which was marred with postponment and much uncertaintly due to the pandemic. The subject matter includes cones and a sock representing Christmas traditions. The small soccer plays attempt to stop the 8 ball from destroying the cone pyramid tree, while the shark, representing the chaotic events of 2020, moves to attack a fallen soccer player. The goal keeper attempt to protect the cone pyramic, and keep everything under control. Angeline KOOT (1998- ) Born Malaysia Arrived in Australia 2010 In 2020 still life artist Angeline Koot completed a Bachelor of Visual Art at the Federation University Arts Academy. Still lifeA still life with a pryamid of cones, a blue shark, a black 8 ball, and four soccer players representing the isolation of the festive season during Covid19 lockdowns at the end of 2020. Due to the Covid-19 pandemic and associated lockdowns the End of Year Exhibition (EYE) was an online exhibition and the selection of the DVC Art Acquisition Awards also took place online. Signed top edge Angeline K. 2020angeline koot, alumni, dvc art award, still life, pandemic, soccer, shark, 8 ball, covid 19, available -
Greensborough Historical Society
Folder of documents, Grace Park and the Nell Family, 15/06/1889o
Illustrates the process of acquisition and subdivision of the Grace Park area of Greensborough to 1982, with a short history of Frederick Augustus Nell and his family. A complete set of these documents is available at the GH Resource Centre.One folder, containing seven Certificates of Title, one Death Record for Frederick Augustus Nell, 1908 and a historical summary, with a list of sourcesgrace park, nell family, greensborough -
Federation University Art Collection
Painting, 'The Joy of Colour' by Pauline O'Shannessy Dowling, 2005
This item won the Deputy Vice Chancellor's Acquisition Award in 2005. It is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A red, blue and green abstract paintingart, artwork, o'shannessy-dowling, available, pauline o'shannessy-dowling, abstract -
Glen Eira Historical Society
Document - Hall, Hugh Percival
A five page photocopied article taken from the National Library of Australia News, October 2007, acquisition of 1182 photographs taken by Hugh P. Hall 1938-1940 of Ballet Russes performances.ballets russes, hall hugh p., photographers, solicitors, pavlova anna, dancers, labassa, caulfield, campbell felicitie, glenmoore, glen moore, elsternwick, ballet and dance -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: CENTRAL NAPOLEON GOLD MINING CO. N.L, 18th November 1946
Document: Letter to McColl, Rankin & Stanistreet from New Chum Syncline Gold Mine No Liability acknowledging the receipt of a letter informing of the acquisition of a battery from Central Napoleon Gold Mining Co, Letter passed on to Directors, also acknowledging a desire to hear a report on repairs as it proceeds, Document was found in the Central Napoleon Co's Minute book No 2 item numbered 2205.712a.organization, business, industry - mining, mccoll rankin & stanistreet, mining, gold mining, central napoleon -
Ballarat Tramway Museum
Document - Manual, Kingcrome and Austlift, "Kingcrome Workshop chain block", 2015
Set of three documents involved in the acquisition and installation of a crane trolley and two tonne chain block at the depot December 2014. Purchased from GB Fasteners December 2015. .1 - "Kingcrome Workshop chain block" - owners assembly and operating manual. .2 - "Austlift Beam Girder Trolley Instruction Manual" - ditto .3 - "Austlift Test certificates" - for the above girder trolley.tramways, trams, btm, equipment, certificates, depot -
Federation University Art Collection
Painting - Artwork, 'Ovens River' by Veronica Drum, 2019
I conceive my work as unfinished fragments of memory and childhood rituals, and through the art making process, I build and then peel back the layers of these memories and early influences, to reveal my personal dreamscape. Through the fusion of colour, texture, mark making and rubbing back, my intuitive rendering of the media creates layers that like memories, can be stacked up, hidden, peeled away, rubbed out, etched back in, and the process of layering and building up of a tactile textured surface, reflects memory itself; with its elusiveness and hard to grasp impressions that are more like ingrained watermarks. As I work, layering the surface then taking it back; rebuilding, adding marks and burnishing back, I feel into the textures, and through this tactile rendering I often discover something unintended and the end result is not quite how I perceived it in the planning. Perhaps something of a happy accident, which again reflects the arbitrariness of memory. I see my artworks less as paintings, but assemblages, with the layering technique creating a sculptural effect that reflects my great interest in the landscape and its beautiful and varied colours, shapes and textures. Part of my process is to take long drives into the country where I grew up, photographing along the way, to create a visual documentary that then informs my practice. The wide paddocks of the Victorian wheatbelt, beneath the endless blue of the horizon evokes very early memories so that a singular Bullock, a fencepost, a hay roll or corrugated iron wall, is so uniquely resonant to me, I am compelled to create this in my work. My connection to the land, to farming practices; the poplars, oaks and elm trees of my childhood holidays, is a mindscape that I return to again and again as I try to recreate that early sense of wonder, love and familiarity, grief and joy, that forms my unique vision. Veronica DRUM (1967 - ) Born Donald, Victoria A student at Federation University Arts Academy from 2015 until 2019, Veronica Drum is committed to establishing regular studio practice. Veronica Drum made this work in the final studio semester of the Bachelor of Visual Arts at the Federation University Arts .Academy.Framed Mixed media artwork depicting the Ovens Rivers, Victoria. Artists' Statement: Through the fusion of colours, textures, mark-making and a 'rubbing back' process, my intuitive rendering of the chosen media creates layers in my artwork that reflect and build upon cherished childhood memories. This work won the 2019 Federation University DVC 2D Art Acquisition Award.veronica drum, mixed media, alumni, oven river, dvc art acquisition award, trees, landscape, treescape -
Melbourne Tram Museum
Postcard, Nu-color-Vue, Ballarat No. 36, 1971
Colour postcard with serrated edges of Ballarat No. 36, after closure of the Ballarat system, in Melbourne, Domain Road for Tourism Week, promoting Ballarat. Photo shows details of the banners and roof advertisements. Has destination of Sebastopol. Produced for the TMSV by Nucolorvue Productions Pty Ltd, NCV 740. On rear has details of the tram and its acquisition by the TMSV via the Hawthorn City Council.trams, tramways, melbourne, tourism, mmtb, tmsv, tram 36 -
Melbourne Tram Museum
Document - Research Notes, H. S. McComb, "From Annual Reports of the P&MTT", 1950's
Set of papers - handwritten onto plain quarto paper of extracts from the PMTT reports for 30/9/1910 to 1919 quoting various reports, issues, land acquisitions, traffic, payments to councils, issues with the Victorian Railways, Car depots, including report appendices. Items 2041 to 2052 within box 72.3 in a brown folder marked "PMTT" in red pencil.trams, tramways, pmtt, malvern, reports, routes, track, malvern depot, opening, kew depot, financial statements -
Bendigo Historical Society Inc.
Document - CORRESPONDENCE (CHATEAU DORE): SELINA DERAVIN WITH BHS, 1964/65
Correspondence - Selina Deravin with BHS. 1. Dated 20/1/1964 - Selina Marie Deravin (Mrs G W Deravin) to J Parry (BHS) re obtaining copy of RHS magazine (#122) relating to Deravin family history; 2. Reply from J Parry, date 18/2/65 ?? advising ability to procure copy; 3. 3 page handwritten letter from Selina Deravin to J Parry dated 1/8/1965 re article in Bendigo Advertiser of ''two days go'' concerning '' several bottles of wine left over from an 1880 wedding are one of the acquisitions of Bendigo Branch of the Royal Historical Society ...the wines appear to be in perfect condition''. Request from writer is for more information on this acquisition and a discussion of family collection of Chateau Dore bottles/labels. There is no reply to this letter from J Parry.person, individual, selina deravin -
National Wool Museum
Quilt, Green Ladder
Winner of Expressions 2008: The Wool Quilt Prize Artist Statement: 'My friend Vriginia named this quilt for me and I thought "of course". A ladder is a means of rising or climbing and I began this work woth a sense of freedom. In this case freedom from entrapment of thought, feeling and creativity.'W7184 'Green Ladder' Catalogue for 'The New Quilt 2003: an exhibition of contemporary quilt textiles' Jo Steele's entry in 'The New Quilt 2003' catalogue Jo Steele's Curriculum Vitae Photocopy from Quilters Guild Magazine, 1998. Jo Steele's 'Eggshells & Iron Bars' Photocopy from catalogue '2002: One step further marvellous minatures', including Jo Steele's entry. Photocopy from '2007 Australian Cotton Fibre Expo'. Jo Steele entry 704. Includes first prize certificate for Section 7: Contemporary Quilting and Patchwork. Certificate awarded to Jo Steele for 'Chill Out!' 2004. Winner 'Fashion Extravaganza' Category. Photocopy from catalogue for 'Territory Craft 30th Alice Craft Acquisition'. Jo Steele entry 133. Photocopy from catalogue for 'The 29th Alice Craft Acquisition'. Jo Steele entries 143 and 144.Jo Steel 34 Neale Street Katoomba 2780 NSW 0413 074 604 'Green Ladder'quilting textile art, steele, ms jo, quilting, textile art -
Kew Historical Society Inc
Plan - Subdivision Plan, J R Mathers & McMillan, Glenarbor Estate, 1934
Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.The little-known Glenarbor Estate comprised 23 allotments bordering Wellington and Denmark Streets and Fenton Avenue. The auction of the allotments in the Estate was held in the Kew Recreation Hall. The purported advantages to Kew are identified on the plan, such as the close proximity of the entrance to the Kew Railway Station and access to shops in Denmark Street. Due to its location, the subdivision was pitched at commercial as well as residential purchasers. The Estate was to cause a crisis in the Kew Council as a majority of councillors voted on 29 May to acquire the entire Estate as the location of a new Town Hall. The Estate was said to be valued at £50,000. A later meeting was to rescind the vote, instead opting for the compulsory acquisition of South Esk on the corner of Charles Street and Cotham Road. That acquisition was to be overturned by the State Government. The debate about the purchase of the Glenarbor Estate by Council coincided with the decision to widen High Street on the South side between Cotham Road and the Junction."D"subdivision plans - kew, glenarbor estate, wellington street, denmark street -
Mission to Seafarers Victoria
Newspaper - Newspaper section, Herald Newspapers, The Herald, c. 1950
Herald Newspaper section shows various ads including one for a VIP refrigerator; main story features article about a murderess.non-fictionnewspapers, cape paterson, time capsule -
Federation University Art Collection
Offset print, 'Caligula' by Wieslaw Walkuski, 1996
Wieslaw WALKUSKI (1956- ) Born Poland This item is part of the Federation University Art Collection and was purchased in 1996 by the Art Acquisition Committee. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed offset print theatre poster for the Albert Camus play 'Caligula'art, artwork, poster, wieslaw walkuski, polish poster, theatre poster, albert camus -
Federation University Art Collection
Poster - Offset print, Marszalek, Grzegorz, 'Tulacze' by Grzegorz Marszalek, 1986
Grzegorz MARSZALEK (1946- ) Born Poland This item is part of the Federation University Art Collection, and was purchased by the Art Acquisition Committee in 1996. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed offset press poster for James Joyce Tulaczeart, artwork, poster, james joyce tulacze, polish poster, grzegorz marszalek -
Federation University Art Collection
Poster - Offset print, Sadowski, Wikter, 'Laureaci IX Miedznarodowego Biennale Plakatu' by Wiktor Sadowski', 1986
Wiktor SADOWSKI (1956- ) Born Poland This item is part of the Federation University Art Collection, and was purchased by the Art Acquisition Committee in 1996. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed offset print poster for an exhibition at the Poster Museum Wilanow. The poster is the work of three artists, Grindler, Saito and Sadowski.art, artwork, poster, polish poster, wikto sadowski, grindler, saito -
Melbourne Tram Museum
Photograph - Photo card Melbourne album sheets 1920c
Part of an album of photo cards - cigarette card size - that depicted Melbourne and other country towns c1920. Sheet 1 - Melbourne - Elizabeth St, Collins St, Spring St, St Kilda Rd, Swanston St, Princes Bridge and Exhibition buildings. Sheet 2 - Healesville, Lorne, Brighton, Albury, Bendigo, Woori Yallock and Queenscliff - three cards have been removed prior to acquisition. Sheet 3 - Queen Victoria Gardens, Alexandra Avenue, Exhibition Gardens, St Kilda Road, Botanic Gardens - three cards have been removed prior to acquisition.Set of three album sheets containing up to 9 small printed photos on each sheet of Melbourne and some country towns.melbourne, victoria, tramways, gardens -
Nillumbik Shire Council
Public Art: Ernst FRIES (b.1934 Wurzburg, Germany - arrived 1959 Aus), Ernst Fries, Surveyor of Suburban Environs, Location: Alistair Knox Park, Main Road, Eltham, 1991
'Surveyor of Suburban Environs' was one of the acquisitions from the 1991 Eltham Art Awards (now known as the Nillumbik Prize - and formally the Nillumbik Art Awards). This was the first piece acquired from this award which was suitable for a public space. Nillumbik is referred to as the "Green Wedge" and the sculpture "Surveyor of Suburban Environs" suggests a watchful observer of the surrounding landscape. The sculpture's central motif represents an eye held up on a pedestal by a tail. Its form has been likened to the Eye of Horus, an ancient Egyptian symbol of protection, royal power and good health personified in the goddess Wadjet or 'green one'. This likeness would suggest that the observer or surveyor has a divine status and spiritual connection to its environment. Polished stainless steel sculpture comprising an eye reminiscent of ancient egyptian hieroglyphics, which is held up with a tappered and jaggered tail like pedestal. Concrete base. N/Apublic art, fries, spiritual, eye, stainless steel, goddess, surveyor, sculpture, environment -
National Wool Museum
Book, Report to the Australian Wool Board: A proposal for handling the Australian wool clip under an acquisition plan
"A proposal for handling the Australian wool clip under an acquisition plan." Report to the Australian Wool Board: - J S Smith, committee chairman. Includes a covering letter from J S Smith to Sir William Gunn.wool sales wool brokering wool marketing, australian wool board, wool sales, wool brokering, wool marketing -
Bendigo Historical Society Inc.
Document - FORTUNA COLLECTION: LANSELL'S FORTUNA
Lansell's Fortuna Brochure -Stapled brochure -sketch of main entrance to Lansell's Fortuna Villa on the front cover /rear page shows 'Conceptual elevation for the development of Fortuna Villa by architect W.O. Beebe / the first page shows "Commanding Officer's Introduction 'with mention of George Lansell's most likely approval of the Army's acquisition of his property /the brochure contains black and white and coloured photosdocument -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "From tram to tool-shed and then back again", 13/07/2009 12:00:00 AM
Yields information about the acquisition of Ballarat ESCo 22 and a news story in the Ballarat Courier. Has a strong association with Peter Winspur.Newspaper clipping, cover sheet pages 1,2 47 and 48, of The Courier Ballarat, Monday July 13, 2009 titled "From tram to tool-shed and then back again", of the acquisition of Ballarat ESCo 22 by the BTM. Front cover has a photo of Peter Winspur siting in one doorway. Page 2 has more details and another photo of Peter Winspur standing inside the tram.esco, sebastopol type, btm, tram acquisition -
Galen Catholic College
Photograph - Galen Catholic College's first Apple computer, 1981
The acquisition of a Apple II computer for students in 1981 was the significant first step into computing at Galen Catholic College, when personal computers were not common place. Today, every student and staff member has a laptop or desktop computer.galen catholic college, galen college, school it, information technology, computers, computing, apple -
Melbourne Legacy
Letter - Document, letter, 18/03/1943
Approval received from the Forests Commission of Victoria to purchase two tons of firewood for use at Holmbush at 1267 Burke Road. It shows that wood was a rationed resource during the war and approval was required from the Forest Commission before acquisition. A record that purchase of firewood required approval in 1943.Letter on Forest Commission Victoria letterhead about acquiring firewood, white paper with black type, two hole punched.Signed illegible for Secretary of Forests Commission of Victoriaholmbush administration, holmbush -
Federation University Art Collection
Painting - Gouache, Sue Quinlan, Untitled by Sue Quinlan, 1984
This item was purchased for the Ballarat College of Advanced Education (later Federation University Australia) by the Art Acquisition Committee. It is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract painting using gouache. If you can provide information on this artist or artwork please use the comment link below.art, artwork, sue quinlan, quinlan, abstract, gouache -
Federation University Art Collection
Photograph - Photography, 'Sun Gilded Shed' by Katherine Birkin, 1997
This work won the Open section, as well as the acquisition prize, in the Buninyong Gold King Festival 1998. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed colour photograph of a bush shed illuminated by the sun. The photograph was taken at Vectis near Horsham, Victoria. On backing board 'Katherine Birkin Sun Gilded Shed $280'art, artwork, katherine birkin, photograph, vectis, horsham, available, buninyong gold king festival -
Vision Australia
Administrative record - Text, Royal Victorian Institute for the Blind annual report 108th 1973-1974, 1970-1971
Articles in the annual report include: the possible acquisition of land at Burwood by the Government for a teacher college, photos of a trip to Falls Creek by students, the success of the only vocationally orientated residential centre for blind adults and the introduction of E.J. Hanlon as President.1 printed volume with photographsroyal victorian institute for the blind, annual reports -
Greensborough Historical Society
Financial record - Account, Shire of Diamond Valley, Shire of Diamond Valley rates notices 1970-1971, 26/03/1958
Shire of Diamond Valley Rates assessment issued to Alan Partington in 1970. This land is assessed as an "Urban Farm". In 1974 the 'farm rate' was declined for this property, eventually leading to its acquisition by the Shire for recreational space, now known as Whatmough Park.Part of the property owned by the Partington family in the original Greensborough farmland. Rates notice, printed in red text with black typed details.Date stamped with rubber stampalan partington, william alan partington, partington family, land deals greensborough, church street greensborough, whatmough park