The photos in this album show the carefree, adventurous spirit of the young men soon to be ANZACS Many young men from the market garden, dairy, poultry and fruit farms as well local businesses enlisted c 1914 at the beginning of WWI. The older men, women and children then had to manage the farms while they worried about the dangers facing their beloved family members. A record of some of the experiences of men from Moorabbin Shire who enlisted c1914 and were sent to Egypt at the beginning of WW1 1914-19A thick cardboard album of 24 pages with inserts for 2 small black and white photographs per page . Scenes from Egypt c 1914 - 1918 showing Australian soldiers, naval vessels, horses, carts, pyramids, houses, buildings, camels, local inhabitants and countryside. Inscriptions on the back of some of the photographs mention Arthur (Ebsary), Clarrie (Burgess), Reg (Marriott), and a horse named Nell.Front cover KODAK Inside back cover KODAK LTD. / SERIES D / ALBUM Some photographs have inscriptions on the backww1 1914-1918, photographs, australian light horse battalion, egypt, 1st australian infantry force, war horses, kodak ltd, wwi, moorabbin, burgess, marriott

Album of Songs selected and bound by the Rev Bruce Plowman. Carried by him on his camel train while travelling central Australia from 1912 - 1917 as the first patrol padre for the Rev John Flynn. Signature inside front cover R.B.Plowman. Plus 2 photographs and a precis written by his daughter Mrs Jean Whitla donor of book. Green embossed cardboard cover and paper.book, rev bruce plowman, music, rev bruce plowman.

A related souvenir from the Second Word War is the colourful 'Souvenir of Palestine'. Like the First World War Egyptian embroideries, they used cotton sateen in a range of bright colours (although sometimes velveteen was used instead) and bear the words 'Souvenir of Palestine', a year date, and sometimes a personal message, as well as images of specific mosques or landmarks, camels, goats and date palms. The Palestinian souvenirs were often seen displayed for sale outside houses in country villages These types of souvenirs were very popular with Australian troops; they were easy to send home and were colourful. The vendors would have a number of designs for sale already machine embroidered, from which the soldier could select and then personalise with a date or message. Brown timber frame containing dark green square silk cloth edged with gold fringe, embroidered with two flap poles either side of rising sun crest/badge above two red heartsSouvenir Of Palestine 1941 Australia Commonwealth Military Forcespalestine, 1941, souvenir, embroidered cloth

Items relating to the collection re Alexander Norman Cummin No 18, 38th Batt AIF, his brother Harold Nesbit Cummin No 1239 Camel Corp. Refer 2535P (Alexander) 2530.3P (Harold) for their service details. .6) Graves photo. On the left, Sydney Graham Issell. He had 4 years pre war service in Senior cadets and Citizens Forces reaching the rank of Sgt. Enlisted on 8.2.1916 No 912 with the rank of Cpl, C Coy 38th Batt age 21 years 11 months. Embark for England 20.6.1916, promoted L/Sgt, embark for France 22.11.1916, hospital 13.5.1917 (NYD) rejoin unit 19.5.1917, WIA 29.5.1917 GSW chest then restated GSW Back, severe, rejoin unit 12.3.1918, KIA 1.8.1918. On the right, Harold James Fraser. He had 5 years pre war service in the Cadets and Citizens Forces. Enlisted on 27.10.1916 No 2802 6th reinforcements 38th Batt age 22 years. Embark for England 16.12.1916, moves through 10th, 14th Training Batt’s then 66th Batt on 28.4.1917, promoted Sgt and alloted No 2802A, embark for France 25.8.1917 as reinforcement 38th Batt, awarded the Military medal (MM)) 12.10.1917 East of Eypres, KIA 1.8.1918. Both were buried at Vaire Wood near Corbie. .1) 2 Australian soldiers in fatigues with what looks like a cooking apparatus, with letters below DROW EC (stylised). .2) 1/2 length portrait of an Australian soldier. .3) Casual portrait of a soldier sitting in fatigues, probably Sandy. Boots look muddy, scrub in background. .4) Portrait of 2 soldiers (allied) fully armed & wearing helmets. .5) Portrait of a soldier (allied) fully armed & dangerous. .6) Black & white photo of 2 graves with white crosses. Soldiers left cross: No 912 SGT SG ISSELL 38 BN AIF, Soldier right cross: No 2802 SGT HJ FRASER 38 BN AIF. .7) Black & white photo showing 2 Australian soldiers casually dressed in the ruins of an old factory. .8) Black & white mini photo showing building ruins & what appears to be derelict boilers. .9) Black & white mini photo showing what appears to be a WWI German soldier kamerading (surrendering). This is probably posing in captured enemy clothing. 10.) Black & white mini photo showing camels at rest. .11) Black & white mini photo showing a blown up British pattern tank MK1 on sandy terrain. A track has detached & curled up over the front of the tank. .1) verso: “Me & Sandy Port De Nieppe May 1917” .2) verso: “Taken in Liverpool, England while on <> leave Jan 1918. To Mother Father & all at home with love from Sandy”photography-photographs, military history - army, 38th

"Narrative of the service history of the Fifth (Victorian) Infantry Battalion 1st AIF". "A remarkable testimony of their sacrifice in the First World War".Hard cover with dust cover. Hard cover, cardboard with black coloured buckraw, red print on front and spine. Front - illustrated - silhouette drawing of soldier in uniform Back - black and white photograph of 2 soldiers on camel back. Small black over red rectangular colour patch front and back 342 pages, cut, plain, white. Illustrated black and white photographs, portraits, maps and documents.Opposite Title Page - printed donation label - "Donated by 39th Australian Infantry Battalion (1941-1943) Association Inc. www.39battalion.com"books, military, history, wwi

Herbert Trangmar ALLAN. Refer to Cat No 2755.4 for his extensive service history and awards..1) Black & white head & shoulders portrait photo of an Australian Officer who is smiling. He is wearing a peaked cap with Rising Sun badge & a Great Coat with collars up. The photo is affixed to a substrate then a cardboard backing with a jagged edge on one side. .2) Black & white photo of two Australian Officers mounted on camels. Two native guides are also shown, behind are two pyramids & a sphinx..1) On front: “May Moore” On rear: “Herbert (Blue) Allan, Herbert Trangmar Allan (Blue) 1895 - 1967”portraits, photographs

Five of a collection of 12 photographs and postcards donated by Jill Palmer.Five black & white postcards taken around Phillip Island. 357-08: Looking from the Cowes Pier towards the Isle of Wight Hotel. Shows camel rides on the beach. 357-09: Bayview Guest House on The Esplanade, Cowes. 357-10: A koala and young on tree. 357-11: Penguins coming in at dusk at the Penguin Parade. 357-12: Broadbent's Official Map of Phillip Island.357-08: The Pier, Cowes. No. 9. 357-09: Photo Shop Series. Bayview Guest House. Cowes. 357-10: Native Bears (Koala) at Cowes No. 55B. 357-11: Photo Shop Series. Parade of the Penguins. Phillip Island. 357-12: Broadbent's Official Map. Phillip Island.cowes pier, cowes beach, wildlife - koalas, wildlife - penguins, bayview guest house cowes phillip island, map of phillip island

This book contains interviews with 48 of the 300 centenarians listed by the Australian Bicentennial Authority, whose long lives together form an oral social history of the development of Australia over the past one hundred years. It includes reminiscences of Judy Bagu, Jimmy Bird, Paddy Djiaween and Walter Smith; brief accounts of bush foods, medicines, uses of plants, birth and mortuary rituals; working lives on cattle stations, missions, prospecting, dingo trapping, camel working, pearling, shire council; Kunmunyah, Beagle Bay Mission, Broome.This compilation of stories from centenarians is a contemporary social record of one hundred years of living through two world wars and the Great Depression in Australia. A 183 pp book with a light brown cover, darker spine. On the front cover is a photograph of a pair of hands. Print is black "A Ton of Spirit Australian Centenarians talk with Penny Smith".book-a-ton-of-spirit-penny-smith social-records-early-australia

Pictured are brothers, on the left, Yiannis (Soufis) and on the right Anastasios (Stravolemis) Papadopoulos. Unknown man in centre. Anastasios migrated to Western Australia from Ithaca in 1912 and Yiannis (John) followed in 1913. They found work in Kalgoorlie where they experienced the race riots of 1916. In that same year they left W.A. and hitchhiked across the Nullarbor travelling by camel train, van and on foot to reach Melbourne where they both settled. John operated a fruit business in South Melbourne; Anastasios a fish and chips shop in Chapel Street South Yarra.A studio sepia photograph of an old torn photograph of two young men with an older man.pappas

Charles Field Richardson was the brother of Kew historian Dorothy Rogers. He died at Alexandria after being wounded at Gallipoli. This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Australian soldiers at the pyramids of Egypt before departure for Gallipoli. One of them is Charles Field Richardson, Regimental Number 341, 6th Battalion, Australian Imperial Forces. Charles Richardson far leftcharles field richardson, dorothy rogers, world war 1, australian soldiers, egypt, pyramids, sphinx, gallipoli, charles richardson, camel

The photograph on the obverse side of the postcard was taken in Egypt on 4 March 1916, during World War I. Depicted are three unidentified Australian soldiers part of the Australian Imperial Force. They are dressed in military uniforms. Each of these men are seated atop a camel's back. All three camels are draped in - what are believed to be - traditional Egyptian textiles, including tassels, carpets and beads. In the background, we can see a triangular pyramid and the Great Sphinx of Giza. The Australian Imperial Force (AIF) were established by the Australian government in August 1914. This announcement marked the beginning of Australia's involvement in World War I. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first contingent of the AIF departed Australia by ship in November 1914. England was their destination. Although, their convoy was diverted to Egypt after the Australian High Commissioner in London, Sir George Reid, and the British military authorities unanimously agreed that the overcrowded military camps in England were unsuitable for so many men over winter. The AIF disembarked in Alexandria, Egypt on 3 December 1914, and the men moved to training camps near Cairo. It was in Egypt that the AIF and the New Zealand Expeditionary Force (NZEF) formed one united corps - the Australian and New Zealand Army Corps (ANZAC). This group of troops trained in the desert beneath the pyramids until March 1915.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. On 25 April 1915, members of the Australian Imperial Force landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day. The record's unique research potential is strengthened by its relationship to a historically significant site: the Egyptian pyramids. Since the postcard was produced in 1916, the record can be used as primary evidence for historians and conservationists studying these sites, or how these sites have evolved over time. The record may also be a useful resource for those interested in the history of Egyptian textiles. Furthermore, it may also provide insight into international relations between Egypt and Australia in the past and present.Sepia rectangular postcard printed on paper.Obverse: 172 / Reverse: 6536 / CARTE POSTALE / 4/3/16 / Rough riders under / the shadow of the / pyramids /military album, army, war, wwi, world war i, egypt, pyramid, great sphinx of giza, textiles, australian imperial force, aif, uniform

Australia Twice Traversed the romance of exploration being a narrative compiled from the journals of five exploring expeditions into and through Central South Australia and Western Australia from 1872 to 1876 by Ernest Giles, published by Sampson Low Marston Searle & Rivington London. Contains 320 pages with black and white illustrations in a blue/green hard cover with gold lettering & illustrations of camels, sticker inside front cover Sandhurst Free Library Temperance Hall View Street.Ernest Gilesbooks, natural history, exploration

Photograph album, plastic and vinyl. Contains sixty coloured photographs of a National Trust tour of Heathcote and district. 7th and 8th November, 1998. Organized for the photographic committee by McIvor Historical Society. Photos include: Redesdale Presbyterian Church, Coliban Estate, Redesdale Hotel, Redesdale Bridge, Mia Mia Uniting Church, Spring Plains, Heathcote Hospital, Heathcote Powder Magazine, Moorabbee Ruins and grave C. Patterson, Derrinal, Mt Camel Homestead, Open Cut at Heathcote, Heathcote Church.national trust, properties, historic homesteads

This greeting card was used by United Nation forces to hand Somalian locals for the purpose of conveying information. Small white greeting card written in the Somali language. On the front left side there features the United Nations symbol and on right side there features a five point star. On the reverse, there are two rows of flags that represent the countries working in Somalia as part of the United Nations, on the left side there is an image of a helicopter above an image of a tree and a camel. On the right side there features an image of an United Nations troop carrier (M113 APC) and in the centre there is an image a UN officer shaking hands with a Somalian local. Text in Somalian greeting card, somalia, united nations

Thomas Maher sent this Christmas New Year Card to his wife at home in Footscray Victoria December 1915, he later died of wounds 11-8-1918 at the Western Front. Christmas Card/Happy New Year, with stiched leaf half way up from the bottom. Rectangle paper card with the top left and bottom right diagonal corners.Top of Card with motif. Blue in colour wth centre circle containing, 2 masted sailing ship with soldier, elephant, 3 x Conifers, 2 x Pyrimids with Camel in front. Bottem left side 10 printed leaves with flower bud stems, above leftside below Motif 2 x printed leaves with flower buds and stems. In blue ink, "Just a Leaf from "GALLIPOLI" Wishing you a Merry Xmas and A Happy New Year. Reverse side To Edie from Tom with love,with 2 x short lines underneath.christmas, gallipoli, 1915, christmas card, happy new year, world war 1, leaf, tom maher, wife edie

In the early nineteenth century larger Australian wool producers sent all their wool by sailing ship to London, where colonial auctions were held in November, January, February and March. Wool bales were carried from the farm on drays or wagons pulled by bullocks, horses or camels to port warehouses. In these times, wool transport could take anything from a week to six months. Ships, such as the Lightning, were then loaded and raced each other to get to London ahead of their rivals. The wooden ship 'Lightning' was destroyed by fire while loading wool at Geelong 31 Oct. 1869. Scuttled in Corio Bay and the remains later blown up. Reputed to be one of the fastest sailing ships. Famous in the Australian passenger trade.Model of a clipper ship with hull painted brown and black. Red Ensign flag attached to flag pole.On label - Lightning Black Ball Line 1854-55geelong, transport, model ship, lightning, wool transport

Gracia Haby and Louise Jennison have been creative collaborators since 1999, working together to make artist books, zines, collages, drawings, prints and stories. In this artwork, the animals have the upper hand. They are turning the tables on French acrobat, circus owner, and animal trainer, Alfred Court (1883-1977). In 1925, Court's menagerie boasted a collection of 25 lions, 8 tigers, 9 hyenas, 7 wolves, 3 cougars, 12 polar bears, 16 panthers and leopards, 5 jaguars, 2 cheetahs, and an extensive assemblage of exotic animals, including antelopes, llamas, and camels, alongside several monkeys, porcupines, and mongooses. Haby and Jennison’s collaboration explores their mutual fascination with the adaptable possibilities of paper and found images.

The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. There were clearly a huge range of toys produced for the Australian and International children’s market in the Nineteenth and Twentieth centuries. The examples of toys in the collection include examples of alphabet toys, arcade toys, baby toys, construction toys, dolls, doll accessories, educational toys, soft toys, tin toys, toy animals, toy blocks, toy machines, toy typewriters, etc. Box of two dimensional animals cut from wood including deer, camels, horses etc. The box includes one intact paper hand coloured template of a horse and duck. On this item there is the number LXXVIII. All of the items are housed in a cardboard box produced by Walker Stores Pty Ltd, 471-5 Sydney Road Coburg. The box also states that there was a retail outlet at Glenferrie Station. Inscribed on the box is the name Mr Edward Smith, 16 Macartney Avenue, Kew. The box is not related to the contents apart from probably being used for long term storage.puzzles, toys

Red cloth hard cover photo album with Art Nouveau design on cover and green paper pages, containing black and white photographs from the World War One era of soldiers abroad and family. Some formal studio photography. Subject matter includes: Middle East, France, Egypt, Horses, Zoo visit, well digging, horse in a hammock, hotels and souvenir cards, North Africa, camels, camps, tents, donkeys, ships, portraits, sports teams, Ypres in Belgium, Folkestone UK, Camp at Burrumbeet 1913 and another dated photograph reads 30th May 1916. Photographs are stuck down onto pages. Cover reads: SCRAP ALBUMwwi, world war one, soldiers, aif, anzac, portraits, photo albums, grand continental cairo, jb ballardie, william harrigan, ypres, cairo, 54th bn, t.s.s. borda, la rue au beurre, leas bandstand & parade folkestone

George Pethard Collection including references to Taraxale Brewing Company Pty brown covered 29x19mm photographic album bound with gold string / 52 black and white Photographs of Reso tour to central Australia and Northern Territory / includes Aboriginal camps , camel trains / landscapes , war cemetery at Adelaide River / May 13- June 13 1947 / the 40 members of the party are also named includes: George Pethard / Aboriginal camp , Jay Creek consisting of makeshift tents / crowd playing 'Two Up ' Photo of the ship 'Meggs' at Darwin / Manton Dam - Darwin's water supply photo. Reso Tour to Central Australia and Northern Territory.Roy Dunstan Publicity and Tourist services Victoria Railwaysphotograph, person, male, george pethard / taraxale brewing company pty ltd / aboriginal camps / camel trains / war cemetary at adelaide river photo of the ship 'meggs' at darwin / manton dam - darwin's water supply photo

A group of 18 pieces, polychrome moulded plastic figures; On the side of each figure copyright symbol and maker's mark, indecipherable ... plasticsmary, joseph, shepherds, kings, animals, nativty, christmas, jesus, camel, donkey, cow, sheep, balthazar, melchior, gaspard

Christmas card sent to a family in Australia by Australian Army serviceman, Noel Blundell who served in Syria during World war 2. The card is in the form of a booklet consisting of the cover and one double page insert. The card front cover has the Australian 'Rising Sun' badge and the words "9th Australian Divisional Cavalry Regiment" and "A. I. F.". The centre pages have an illustration of a village scene on the left page and the words "A Merry Christmas And A Happy New Year" printed on the right page. The serviceman has written "To Alice From Noel" beneath the Christmas message. At the bottom of this page are the words "MIDDLE EAST" and "DECEMBER 1941". The rear cover page has an illustration of two camels, one leading the other.christmas, middle east, 2nd aif, army, aif, ww2, world war 2, syria, blundell, noel blundell, 9th australian division

This typewriter case allowed the Olivetti typewriter to be securely and free from contaminants to be totally mobile. The Olivetti typewriter company was founded in Italy in 1908 and became a leader in portable dependable typewriters.This particular typewriter contained is a Olivetti Lettera 22, oblique front stroke and portable manufactured after 1950. During the 1950s and 1960s was a time when British and European manufactured goods were still purchased by many Australian consumers. After the 1970s however, there was a shift, mainly in the cities, to Japanese made goods. The invasion of Japanese manufactured goods was relatively slower, especially in rural areas. The demand for long lasting and dependable merchandise was in the rural area still the most important criteria. The ease of setting up this typewriter and its compact mobility was its major benefit to trades people and travelling professionals, e.g. rural doctors, other medical professionals, accountants, lawyers and educators. This item(carrying case) facilitated the growing numbers of professional nomads requiring a relatively light office stationery package e.g. travelling novelist, writer, businessman and academics. This typewriter needed no electrical or battery power to operate it therefore the inside compartment did not require additional storage pockets . Outback Australia, where at this point in time, good available electrical power reticulation and battery power, was a scarce and therefore could not be totally measured as a highly efficient office environment. The protective carrying bag provided the only mobile way to operate in some business and home locations.Although this typewriter cover and its typewriter was purchased from a business in Penrith, Sydney, N.S.W., it is significant that it travelled easily to the Kiewa Valley, demonstrating the mobility of certain sections of the community. This typewriter cover protected the expensive typewriter it contained which was designed by an Italian industrial designer, Marcello Nizzoli, in line with the art deco style of the 1930s and the colour and flexibility of the vibrant 1950s. The underlying theme of manufacturing in the 1950s was to produce equipment that was more efficient than what was inherited from the earlier period of 20th century. Improvements were made to this Olivetti typewriter by Giuseppe Beccio by reducing the number of parts made from 3,000 to 2,000. Protection of such a typewriter was of an utmost necessity. The need for mobile expensive typewriters waned as less expensive typewriters became available. This was the major principle of the Japanese manufacturing juggernauts of the post World War II. Efficiency and low cost material was becoming prime factors in the success of rural industries from the 1960s. Competition from overseas producers was starting to affect rural industries and the removal of the large range of tariff protection, especially rural products, required not only a shift of farm management but a more efficient cost savings modus operandi.This is a semi hard cover (cloth over cardboard on inside, plastic over cardboard on outside), camel coloured outside and tartan cloth covered pattern inside the typewriter case. the case can be opened up by "unzipping" the top from the bottom halves of the case. For carrying purposes the case has two plastic covering metal handles with brass fittings. There are two stitched on brown reinforcement straps encompassing both sides of the case. The two reinforcing straps are brown in colour and a securing strap with a press button at one end to allow an extra securing tongue to keep the cover secure. The top inside of the case has a three quarters long paper compartment (flap style). See KVHS 0455 for Olivetti Lettera typewriter.commercial, protective carry bags/cases for mobile office equipment, mechanical typewriter

A soldier's book produced almost entirely by soldiers in the field under active service conditions to send to their friends in Australia and abroad. Australian Lighthorse men is a type peculiar his own and has no counterpart in h is NZ brother. His fearlessness, initiative and endurance, and his adaptability to almost any task, are due to the adventurous life he leads in his own country where he has been accustomed to long hours in the saddle, day and night, and to facing danger of all sorts from his earliest youth.Brown front and back hardcover with dark brown text 'Australia in Palestine' with a light horseman framed in centre of front cover. The spine is green with text Australia in Palestine, Angus and Robertson bottom of spine. Evidence of water on front cover. Silverfish have eaten top right hand corner of first two pages. Farm scene in four boxes with AR in the lower corner of each square. Inside front and back covers are illustrations of a camel train and came corps in the desert with the rising sun in the background with a mountain. There is a grave and white cross in their foreground right lower corner Illustrations, photographs, poems, short stories, Centre foldout of the Battle for Richon Le Zion and Battle of Beersheba and after the Battle of Bir El Abed To the memory of fallen comrades. Pen mark inside W. Mathews Larabattle of beersheba, battle of richon ze zion, battle of bir er abd, camel corps, lighthorse, slush light, sir h.g. chauvel, mounted division at kantara, medical services, signal engineers, katia oasis, new zealand mounted troops, sir edmund h allenby, walers story, 5th lighthorse, romani, ww1, world war 1, australian army

Edwin Alderson was born in 1859 and served in several campaigns of the late nineteenth and early twentieth centuries. He saw service in the First Boer War in 1881 in the Transvaal. In 1896 he was sent to Mashonaland as a commander of a regiment of local troops during the Second Matabele War. In 1900 shortly after the outbreak of the Second Boer War he returned to South Africa to command the Mounted Infantry against the Boer forces. Alderson also served in the 1882 Anglo-Egyptian War, Mounted Camel Regiment during the failed expedition to relieve Khartoum and rescue General Gordon. At the outbreak of the First World War, Alderson was in charge of the 1st Mounted Division. He retired from active service in 1920 aged 61. In 1901, as a result of Alderson's contribution to many campaigns he was rewarded with confirmation as a Brigadier General, appointment as a Companion of the Order of Bath and to receive the ceremonial post of Aide-de-Camp to Queen Victoria, who died the same year. He also received the Queen's South Africa Medal. He died in 1927 aged 68. Individual image from photographed poster of tobacco and cigarette cards. alderson, campaigns, first boer war, transvaal, mashonaland, south africa, second boer war, first world war, anglo-egyptian war, mounted camel regiment, second matabele war, general gordon, brigadier-general, companion of the order of bath, aide-de-camp, queen victoria, queen's south africa medal

A light ''camel coloured'' long silk skirt, with plain ''darted'' front and pleated fullness in the back. Two darts on either side of front, but some evidence that some alterations may have been made-possibly once three darts on either side, six pleats in back skirt. three either side of centre placket. Back waistband fastens with two metal hook and eyes. One metal press-stud in back placket appears as a later addition. Three 9cm deep bands on 1.5cm wide knife pleating circle the hemline. A band of ruched silk, edged with a band of 4cm deep lace is scalloped over the top layer of pleating. The lower edge of the skirt, under the pleated trim, has a lining of heavy cotton, cheesecloth, and muslin.costume, female, victorian skirt with pleating and lace

The 8th Light Horse Regiment was engaged in the battle to capture Turkish defences in and around Beersheba in early November 1917 in conjunction with other Light Horse units and troops from the Imperial Camel Corps, British Yeomanry Division, New Mounted Rifles and 53 Welsh Division. The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. The regiment served at Gallipoli where in a courageous but ill-fated charge at the Nek on 7 August 1915 it suffered horrendous casualties including Lieutenant Colonel White. Rebuilt in Egypt under the command of Lieutenant Colonel Leslie Maygar VC the regiment went on the serve throughout the Middle East Campaign. Colonel Maygar died of wounds at Beersheba when the regiment was attacked by enemy aircraft while waiting to follow up the successful charge of the 4th LH Brigade on 30 October 1917. The 8th Light Horse AIF was disbanded in 1919, but soon after re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces, superseding 16th (Indi) Light Horse.Comparatively rare collection of photographs of 8th Light Horse (AIF) on operations in Egypt and Sinai 1916-1918.Black and White photograph of two-wheeled water cart drawn by donkey, also two mounted men who are wearing sun toppees and one has a rifle in rifle bucket."Captured Turkish water cart at Beersheba with British Yeomanry"beersheba, turkish, world war one, wwi, 8th, light horse

Chu Chin Chow is a musical comedy written, produced and directed by Oscar Asche, with music by Frederic Norton, based (with minor embellishments) on the story of Ali Baba and the 40 Thieves. Tickets to see Chu Chin Chow were particularly eagerly sought by troops on leave from the Western Front. One of the attractions for the on-leave soldiers was the chorus of pretty slave girls who, for the period, were very scantily dressed. The cast was large and included a camel, a donkey, poultry and snakes. A total of 2,800,000 people saw the show. (http://en.wikipedia.org/wiki/Chu_Chin_Chow) It is thought that Harry Holmes attended 'Chu Chin Chow' while on leave in London during World War One. Around this time he had been serving in the Australian Imperial Forces in Egypt. Henry 'Harry' Holmes was the son of Violet Holmes. He enlisted under the name Harry Smerdon Holmes and was put into the 18th A.A.S.C., then later transferred into the 5th Division Train A.S.C. According to his Soldier's Pay Books (Cat. No. 20112) Holmes Registration number was 7983. He was Catholic and enlisted in the Third Military District on 17 September 1915, and embarked on 8 November 1915. Holmes was in the 18th AASC Unit with the rank of Driver at that time. On 15 November 1918 Holmes was promoted to Lance Corporal. He received leave on: * 3 August 1917 - London (10 days) * 19 February 1918 - Paris (10 days) * 27 August 1918 - London (14 days) White paper theatre programme with red and black writing. It is a publicity brochure from the play 'Chu Chin Chow' by Oscar Asche set to music by Frederic Norton. In black ink in front 'So far this is an easy first of the shows I've seen, The scenes are great and being Egyptian we understand them all the better'. chatham family collection, holmes, theatre, world war 1, world war, world war i, herbert tree, entertainment, music, musical, oscar asche, fred norton

Research is still being carried out regarding the inscription on this bell. Perhaps it was used for horses during the war. It may have been a souvenir or perhaps just a political statement, similar to 'Buy Australian'. Cow bells were common to colonial agriculture and transport, used wherever animals were turned out to graze overnight and had to be rounded up again next morning. Bells were fastened around the necks of household milking cows, domestic goats, bullock teams, horse teams, and camel teams, to help find them in the pre-dawn light. Station shepherds and cattle drovers also used them to warn of any disturbances to their flocks and herds overnight. The bells were a necessary item in a largely unfenced continent. So important, that Anthony Mongon began making his pot-bells at Yackandandah from 1861, August Menneke produced the “Wagga Pot” from 1867, and Samuel Jones started manufacturing his distinctively shaped “Condamine Bell” in 1868. However, these deeply resonant Australian bells were made from iron — Mongon and Jones were blacksmiths who simply beat old pitsaw blades into shape. Few genuinely brass cow bells were made here, the vast majority being imported from Britain where the industry of brass founding was already well established. (Some bells were also imported from the United States, but these too were nearly all of iron).This bell is historically significant as typical of a cow bell used by farmers and herdsmen in Colonial Victoria. Cow bell, brass, topless pyramid shape, inverted "U" shaped pin attached. Pin and clapper are iron. Bell is embossed on sides. Embossed "ADVANCE / VICTORIA" and "WWI"flagstaff hill, warrnambool, shipwreck coast, flagstaff hill maritime museum, flagstaff hill maritime village, maritime museum, great ocean road, cow bell, horse bell, bell smith, vintage bell, farmer, shepherd, drover, stock bell, brass bell, advance australia, wwi

The Bethanga Bridge was built between 1927 and 1930 as a joint venture between Victoria and New South Wales and was a key element of the River Murray Waters Agreement. It consists of nine spans of 82 metres long. Each span is supported between double reinforced concrete pylons and a riveted steel camel back Pratt truss. The overall span of the bridge is a length of 752 metres. It was completed in 1929 at a cost of £194,000. The road deck was initially constructed from timber but was replaced in 1961 with a concrete waffle slab deck 7.7metres wide. In 1961 the bridge deck and truss structure were raised 300 millimetres to allow for the enlargement of the lake. The bridge was designed in NSW by road engineer Percy Alan and the trusses were built by the Charles Ruwolt Pty. Ltd. Charles Ruwolt Pty. Ltd. was originally established by Charles Ruwolt as a foundry at Wangaratta in 1902 and transferred its operations to Richmond, Melbourne in 1914. By 1938 it had become one of the biggest engineering companies in Australia. After Charles Ruwolt’s death in 1946, Vickers Ltd. acquired the company and in 1948 the firm became known as Vickers Ruwolt Pty. Ltd. Because of the Bethanga Bridge’s unique location, over the waters of a dam with the border running down the centre of the body of water, the Bethanga Bridge is the only built structure shared by both Victoria and New South Wales. As the border of New South Wales aligns with the southern bank of the Murray River all of the other bridges along its length are deemed to be in New South Wales. The Bethanga Bridge is listed on both the New South Wales State Heritage Register and the Victorian Heritage Database. In 2015 the Bethanga Bridge was nominated for a heritage award by the Institution of Engineering Australia.These images are significant because they document the construction of a bridge which links Victoria and New South Wales and has been recognised for its historical, technical and engineering significance.A collection of photos documenting the construction of the Bethanga Bridge which links the States of Victoria and New South Wales as part of the construction of the Hume Dam .bethanga bridge, hume dam constuction, charles ruwolt, percy allan engineer