I conceive my work as unfinished fragments of memory and childhood rituals, and through the art making process, I build and then peel back the layers of these memories and early influences, to reveal my personal dreamscape. Through the fusion of colour, texture, mark making and rubbing back, my intuitive rendering of the media creates layers that like memories, can be stacked up, hidden, peeled away, rubbed out, etched back in, and the process of layering and building up of a tactile textured surface, reflects memory itself; with its elusiveness and hard to grasp impressions that are more like ingrained watermarks. As I work, layering the surface then taking it back; rebuilding, adding marks and burnishing back, I feel into the textures, and through this tactile rendering I often discover something unintended and the end result is not quite how I perceived it in the planning. Perhaps something of a happy accident, which again reflects the arbitrariness of memory. I see my artworks less as paintings, but assemblages, with the layering technique creating a sculptural effect that reflects my great interest in the landscape and its beautiful and varied colours, shapes and textures. Part of my process is to take long drives into the country where I grew up, photographing along the way, to create a visual documentary that then informs my practice. The wide paddocks of the Victorian wheatbelt, beneath the endless blue of the horizon evokes very early memories so that a singular Bullock, a fencepost, a hay roll or corrugated iron wall, is so uniquely resonant to me, I am compelled to create this in my work. My connection to the land, to farming practices; the poplars, oaks and elm trees of my childhood holidays, is a mindscape that I return to again and again as I try to recreate that early sense of wonder, love and familiarity, grief and joy, that forms my unique vision. Veronica DRUM (1967 - ) Born Donald, Victoria A student at Federation University Arts Academy from 2015 until 2019, Veronica Drum is committed to establishing regular studio practice. Veronica Drum made this work in the final studio semester of the Bachelor of Visual Arts at the Federation University Arts .Academy.Framed Mixed media artwork depicting the Ovens Rivers, Victoria. Artists' Statement: Through the fusion of colours, textures, mark-making and a 'rubbing back' process, my intuitive rendering of the chosen media creates layers in my artwork that reflect and build upon cherished childhood memories. This work won the 2019 Federation University DVC 2D Art Acquisition Award.veronica drum, mixed media, alumni, oven river, dvc art acquisition award, trees, landscape, treescape

Collector says: I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Standard sized fringed plaid blanket in red and blue with black and yellow accentsMothproofed/Godfrey Hirst/100% Pure Wool Rugwool, blanket fever, travel rug, godfrey hirst, geelong

'Australian Children through 200 years' 200 years in pictures. Includes Aboriginal, convict, early colonial, gold mining. 63 pages, with photographs and illustrations. Brown cover with photos.Suzane Fabian & Morag Lohaustralia, children, history of childhood, australia, childhood, children, history of childhood

Collection of stories for children by John Ruskin, Nathaniel Hawthorne, Mrs. Craik, and others. Donated from Monica Smith's (nee Turner) childhood collection. Descendant of early Kilmore Business families the Morrisseys and Hartnells.Blue cloth-bound hardcover with colour plated pasted to front. Gilt border front cover. Very faded spine, some fading & staining back & front. Insect damage front & back flyleaves and half title page. Front hinge broken, binding loose. 159 pp. Fair condition.Inside front cover, 'Monica Turner', pencil, cursive part worn away, Front flyleaf, 'Monica Turner/from C. Whelan/August 7th 1909'children's literature, turner collection

Stories of Beowulf reinterpreted for children, told by H. E. Marshall & edited by Louey Chisholm. From the childhood collection of Monica Turner, nee Smith, descendant of early Kilmore business families, the Morrisseys and Hartnells.Brown cloth-bound hardcover book, worn at extremities, loss of colour. Missing dust jacket. Binding tight & square. Minor foxing and discolouration throughout. 10 colour plates all present in very good condition. 112 pp. Good condition.Front flyleaf, 'Pip Smith', pencil, cursive.children's literature, turner collection

Federation University Australia was established on 01 January 2014 with the merger of the University of Ballarat and Monash Gippsland. The booklets are the first course booklets published as Federation University AustraliaEleven booklets outlining courses offered at Federation University Australia. .1) Humanities and Social Sciences .2) Education and Early Childhood .3) Performing and Creative Arts .4) Engineering .5) Environmental, Physical and Mathematical Sciences .6) Information Technology .7) Sport and PE .8) Nursing, Midwifery and healthcare .9) General, Medical and Nutritional Sciences .10) Psychology .11) Businessfederation university australia, federation university, feduni, university of ballarat, monash gippsland, angus saunders, nicole gray, catherine harris, emma west, warl leonard, chris armatas, amelia ayars, jack blythman, jenna shaw, rex hickman, genevieve gilmore, kate smith, peter eltringham, bart walsh, josh piterman, jaz flowers, kyle findlay, maddie durie, jessie waugh, liam cox, samantha baron, harrison fletcher, nanya, nanya station, ellie fox, sae-ra germain, finn morgan, elliot bailey, peter maggi, ibm, claire kenneally-dabrowski, sarah bourke, clancy merrett, mahney lowe, erin riley, hannah kennedy, rachel sedgwick, cameron o'brien, tracey mckay, scott azarnikow, jane van dreven, claire rooney, barry hucker, regina wilson, melissa sizeland, mark lacey, emily mcdiarmid, bruce magnuson, melanie hawthorn, cameron larking

Article re passing of Albert Richardson (biography) for June 1972 Newsletter. Mention of family/parents, education, childhood, violin with Miss Crowther', jobs - insurance and engine-driving, Trades Hall Secretary 1945-1950, job with John Brown 1952-1968. member of Historical Society 1966 and President 1969, interest in Victoria Hill as a tourist attraction, health problems and his passing.document, newspaper, bendigo advertiser, albert richardson

20 page booklet. About 'Lake View', Chiltern, Victoria, the childhood home of the author Henry Handel Richardson. (born Ethel Florence Lindesay Richardson) Includes a brief biography of her and her parents. Illustrated with seven B & W photos and one colour photo of the house on the front cover. Published by the National Trust of Australia (Victoria) Copy No. 14770 imprinted on back cover.National Trustnational trust, properties, henry handel richardson, 'lake view' chiltern, national trust

A soft covered book dark blue book, dark blue pages with white writing on each page. Also on the cover is a photo of Mary Henshelwood Davenport ( in her latter years) sitting in a chair (which has a brightly coloured patchwork quilt over it) looking towards the camera.non-fictionThis is a auto biography of Mary's life from birth 1920 till her 90th. birthday in 2000.history, memories, stories, auto biography, tasmania, caulfield, elwood, bentleigh, school days, myers, clothes, birthday party.

Wurundjeri territorial groupings; subsistence; recreation of daily life; recreation; tribal law; kinship; childhood; religion and mythology; material culture, includes description of bark canoe manufacture; map of significant sites; culture contact and historyPaperback; 40 p. : ill., maps ; 23 cm.ISBN 0947353003aborigines, wurundjeri, social customs, stories, bulleen

The Free Kindergarten Union of Victoria commenced teacher training in 1909. A two year course was run in cooperation with the Education Department in 1910-14, but from 1917 the Union trained its students independently. In 1922 the Kindergarten Training College was established in Mooroolbeek, Kew. In 1965, the institution, as the Melbourne Kindergarten Teachers' College, became an entity separate from the Union, and in 1973 joined the State College of Victoria as the Institute of Early Childhood Development. It subsequently amalgamated with the University of Melbourne to become the Department of Early Childhood Studies and moved from Madden Grove, Kew, to 234 Queensberry St, Carlton, early in July 1997.Plaque recognising the site of an important educational institution for teacher training.Bronze plaque with raised lettering commemorating the role of the Free Kindergarten Union of Victoria which had opened in 1916"This plaque commemorates the pioneer work of the Free Kindergarten Union of Victoria in the field of teacher education, the Union established training for kindergarten teachers in Victoria in 1916, opened the college on this site in 1922, and granted it autonomy on 1965."institute of early childhood development - kew (vic), free kindergarten union of victoria, early childhood education - kew - victoria

Ringwood Early Beginnings, Ringwood in the 1890's, Childhood and the people at The Coach & Horses Hotel - Thesis submitted as part of the Final Honours Examination in the Archaeology Program La Trobe University 2008 +Additional Keywords: Anita Barker. Hard-bound copy 124 pages with digital addenda CD of Artefact Catalogue & Photograph Catalogue. (CD copied to RDHS Library Master Images - File Ref: 4424 Coach and Horses Hotel Addenda CD)

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic GardensA primary source of information on memories of the Gardens. Anne moved to Williamstown as a small child in 1952, lived in Williamstown until her marriage and has been witness to changes in the Gardens over those years. CD and transcript of interview with Anne Cocks and her memories of the Gardens from her childhood through to adulthood. Anne’s family migrated from Holland in 1952 when she was three years old. The family lived in Lyons Street for a short while before moving to Altona. Her parents, Kees and Betts Huisman bought the Old Royal Hotel in Nelson Place, which was a boarding house for men in 1958. They stayed there until 1971 when they sold it.anne-cocks, old-royal-hotel, nelson-place, boarding-house, holland, dutch-migrants, huisman, nellie-street, civic-parade, alma-cocks, eddie-cocks, 34-schutt-street, newport, 27-schutt-street, palms, williamstown-botanic-gardens, hobsons-bay-city-council, nordini

Reminscences of Douglas Ball who lived in Eltham as a child. His parents (not named) were English immigrants. His father was a WW1 veteran who came to Eltham in 1927. Douglas attended Eltham Primary School and Etham High School. He references childhood activities and names of local families.4 Pages HG Booklet 43harry gilham collection, bannon, butterworth, monteith, waple, griffiths, reminscences

Elsie Reynolds nee Prior 1891-1989 Elsie married Ernest Reynolds in 1912 and was an active member of the Research community. Contents Newspaper article: "Ferny Hill no sleepy hollow for Elsie, 89", Diamond Valley News, 4 May 1980. Elsie Reynold's memories of her childhood and early Eltham.Newspaper clippings, A4 photocopies, etcelsie reynolds nee prior, ferny hill eltham, reynolds road eltham, cobb and co, eltham railway, slaughteryard hill eltham, st margaret's church, saskia munday, tony dunlap, mudbrick building eltham, sonia skipper, kaylock's eltham, wiregrass gallery, paul cavell, research (vic.)

Florence Tatham Mellblom (nee Henry) was a painter, naturalist and photographer. She was born at Portland, Victoria, and studied art in Ballarat. She was a talented etcher from childhood, and joined the Portland Camera club. She also produced many watercolour paintings of the historic places of Portland. She was married (1932) to Karl Enoch Mellblom.Image depicts a bluestone building. In the foreground, to the front of the building is grass in shades of green and yellow. The building is in the middle of the image and has a reddish lower building to its right. There are trees either side of the buildings. Bottom left - F Mellblomfemale artists, female artist, women, portland shire, bluestone building

Florence Tatham Mellblom (nee Henry) was a painter, naturalist and photographer. She was born at Portland, Victoria, and studied art in Ballarat. She was a talented etcher from childhood, and joined the Portland Camera club. She also produced many watercolour paintings of the historic places of Portland. She was married (1932) to Karl Enoch Mellblom.Image of a bluestone building to the back of the painting. Next to it is a smaller reddish building. In front of the building there is grass and shrubland. Trees are to either side of the buildings. The sky is blue with white clouds.Bottom left - F Mellblomfemale artists, female artist, women, portland shire, bluestone building

Michael Cooney was born in 1839 in Ireland. He arrived in the United States sometime during childhood. He moved to California from Kalamazoo, Michigan in about 1864 with is Irish born wife, Catherine. Cooney is buried at Holy Cross cemetery in Colma, California. (http://boards.ancestry.ca/surnames.cooney/689/mb.ashx, accessed 21 January 2014)Image of Judge Michael Cooney.ballarat irish, cooney, michael cooney

Golliwog dolls were enormously popular in the first half of the 20th Century, but became socially incorrect during the Civil Rights Era of the 1960's. A lot of people owned them in their childhood and remember them with affection. The stories of "Little Black Sambo" and "Epaminondas" similarly were books loved by children but have since disappeared from the shelves for the same reason.Two knitted Golliwogs. 1. - Green pants, yellow belt, red top, green cravat and blue eyes, black face hands and feet. 2. - Red, blue and yellow striped pants, red jacket, blue cravat, blue eyes and red shoes, black face, hands and feet.golliwogs, soft toys, leisure objects

In 2005 Michele Matthews interviewed current and former residents of Bendigo for her thesis on the 1930s Depression as part of her PhD Research, with the University of Melbourne Faculty of Arts, History Department. Michele interviewed fifteen members of prominent Bendigonian families. The thesis was titled: "How Depressing?: The impact of the Great Depression on Bendigo and District 1925-1935". The Michele Matthews Collection contains fourteen audio cassette tape recordings and one written transcript. The tapes are each approximately 1 hour and 45 minutes duration. The questions presented to the interviewees explore everyday experiences they would have lived through at the time of the Depression. The questions covered sixteen relevant subjects: • Introduction and housing • Social activities, swimming, cinemas, school and games played with friends • Organizations such as the RSL, Relief Committees etc. and any effect they had on family life • The life of the single woman • Unemployment and Employment • Government Assistance • Charities Aid • Self-help • People Power, e.g. boycotts or protests • Politics • Trouble or crime • Family Health, Medical and Diet • Education • General memories of, and hardships encountered, during the DepressionAudio tape interview with Amy Brown (Nee Osterfield). Amy was born in 1922. In 1942 she married Allan Stanley Brown. Her father, Charles Osterfield was a wood cutter before becoming unemployed. She never attended school. The tape has been converted to a sound file. The 150 minute interview can be listened to, and the notes viewed, at the Bendigo Historical Society. By appointment only. Also included is Amy's memories of her childhood - Amy's Story. This is a 26 page document available here to read.history, bendigo, michele matthews collection, the 1930s depression tapes, amy brown

Early childhood educator Sandie Mackevicius holds a small boy as he reaches overhead for some wooden rods that are suspended from the ceiling. Beside them is a large square cube with holes, that children can play in, and outside the window there is a grassed area bordered by trees. The curtains are distinctly patterned and the room stretches out behind them. This image was probably taken at RVIB School.rvib school, royal victorian institute for the blind, sandie mackevicius

Correspondence between Mr Frank Maher and Felicitie Ampbell re information about a property at 173 Glen Eira Road, St Kilda East. Included is a copy of Frank Maher’s recollections of people and places around east St Kilda area. Also includes a copy of a photograph of his childhood home c. 1930 and a map of the area around the property where he lived.st kilda east, elsternwick, caulfield, myrtle street, bailey ave, atley grove, glen eira road, hotham street, glenhuntly road, elizabeth street, regent street, balaclava road, mcwhae ave, gordon street, ripponlea mansion, caulfield grammar school, caulfield race course, elsternwick police station, caulfield city hall, city of glen eira city hall, glen eira historical society, holy angels catholic church, st. josephs catholic church, a.r.p. wardens, drill hall, brighton rifles, grocers, sweet shops, terrace houses, tennis courts, saddlers, billiard rooms, horse drawn vehicles, market gardens, motor cycles, fuel merchants, maher frank, tracey martin brian, tracey john edmond, tracey margaret, maher mary eleanor, maher martin john, tracey kathleen, bent thomas, nathan benjamin

John Colin Reaburn, also known as Jack, (1899 -1987) was an accountant by profession and an early contributor to the historical collection. He was also an active member of the Surrey Hills Progress Association. According to his grandson Peter Reaburn, this photo was taken outside John's home at 92 Belford Road, Kew where his son Robert John (1930-) spent his childhood and youth.John Reaburn was a key figure in the establishment of the Surrey Hills history collection.A coloured photograph of a man standing in a front garden. He is wearing a navy sports coat, light coloured trousers, and a black skivvy.surrey hills, history collection, surrey hills state school, accountant, 1978, clothing and dress, mr john colin reaburn, mr john reaburn, mr jack reaburn, 92 belford road kew

The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Alan Dyall reminisces on his childhood during the 1930s/40s in Williamstown and Altona in the 1960s. His father, Bill, worked as a lighterman at the Truganina Explosives Reserve. A primary source of information on memories of the Truganina Explosives Reserve and Altona,VictoriaDigital copy of original cassette recorded in 2000 and digitised in 2018albert street williamstown, rabbits, point cook homestead, truganina explosive reserve, lighterman, ports and harbours, charlie curry, lighter, ici, deer park, the strand williamstown, stevedores, hob nails, rope soled shoes, rifle range, snowy jorgensen, sailmaker

During the 1950's a childhood game called 'knucklebones' was played by primary school girls. At least 2 people were required to play sitting opposite each other and going through the 'moves' (throwing the bones up from the back of your hand, picking up a bone from the floor and catching the others), using 5 knucklebones, as listed on written instruction that came with a coloured plastic version mass produced and with instructions.During the 1950's games were played that required natural substances but increasingly extending to commercial equivalents. Two white knuckle bones from a sheep, used to play the game 'knuckle bones'knucklebones. children's games. primary school. 1950's