The Fashion & Design collections of Kew Historical Society include a number of art or household textiles manufactured or created in the United Kingdom as well as in Australia. As other cultures opened to Australian travellers in the 20th century, members began collecting and donating textiles produced in a number of other countries.Embroidered doily in the shape of Australia commemorating the ‘Royal Visit 1954’. The multicoloured embroidered images used on the include koalas and eucalyptus flowers on a cream fringed ground. doilies - patriotic, doilies - symbolic, soft furnishings, royal visits

This gum leaf painting is one of a pair displayed on foil in the same frame. It is typical of many paintings by the self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.An oil painting on gum leaf by the well-known Australian artist Alfred William Eustace. He was a self-taught artist during the 19th and early 20th century and a prominent resident of Chiltern. Oil painting on gum leaf by Alfred William Eustace. A scene of a log cabin on Black Dog Creek Road, Chiltern, with Skeleton Hill in the background. The canvas is a juvenile Red Box (Eucalyptus polyanthemos) leaf. It is one of a pair of Eustace gum leaf paintings mounted on gold foil, under glass in a brown frame. Inscription on back. Labels on back: Rehoused by The Centre for Cultural Materials/ Conservation, University of Melbourne "Oil on Gum Leaf"/ by Alfred William Eustace/ Donor:- Cam & Connie Boadle/ Wales U.K. Crescent/ MUSEUM/ GRADE/ 24 OCT 1998/ CONSERVATION BOARD ALBURY/ PICTURE FRAMERS/ Shop 15 & 16/ AMP Lane,/ Albury, 2640/ Ph: 02 6021 7088black dog creek, chiltern, alfred eustace, skeleton hill, gum leaf, painting, eustace

The photo shows Mr Russell at a bee site in the Cherrypool area.The photo shows a man standing among a large group of bee-hives. The hives are in six long rows in a fairly open area with eucalyptus trees scattered around it.misc industries, bee-keeping, scenery, cherrypool

Brass commemorative plaque. This Tree was planted in commemoration of 100 years of State Education and completion of the school oval 17th March 1973. Eucalyptus Maculata (Spotted Gum)As aboveschool, equipment

Colour photograph showing older woman playing violin through eucalyptus leaves. Back of photo reads Mrs Corry in Guiness book of Records as oldest musician.photo, individual, mrs corry

Unit badge mounted on wooden plaque. Queen's Crown above a wreath of eucalyptus leaves surrounding the Southern Cross constellation above the scroll bearing the letters WRAACWRAAC

Making marks with needle and thread across the landscape of life, sometimes treading lightly but often leaving scars. Wandering was inspired by marks left from the eucalyptus leaves on the fabric, a scrap of fabric easily carried, an idle moment to make a few marks with needle and thread. A longer time to stitch becomes a wandering mind, like taking a walk in the bush, deciding on the tracks ahead and reflecting on those already taken.Wangaratta Art Gallery Collection. Donated by June BrownA rectangular silk piece that has been botanically dyed brown with eucalyptus leaves and then green, blue, and orange cotton threads have been handstitched across the piece to create tracks.kathy beilby, botanical dying, handstitching, textile

Colour photograph showing a light blue back ground with cartoon Koalas and Eucalyptus leaves. Some tears in background. Gravel Hill Primary School. 1988 Production 'The Wallaby Track''artwork, print, koala print

Colour photograph. Man in corner playing harmonica, Woman playing recorder, Peter Ellis on accordion. Eucalyptus branch. All looking to right side of photograph Emu Creek Bush Bandentertainment, music, emu creek bush band

This hand carved framed mirror is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.An elaborately carved wooden framed mirror with two carved kookaburras, one with a lizard in its beak as well as some Australian flora - eucalyptus leaves, flowers and gumnuts around the edges of the frame.mirrors, functional objects, wall mirrors, objects

In 1852 Bosisto opened Australia’s first commercial eucalyptus oil distillery, at Dandenong Creek in Victoria, followed by others at Emerald, Menzies Creek and Macclesfield. and began selling the oil locally. Eucalyptus oil was used as a liniment. Bosisto's bottles were generally used for eucalyptus oil. the eucalyptus oil industry was a significant early Victorian industry. Bosisto's products were commoly used in households of the first half of the 20th century. A flat-sided, brown, glass bottle with a threaded top. It has rounded shoulders.in rectangle on back - THIS BOTTLE IS AND ALWAYS REMAINS THE PROPERTY OF J. BOSISTO & COMPANTY LTD on base - F1196 M and 239 vertically

The Bendigo based Sander family business Sander and Sons, were producers of eucalyptus oil/extract in the 19th and 20th centuries. Carl Sandner established Sander and Sons Eucalyptus Distillery in 1875. It operated until 1967Advertising card. The top half has a black and white illustration of a young woman peering between curtains. Printed in black and purple "I use Superba Skin Food. That's the secret of my beauty. Have you tried it."advertising, sander, sandner

The Bendigo based Sander family business Sander and Sons, were producers of eucalyptus oil/extract in the 19th and 20th centuries. Carl Sandner established Sander and Sons Eucalyptus Distillery in 1875. It operated until 1967Instructions included in a box of Superba Skin Food. One page with black printing included claims made after use of product and directions for use. Notes that an application for Registration of the distinctive label was made on January 18 1907. Instructions originally folded tightly to fit inside packaging with tin. Two copies.advertising, sander, sandner

Could have contained eucalyptus oil ( Lifeguard?)Small brown glass bottle with a threaded neck.On the base- P D & CO 524bottle glass parke -davis container

When the numerous gold mines declined in production, the eucalyptus oil industry became an important source of work. The first eucalyptus oil producer in Bendigo was a chemist called Richard Sandner who operated a plant and refinery in Bridge Street from 1876. By 1900, many other distillers operated on the northern edge of Bendigo and in the Whipstick. In 1926, the Forest Commision established a eucalyptus distillery at Gunyah in Wellsford State Forest. See the Wellsford Forest Note for more information. Today, there are just two eucalypt distilleries operating in Bendigo. Most of the world’s eucalyptus oil is now produced overseas. Peter Ellis Collection: eight slides of his Holden FJ and a friend's car in the Whipstick Forest. Peter Ellis was a chemistry lecturer at the Bendigo Institute of Technolgyhistory, bendigo, peter ellis collection, bendigo institute of technology, b.i.t., whipstick bendigo, bendigo state forests, eucalyptus oil

Black and white photograph. Garden bed with large Eucalypt in the background.garden bed, eucalyptus, garden view

Thomson's and Taylor's shops with the Halls Gap Hall further along the road. A number of 1950's vintage cars are parked along the main road. No. 13884 in the Rose Series of postcards.A strip of shops along a bitumen road. One shop is a garage with Atlantic signs and another has a sign that reads "Thomson's General Store". There are several cars parked along the road and eucalyptus trees in the background.buildings, shops

This is a photo of a lithograph by Eugene von Guerard (1811-1901), "Source of the Wannon", circa 1866-1868. The peaks in the distance are Mr Abrupt and Signal Peak.This is a photo of a lithograph. It is a stylised view of a mountain range with sharp rocky peaks with a valley through the centre. A river meanders down the valley. There are eucalyptus trees in the foreground and two figures can be seen in the left foreground.Photo printers stamp in back is "H/GAP0007 NNNAA"painting, landscape

Green and white metal sign. At the top the words Pure Eucalyptus Oil, underneath a piture of a digger and under that The Bendigo Digger Brand prepared specially for Albert Bush next St Pauls Tower, Bendigo.business, retail, bush

Document. Theatre program for Royal Princess Theatre ''La Fille Du Cambour Major'', No Date. Advertisers: Craig Williamson Propy Ltd - Department Store. Felton Grimwade and Co. Bosisto's Eucalyptus Oil.performing arts, elocution, theatre program

This is a pastoral scene in halls Gap. The building is the Halls Gap Public Hall.The photo shows a man with a hat and long walking stick standing in a paddock with a number of geese. In the middle distance is a building surrounded by fruit trees. Behind this tall eucalyptus trees can be seen and in the background is a rocky range.mining, equipmment

A photo of the Comfort Station in the Halls Gap Picnic and Camping Reserve.The photo shows a wood and stone building at the rear of a clearing with a large eucalyptus tree growing close to the front of it. In the background is heavy bush. A tent or large cloth can be seen on the right beside a large tree stump.buildings, mountain grand

The grave is that of Martha Williams and her father John and is the only existing grave in the old Mickleham Cemetery which was associated with the Wesleyan Chapel and is a reminder of the strength of the Wesleyan faith in the Mickleham district in the 19th century.A coloured photograph of a grave site with a concrete edge and low iron fence around it and a simple tombstone with a curved top. There are clumps of tussocky grass scattered across the grass and two sprawling eucalyptus are growing behind the grave.former mickleham cemetery, mt. ridley road, williams, martha, john, george evans collection

Camp 13, German compound. Latrine block, concrete remains, eucalyptus in background.Camp 13, Camp Road, Murchison, Victoria. Concrete remains, latrine block.camp 13, pow, german pow, internment camps, ruins, murchison victoria, latrine remains camp 13

This set of six original chairs (2 armchairs + 4 chairs) along with the dining table was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. It was photographed in the Manse dining room by the reverend or Mrs Weller c. 1926.It is not known when they were purchased or gifted. But they are likely originating from Europe. Reverend Weller photographed the dining suite during his stay betwenn 1926-1929 (see item 1568).Wooden oakwood dining chairs with two heart-shaped carvings on the backrest. Two of the chairs have armrests. Eucalyptus green leather cushion seats. Canvas webbing underneath. Set of 6 original chairs used in the Manse. chair, dining, manse, heritage listed, dining suite, arts and crafts

The console was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. It was photographed in the Manse dining room by the reverend or Mrs Weller c. 1926. In the same style as the other oak sideboard, we can assume it was made by the same maker, H.F. Fischer around the same time.It is not known when they were purchased or gifted. But they are likely originating from Europe. Reverend Weller photographed the dining suite during his stay betwenn 1926-1929 (see item 1568).Wooden oakwood dining chairs with two heart-shaped carvings on the backrest. Two of the chairs have armrests. Eucalyptus green leather cushion seats. Canvas webbing underneath. Set of 6 original chairs used in the Manse. manse, dining suit, sideboard, arts and crafts, english, h.f. fischer

The photo is of Mountain Grand guesthouse.Photo shows a large building with verandahs in front of the on the left and right wings. Verandah on the right is semi-circular to accommodate the design of the room behind it. A large eucalyptus tree stands in the foreground. Two cars are parked beside the tree."Kodacolor print, Kodak, April-71M" stamped on back in pink.accommodation, mountain grand