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Warrnambool and District Historical Society Inc.
Document - Bert's Diary Bertie Ernest Albert Henderson, Circa 1916
... . For Australia, as for many nations, the First World War remains the most ...Bertie Ernest Albert Henderson was born at Naringal in 1891 and was 24 at the time of enlistment. He fought in France and died from injuries in France on June 1, 1918. The entries relate to matters which relate to military procedures and duties, places visited in France and England, time spent at the front and on leave.For Australia, as for many nations, the First World War remains the most costly conflict in terms of deaths and casualties. From a population of fewer than five million, 416,809 men enlisted, of which over 60,000 were killed and 156,000 wounded, gassed, or taken prisoner.* Australian War Memorial Website Bertie Henderson was but one of these casualties and this diary gives an insight into the life of the average soldier. He records events from the mundane to conditions common to the war experience. Front page has photograph and typed enlistment details, followed by copy of enlistment paper and numerous pages of typed diary entries dated from July 1916. Other entries give day only with no year. Back cover has basic family tree.warrnambool, naringal, ernest albert henderson, 5th pioneer batallion, world war 1, amiens, crouy-sur somme -
Orbost & District Historical Society
Memento for Vietnam Veterans National Memorial, 1990s
The Australian Vietnam Forces National Memorial is located on Anzac Parade in Canberra, the Nation's Capital. In May 1988 the Federal Government announced its support for the project. In August 1988 the first official Vietnam Veterans’ Day was held. In September, the Minister for Veterans’ Affairs, Ben Humphries, launched two television commercials designed to encourage donations and handed over a cheque for $12,500. Subsequent support from the Federal Government brought this to $250,000. However the bulk of the funds cam from public donation, together with some corporate sponsorship. The final cost for the memorial was just over $1.2 million. (info. from Vietnam Veterans association of Australia web-site)This item is significant in that it is a reminder of the history and experiences of the veterans of the Vietnam War and the enduring impact of the war on society.A framed momento of Vietnam War. Medallion is inset into red coloured card over mount board. It is double sided so that the medallion can be viewed from both sides. Silver raised lettering on rectangular black ribbon: "For Those Who Served Suffered and Died - Vietnam 1962 - 1973" Black lettering on red card: "This Commemorative Medallion was presented to the Orbost Shire Council by the Vietnam Veterans Association in recognition of the generosity of the people of the Orbost Shire, the Shire Council and the local R.S.L. in raising $1000, toward the building of the Vietnam Veterans National Memorial in Canberra. This Shire was the first area in the state to raise $1000." On front of medallion: "In Appreciation For Your Support" On reverse side of medallion: "Australian Vietnam Forces - National Memorial"vietnam-war war-momento war-plaque -
Orbost & District Historical Society
board game, 1930-1950
The National Bicycle Game is an Australian-made and designed board game for 2, 3 or 4 players made by The National Game Company of Ballarat and Melbourne between 1930 and 1950. The earliest board games date from the mid-18th century and were printed on copper or steel plates and coloured by hand. By 1839 lithography was first used, making it possible for publishers to produce larger quantities of all types of toys. By the 1890s the games were mounted on to a folded board. Popular subjects were of an historical or geographical nature, as well as transport including motoring, aviation and railways and various sports. The board game 'A Motor Ride' ,made by The National Game Company, was possibly the first large-scale manufacturer of locally-designed board games in Australia. The firm was established in Ballarat, Victoria, at the beginning of the twentieth century by W. Owen. Other board games made by National include the 'Victory-United Nations" game, 'Fairyland', 'Yacht Race', 'Golf Game', 'Bicycle Game', Steeple Chase', 'Our Great Game' about football, 'Courtship and Marriage', 'Around the Commonwealth by Aeroplane', and 'Dugouts and Trenches' as well as the more traditional games such as Ludo, Snakes and Ladders, and Noughts and Crosses. This game board has been well-used. The game is significant because it uses scenarios familiar to Australian children in the first half of the twentieth century. This game board reflects the experience of being a child in the twentieth century. Toys were how children were socialised and taught. Most toys mimic the adult world, and looking at them can tell us something about how the world has changed. A folding game board for The national Bicycle Game for 2,3 or 4 players. It has a yellow spiral track on which the player progresses at the throw of the die, starting at the clubhouse until reaching home. In the background are pictures of rural scenes.board-games recreation cycling national-game-company -
Flagstaff Hill Maritime Museum and Village
Tool - Bench Saw Vice, Henry Disston & Sons, 1910 -1925
The subject item is a saw blade sharpening clamp that attaches to a bench allowing the operator to sharpen the teeth on a saw with a file while keeping the saw blade in an upright position. Henry Disston (1819–1878) began his career as an American saw maker in Philadelphia. He emigrated from England in 1833 and started making saws and squares in 1840. In 1850, he founded the company that would become the largest saw maker in the world the ”Keystone Saw Works” on the Delaware River. Some five years later, Disston built a furnace possibly the first melting plant for steel in America and began producing the first crucible saw steel ever made in the United States. While his competitors were buying good steel from Britain, he was making his own, to his specification, for his own needs. Disston subsequently constructed a special rolling mill exclusively for saw blades. Over the following decade, the Disston company continued to grow, even while dedicating itself to the Union Army's war effort. In 1865, when his son Hamilton Disston rejoined the business after serving in the Civil War, Disston changed the company's name to Henry Disston & Son. Henry Disston and his sons set the standards for American saw makers, both in terms of producing high-quality saws and developing innovative manufacturing techniques. Disston also started making files in 1865. In September 1872, Henry Disston and two other men dug a part of the foundation for what was to become the largest saw manufacturing facility in the world: Disston Saw Works. This was in the Tacony section of Philadelphia. Having previously moved his expanding business from near Second and Market Streets to Front and Laurel Streets, Disston sought to establish his business away from this cramped area. It took over 25 years to move the entire facility to Tacony. This Philadelphia neighborhood seems to have been the only company town in the United States established within an existing city. At its peak of operations, Disston Saw Works employed 8,000 people and the factory covered 300 acres. The company, known as Henry Disston and Sons, Inc by the early 20th century, cast the first crucible steel in the nation from an electric furnace in 1906. The firm's Armour plate building near Princeton Avenue and Milnor Street contributed tremendously to the World War II effort. But the company's innovation and industriousness would not last forever. In 1955, with mounting cash-flow problems and waning interest on the family's part to run the firm, Henry Disston and Sons were sold to the H.K. Porter Company of Pittsburgh. Porter's Disston Division was sold in 1978 and became the Henry Disston Division of Sandvik Saw of Sweden. This division was then sold in 1984 to R.A.F. Industries of Philadelphia and became known as Disston Precision Incorporated, a maker of specialized flat steel products. In 2013, R.A.F. Industries sold Disston Precision Inc. in a private sale. Although the company has ceased making Disston handsaws, the Disston brand name still exists in this firm. A significant American company that pioneered the making of high-quality steel and saws along with other tools and accessories. The subject item is significant as it was made at a time when the company was in its hay day. Adjustable Ball & Socket Saw Sharpening vice, cast iron, with clamp to attach to a workbench. Made by Henry Disston & Co. No 1 painted greyflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, saw clamp, henry disston & sons, saw sharpening, tool accessories, wood saws -
Flagstaff Hill Maritime Museum and Village
Tool - Saw gauge, Henry Disston, 1890-1920
Disston Saw Works of Philadelphia was one of the better known and highly regarded manufacturers of handsaws in the United States. During the Machine Age, the company was known as Henry Disston & Sons, Inc. a supplier of industrial saw blades. History: The story of handsaws in the United States mirrors the technical and development of steel in Sheffield, England, which was the center of handsaw production during the 18th century and through most of the 19th century. England's political and economic lock-on steel making in the colonies held American saw makers at bay until well after the Revolutionary War. American steel producers were unable to compete until the US government introduced import tariffs to level the playing field in 1861. Henry Disston: Henry Disston (1819–1878) began his career as an American saw maker in Philadelphia. He had emigrated from England in 1833 and started making saws and squares in 1840. In 1850, he founded the company that would become the largest saw maker in the world, the Keystone Saw Works. Some five years later, Disston built a furnace—perhaps the first melting plant for steel in America and began producing the first crucible saw steel ever made in the United States. While his competitors were buying good steel from Britain, he was making his own, to his specification, for his own needs. Disston subsequently constructed a special rolling mill exclusively for saw blades. Over the following decade, the Disston company continued to grow, even while dedicating itself to the Union Army's war effort. In 1865, when his son Hamilton Disston rejoined the business after serving in the Civil War, Disston changed the company's name to Henry Disston & Son. Henry Disston and his sons began to set the standards for American saw makers, both in terms of producing high-quality saws and files in 1865 through his development of innovative manufacturing techniques. In September 1872, Henry Disston and two other men dug a part of the foundation for what was to become the largest saw manufacturing facility in the world: Disston Saw Works. This was in the Tacony section of Philadelphia. Having previously moved his expanding business from near Second and Market Streets to Front and Laurel Streets. It took over 25 years to move the entire facility to Tacony. Henry Disston was renowned for having one of the first industries that exhibited environmental responsibility, as well as a paternalistic view towards his employees. For example, he had thousands of homes built in Tacony for his workmen. Funds to purchase these homes were made available through a building and loan association set up by the Disston firm. His caring influence on the community was evident in everyday life. To meet employees' cultural needs, a hall and a library were built with Henry Disston agreeing to pay a fixed sum towards its maintenance. The Tacony Music Hall was erected in 1885, also with the assistance of Disston money. Henry Disston had fallen ill by 1877 and never truly recovered; he suffered a stroke and died the next year. This came only one and a half years after seeing his products receive the highest honors at the great Philadelphia Centennial Exposition of 1876. His vision of a working-class community and the completion of the transfer of his enormous saw plant was carried out by his wife and his sons. The company, by the early 20th century, cast the first crucible steel in the nation from an electric furnace in 1906. The firm's armor-plate building near Princeton Avenue and Milnor Street contributed tremendously to the World War II effort. But the company's innovation and industriousness would not last forever. In 1955, with mounting cash-flow problems and waning interest on the family's part to run the firm, Henry Disston and Sons were sold to the H.K. Porter Company of Pittsburgh. Porter's Disston Division was sold in 1978 and became the Henry Disston Division of Sandvik Saw of Sweden. This division was then sold in 1984 to R.A.F. Industries of Philadelphia and became known as Disston Precision Incorporated, a maker of specialized flat steel products. In 2013, R.A.F. Industries sold Disston Precision Inc. in a private sale. Although the company has ceased making Disston handsaws, the Disston brand name still exists in this firm. A tool used to set and sharpen cross cut saws used to fell trees for building construction made by a well known American maker whos firm pioneered the making of saws and their related items including files.combination cross cut saw raker and gauge/jointerDisston USA in the castingflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Bendigo Historical Society Inc.
Document - LONG GULLY HISTORY GROUP COLLECTION: NEIGHBOURHOOD WATCH
Three pages, the first titled Neighbourhood Watch. The second, dated 2/6/97, mentions a phone call to the City of Greater Bendigo about speaking to Marco in the Planning Department. The third, dated 30/5/97, also mentions Eaglehawk Heritage Society, Cornish Miners, Cornish Association, Long Gully School, Department of Main Roads, St laurence Court, Charles Fay, La Trobe History Department. It has Cheryl Wallis signature at the bottom of page.bendigo, history, long gully history group, the long gully history group - neighbourhood watch, edward clarence dyason, isaac dyason, george lansell, st andrew's college, melbourne university, bendigo amalgamated goldfield company, chamber of mines, gold producers association, bendigo mines limited, league of nations, australian institute for international affairs, melbourne syphony orchestra, world war ii, british commonwealth relations conference, powercor australia, city of greater bendigo, eaglehawk heritage society, cornish association, long gully school, department of main roads, st laurence court, charles fay, la trobe history department, cheryl wallis -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: VICTORIAN SYMPHONY ORCHESTRA, c1954
Victorian Symphony Orchestra, Royal Princess Theatre, Bendigo. Direction: Australian Broadcasting Commission. Conducted by Juan Jose Castro. Soloist: Donald Westlake (Clarinet). This series of concerts is arranged by the Australian Broadcasting Commission in Conjunction with the Government of Victoria. Royal Princess Theatre, Bendigo, Thur., 12 Nov. 8 p.m. Programme. Juan Jose Castro. Since he left Australia last November on six months' leave, Mr. Castro has been conducting and holidaying in Europe, and with his wife re-visited South America for the first time in eighteen months. In Italy he corrected the publisher's proofs of his opera, 'Proserpina and the Stranger,' which won the Verdi Prize award by La Scala I 1952, and is now . . . Analytical Notes . . . Personnel of the Orchestra. Conductor: Juan Jose Castro. Associate Conductor: Clive Douglass. First Violins: Bertha Jorgensen (leader), Harry Hutchins (Assistant Leader), Frank Schieblich, Norman Deerson, Paul O'Brien, William Glassford, Ruth Michael, Alex Burlakov. Second Violins: Hyman Lenzer, Robert Pattison, George Paton, Donald Weekes, Marie Bull, Harvey Davis. Violas: Coin Kerr, Mischa Kogan, Marion Ogilvie, Winifred Roberts. Cellos: Don Howley, Henri Touzeau, Valerie Awburn, Ezio Neri. Basses: Guill Fraillon, Frank Cerbasi, Samuel Shiffron. Flutes: Richard Chugg, Leslie Barklamb, Audrey Walklate. Oboes: Jiri Tancibudek, David Woolley. Clarinets: Thomas White, Isobel Carter. Bassoons: Roy White, Gordon Miller, Gordon Grieve, Graham Bickford. Trumpets: Mervyn Simpson, John Geary. Trombones: Stanley Code, John McGade. Bass Trombone: Harold Willis. Tuba: Ron Stevens. Tympani: Gordon Craig. Percussion: Ernest Lighton, Bert Crawford. Harp: Adrian Bendall. Australian Broadcasting Commission; R J F Boyer M.A., Chairman. E R Dawes, Vice-Chairman. Sir John Medley, KT., D.C.L., L.L.D., M.A. P Vanthoff, M.V.O. The Hon. Dame Enid Lyons, G.B.E. J C Stewart, M W O'Donnell, B.E.C. Charles Moses, General Manager. T S Duckmanton, A./Manager for Victoria. Dorrie O'Neil, Concert Manager for Victoria. Photos: Juan Jose Castro, Donald Westlake. Advertisements: Notice to subscribers; Annual General Meeting for Albury, Bendigo, Shepparton, for 1954. TAA serves the Nation. Country Club, Tailored by Buckwalter. GMH, The whole story from A to Z. Carnegie's, 106 Elizabeth St. b/ Victorian Symphony Orchestra, Conducted by Juan Jose Castro, Soloist: Joan Jones (Contralto). This series of concerts is arranged by the Australian Broadcasting Commission in conjunction with the Government of Victoria. Town Hall, Swan Hill. Programme. Juan Jose Castro, (first 4 paragraphs reads as per 4280a). At the end of his 1953 Australian season, Mr. Castro is in conduct concerts in Italy, Paris and London, as well as being re-engaged for Yugo-Slavia, which he visited for the second time last December. With his wife he had the thrill of experiencing . . . Analytical Notes. Personnel of the Orchestra. Conductor: Juan Jose Castro. Associate Conductor: Clive Douglas. First Violins: Bertha Jorgensen (Leader), Harry Hutchins (Assistant Leader), Frank Schieblich, Norman Deerson, Paul O'Brien, William Glasford, Ruth Michael, Alex Burlakov. Second Violins: Hyman Lenzer, Reginald Bradley, Robert Pattison, Donald Weekes, Marie Bull, Harvey Davis Violas: Colin Kerr, Mischa Kogan, Marion Ogilvie, Winifred Roberts. Cellos: Don Howley, Henri Touzeau, Valerie Awburn, Ezio Neri. Basses: Guill Fraillon, Frank Cerbasi, Milinor Morton. Flutes: Richard Chugg, Leslie Barklamb, Audrey Walklate. Oboes: Jiri Tancibudek, David Woolley. Clarinets: Thomas White, Isobel Carter. Bassoons: Thomas Wightman, Noel Hunt. Trumpets: Mervyn Simpson, Standish Roberts. Trombones: Stanley Code, John McGlade. Bass Trombone: Harold Willis, Tuba: Ron Stevens. Tympani: Gordon Craig. Percussion: Ernest Lighton, Bert Crawford. Harp: Adrian Bendall. Australian Broadcasting Commission; committee members. Photos: Juan Jose Castro, Cover. Joan Jones, page 4. Advertisements: QANTAS and B O A C , Qantas Empire Airways LTD. (incorporated I Queensland) in parallel with BRITISH OVERSEAS AIRWAYS CORPORATION. Coming orchestra dates for: Shepparton & Bendigo. Country Club, Tailored by Buckwalter. Carnegie's 'The House of Pianos'.program, theatre, orchestra, a/ victorian symphony orchestra, royal princess theatre, bendigo. direction: australian broadcasting commission. conducted by juan jose castro. soloist: donald westlake (clarinet). this series of concerts is arranged by the australian broadcasting commission in conjunction with the government of victoria. royal princess theatre, bendigo, thur., 12 nov. 8 p.m. programme. juan jose castro. which won the verdi prize award by la scala i 1952, and is now . . . analytical notes . . . orchestra. conductor: juan jose castro. associate conductor: clive douglass. first violins: bertha jorgensen (leader), harry hutchins (assistant leader), frank schieblich, norman deerson, paul o'brien, william glassford, ruth michael, alex burlakov. second violins: hyman lenzer, robert pattison, george paton, donald weekes, marie bull, harvey davis. violas: coin kerr, mischa kogan, marion ogilvie, winifred roberts. cellos: don howley, henri touzeau, valerie awburn, ezio neri. basses: guill fraillon, frank cerbasi, samuel shiffron. flutes: richard chugg, leslie barklamb, audrey walklate. oboes: jiri tancibudek, david woolley. clarinets: thomas white, isobel carter. bassoons: roy white, gordon miller, gordon grieve, graham bickford. trumpets: mervyn simpson, john geary. trombones: stanley code, john mcgade. bass trombone: harold willis. tuba: ron stevens. tympani: gordon craig. percussion: ernest lighton, bert crawford. harp: adrian bendall. australian broadcasting commission; r j f boyer m.a., chairman. e r dawes, vice-chairman. sir john medley, kt., d.c.l., l.l.d., m.a. p vanthoff, m.v.o. the hon. dame enid lyons, g.b.e. j c stewart, m w o'donnell, b.e.c. charles moses, general manager. t s duckmanton, a./manager for victoria. dorrie o'neil, concert manager for victoria. photos: juan jose castro, donald westlake. bendigo, 1954. taa. buckwalter. gmh, the whole story from a to z. carnegie's, 106 elizabeth st. b/ soloist: joan jones (contralto). this series of concerts is arranged by the australian broadcasting commission. town hall. juan jose castro. 1953 australian season, analytical notes. personnel of the orchestra. first violins: second violins: reginald bradley. violas: cellos: don howley, henri touzeau, valerie awburn, ezio neri. basses: guill fraillon, frank cerbasi, milinor morton. flutes:. oboes:. clarinets:, bassoons: thomas wightman, noel hunt. trumpets: standish roberts. trombones:. bass trombone:, tuba:. tympani:. percussion:. harp:. photos: juan jose castro. joan jones, qantas and b o a c , qantas empire airways ltd. british overseas airways corporation: bendigo. country club, buckwalter. carnegie's a/ victorian symphony orchestra, royal princess theatre, bendigo. direction: australian broadcasting commission. conducted by juan jose castro. soloist: donald westlake (clarinet). australian broadcasting commission government of victoria., thur., 12 nov. 8 p.m. juan jose castro. mr. castro has been conducting and holidaying in europe, and with his wife re-visited south america in italy he corrected the publisher's proofs of his opera, 'proserpina and the stranger, ' verdi prize award by la scala i 1952, .associate conductor: clive douglass. first violins: bertha jorgensen (leader), harry hutchins (assistant leader), frank schieblich, norman deerson, paul o'brien, william glassford, ruth michael, alex burlakov. second violins: hyman lenzer, robert pattison, george paton, donald weekes, marie bull, harvey davis. violas: coin kerr, mischa kogan, marion ogilvie, winifred roberts. cellos: don howley, henri touzeau, valerie awburn, ezio neri. basses: guill fraillon, frank cerbasi, samuel shiffron. flutes: richard chugg, leslie barklamb, audrey walklate. oboes: jiri tancibudek, david woolley. clarinets: thomas white, isobel carter. bassoons: roy white, gordon miller, gordon grieve, graham bickford. trumpets: mervyn simpson, john geary. trombones: stanley code, john mcgade. bass trombone: harold willis. tuba: ron stevens. tympani: gordon craig. percussion: ernest lighton, bert crawford. harp: adrian bendall. abccommittee: r j f boyer m.a., chairman. e r dawes, vice-chairman. sir john medley, kt., d.c.l., l.l.d., m.a. p vanthoff, m.v.o. the hon. dame enid lyons, g.b.e. j c stewart, m w o'donnell, b.e.c. charles moses, general manager. t s duckmanton, a./manager for victoria. dorrie o'neil, concert manager for victoria. photos: juan jose castro, donald westlake. advertisements: notice to subscribers; annual general meeting for albury, bendigo, shepparton, for 1954. taa. country club, . gmh, b/ victorian symphony orchestra, conducted by juan jose castro, soloist: joan jones (contralto). at the end of his 1953 australian season, mr. castro is in conduct concerts in italy, paris and london, as well as being re-engaged for yugo-slavia, . analytical notes. personnel of the orchestra. associate conductor: clive douglas. first violins: bertha jorgensen (leader), harry hutchins (assistant leader), frank schieblich, norman deerson, paul o'brien, william glasford, ruth michael, alex burlakov. second violins: hyman lenzer, reginald bradley, robert pattison, donald weekes, marie bull, harvey davis violas: colin kerr, mischa kogan, marion ogilvie, winifred roberts. cellos: don howley, henri touzeau, valerie awburn, ezio neri. basses: guill fraillon, frank cerbasi, milinor morton. flutes: richard chugg, leslie barklamb, audrey walklate. oboes: jiri tancibudek, david woolley. clarinets: thomas white, isobel carter. bassoons: thomas wightman, noel hunt. trumpets: mervyn simpson, standish roberts. trombones: stanley code, john mcglade. bass trombone: harold willis, tuba: ron stevens. tympani: gordon craig. percussion: ernest lighton, bert crawford. harp: adrian bendall. australian broadcasting commission; committee members. photos: juan jose castro, cover. joan jones, page 4. advertisements: qantas and b o a c , qantas empire airways ltd. (incorporated i queensland) in parallel with british overseas airways corporation. coming orchestra dates for: shepparton & bendigo. country club, tailored by buckwalter. carnegie's 'the house of pianos'. -
Bendigo Historical Society Inc.
Document - CZECH PHILARMONIC ORCHESTRA, MELBOURNE TOWN HALL, 1959
Czech Philharmonic Orchestra, Melbourne Town Hall. Australian Tour 1959. The first overseas symphony orchestra to visit this country. The Czech Philharmonic is one of the world's leading orchestras. It has s 60 year old history which is backed by the rich musical traditions of its country. The Australian Broadcasting Commission in conjunction with the Musica Viva Society of Australia proudly presents the Czech Philharmonic Orchestra. Conductor: Ladislav Slovak Concertmaster: Bretislav Ludvik. Saturday, October 3, Monday, October 5. Czech Philharmonic Orchestra, article giving history of Orchestra from 1896 in Prague, photo of orchestra included. Ladislav Slovak, small article describing his work history, includes photograph. Programme. Analytical Notes. Musica Viva Society of Australia. Registered Office: 26 Paling's Building, Ash St., Sydney. President: Hon. Mr. Justice B P Macfarlan, Hon. Secretary: C J Berg, Hon. Treasurer: J B Elder, Manager: Regina Ridge. Victoria Branch: Registered Office: 5th Floor, 300 Lt. Collins St., Melbourne, C.1. President: F G Nicholls, Hon. Secretary: I G Spira, Hon. Treasurer: A Teague. Australian Broadcasting Commission. Chairman: Sir Richard Boyer, K.B.E., M.A. Vice-Chairman: E R Dawes, ESQ., C.M.G. Sir John Medley, KT., D.C.L., M.A. The Hon. Dame Enid Lyons, G.B.E. Mrs. G L Byth, O.B.E., B.A. A G Lowndes, M.Sc. H B Halvorsen, F.C.A., F.C.I.S. General Manager: Charles Moses, C.B.E. Manager for Victoria: Ewart Chapple. Concert Manager for Victoria: Ray Humphrey. Advertisements: AWA - Amalgamated Wireless (Australasia) Limited. Stereophonic Radiolagram. Philips Electrical Industries Pty Ltd. Fontana - Karel Ancerl recordings. The Ace Of Clubs, 12'' LP Beethoven etc. Alfred Nott Pty. Ltd. H S Harvey, E Goetz, Opticians. Georges, shoes. Ernest Hiller, tailored suits. Philips Magnalux Television. TAA the nation's jetline. Cyclax, make-up and beauty preparations. Grutzner & Cartly Pty. Ltd. Furs. BNS Nylon - British Nylon Spinners (Australia) Pty. Ltd. Carinia Records - Czech Philharmonic Orchestra with World Famous Soloists now for the first time in Australia on High Fidelity Recordings. Suttons Pty. Ltd. 'The House of Music', you are cordially invited to inspect the fine Petrof pianos. RCA Records - recordings of Jan Peerce. Scala Record Import Co. Czech recordings. Boosey & Hawks (Australia) Pty. Ltd., Music and Books on Music. GMH - General Motors - Holden's Limited. Country Club Tailored By Buckwalter - Quiet Tone Sports Shirts. Allan's, Fine Pianos.program, music, musica viva society, czech philharmonic orchestra, melbourne town hall. australian tour 1959. it has s 60 year history. the australian broadcasting commission in conjunction with musica viva society of australia. conductor: ladislav slovak concertmaster: bretislav ludvik. october 3 - 5. history of orchestra from 1896, photo of orchestra. ladislav slovak, includes photograph. programme. analytical notes. president: hon. mr. justice b p macfarlan, hon. secretary: c j berg, hon. treasurer: j b elder, manager: regina ridge. victoria branch: registered office, c.1. president: f g nicholls, hon. secretary: i g spira, hon. treasurer: a teague. australian broadcasting commission. chairman: sir richard boyer, k.b.e., m.a. vice-chairman: e r dawes, esq., c.m.g. sir john medley, kt., d.c.l., m.a. the hon. dame enid lyons, g.b.e. mrs. g l byth, o.b.e., b.a. a g lowndes, m.sc. h b halvorsen, f.c.a., f.c.i.s. general manager: charles moses, c.b.e. manager for victoria: ewart chapple. concert manager for victoria: ray humphrey. advertisements: awa - amalgamated wireless (australasia) limited. philips electrical industries pty ltd. the ace of clubs. alfred nott pty. ltd. h s harvey, e goetz. georges. ernest hiller. philips. taa. cyclax. grutzner & cartly pty. ltd. bns nylon (australia) pty. ltd. carinia records. rca records. scala record import co. boosey & hawks (australia) pty. ltd. gmh - general motors - holden's limited. country club tailored by buckwalter. allan's. -
Bendigo Historical Society Inc.
Photograph - MINE POPPET HEAD
Black + White Photograph. Poppet Head with tubular steel legs, lattice stays and cross bracing. 1 Male pushing one track on overhead trackway from first landing platemans cubby or first landing. Wincher house, wood stack, chimney shed without coverin On back 'A,156' Signature 'R. Stanistreet.' 'Poppet head of a Bendigo Mine'. Stamped Australian Nations Travel Association.mining, surface equipment, surface site, bendigo, mines and mining, mines, mine, poppet head, mining shed -
Bendigo Historical Society Inc.
Document - Aborigines of the Bendigo area
... Bendigo first nation... Collection Bendigo first nation history Five pages typewritten ...BHS CollectionFive pages typewritten article by Rod Fyffe titled "Aborigines of the Bendigo area".bendigo first nation, history -
Port Melbourne Historical & Preservation Society
Document - Exhibition Catalogue, Joan Winter, Dredging, Draining, Dipping & Shipping: A History of the Foreshore & Lowlying Lands of the City of Port Phillip, Apr 1996
First major exhibition from the Council of Port Phillip was held in 1995. The catalogue material on Port Melbourne was written by PMH&PS members. It toured the city and then this reduced version was sent to sister city, Devonport.'Dredging, Draining, Dipping & Shipping: A History of the Foreshore & Lowlying Lands of the City of Port Phillip' Catalogue of the travelling exhibition taken to Devonport 26/4 - 26/5/1990. Black on white with engraving on cover. (Note that this was a reduced version of the exhibition so not all material from the original is included.)sandridge lagoon, engineering - canals and drainage, melbourne harbor trust - port of melbourne authority, piers and wharves, piers and wharves - waterside workers, arts and entertainment, transport - shipping, centenary bridge, beacons, fishermans bend, transport - aviation and aerodrome, sport - swimming, flood, local government - city of port phillip, kulin nation, caroline frederica liardet, swallow & ariell ltd, mission to seafarers, emerald hill, st kilda -
Coal Creek Community Park & Museum
Nation Banknote Display
8728.1 - Thin wooden frame with very dark stain and gold paint on the inner part of the frame. 8728.2 - Very large print of a one pound note. 8728.3 - Brief description of the note and it's history.8728.2 - 1 - MELBOURNE - VICTORIA - ONE - POUND - THE NATIONAL BANK OF AUSTRALIA LIMITED - On demand I promise to pay the bearer ONE POUND sterling at MELBOURNE June 1893 - For THE NATIONAL BANK OF AUSTRALIA - Manager - ENTd 8728.3 - NATIONAL BANK NOTE - The first note issued by the National Bank when it reopened for business on 26th June, 1893 after reconstruction following the 1893 land boom. -
St James Old Cathedral
Cathedral Building, St James Old Cathedral, 09/11/1839
... . The Church was opened in 1842 and the first Bishop Charles Perry ...St James Church, "Church of the Pioneers", was the first Church, first Anglican Church, and is the oldest building in Melbourne. The foundation stone was laid in 1839 by the Superintendent of the District of Bourke, Charles La Trobe, later Governor of the Colony of Victoria. The Church was opened in 1842 and the first Bishop Charles Perry was installed in the Cathedral in 1848 when its status changed to that of Cathedral. Its status changed back to that of a Parish church after 1891 when St Paul's Cathedral in Swanston Street was opened. St James is known as the "Church of the Pioneers" as it served as the place of worship, marriage, baptism and burial of many of the first families in the District of Bourke and the Colony of Victoria. St James Old Cathedral is of the most important historic value to the community of Victoria and to the Australian nation as the first Anglican Church founded within 4 years of the settlement of Melbourne. It represents and conserves the very earliest history of white settlement in Victoria and preserves the church associated history of the Pioneer families of Victoria in its collection of original records and artefacts. Late Neo-Georgian style stone church building with bluestone footings. Octagonal upper one storey bell tower housing eight bells supported by two storey square towers. Body of church has sloping roof and 4 stained glass ornamental windows on each of west and east sides with decorative sanctuary window to the north. Decorative Portico with columns on the north outside elevation. National Trust Commemorative plate on outside wall to right of east entry door. -
National Vietnam Veterans Museum (NVVM)
Memorabilia, ANZAC To Adelaide 7RAR 50th Reunion 2015, 2015 (Approximate)
A Mouse pad with three columns of texts; image of two soldiers culpture in the middle and a crimson ribbon text "ANZAC to Adelaide 7 RAR 50th Reunion 2015" on the top and "Proudly sponsored by Defence Hhealth" at the bottom. The first column reads: In the Days of our youth, they hardly knew our name, We were young Australians, The public cried our shame. Galvanised to a bond, Like out fathers before, We followed the ANZACS, Into the fray of war. Time has been the jury, the ledger is now clean, Truth walks proudly inside, The places we have been. The years erode the lies, And sweep away the pain, Pride lives in our nation, and so we march again. Sit my fried on comfort, Enjoy a well-earned rest, Let time tel our story, We were the very best. And just quietly ponder, As you go 'bout your day, The names not here with us, We lost along the way. by Victor Winston Dale. In the other two coloums lists the names of those who lost their lives.ANZAC to Adelaide 7RAR 50th Reunion 2015, Proudly sponsored by Defence Health7 rar, mouse pad, reunion -
Ithacan Historical Society
Poster, All Nations Festival, 1955
An advertising poster for the 1955 All Nations Festival which was presented by the Australia Red Cross Society, Victorian Branch. Nina and Olga Black participated in the festival and were featured on the poster (seated at front first and second from left) wearing Greek traditional costumes. Other recognisable national costumes are Scottish Piper and Dutch.The event held in 1955 by the Australian Red Cross promoted multicultural Australia and members of the Ithacan Philanthropic Club participated. It was the period of post WW2 mass migration which saw many nationalities making Australia their home.Photocopy of a poster for the 1955 All Nations Festival. Consisting of a group 3 men and 6 women dressed in different national traditional dress. There is a Red Cross symbol either side of the group.THE AUSTRALIAN RED CROSS SOCIETY / VICTORIAN DIVISION/PRESENTS THE / 1955 ALL NATIONS FESTIVAL / ST. KILDA CRICKET GROUND - SUNDAY, 27TH FEBRUARY 1955folk dancing, national costimes -
Monbulk RSL Sub Branch
Book, Roger McDonald, 1915, 1979
The year young Australians sailed off to war in high hopes of adventure, only to find themselves faced with disaster. The tragedy and violence of Gallipoli provide the climax to this very personal, moving and surprisingly romantic story. With remarkable skill and in achingly beautiful prose, Roger McDonald takes the reader on an archetypal Australian journey which parallels the nation's progress from its country childhood, through the adolescent exuberance of its young cities, to initiation on one of the world's ancient battlefields. It is a vital journey, haunted by menace and disillusionment, one embedded in our national mythology. This astonishing first novel, published to great critical acclaim in 1979 and since then selling over 100,000 copies, tells the story of two boys from the bush, the thoughtful and awkward Walter and his knowing friend Billy Mackenzie, and their girls Frances and Diana. Together they discover a future which seems full of promise, drawing them into the exciting turmoil of passion and war. But theirs is a fateful alliance, in a world all too quickly passing, with an outcome they never could have foreseen.p.426fictionThe year young Australians sailed off to war in high hopes of adventure, only to find themselves faced with disaster. The tragedy and violence of Gallipoli provide the climax to this very personal, moving and surprisingly romantic story. With remarkable skill and in achingly beautiful prose, Roger McDonald takes the reader on an archetypal Australian journey which parallels the nation's progress from its country childhood, through the adolescent exuberance of its young cities, to initiation on one of the world's ancient battlefields. It is a vital journey, haunted by menace and disillusionment, one embedded in our national mythology. This astonishing first novel, published to great critical acclaim in 1979 and since then selling over 100,000 copies, tells the story of two boys from the bush, the thoughtful and awkward Walter and his knowing friend Billy Mackenzie, and their girls Frances and Diana. Together they discover a future which seems full of promise, drawing them into the exciting turmoil of passion and war. But theirs is a fateful alliance, in a world all too quickly passing, with an outcome they never could have foreseen.gallipoli campaign - fiction, world war 1914-1918 - fiction -
Monbulk RSL Sub Branch
Book, Mt Evelyn RSL Sub-Branch, Yarra Valley Vietnam Veterans, 2018
Fifty years after they served Australia in the Vietnam War, sixteen veterans of that conflict from the Yarra Valley sat down with the Mt Evelyn RSL's historian and revealed, some for the first time, their wartime experiences.Their stories tell of our nation's involvement in Vietnam and spans the period 1964 to 1972. They served with the Navy, with the Regular Army, with the CMF and as National Servicemen. Their backgrounds varied as much as their experiences 'in country' during that time.It is a story of sacrifice and endurance, bravery and loss, good times and bad times. It reveals the environment they were forced to exist in and the role they played, from the mundane to the terrifying.Surviving all of this they then returned home to a nation where many people ignored or even condemned them. For most, those decades after the war were an ongoing battle to deal with the physical and mental scars.Ill, p.464.non-fictionFifty years after they served Australia in the Vietnam War, sixteen veterans of that conflict from the Yarra Valley sat down with the Mt Evelyn RSL's historian and revealed, some for the first time, their wartime experiences.Their stories tell of our nation's involvement in Vietnam and spans the period 1964 to 1972. They served with the Navy, with the Regular Army, with the CMF and as National Servicemen. Their backgrounds varied as much as their experiences 'in country' during that time.It is a story of sacrifice and endurance, bravery and loss, good times and bad times. It reveals the environment they were forced to exist in and the role they played, from the mundane to the terrifying.Surviving all of this they then returned home to a nation where many people ignored or even condemned them. For most, those decades after the war were an ongoing battle to deal with the physical and mental scars.vietnam war 1961-1975 – personal recollections – australia, veterans - victoria - yarra valley - biography -
Monbulk RSL Sub Branch
Book, Melbourne University Press, Sacred places : war memorials in the Australian landscape, 2008
After the slaughter of the First World War, Australians embarked on a remarkable programme of war memorial construction. These memorials, large and small, stand everywhere in the Australian landscape. They embody what Australians have wanted to say about the service and death of their compatriots in overseas wars. They express pride, grief, and perceptions of God, empire and nation, becoming the holy sites of a new civil and nationalist religion -- the cult of Anzac." "In this moving and beautifully written book, award-winning historian Ken Inglis traces the development of the Anzac cult, as well as looking at those who rejected it. Sacred Places also examines a paradox: why, as Australia's wars recede in memory, have these memorials and what they stand for become more cherished than ever? In this updated third edition, that question is pursued into the first decade of a new century.Index, notes, ill, p.640.non-fictionAfter the slaughter of the First World War, Australians embarked on a remarkable programme of war memorial construction. These memorials, large and small, stand everywhere in the Australian landscape. They embody what Australians have wanted to say about the service and death of their compatriots in overseas wars. They express pride, grief, and perceptions of God, empire and nation, becoming the holy sites of a new civil and nationalist religion -- the cult of Anzac." "In this moving and beautifully written book, award-winning historian Ken Inglis traces the development of the Anzac cult, as well as looking at those who rejected it. Sacred Places also examines a paradox: why, as Australia's wars recede in memory, have these memorials and what they stand for become more cherished than ever? In this updated third edition, that question is pursued into the first decade of a new century.war memorials - australia, soldiers memorials - australia -
Bendigo Historical Society Inc.
Tool - OERTLING SCALES IN GLASS CASE
Beam balance (gold scales) made by Oertling - London. The balance is in a case made of mahogany and fully glassed, it has two draws. The brass scales are built into the case. The maker's name is present on the base of the scale. There is a brass knob that fits in the front to make adjustment to the scales and also on either side of the exterior case to set the top of the scales. There are two front draw, the left one is missing the drawer knob.mining, equipment, scale, ludwig oertling (1818-1893) was born near hamburg and gained his apprenticeship in instrument-making with his brother johann. he immigrated to london in 1840, where he joined instrument-maker and assayer george makins (1815-1893). oertling collaborated with makins and built his first balance, which was "a twin-column assay type with a light lattice beam". by 1851, the year of the great international exhibition of the works of all nations, oertling had established his own instrument-making business, employed five instrument-makers, and by 1861, ten staff were engaged in designing and making instruments, principally analytical balances. oertling's first twin-column beam balance was the prototype for all oertling assay balances that were produced during the next century and exported to the british colonies: australia, new zealand, canada, south africa and india, to europe and america. -
Bendigo Historical Society Inc.
Newspaper - LONG GULLY HISTORY GROUP COLLECTION: BENDIGO'S CENTURY VOLUME FIVE: 1940 - 1949
Newspaper supplement titled Bendigo's Century Volume Five: 1940 - 1949. Each year has heading of Who's Who, Weather, Sport and Business. Front page is titled Bendigo's Century and has a photo of a group of soldiers in uniform and with rifles. They were district servicemen on leave in 1944. Each year has heading of Who's Who, Weather, Sport and Business. First years are 1940 - 1949 titled Bendigo as it was. It has two photos of women wading through the 1949 Pall Mall flood waters and one of Miners in the crib room of the Central Deborah Mine. They are Jackie Lewis, Bob Johnson, W Landy, Ryga Yates and Les Johnson. 1940 - Army moves in to racecourse, 1941 - Devastating fire at pottery, 1942 - Forces expand, 1943 - Nation's eyes on Bendigo, 1944 - News dawns of D-day landing, 1945 - City cheers the end of the war, 1946 - Celebrations begin in city, 1947 - Gallery gets top paintings, 1948 - Water plan looks good and 1949 - Flood takes a toll on city.bendigo, history, long gully history group, the long gully history group - bendigo's century - volume five: 1940 - 1949, bendigo advertiser, central deborah mine, jackie lewis, bob johnson, w landy, ryga yates, les johnson, central nell gwynne, department of defence, bendigo jockey club, 8th division, robert menzies, deborah mine, bendigo decentralisation vigilance committee, cr w h taylor, bendigo war funds organisation, the easter fair society, bendigo agricultural show committee, mr e g ham, mr j v fairbairn, cr a staples, the bendigo chamber of commerce, richard hartley smith abbott, captain harley abbott, bendigo art gallery, bill woodfull, bendigo high school, north deborah mine, boardwalk, toni riley pharmacy, windermere hotel, cr g a pethard, coliban system, north deborah mine, bendigo pottery, bendigo trades hall council, private lawrence burstall, major-general g j rankin mhr, andrew dunstan, ordnance factory, royal australian navy, hmas bendigo, sec offices, muioof, ymca, georger addlem, fred addlem, cr a j anderson, pauline buvhan thompson, leslie thompson, edward joseph leonski, bendigo football league, mr j dedman, william stephens, forest street methodist church, pte charles phillips, pte w e durward, pte t foley, william john stephens, central nell gwynne, air chief marshall sir arthur tedder, cr taylor, united nations, flying officer, r bruce tuff, flight lieutenant owens, royal air force, commonwealth war workers housing trust scheme, mr s mckinnon, bendigo decentralised vigilance committee, ravenswood estate, john lienhop mlc, margaret (peggy) brennan, strathfieldsaye shire council, school of mines, bendigo base hospital, william george ashman, ashman's tailors, bendigo jockey club, victorian football association, bendigo east swimming pool, deborah anticline, specimen hill methodist church, north deborah, adolf hitler, benito mussolini, australian 7th division, cr galvin, bendigo war funds organisation, hmas bendigo, lt-commander jackson, bendigo football league, central deborah mine, victoria day, cr truscott, bendigo gaol, lansellstowe, awas barracks, bendigo citizens committee, john cain snr, ordnance factory, bendigo agricultural society, the duke of gloucester, duchess of gloucester, bendigo tennis association, north deborah, gillies famous pies, aids & appliance shop, mrs georgina scott, dr j a neptune scott, alfred sisley, corot, daubigney, louis sonnenberg, gas employees' union, john lienhop, soldier settlement commission, burnewang estate, king george vi, princess elizabeth, lt philip mountbatten, mr e j w herbert, ansett airways, reg ansett, most rev, dr john mccarthy, dr bernard stewart, michael giudice, bendigo united breweries, bendigo lyric photo plays, bendigo sun newspaper, shamrock hotel, west bendigo progress association, alan mcdonald, south bendigo football club, albert collier, j t webbo, mervyn tresize, state rivers and water supply commission, eppalock reservoir, public works committee, bendigo rotary club, john edgar, bendigo base hospital, albert dunstan, benevolent home, magetti's wine hall, wallace reef wine hall, magetti family, albert magetti, lance galvin, bradford cotton spinnings (victoria) pty otd, arthur syer, stanley crossman, albert arthur dunstan, rev dr henry backhaus, city family hotel, lyric theatre, bank of australasia, city club hotelcolonial mutual building, r matchett & co, lansellstowe, leonard lansell, bendigo bas hospital, australian women's army service, mr hollway, kenworth (aust) ltd, foggitt jones's bacon factory, gordon sayers, sandhurst trustees, dr john drowley, alexander hislop, royal mint, north deborah mine, ironbark south mining company, central nell gwynne company, new chum syncline -
Victorian Interpretive Projects Inc.
Image, Melbourne Cup, 1934
In 1934 a horse called Peter Pan stopped the nation when he defied the odds and won his second Melbourne Cup. The story behind the chestnut horse, one of only five to win two Melbourne Cups, will be showcased at the National Museum of Australia that on Thursday acquired the 1934 cup. The Australian thoroughbred won his first Melbourne Cup as a three-year-old colt in 1932 but was deemed unfit to contest the race in 1933 after suffering a near fatal viral disease that swept Sydney's racing stables. In 1934 Peter Pan became a household name when at odds of 14/1 he took out the Melbourne Cup by four lengths - this time as a five-year-old horse ridden by Darby Munro. (http://news.smh.com.au/national/museum-acquires-1934-melbourne-cup-20080417-26rg.html)Crowds at the 1934 Melbourne Cup at Flemington Racecourse.melbourne cup, flemington, horse -
Victorian Interpretive Projects Inc.
Photograph - colour, Auction Room Lectern at National Wool Museum
This photograph on an iPhone 4 during the Museums Australia (Vic) Conference at the National Wool Museum, Geelong. Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (http://www.geelongaustralia.com.au/nwm/about/article/item/8cbcc313afa77a5.aspx)Photograph of a timber lectern used to auction wool in Geelong. It is found in the auction room on the top floor of Geelong's national wool museum.wool, geelong, auction, auction room, national wool museum -
Victorian Interpretive Projects Inc.
photograph - Colour, Viewing the National Wool Museum's auction room
This photograph on an iPhone 4 during the Museums Australia (Vic) Conference at the National Wool Museum, Geelong. Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (http://www.geelongaustralia.com.au/nwm/about/article/item/8cbcc313afa77a5.aspx)display of wool ales at the National Wool Museum. Steel girders holding up the roof were made by Dorman Long & Co. Middlesborough, England. In the foreground is a timber counter with brass kick rail and upper edge. Names on wool bales include Austop, Arcadian Wool, Buln Gherin, Mt Hesse, Melrose, Avondale Hills, Kerrsville, Kooringa, Merryville Yass, Sherra Park, Wurrock, Hazeldean, Buanogor Parkwool, geelong, wool bail, auction room, national wool museum -
Monbulk RSL Sub Branch
Atlantic Books, Spitfire : the biography, 2006
It is difficult to overestimate the excitement that accompanied the birth of the Spitfire. An aircraft imbued with balletic grace and extraordinary versatility, it was powered by a piston engine and a propeller, yet came tantalisingly close to breaking the sound barrier. First flown in 1936, the Spitfire soon came to symbolize Britain's defiance of Nazi Germany in the summer of 1940. Flown by pilots of many nations, it saw service as far afield as Australia and the Soviet Union. Spitfire: The Biography is a celebration of a great British invention.Index, bib, ill, p.236.non-fictionIt is difficult to overestimate the excitement that accompanied the birth of the Spitfire. An aircraft imbued with balletic grace and extraordinary versatility, it was powered by a piston engine and a propeller, yet came tantalisingly close to breaking the sound barrier. First flown in 1936, the Spitfire soon came to symbolize Britain's defiance of Nazi Germany in the summer of 1940. Flown by pilots of many nations, it saw service as far afield as Australia and the Soviet Union. Spitfire: The Biography is a celebration of a great British invention.spitfire, world war ii - air warfare -
Monbulk RSL Sub Branch
Book, Dover Publications, The influence of sea power upon history, 1660-1783, 1987
Though technological advances over the last century have revolutionized warfare, The Influence of Sea Power upon History, 1660-1783 remains a classic text on the history, strategy, and comprehension of commercial and military command of the high seas. The first president of the U.S. Naval War College, Alfred Thayer Mahan demonstrates through historical examples that the rise and fall of sea power and the wealth of nations have always been linked with commercial and military command of the sea. Mahan describes successful naval strategies employed in the past--from Greek and Roman times through the Napoleonic Wars--with an intense focus on England's rise as a sea power in the eighteenth century. This book provides not only an overview of naval tactics but also a lucid exposition of geographic, economic, and social factors governing the maintenance of sea power.Index, bib, ill, maps, p.557.non-fictionThough technological advances over the last century have revolutionized warfare, The Influence of Sea Power upon History, 1660-1783 remains a classic text on the history, strategy, and comprehension of commercial and military command of the high seas. The first president of the U.S. Naval War College, Alfred Thayer Mahan demonstrates through historical examples that the rise and fall of sea power and the wealth of nations have always been linked with commercial and military command of the sea. Mahan describes successful naval strategies employed in the past--from Greek and Roman times through the Napoleonic Wars--with an intense focus on England's rise as a sea power in the eighteenth century. This book provides not only an overview of naval tactics but also a lucid exposition of geographic, economic, and social factors governing the maintenance of sea power.naval history - modern, sea power -
Monbulk RSL Sub Branch
Book, David Mason, Marching with the devil: Legends, glory and lies in the French foreign legion, 2010
Based on his diaries, this is a frank account of how Mason came first in French Foreign Legion basic training, trained other Legionnaires, went to Africa, did sniper, commando and medic's training and took part in two operations, both in the Republic of Djibouti, where a civil war nearly crippled the nation. It tells of his daily life in the Legion, in the training regiment, in Africa and with the Legion's Parachute Regiment. But more than this, David's gripping account reveals his disillusionment, frustration and disappointments, and how the Legion today is not what it seems.Ill, p.380.non-fictionBased on his diaries, this is a frank account of how Mason came first in French Foreign Legion basic training, trained other Legionnaires, went to Africa, did sniper, commando and medic's training and took part in two operations, both in the Republic of Djibouti, where a civil war nearly crippled the nation. It tells of his daily life in the Legion, in the training regiment, in Africa and with the Legion's Parachute Regiment. But more than this, David's gripping account reveals his disillusionment, frustration and disappointments, and how the Legion today is not what it seems.soldiers - australia - biography, france - military history -
Geoffrey Kaye Museum of Anaesthetic History
Vase, Glassware, Robert Wynne, c.2012
Dr Briscoe was appointed Dean of the Faculty of Pain Medicine in 2008 and gifted the vase at the end of her term in 2010. Dr Briscoe was the first woman to be appointed Dean of the Faculty. The artist Robert Wynne is an accomplished glass artist in Australia. His artworks are held in significant public and private collections nation wide and overseas. Public collections include the Tasmanian Museum and Art Gallery, Artbank and the Queensland Contemporary Art Gallery. Wynne's artworks are also part of the private collections of Bill Clinton, Sir Elton John and the Royal Family Collection of Japan.Tear shaped, emerald green, hand-blown glassEtched on base - DENIZENdr briscoe, penelope (penny), wynne, robert, dean, faculty of pain medicine, fpm -
Moorabbin Air Museum
Pamphlet Issued by the Rt. Hon. H. V. Evatt, Deputy Prime Minister of Australia, Hands Off the Nation's Defences
Contains small card stating: With the Compliments of the Deputy Prime Minister (Dr. H. V. Evatt, K.C., M.P.) -
B-24 Liberator Memorial Restoration Australia Inc
Accessory - Belt Buckle
Large Forged Iron embossed belt buckle.B-24 LIBERATOR, 1939-1989, 50th ANNIVERSARY (on front) LIMITED EDITION 50th ANNIVERSARY ISSUE,B-24 LIBERATOR, 1989 BUCKLE CONNECTION, SERIAL 0612 OF 1939. B-24 LIBERATOR Origin: Consolidated Vultee Aircraft Co Type: Long-range bomber with normal crew of 10 History: First flight(xb 24) December 29 1939 Withdraw from service 1955-56 It was built in bigger numbers than any other American aircraft in history and served on every front in WW11 and with15 allied nations. -
Royal Australasian College of Surgeons Museum and Archives
Photograph (item) - BK Rank scrubs up at the Heidelberg Military Hospital
Benjamin Rank was considered by many to be the father of plastic surgery in Australia. He was born on 14 January 1911 in Heidelberg, Victoria, where his father, Wreghitt Rank, owned a grain store and mill. His mother was Bessie née Smith. He was educated at Scotch College, Melbourne, and Ormond College, University of Melbourne, graduating with many honours and prizes. He did a two-year residency in the Royal Melbourne Hospital before going to London to specialise in surgery. There he did junior posts at St James' Hospital, Balham, but soon became fascinated by the new specialty of plastic surgery and was appointed assistant plastic surgeon at Hill End (Bart's EMS unit). Joining the Royal Australasian Army Medical Corps in 1940, he commanded their plastic surgical unit in Egypt. In 1942, he returned to Australia to set up a plastic and maxillofacial unit at Heidelberg Military Hospital. Among the patients treated there was one Flight Lieutenant John Gorton, who went on to become Prime Minister of Australia. In 1946 he was the first honorary plastic surgeon at the Royal Melbourne Hospital. He spent much time overseas and was instrumental in setting up the specialty of plastic surgery in India, for which he set up 'Interplast' - a charity supported by the Rotary Clubs to offer training and expertise to Asian and Pacific nations. He was the Sims Commonwealth Travelling Professor of the College in 1958, Moynihan lecturer in 1972, President of the British Association of Plastic Surgeons in 1965 and President of the Royal Australasian College of Surgeons from 1966 to 1968. He made important contributions to the study of Marjolin's ulcer, radiation carcinoma, and the transition from benign to malignant melanoma. He also made a major contribution to hand surgery, and his textbook Surgery of repair as applied to hand injuries (Livingstone, 1953) ran to four editions. He wrote extensively, including an autobiography, and was a talented painter. He was a tireless campaigner for no-fault motor accident insurance and was President of the St John Ambulance Association. He married Barbara Lyle Facy in 1938. They had one son Andrew, and three daughters, Helen, Julie and Mary (one of whom became a nurse). He died on 26 January 2002. Reference; https:livesonline.rcseng.ac.uk surgeon, sir benjamin rank, heidelberg military hospital, plastic surgery, royal melbourne hospital