significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culturelandscape painting with collageSigned: ADAMS (lower right) Verso: SCRUBY FIELDS PHILIP ADAMS COLLAGE, ACRYLIC, OIL Verso (affixed): Beaufort Agricultural Society 136th Annual Show 20 November 2011 Pyrenees Shire 25th Annual Acquisitive Art Award Awarded to: Philip Adams Value: $750

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture acrylic painting of landscapeSigned: Melville R (lower right)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture landscape with water painting "signed: John Burrack '84 (lower left) verso: Afternoon Lake Goldsmith John Burrack Mernda '84"

significant to the Pyrenees Shire and Lexton communitypainting of trees in landscape signed lower right: DRIDAN 18

Sydney PERN (c1876-23 October 1967 ) Born Battley, England Dr Sydney Pern began practicing medicine in the Victorian town of Yarram before setting up practice in Ballarat. He was a competent artist, and as an amateur anthropologist collected Aboriginal artefacts during travels in Central and Northern Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Unframed coastal landscape art, artwork, meetung, sydney pern, unframed

Subsequently the area was not fully developed in this manner following flooding in 1863. Some remnants remain.Plan on paper with cloth backing to enable folding. Inscription, "Designed by Alfred Lynch. Landscape Gardener, Prahran. Printed by De Guchy & Leigh." An inset plan shows position of Experimental Gardens related to the City of Melbourne and Bay. Plan shows layout and plantings of the designated area - fruit, vegetables: the conservatory, nursery, exhibition buildings. This plan was owned by E.E. Pescott. Inscription on cover, "Burnley. E.E.P.." "Ed. E. Pescott." Subsequently the area was not developed in this manner. See inscription on copy made for Centenary Exhibition B92.633. Other copies given to College by N. Lothian (graduated 1934). Jim Sanders, a friend of his, gave them to Dr. G. Moore in 1991. A larger copy, inscribed on reverse, '1861', 'Early proposals for Horticultural Gardens for Horticultural Society of Victoria (now Royal). The lithograph was included as an insert in the Farmers Journal and Gardeners Chronicle 21 June, 1862. It is only in one of the copies held by the State Library of Victoria. 1 large and 1 small photographs of plan. Several photocopies of the plan.Inscription, "Designed by Alfred Lynch. Landscape Gardener, Prahran. Printed by De Gruchy & Leigh." / Inscription on cover, "Burnley. E.E.P.." "Ed. E. Pescott."alfred lynch, experimental gardens, nursery, e.e. pescott, horticultural socoety of victoria, buildings

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From: Glen Eira Heritage Management Plan (1996) - Vol 2 by Andrew Ward and Associates The widening of Dandenong Road during the late 1980's has resulted in the destruction of the houses in the path of the roadworks and the construction of a high fence serving as a visual barrier between that thoroughfare and the remaining houses. Where comparatively large villas once stood on spacious allotments, only "Wisteria" survives at No. 135 Normanby Road. Adopting forms and timber enrichment characteristic of the American Queen Anne style, it has this in common with the largely reconstructed timber villa at no. 11 Normanby Avenue and to a lesser extent, 746 Inkerman Road. Normanby Road retains its comparatively opulent Edwardian character in a mature landscaped setting with spacious gardens and mature planes parallel with the railway reserve which, on account of the low lying ground in its vicinity has a high embankment commencing on the alignment of Malvern Grove and continuing to Caulfield Station. The earliest villas are Edwardian. Page 148 of Photograph Album with one landscape photograph of a house on Normanby Road (not Street).Handwritten: Normanby St [top right] / 148 [bottom right]trevor hart, verandah, porch, bull nosed verandah, tower house, tower, stone fence, normanby road, wisteria, american queen anne style, queen anne style, 1890's, mayfield grove, normanby street, timber houses, caulfield north, house names, edwardian, edwardian style, gardens

COLOUR PHOTOGRAPH OF building / landscape.photograph, building

COLOUR PHOTOGRAPH OF TREES / landscapephotograph, landscape

In 1989 the Principal was required to record the absence of each Teacher, their Educ. Dept. registration number, the date and reason for the absence ( and in this instance the name of the replacement teacher employed.) A list of replacement teachers is included inside the front cover.List of staff teaching at Grey St. Primary School, Traralgon in 1989 and any replacement teachers employed. Green covered paperback, landscape.Form No LE 361 (Education Dept of Victoria)traralgon, teacher register, primary school, grey street., state school

In 1938, Robin Boyd's grandfather Arthur Merric Boyd offered Robin his first commission, a studio for Robin's first cousin Arthur Boyd on the family property at Murrumbeena. This painting by Arthur Boyd was part of Ralph Madder’s estate and inherited by his daughter, Patricia, Robin Boyd's wife. Ralph Madder (1892 - 1986) was Arthur Boyd’s uncle and employed the young Arthur in his calcimine paint factory and bought the occasional painting to help the young artist. This painting dates from a later time when Arthur was living with, and looking after, his aged grandfather Arthur Merric at Rosebud (see the book “The Boyds” by Brenda Niall pages 188-9). “Wheat fields behind Rosebud” did not come to 290 Walsh Street until after Ralph Madder’s death in 1986. Note: Robin Boyd's uncle Merric Boyd (1888-1959) married Patricia’s aunt Doris Gough. This means that Arthur Boyd was a first cousin to both Robin Boyd and Patricia Madder. Landscape in gold wooden frameA.M.B Boyd 1938 on lower right hand sidearthur boyd, arthur merric boyd, robin boyd, walsh st artwork, ohm2022, ohm2022_1

Armstong Railway Station now at Deep Lead Private Property has been there since Purchased in 1993. Converted to family accommodation when they visit owner gave permission for photograph to come to Stawell Historical Society.Colour Photograph Landscape: of Building

Drawing of a figure in a boat in a landscape.

Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Unframed landscape by Arthur Boydarthur lindsay, painting, landscape

Framed painting of a nude in an landscape.david alexander, nude, life drawing, gippsland campus, churchill, available, available gippland

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a man in a landscape. wes walters, artist, artwork, landscape, available

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Asian SchoolFramed landscape in black ink.art, artwork, chinese, chinese school, calligraphy, landscape, available

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Four landscapes framed together.art, artwork, neville bunning, landscape

Lyn COOKE An artist specialising in wildlife, Lyn Cooke draws from the rich heritage of wildlife art in Australia beginning with the natural history illustrations of John William Lewin and John and Elizabeth Gould. Her aim is to accurately depict the natural environment and this is reflected in her highly detailed paintings. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a frog in landscape.Signed lrs 'L. Cooke'art, artwork, lyn cooke, frog, available, rainforest

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Frame collograph of an abstract landscape.art, artwork, landscape, paddoc, available

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Small framed landscape, 1973Lower left "Morning, Lake Wendouree July 1973art, artwork, david alexander, lake wendouree, available

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of landscape with mountain range"Signed: D LIM (lower right) Verso (affixed): DAWN LIM BARKLEY & BEYOND $250 Acylic "

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Landscape painting of Beaufort Townshipsigned: H FEATHERSTON (lower right)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culturelandscape with Lexton Shire OfficesAffixed front: Presented by Lexton's Anniversary Committee to the Lexton Shire Council IN RECOOGNITION OF IT'S VALUABLE SUPPORT & ASSISTANCE IN THIS, VICTORIA'S 150TH ANNIVERSARY YEAR 14-4-85

significant to the Pyrenees Shire and Lexton communitypainting of landscape with stones in foreground signed lower right: Sonia B