Showing 224 items
matching place names of victoria
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Ambulance Victoria MuseumPhotograph, roof top rescue, Circa 1970s
Rescue of injured man in Flinders Street Melbourne, circa 1970s. The name Bill Long has been written on the back of each photograph in this series. Black and white photograph showing fire fighters and ambulance officers placing an accident victim into a 'cherry picker' machine from high building roof. Spectators look on from road. -
Southern Sherbrooke Historical Society Inc.Information folder - Elvery family
Folder contains information pertaining to the Elvery family of Belgrave Heights. Contents: -Trifold A3 pamphlet, glossy paper, black, white and orange "The Lodge Just the perfect place to stay" c1990s advertisement flyer. -Map, hand-drawn with photos attached, "9 Hole Golf Course. Belgrave Heights - 1930-1943". Photocopy of large poster made by Betty DeCoite (original in map drawer) -Photocopy of photo, annotated in ink "Photo taken in Dandenongs - possibly Monbulk/the Patch? Photo supplied by David Elvery 2/6/99" -Photocopy of photo, Belgrave South Football Club team, probably 1945, plus list of names of team - from David Elvery 2/6/99 -printout, State Library of Victoria Multimedia Catalogue, Rose Series postcard of "Sunnyside Lodge" Lockwood, Belgrave South -copy of printed letter from David Elvery to CEO Shire of Yarra (sic) dated 8/6/99 re. vegetation on Mt Morton. Handwritten additions plus p'copy of Valentine Series postcard #3832 "Panorama From Mount Morton, Belgrave Heights" -p'copy of typed speech with annotations, by Rev. A.C. Beckingham at the opening of Lockwood -p'copy of photo, Harrison and Dalny Elvery and children David and Wendy c1936. Annotated by David Elvery 30/5/99 -printout, SLV Multimedia Catalogue, Rose Series postcard "Lockwood House" Lockwood, Belgrave South -p'copy, subdivision map "Lockwood Estate" lodged plan 6548 -p'copy, subdivision map Lockwood area, plan #6970 -A3 sheet, p'copies 6 postcards of Belgrave Heights -p'copy photo Elvery house, later "Sunnyside" and "Devon Lodge" annotated by David Elvery 2/6/99 -3 p'copied photos, Belgrave Heights, possibly Varney's butchers shop, possibly Whitlam residence. Annotated by David Elvery -2 p'copied photos, "Lockwood House", Golf links (Bill Woodfull, Principal of Upwey High School in photo), annotated David Elvery 2/6/99 -2 photos from David Elvery - moving Melbourne tram into "house" location at Lockwood, and bus "W. Dyke" unknown date and location. -3 photos from David Elvery - David on Gypsy (pony) Mt Morton Rd c1937, Wendy and David at entrance 37 Lockwood Rd c1942, David on Mack (horse) on golf links c1947 -Photo Arthur and Harrison Elvery, Lockwood House in background c1916 -photo Mrs Elvery, p'copy of postcard 26/3/20 addressed to "Dear Maud", mentions Charlie's wife and Laura (incomplete) -photo George Rae (Narre Warren North) Harold Allen and three other boys c1939 -6 photos, unlabelled (duplicates?) -photo Orchard Rd, Belgrave Heights -photo unlabelled, woman with child in pram, house in background (Lockwood?) -photo David Elvery on Gypsy as above -Rose postcard P2032 "Lockwood" Belgrave, Victoria -photo David Elvery on Mack (as above) -photo Wendy and David Elvery (as above) -2 photos, tram being moved (as above), football team -p'copy of Certificate of Title Vol.4562 Fol. 912336 dated 31/1/1922 - see list of names in folder -p'copy Memorial of Instruments (Land Title) dated 14/1/1914 -p'copy Cert. of Title Vol. 4562 Fol. 912335 dated 31/1/1922 -handwritten note, David Elvery to Susan Heywood-Downard -p'copy Memorial of Instruments dated 14/1/1914 -p'copy subdivision map, area bounded by Glen, Orchard, Avonside and Bay Rds, Belgrave Heights -p'copy Cert. of Title, Vol. 4810 Fol. 961945, dated 2/1/1924 -p'copy Cert. of Title, Vol. 4562 Fol. 912337, dated 31/1/1922 -Typed list of photo caption, relating to some of above photos -List of names and dates appearing on land title documents enclosed -Printout, Australian Dictionary Of Biography - Davies family - handwritten addition, marriage details, Arthur Elvery & Hannah Ord. -Printout - Family Search, Maria Louisa Davies, and family group, Ebenezer Davies & Ruth Bartlett. -letter to editor, Northern Star, Lismore, NSW, 11 Aug. 1923, Hannah Elvery, re. sport on Sunday -typescript - Elvery Family History, part of the "Alstonville" Elvery story, supplied by David H. Elvery 30th May 1999. From Bob Quincey.elvery family, lockwood house, belgrave heights, devon lodge -
Ballarat Tramway MuseumPostcard - Illustration/s, McCarron Bird, MMTB tram postcards
Set of nine of printed illustrations - postcard size of Melbourne and Metropolitan Tramways Board Tramcars produced in 1978. Separate card for each class of tramcar featured, with notes, statistics, MMTB name. Each card also has printers name and date on back. Not a formal postcard, no place for a stamp. 1810.1 - X1 - 465 with 466 in background. Photographed at Footscray station terminus, c1962. 465 has destination of "Ballarat Rd." 1810.2 - Z7 in Victoria Parade, c1975 - has destination of "West Preston - Regent St." and route number "13". 1810.3 - Cable car set (No. 1) - photographed at Preston Workshops 1810.4 - L104 - showing destination of Carnegie and route number 67. 1810.5 - Y469 - showing destination of "Wattle Park - Elgar Road", possibly with Wattle Park in background. 1810.6 - T180 - showing "Special", while on a charter. 1810.7 - W7 1022 - showing destination "West Preston", route 11, freshly painted. 1810.8 - X2676 - freshly painted. 1810.9 - W2511 - fitted with marker lights, freshly painted, showing "City" - route 11. Cards 8 and 9 added 9/3/2018 from Donation of John Ruyg. trams, tramways, melbourne, mmtb, tramcars -
Ballarat Tramway MuseumPamphlet, Royal Historical Society of Victoria (Bendigo and District Branch), "Welcome to Bendigo" / "Evolution of Bendigo Tramways", 1960's
Four page, heavy manila coloured card - 200 gsm, scored and folded, sepia toned pamphlet titled "Welcome to Bendigo" / "Evolution of Bendigo Tramways". On front cover has a photo taken early 1960's of four trams at Charing Cross, the name of Bendigo, change of name from Sandhurst. Inside pages features 1890 Bendigo, 1903 California combination, 1945 Maximum Traction bogies, 1892 steam tram, 1913 open cross bench trams and 1947 Birney safety cars. On rear has map of Bendigo, and a list of places of interest. Has the crest of the City of Bendigo on the front cover.trams, tramways, bendigo, steam trams, battery trams -
Ballarat Tramway MuseumPostcard, Rose Stereograph Co, "Ballarat Botanical Gardens by Lake Wendouree
Printed full colour postcard titled "Ballarat Botanical Gardens by Lake Wendouree Victoria Australia". Features photos of the Sensory Garden, Begonias, Prime Ministers Avenue, Lake Wendouree and No. 661, Wendouree Parade and Robert Clark centre logo. On rear is places for correspondence, stamp, barcode, address and rose image. Has the name of the publisher "Rose Stereograph Co. Glen Waverley Victoria" and name of photographers, Neil Cutts and Stephen Cutts". Rose Series No. 3620. trams, tramways, btm, wendouree parade, gardens, begonia festival, tram 26 -
Ballarat Tramway MuseumPostcard, Rose Stereograph Co, "Ballarat Botanical Gardens Victoria Australia"
Printed full colour postcard titled "Ballarat Botanical Gardens Victoria Australia". Features photos of BTM No. 26, Lake Wendouree, Statuary, Flight from Pompeii and the Robert Clark Centre. On rear is places for correspondence, stamp, barcode, address and rose image. Has the name of the publisher "Rose Stereograph Co. Glen Waverley Victoria" and name of photographer, Stephen Cutts". Rose Series No. 4070. trams, tramways, btm, wendouree parade, gardens -
Ballarat Tramway MuseumPostcard, Steve Parish Publishing Pty Ltd, "Ballarat Australia" and "Victoria Collection", 2003
Printed full colour postcard titled "Ballarat Australia" and "Victoria Collection". Features photos of BTM No. 27, Lake Wendouree, black swan and paddle board. On rear is places for correspondence, stamp, barcode, address and publisher logo. Has the name of the publisher "Steve Parish" Steve Parish No. PC3036 and address details. trams, tramways, btm, wendouree parade, gardens, lake wendouree, swans -
Otway Districts Historical SocietyPassbook, Beech Forest Progress Association. Passbook, 1959-1981
The State Savings Bank of Victoria passbook number 67563 running from October 1959 until mid 1982 has several features. (1) The cover is held in place by string. (2) The cover has the name of Colac printed on it. (3) Inside the front cover the SSB conditions relating to Depositors, and the Rules and Regulations of the SSB. (4) Inside the back cover the SSB branches and agencies are printed.. (5) On the inside back cover the withdrawl by depositors from branches other than their own. (6) Inside, the February 14 1966 decimal currency conversion.Beech Forest Progress Association passbook 67563, 29 October 1959 to 1 June 1981. The State Savings Bank of Victoria, Colac Branch. (1) Original passbook number crossed out and the number 67563 inserted. (2) re Estate of S.R. Cameron dec'd, from Clarke & Barwood. Memorandum included.beech forest progress association; passbook; state savings bank; dc conversion; state bank of victoria; -
Bendigo Historical Society Inc.Book - Geographical dictionary
The Gazetteer presents an extensive a to z list of Victorian towns and villages, lakes, rivers and creeks, islands, bays, hills and mountains, runs and other localities and features. Entries include latitude and longitude, populations, proximity to other towns, local industries, coach and mail runs, hotels, churches and schools.Bailliere's Victorian Gazetteer and road guide containing the most recent and accurate information as to every place in the colony. Brown hardcover book, on the spine: Victorian Gazetteer with map 1865. The first and last pages are advertisements. The book has 442 pages listing every place in the colony. The map is not included. Compiled by Robert P. Whitworth. Published by Bailliere, Regent Street Unreadable name on first page and the name of F. Houston in blue pen on first page geographic dictionary, colony of victoria -
Bendigo Historical Society Inc.Photograph - PETER ELLIS COLLECTION: NORTHCOTT'S CITY BAND
Mr. Northcott served all through the Crimean war, and obtained three service medals. He was most fortunate, as he did not even receive a scratch. While fighting in the trenches one day he happened to glance round, and was surprised to discover that his brother was by his side. They had not seen each other for a long time, and the meeting under such circumstances can be imagined. Two of his brothers, John and William, served throughout the war. At its close he came to Victoria, the gold fever being then at its height. His stay in Bendigo was brief, as the New Zealand rush attracted his attention, but he returned in 1858 to Bendigo, and as the outlook was quiet, he went back to New Zealand in 1859. Finally, in 1860, he settled in the Bendigo district with his father and mother and brother William. They took up some land at Leichardt and remained there for some years. It was about this time that he became prominent in musical circles. He came of a musical family, as his oldest brother, John, was one of the musicians to the Royal Family, and was pensioned by the late Queen Victoria. His younger brother, William, is at the present time one of the leading cornet players in the United States. In 1867 the late Mr. Northcott married Miss Lansell, sister of Mr. Geo. Lansell, her demise having taken place about three months before. When he left Leichardt, Mr. Northcott became Mr. Lansell's general manager, and continued in that capacity for 26 years. While he was manager of the 180 Mine it is estimated that gold to the value of a million sterling was taken from the mine. It is, perhaps, in his capacity as a bandsman, that Mr. Northcott was best known, as he became a familiar figure not only in the chief centres of Victoria but throughout Australia. He first became leader of the old Volunteer Band, and he was subsequently leader of the Battalion Band at Castlemaine. It was when he became leader of the musical combination known as Northcott's Brass Band that his fame and the fame of the band became widespread, as some 25 years ago it was one of the finest bands in Australia, and held that distinction for many years. Although many changes in the personnel of the band have taken place, it still retainsits old name. Mr. Northcott was a cornet player of high ability, and in 1871 he was presented by the citizens of Bendigo with a handsome silver cornet, in recognition of his services as a musician. His home contains a great array of trophies, photographic groups of bandsmen etc., which serve to indicate in a sense the reputation he enjoyed as a bandsman. During his career in Bendigo he invested in mining a good deal, but was not very fortunate in this respect, as he lost a good deal of money on the New Chum line. Naturally he was well known and warmly respected, especially by bandsmen. He was a genial citizen, and made a large circle of sincere friends. He was a member of the Zenith Lodge of Masons, having passed through the chairs twice. He was also a member of the A.O.F., and formerly a member of the School of Mines Administrative Council. It was about this time that he became prominent in musical circles. He came of a musical family, as his oldest brother, John, was one of the musicians to the Royal Family, and was pensioned by the late Queen Victoria. His younger brother, William, was one of the leading cornet players in the United States.Black and white photograph of Northcott's City Band, Bendigo. 3 rows of men in Band Uniform. Drum centre, brass instruments.men laying in grass at front.organisation, band, northcott's city band -
Bendigo Historical Society Inc.Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: GRADE 6 NETBALL TEAM
Golden Square Primary School Grade 6 Netball Team photo and separate listing of names on yellow sheet: : image shows Angie Zerella (coach) Calez Holmes, Jess Wardle, Corrinne Packham, Erica Dalrymple-Monro, Brianna Dalrymple-Monro, Emily Zerella, Katei Allen, Chloe Boyd, lauren Stirling (absent) runners up GCNA under 13 A1 Division. 4th. Place netball Victoria State Tournament..bendigo, education, golden square primary school, golden square primary school, netball. -
Bayside Gallery - Bayside City Council Art & Heritage CollectionSculpture, Margaret Baskerville, Sir Thomas Bent, 1913
Arguably Margaret Baskerville’s most famous work, the bronze statue of politician and land speculator Sir Thomas Bent was Baskerville’s first public commission and a significant turning point in her career. Originally located in the centre of the Nepean Highway, in Brighton, it became somewhat of signpost for many Melbournians until it was relocated to the corner of Bay Street in 1980.The statue of Sir Thomas Bent is of historic and social significance to the State of Victoria. The statue is historically significant for commemorating Bent's long, active and infamous political career in Victoria. He was responsible for many important speculative ventures both within his electorate and in the wider context of Victoria. Although not without thought for personal gain, Bent was a committed advocate of public utilities, railways, roads, tramways and gasworks. The statue is historically significant as the first large public commission given to a woman sculptor in Victoria. This work helped the sculptor, Margaret Baskerville, preserve her name as Victoria's first professional woman sculptor. The statue is socially significant as testimony to the late nineteenth century land boom and the financial and political corruption and scandals that accompanied it. https://vhd.heritagecouncil.vic.gov.au/places/12614bronze and granite thomas bent, politician, mayor, premier, bust, sculpture, margaret baskerville, speaker, member of parliament, member of lower house, local government, councillor, brighton, public art, bayside -
![Photograph, Centenary Celebrations, Willsmere [Kew] Mental Hospital, 1972, 1972](/media/collectors/550653872162f11fb04854aa/items/5e93e46c21ea6715588a9ee3/item-media/5e93e4a821ea6715588ab520/item-fit-380x285.jpg)
Kew Historical Society IncPhotograph, Centenary Celebrations, Willsmere [Kew] Mental Hospital, 1972, 1972
This photograph is part of a series taken at the Willsmere (Kew) Mental Hospital. The photographs were gifted to the Kew Historical Society in 2018 by Rosemary Barnes. The photos had been in the possession of her former husband, Dr Fred Stamp, the last medical superintendent of the hospital. In 2019, the photographs were transferred to the State Archives as Permanent Government Records, as the Society is only entitled as a Class-B Place of Deposit to hold Temporary Government Records. The Society was permitted to keep and publish a digital copy of each photograph. Many of the photographs include information on the reverse about individuals or locations. Where this is the case, these have been published here as images that can be viewed in the picture carousel. Permission for third parties to reproduce this record must be granted by the Public Record Office Victoria.One of a series of photographs of the centenary celebrations at the Willsmere Mental Hospital in 1972.STAFF MEMBERS PRESENT COSTUMES & DRESS OF THE 1870'S AT CENTENARY 1972 / NAMES?willsmere mental hospital, willsmere unit, kew mental hospital, kew lunatic asylum, willsmere hospital -
![Photograph, Centenary Celebrations, Willsmere [Kew] Mental Hospital, 1972, 1972](/media/collectors/550653872162f11fb04854aa/items/5e93e50d21ea6715588afc49/item-media/5e93e53b21ea6715588b1352/item-fit-380x285.jpg)
Kew Historical Society IncPhotograph, Centenary Celebrations, Willsmere [Kew] Mental Hospital, 1972, 1972
This photograph is part of a series taken at the Willsmere (Kew) Mental Hospital. The photographs were gifted to the Kew Historical Society in 2018 by Rosemary Barnes. The photos had been in the possession of her former husband, Dr Fred Stamp, the last medical superintendent of the hospital. In 2019, the photographs were transferred to the State Archives as Permanent Government Records, as the Society is only entitled as a Class-B Place of Deposit to hold Temporary Government Records. The Society was permitted to keep and publish a digital copy of each photograph. Many of the photographs include information on the reverse about individuals or locations. Where this is the case, these have been published here as images that can be viewed in the picture carousel. Permission for third parties to reproduce this record must be granted by the Public Record Office Victoria.One of a series of photographs of the centenary celebrations at the Willsmere Mental Hospital in 1972.STAFF MEMBERS PRESENT COSTUMES & DRESS OF THE 1870'S AT CENTENARY 1972 / NAMES?willsmere mental hospital, willsmere unit, kew mental hospital, kew lunatic asylum, willsmere hospital -
![Junction of the Rivers Yarra and Watt, Near Healesville / [by] Nicholas Caire, circa 1876](/media/collectors/550653872162f11fb04854aa/items/577740e5d0cdd10a5c0de011/item-media/57774153d0cdd10a5c0e0662/item-fit-380x285.jpg)
Kew Historical Society IncPhotograph, Anglo-Australasian Photographic Company, Junction of the Rivers Yarra and Watt, Near Healesville, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen Silver Photograph, mounted on Board.printed in ink on support l.c.: JUNCTION OF THE RIVERS YARRA AND WATT, NEAR HEALESVILLE. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 3. / JUNCTION OF THE RIVERS YARRA AND WATT, NEAR HEALESVILLE / The junction is situated about 3 miles from Healesville, and 35 miles from the mouth of the Yarra. The souces / of the Watt are to be found at the head of the Black Spur, and, being fed by a number of creeks and springs, its / waters gain considerable force for several miles before joining those of the Yarra. The "Old Bridge," at the junction, / is the name given to this crossing-place, which has been partly swept away by late floods. The depth of the Yarra here / is from 15 to 20 feet; that of the Watt, about 10 feet. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), yarra river, watt river, bridge, wooden bridge, healesville -
![Fern Bridge Gully, Black Spur / [by] Nicholas Caire, circa 1876](/media/collectors/550653872162f11fb04854aa/items/577b4c16d0cdd10948c8afab/item-media/577b4c75d0cdd10948c8ebe0/item-fit-380x285.jpg)
Kew Historical Society IncPhotograph, Anglo-Australasian Photographic Company, Fern Bridge Gully, Black Spur, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series), No.22 / ‘Fern Bridge Gully, Black Spur’ / Albumen silver photograph mounted on boardInscription on reverse: 'Fern Bridge Gully is situated near the summit of the Black Spur, about two miles from Fernshawe. Here the foliage is exceedingly dense, so much so as to exclude daylight in many places. This stream has derived its name from the fact of the Bridge having been constructed of large massive fern tree. The stream which flows beneath the Bridge is one of the sources of the River Watt.’nicholas caire (1837-1918), australia - landscape photography -
![Waterfall Scene on the Coliban River, near Elphinstone / [by] Nicholas Caire, circa 1876](/media/collectors/550653872162f11fb04854aa/items/577b4d42d0cdd10948c96acf/item-media/577b4dbfd0cdd10948c9b34f/item-fit-380x285.jpg)
Kew Historical Society IncPhotograph, Anglo-Australasian Photographic Company, Waterfall Scene on the Coliban River, near Elphinstone, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.23 / ‘Waterfall scene on the Coliban River, near Elphinstone’ / Albumen silver photograph mounted on boardOn reverse: ‘The scene this illustration presents is but one of the many that exist along the course of this shallow River, which, like its parent the Campaspe, abounds with rocky and romantic scenery. The fall of the River at this place is over one hundred feet, but is broken by a long course of rocks to the lower bed; the actual fall as seen is about forty feet. The Coliban, though only a branch of the Campaspe, derives its name from the fact that its course runs through the Coliban Park. Gold is found in considerable quantities along the banks and in the stream, but at the present time these diggings are worked only by Chinamen.’nicholas caire (1837-1918), australia - landscape photography -
![Cumberland Creek, near Point Sturt / [by] Nicholas Caire, circa 1876](/media/collectors/550653872162f11fb04854aa/items/57834713d0cdd1176c71111b/item-media/57834799d0cdd1176c71e113/item-fit-380x285.jpg)
Kew Historical Society IncPhotograph, Anglo-Australasian Photographic Company, Cumberland Creek, near Point Sturt, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Cumberland Creek, near Point Sturt’ : Views of Victoria (General Series) No.59 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The Cumberland Creek is so named from the close resemblance it bears to the place bearing that name in the mother country. The present illustration represents the precipices and hills which surround the Cumberland Creek. The soil around the hills is mostly sandstone rubble, hence the only vegetation identical with the spot is the inevitable sword grass and salt scrub, which frequently exist where no other vegetation can be found.’nicholas caire (1837-1918), landscape photography -
Kew Historical Society Inc
Document, Letter of Donation, Arthur Dear Collection / from Mary Dear, 2011, 14/01/2011
Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Letter to the Kew Historical Society relating to the donation of the Arthur Dear Collection by the donor.14TH JANUARY 2011 / KEW HISTORICAL SOCIETY INC / P/O BOX 175 / KEW 3101 / Dear Sir/Madam / My name is Mary Tracey (nee DEAR). My later father, ARTHUR HENRY DEAR was caretaker of the KEW RECREATION HALL from approximately 1945 to 1959 when the HALL was demolished by the KEW BOWLING CLUB. Please find enclosed some Programmes of events that took place at the HALL during that period of time. Hoping they may be of some interest, yours sincerely MARY TRACEY, ****arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, kew civic hall -- cotham road, city of kew -
Kew Historical Society IncPostcard, Macauleys' Boat House, Kew, c.1900
The Kew Historical Society's Pictures Collection is comprised of photographs, postcards and original works of art. The postcards include original (mainly) images dating from the 1900s to the present. A number of postcards, some of which have numerous variants, were published as parts of series. Others are original images customised as postcards. Many of the postcards in the collection depict places within the suburbs of Kew and Kew East. Others depict locations in Victoria or internationally.View of two women and two children in a canoe at Macauleys' Boat Shed at the end of Molesworth Street, Kew. At the left of the image stands a man and his dog, presumably the manager of the boat shed. On the bak of the seat of one of the canoes is its name - sunbeam. Another item in the collection includes one of these name boards."Lower Molesworth Street, 1900. Home restored still standing 1980."postcards, recreation - yarra river - kew (vic), yarra river - kew (vic), macauley's boat house -- boat shed -
8th/13th Victorian Mounted Rifles Regimental CollectionPhotograph - 8 LH, The Famous 8th Light Horse, 1920 circa
The 8th Light Horse was raised at Broadmeadows Victoria in September 1914 and sailed for overseas in December 1914 so this trial must have taken place during that period. The Wiles mobile cooker was developed by a Ballarat engineer, James Fletcher Wiles, on the advice of Sir Stanton Hicks, first Director of Catering for the Australian Army. The horse drawn cooker was operated by steam, raised by burning oil, to cook food and heat a baking oven. About 300 units were produced during WW1 (1914-18) and were in service in Egypt, France, and Australia. They could be operational in 20 minutes, and cooking could take place while being towed up to 50 kph..The first trial of this major innovation in military cooking together with this fine study of a light horse regiment on the march makes this object a significant one to the Australian Army and Victoria.Large framed photograph of a regiment of mounted horsemen on the march. Frame is of stained molded wood with glass front. Name panel at lower centre."The famous 8th Light Horse / returning from Greensborough Camp / After the first trial of the Wiles Cooker / Victoria 1914-1918"wiles cooker, greensborough, world war one, wwi, light horse -
Kew Historical Society IncPhotograph - Opening of the Dorothy Rogers Reserve, 1976
Dorothy Rogers wrote two major books on Kew's history: Lovely Old Homes of Kew (1961) and A History of Kew (1973). In addition to her published works, she was a regular contributor on issues of local history to suburban newspapers. Her archives are held in the collections of the State Library of Victoria and Kew Historical Society. Three years after her death in 1973, the Reserve was opened in her honour.Faded colour positive photograph of the opening of the Dorothy Rogers Reserve in 1976. The naming of the reserve honoured the contribution of the historian Dorothy Rogers, foundation member of the Society. The reserve is located on the north side of Studley Park Road just west of Kew Junction. Inscribed verso: "Members and relatives of the late Dorothy Rogers. Memorial reserve named and unveiled in her honour by (Cr Whiting Mayor) and City Manager Mr Fell 1978. In respect for her great research and service to the history of early Kew, and other places."dorothy rogers reserve, public parks -- kew (vic.) -
Kew Historical Society IncPhotograph - 'Butleigh Wooton', 867 Glenferrie Road, John T Collins, 1979
in 1882 Thomas Maidment paid the Society of Jesus £5,750 for nine allotments along Barkly Road (now Glenferrie Road). Maidment, who had arrived in Australia from the Glastonbury district in England in 1858, owned and managed a number of sheep stations in Victoria and subsequently became an '... eminently respectable ...' member of District society. In 1883 the Rate Books list Maidment's land in Barkly Road as the 'Buxton Hill Estate' and it was given an N.A.V. of £90, while in the following year his property attracted an N.A.V. of £160, suggesting that substantial improvements were taking place. Maidment's two-storey mansion, named 'Butleigh Wooton' after his birth-place in England, was completed in 1885 and was given an initial N.A.V. of £420. While Maidrnent is recorded as the owner of the building until at least 1896, Jane Maidment, his wife, continued the family ownership of the twenty-six roomed house with its extensive grounds until at least 1910. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Butleigh Wooton is a substantial two storeyed house built in the Italianate style common in the 1880s. Its walls are rendered and it has limited applied decoration that includes brackets to the eaves line and engaged ionic columns under a broken pediment over the front entrance. The bowed window unit is of particular distinction and is not at all typical of this type of building. This interior by John T Collins is a view of the staircase from the first floor landing. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Reverse: "JOHN COLLINS / 11 Anderson Road / Hawthorn East, 3123 / Film 395 Exposure 27A / Kew / Butleigh Wooton / Looking down on stairs / 8-4-79thomas maidment, butleigh wooton, 867 glenferrie road -- kew (vic.) -
Kew Historical Society IncPhotograph - 'Butleigh Wooton', 867 Glenferrie Road, John T Collins, 1979
in 1882 Thomas Maidment paid the Society of Jesus £5,750 for nine allotments along Barkly Road (now Glenferrie Road). Maidment, who had arrived in Australia from the Glastonbury district in England in 1858, owned and managed a number of sheep stations in Victoria and subsequently became an '... eminently respectable ...' member of District society. In 1883 the Rate Books list Maidment's land in Barkly Road as the 'Buxton Hill Estate' and it was given an N.A.V. of £90, while in the following year his property attracted an N.A.V. of £160, suggesting that substantial improvements were taking place. Maidment's two-storey mansion, named 'Butleigh Wooton' after his birth-place in England, was completed in 1885 and was given an initial N.A.V. of £420. While Maidrnent is recorded as the owner of the building until at least 1896, Jane Maidment, his wife, continued the family ownership of the twenty-six roomed house with its extensive grounds until at least 1910. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Butleigh Wooton is a substantial two storeyed house built in the Italianate style common in the 1880s. Its walls are rendered and it has limited applied decoration that includes brackets to the eaves line and engaged ionic columns under a broken pediment over the front entrance. The bowed window unit is of particular distinction and is not at all typical of this type of building. This interior by John T Collins is a view of the staircase from the first floor landing. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Reverse: "JOHN COLLINS / 11 Anderson Road / Hawthorn East, 3123 / Film 395 Exposure 21A / Kew / Butleigh Wooton / Staircase / 8-4-79thomas maidment, butleigh wooton, 867 glenferrie road -- kew (vic.), john t collins -
Kew Historical Society IncPhotograph - 'Butleigh Wooton', 867 Glenferrie Road, John T Collins, 1979
in 1882 Thomas Maidment paid the Society of Jesus £5,750 for nine allotments along Barkly Road (now Glenferrie Road). Maidment, who had arrived in Australia from the Glastonbury district in England in 1858, owned and managed a number of sheep stations in Victoria and subsequently became an '... eminently respectable ...' member of District society. In 1883 the Rate Books list Maidment's land in Barkly Road as the 'Buxton Hill Estate' and it was given an N.A.V. of £90, while in the following year his property attracted an N.A.V. of £160, suggesting that substantial improvements were taking place. Maidment's two-storey mansion, named 'Butleigh Wooton' after his birth-place in England, was completed in 1885 and was given an initial N.A.V. of £420. While Maidrnent is recorded as the owner of the building until at least 1896, Jane Maidment, his wife, continued the family ownership of the twenty-six roomed house with its extensive grounds until at least 1910. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Butleigh Wooton is a substantial two storeyed house built in the Italianate style common in the 1880s. Its walls are rendered and it has limited applied decoration that includes brackets to the eaves line and engaged ionic columns under a broken pediment over the front entrance. The bowed window unit is of particular distinction and is not at all typical of this type of building. This interior by John T Collins is a view of the staircase from the first floor landing. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Reverse: "JOHN COLLINS / 11 Anderson Road / Hawthorn East, 3123 / Film 395 Exposure 21A / Kew / Butleigh Wooton / Staircase looking up to dome / 8-4-79thomas maidment, butleigh wooton, 867 glenferrie road -- kew (vic.), john t collins -
Kew Historical Society IncPhotograph - 'Butleigh Wooton', 867 Glenferrie Road, John T Collins, 1979
in 1882 Thomas Maidment paid the Society of Jesus £5,750 for nine allotments along Barkly Road (now Glenferrie Road). Maidment, who had arrived in Australia from the Glastonbury district in England in 1858, owned and managed a number of sheep stations in Victoria and subsequently became an '... eminently respectable ...' member of District society. In 1883 the Rate Books list Maidment's land in Barkly Road as the 'Buxton Hill Estate' and it was given an N.A.V. of £90, while in the following year his property attracted an N.A.V. of £160, suggesting that substantial improvements were taking place. Maidment's two-storey mansion, named 'Butleigh Wooton' after his birth-place in England, was completed in 1885 and was given an initial N.A.V. of £420. While Maidrnent is recorded as the owner of the building until at least 1896, Jane Maidment, his wife, continued the family ownership of the twenty-six roomed house with its extensive grounds until at least 1910. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Butleigh Wooton is a substantial two storeyed house built in the Italianate style common in the 1880s. Its walls are rendered and it has limited applied decoration that includes brackets to the eaves line and engaged ionic columns under a broken pediment over the front entrance. The bowed window unit is of particular distinction and is not at all typical of this type of building. This interior by John T Collins is a view of the staircase from the first floor landing. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Reverse: "JOHN COLLINS / 11 Anderson Road / Hawthorn East, 3123 / Film 395 Exposure 21A / Kew / Butleigh Wooton / Railing at head of stairs / 8-4-79thomas maidment, butleigh wooton, 867 glenferrie road -- kew (vic.), john t collins -
Kew Historical Society IncPhotograph - 'Butleigh Wooton', 867 Glenferrie Road, John T Collins, 1979
in 1882 Thomas Maidment paid the Society of Jesus £5,750 for nine allotments along Barkly Road (now Glenferrie Road). Maidment, who had arrived in Australia from the Glastonbury district in England in 1858, owned and managed a number of sheep stations in Victoria and subsequently became an '... eminently respectable ...' member of District society. In 1883 the Rate Books list Maidment's land in Barkly Road as the 'Buxton Hill Estate' and it was given an N.A.V. of £90, while in the following year his property attracted an N.A.V. of £160, suggesting that substantial improvements were taking place. Maidment's two-storey mansion, named 'Butleigh Wooton' after his birth-place in England, was completed in 1885 and was given an initial N.A.V. of £420. While Maidrnent is recorded as the owner of the building until at least 1896, Jane Maidment, his wife, continued the family ownership of the twenty-six roomed house with its extensive grounds until at least 1910. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Butleigh Wooton is a substantial two storeyed house built in the Italianate style common in the 1880s. Its walls are rendered and it has limited applied decoration that includes brackets to the eaves line and engaged ionic columns under a broken pediment over the front entrance. The bowed window unit is of particular distinction and is not at all typical of this type of building. This interior by John T Collins is a view of the staircase from the first floor landing. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Reverse: "JOHN COLLINS / 11 Anderson Road / Hawthorn East, 3123 / Film 395 Exposure 21A / Kew / Butleigh Wooton / Entrance / 8-4-79thomas maidment, butleigh wooton, 867 glenferrie road -- kew (vic.), john t collins -
Heidelberg Theatre Company Inc..Program Photos ReviewSet Design, Liliom by Ferenec Molnar directed by Joy Youlden
The Adult Education Association Drama Group originally staged Liliom at the Union Theatre, University of Melbourne on Saturday, 3rd November, 1951, at 8pm and on the 8th November it was re-staged by them as the opening production of the The City of Heidelberg Repertory Company, now known as the Heidelberg Theatre Company Inc. in the Eistedford Hall, Ivanhoe. Sketch for Prologue, Fair Ground Scene, and Sketch for Scenes 2 and 3, The Tin Type Shop, for Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Theatre.Sketch for Prologue, Fair Ground Scene, and Sketch for Scenes 2 and 3, The Tin Type Shop, for Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Theatre. Sketch for Prologue, Fair Ground Scene, and Sketch for Scenes 2 and 3, The Tin Type Shop, for Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Theatre Company. Photo from unidentified newspaper of the director of Liliom by Ferenc Molnar, Joy Youlden.an Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951 and restaged at the Eisteddfod Hall, Ivanhoe as the opening production in January, 1952 for the newly formed City of Heidelberg Repertory Group. The Adult Education Association Drama Group performers, backstage workers and technicians staged the play at the Eisteddfod Hall in Ivanhoe. Local Councillor E.A. Carlyle attended and addressed the audience. Reg Rudd is described as director-producer. He announced another Repertory evening in February. Inagural production under the name of The City of Heidelberg Repertory Company, now known as the Heidelberg Theatre Company Inc., staged in the Eisteddfod Hall, 14 Ivanhoe Parade, Ivanhoe, Victoria, Australia on the 8th November, 1952.All items in good condition. Original and one colour photocopy of hand drawn sketches for the Prologue and Scenes 2 and 3 settings in blue biro with watercolour washes on ecru paper. On the back side of paper with scene sketch of Act 1. Photo – Joy Youlden - Small black and white cutting from unidentified newspaper on newsprint which has yellowed, Cutting has been glued onto ecru A4 paper sheet. Sketch for Scene 6, The Land Beyond, and Sketch for Scene 7, Julies House 16 Years later, an Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Repertory Group. Sketches for Scene 4, The Railway Embankment, and Sketch for Scene 5, Behind The Shop, an Adult Education Association Drama Group production at the Union Theatre from 1st – 3rd November, 1951. Resulting sets were transported to the Eisteddfod Hall, Ivanhoe and used in the opening production in January, 1952 for the newly formed City of Heidelberg Repertory Group. Handwritten detail of scene numbers and names, name of producer, theatre company AEA (Adult Education Association) Drama Group Show and place, Union Theatre.eistdford hall, fern matthews, city of heidelberg repertory group, adult education association drama group, liliom, liliom by ferenec molnar directed by joy youlden, 1952, 1 -
Surrey Hills Historical Society CollectionBook, A Soldier's Privilege - WW1 Diary of Frederick William Mawson
This is a transcription by Sandra Dexter of the original WW1 diary which was donated to ANZAC House by John Howden, F.W. Mawson's nephew. Sandra augmented the words in the diary with additional material including photos to give context to the people, places and events referred to in Frederick Mawson's words. Published with Surrey Hills Historical Society funds with permission of Anzac House librarian, Fred Pratt. Transcribed as a result of the loan of the original for the exhibition mounted as part of the 'Gallipoli and Beyond 2015' raft of events coordinated by City of Boroondara and the historical societies of Boroondara. Details re Fred Mawson (source AIF Project): Regimental number: 3073; Place of birth: Carlton, Victoria; School: Surrey Hills State School, Victoria; Religion: Presbyterian; Occupation: Carpenter; Address: Bona Vista Avenue, Surrey Hills; Marital status: Single; Age at embarkation: 22; Next of kin: Father, Frederick Mawson, Bona Vista Avenue, Surrey Hills; Enlistment date: 12 July 1915; Rank on enlistment: Sapper; Unit name: 5th Field Company Engineers; AWM Embarkation Roll number: 14/24/1; Embarkation details: Unit embarked from Melbourne, Victoria, on board HMAT A40 Ceramic on 24 November 1915; Rank from Nominal Roll: Lance Corporal; Fate Killed in Action 9 November 1917; Miscellaneous details (Nominal Roll): *second given name is William; Place of death or wounding: Ypres, Belgium; Age at death: 24; Place of burial: Ramparts Cemetery (Row J, Grave No. 24), Ypres, Belgium; Panel number, Roll of Honour, Australian War Memorial: 24. Also listed on the honour roll of The Shrine in the Surrey Gardens. A transcription (with footnotes and illustrations, including photographs) of a diary written in 1916 in F.W. Mawson during part of his period of service during WW1.(mrs) f w mawson, holmsdale, house names, bona vista avenue, surrey hills, world war 1, 1914 - 1918, diaries and journals, (mr) frederick william mawson, (mr) fred mawson,, (mr) frederick mawson (snr), surrey gardens memorial, sandra dexter -
Maldon Vintage Machinery Museum Inc
Horizontal Oil Engine, Early 20th century
Horizontal cylinder oil engine in working order. Mounted on a steel chassis with 4 cast iron wheels. Two flywheels and one flat belt pulley. Cylindrical cooling water tank and exhaust vertical exhaust pipe mounted at crankshaft end. Engine painted green with red wheels and red crankshaft balance weights. Oval brass plate on cylinder - "The Austral Oil Engine / Ronaldson Bros. / Makers / No. 1113 ? & Tippett / Ballarat Victoria" Thin oval metal transfer on cooling water tank with makers name and place of manufacture around Australian coat of arms.machinery; oil engine; metalwork
