This stencil was used as a location stamp for the transportation of wool bales. Leningrad, now Saint Petersburg is a Russian port city on the Baltic Sea. Wool bales marked LENINGRAD would have been transported to Russia by sea.Wool bale export stencil - LENINGRAD CARBONISEDLENINGRAD CARBONISEDwool - transportation, wool sales, wool class, wool classers

A brass gift box with an embossed hinging lid which was presented to WW1 sailors and soldiers for Christmas 1914. The gift was at the initiative of HRH The Princess Victoria Alexandra Alice Mary the daughter of the then King George V and Queen Mary. This box is empty however the full story of the box and contents can be found at the following url < http://collections.iwm.org.uk/server/show/ConWebDoc.994/setPaginate/No >The lid is embossed with the bust of HRH Princess Mary in a wreath with the letter "M" to either side and the following words "IMPERIUM BRITANNICUM" and "CHRISTMAS 1914" and has the country names "FRANCE", "BELGIUM", "JAPAN", "RUSSIA", MONTENEGRO" and "SERVIA". box, ww1, brass, wwi, gift box, princess mary s gift box, present, christmas present

Typical hand embroided post card. One of 5 in this display. Embroided rectangular card featuring large “1917” made up from national flags of United Kingdom, Belgium, France, USA, Russia and Portugal. Beneath is embroided “Souvenir de France” in silver (?). “I’m thinking of you” printed at base of card. Reverse details TBAcard

My Second Tour of the World. 1924. By G.A. Pethard Printed by The Cambridge Press, Bendigo. 1925. Includes b/w photographs and a hand drawn map. Travel book to "...afford much information on subjects and places not generally known and help readers to better appreciate the marvels of other lands'' (taken from the preface) Countries visited: Ceylon (Sri Lanka) India Malaya (Malaysia) Batavia, Java (Indonesia) China Hong Kong Japan Manchuria (China and Russia) Siberia (Russia) Russia Finland Sweden Norway England (England and Scotland and Wales) Tenerife (Canary Islands, Spain) South Africa (South Africa and Zimbabwe) Item note: With the author's compliments... [handwritten] Mr. J. Thomas, Golden Square As the pages are not numbered, it is uncertain if any pages are missing from the front of the book. The first page talks about Ceylon. It makes no mention of Fremantle. However, Fremantle is noted on the map. 3 copiesG. A. Pethardbiography, highlights of a world tour.

Part of Birmingham Collection, donated by the Family of Misses Mary and Edith Maude Graham of 4 Blair Street, Portland.Nickle-plate smovar/perculator with glass domed lid with hand. Tap in front. Sits on metholated spirits burner. Metal handle.birmingham collection, samovar, teapot, russian, container, tea making

small cream coloured paper programme No. 5 for a Performance of Leo Cherniavsky - Violinist with dark blue print and Violinist photo on front / . / Price 6d / Dorothy Mendoza at the Piano / Violinist's biography is on the back page - born in Russia /date of programme is post 1906event, music, concert, leo cherniavsky / dorothy mendoza at the piano

This card was used to identify Russian armed vehicles and provide verbal orders.Royal Australian Armed Corps Commanders Card. Featuring text and illustrations of military vehicles in black on a white background. DEPARTMENT OF DEFENSE / RAAC COMMANDERS CARD / OWG 136 / INTRODUCED MAR 83 NATO STOCK NUMBER: 7530-66 MADE IN AUSTRALIA / 117 / 2417raac, raac comannders card, card, russian vehicles

Robin and Patricia Boyd visited Russia in 1964. A pamphlet containing a map of the city.walsh st library

In November 1914, an advertisement was placed in the British national press inviting monetary contributions to a 'Sailors and Soldiers Christmas Fund' which had been created by Princess Mary, the 17 year old daughter of King George V and Queen Mary. The purpose was to provide everyone wearing the King's uniform and serving overseas on Christmas Day with a 'gift from the nation'. The response was overwhelming, and it was decided to spend the money on an embossed brass box, based on a design by Messrs Adshead and Ramsay. The contents varied considerably; officers and men on active service afloat or at the front received a box containing a combinationof pipe, lighter, tobacco and 20 cigarettes and wrappers. Non smokers received a bullet pencil and a packet of sweets instead. Indian troops often got sweets and spices, and nurses were given chocolate.This box is on loan from the grandson of the soldier who it was given to.This box is on loan from Terry Phillips. It belonged to his Grandfather who served at Gallipoli.Princess Mary 1914 Christmas Gift tin. Decorative brass with Princess Mary's profile surrounded by a laurel wreath engraved in the the centre of the lid, with the letter 'M' on both sides. The names of the allied nations are engraved in the corners and on the sides. A sword and scabbard decorate the top side. The lower side is decorated with battleships..At the top a decorative cartouche contains the words "Imperium Britannicum" and one on the lower edge contains the words "Christmas 1914". In small roundels on the corners appear the names "Belgium", "Japan", "Montenegro" and "Servia". "France and "Russia" are written on the short sides.world war one, box, brass box, princess mary 1914 christmas gift, decorative box, anzac, 1914, christmas, gift, princess, mary, russia, belgium, japan, montenegro, servia, france

These pertain to Allies in the Great War.Flags, eight of numbered in order. 1. Union Jack, 2, Stars and Stripes, 3. Italy, 4. Australia Answers, 5. Russian, 6. Belgium, 7. Union Jack, 8. Japanese. .4) Has a map of Australia with a soldier and trumpet, troops marching and a ship.On banner, “ Australia’s answer to the call, Australia responds”.flags, banners, allies

One of a series of postcards from an exhibition of works by Australian Social Realist artists held in Russia in 1960. This postcard links to the linocuts Counihan and others produced to commemorate the centenary of the Eureka Stockade in 1954 and was exhibited in Moscow.eureka stockade, socialism, australian art, ballarat, russia

One of a series of postcards from an exhibition of works by Australian Social Realist artists held in Russia in 1960. This postcard is significant to Ballarat as it links to the linocuts Counihan and others produced to commemorate the centenary of the Eureka Stockade in 1954. As this depicts a painting of an event at Ballarat significant in its context to protest for social equality that would be understood by the soviet audience. A link between Australian socialist artists and the Russian political sensibilities of the time.Black and white image of Noel Counihan's painting of Bakery Hill Ballarateureka stockade, ballarat reform league, socialism, australian art, ballarat, russia

Black and white, portrait prints of 5 allied leaders with King George centre then, France, Servia, Russia and Belgium. Decorative yellow boarders on a yellow background, flags of each country in colour around King George’s print. Rear of the card has a marked position for a stamp and writing area.postcards, allies

These notes were collected by Mr Alex Pracz who was a member of the Russian Army. He was a Prisoner of War in Germany.Two bank notes from Germany. 1 Mark which is small, square and green, blue and black. 10 Reichsmark is rectangular with white and green text and decoration.Deutschland Eine Markgerman currency, pow

WW1 Brass tin type container, containing a pack of cigarettes and tobaccoLid has etchings : Imperium Britannicum Christmas 1914, left side France, right side Russia. Cameo with a laurel wreath depicting Princess Mary. Cigarettes and tobacco packets printed with "Her Royal Highness The Princess Mary's Christmas Fund 1914.chiltern, ww1

The badge predates 1917 and was a fund raiser in Australia for the war effort. It is one of the many badges produced during World War One.This badge is retained as an example of badges made for gaining funds for the War effort during World War One.Circular painted, slightly concave, metal badge. The front features a cream map of Australia on a blue background. Inside the map is an image of six flags Belgium. France, United Kingdom, Australia, Russia and Italy and red text in a small scroll. Underneath the map is further text. There is a pin clip on the reverse.ALLIES FOR FREEDOM AND LIFEallies, world war one, war effort fundraising

Congratulatory letter received by the Russian Welfare Society from John Landy, Governor of Victoria, on the occasion of the Society's Golden Jubilee.This letter recognises the service that the Russian Welfare Society has given to people in the Victorian community between 1955-2005. The then Governor of Victoria, John Landy (who was also the Patron of the Society) paid tribute to "the commitment, dedication and care for others provided by staff and volunteers".Beige A4-sized letter in a rectangular frame. Embossed gold crown at the top.Title: "From: John Landy, A.C., M.B.E., Governor of Victoria". Features the Governor's signature, dated August, 2005.john landy, governor, victoria, russian community.

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate, fire, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, sunlight, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) detailing Clifton Pugh's garden at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting the Print Studio at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, studio, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white detailing the Artist's Gallery at Dunmoochin, located within bush surrounds at Cottles BridgeBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gallery, lithograph